It really is the same old wine in a new bottleâ¦
Lin Yuan had watched several popular superhero movies from Blue Star on his computer in a row, only to find that the formula for these superheroes was essentially the same as the early âDragonmanâ. Even though there have been some changes in recent years, they all were variations on the same theme.
The same goes for âSpidermanâ.
It tells the story of fighting monsters after becoming a superhero, but Spiderman has some unique characteristics that other superheroes lack, such as the numerous depictions of his assistance to ordinary people in the film.
âThe friendly neighborhood New Yorker.â
This is another side of Spiderman as a civilian hero. Most other superheroes in Marvel are high-profile, while Spiderman is the most down-to-earth among them. Heâs still a high school student!
There are immature parts in his thinking.
But he has a trajectory of growth.
He truly realized that as a superhero, he should take action after the death of his uncle. His uncleâs death was the trigger of his transformation. This is also why so many versions of the Spiderman series have still put an emphasis on explaining this origin story.
âWith great power, comes great responsibility.â
This line may be cliché to Earthâs Marvel fans, but newcomers to âSpidermanâ are still moved by these simple words. There are no superheroes; Spiderman is just an ordinary person burdened with a sense of social responsibility because of his immense power.
Moreoverâ¦
In the sequels to the original Spiderman, a scenario came up again and again, where Spiderman stops a ship or a bus with his spider web. This can be seen as homage to the original. In the second âSpidermanâ movie, starring Tobey Maguire, thereâs a scene where a city train is running on the tracks. In the end, Spiderman secures countless surrounding buildings with his web and finally stops the train full of people with his own body, avoiding their deaths.
The price isâ¦
Spidermanâs body reaches its limit, his clothes completely torn, his skin shredded. He falls into a deep unconsciousness. As a result, the people on the train grasp onto his body. This scene is considered one of the most iconic in the âSpidermanâ series, and a large portion of the audience possibly love Spiderman for it. The scene is simply too shocking!
The system is considerate.
Although the âSpidermanâ script provided to Lin Yuan starts with Spidermanâs origin story, this thrilling scene from the second movie is also transferred into the script, nicely echoing the famous line âwith great power, comes great responsibilityâ.
Of course.
These changes still canât alter the popcorn-flick nature of âSpidermanâ, but Lin Yuanâs aim was to boost Jian Yiâs fame, he couldnât let Jian Yi make a film about an old manâs story.
Thatâd be too heavy.
Jian Yi, at his current age, simply canât handle a heavy superhero film like âBatman,â not to mention the Joker. Even with the help of props to reach the acting standard, there are some things that canât be compensated with acting skills.
It has to be enjoyable.
Lin Yuan had previously given the audience a hard time with âHachikoâ. Now, he can give them some emotional compensation. Although Lin chose the movie himself, it seems to fit the systemâs typical behaviour well: manipulating the audienceâs emotions.
Tang Bohu foolishly grins without a brain.
The sound engineer needs to think with their brain.
Hachiko makes the audience feel heartfelt pain.
Spiderman makes the audience overwhelmingly excited.
Lin Yuan also thinks this is a good idea for making movies. You shouldnât keep the audience in the same kind of situation all the time. Once everyone has had enough of Spiderman, maybe next time something heavier could be fun?
Or even something novel.
To prevent everyone from thinking that âSpidermanâ is too formulaic, where the superhero always defeats the monster and gets the girl, ending with a romantic spider-hanging kiss scene.
In fact, Lin Yuan also considered word-of-mouth.
After all, not everyone is Nolan. The reputation of a superhero movie is basically hard to explode, but Lin Yuan canât avoid making commercial movies for the sake of Xian Yuâs word-of-mouth. The public loves it.
Itâs best when itâs enjoyed by both refined and vulgar.
Lin Yuan believes that so-called word-of-mouth should be compared with movies of the same kind. If the average reputation of commercial films is seven points, then he strives to elevate his own commercial film reputation to eight. That would be fine.
Letâs not think about this for now.
The filmâs preparation needs time.
The producers, Shen Qing and director Yi Chenggong, started to gear up the moment they got the news. Having been tremendously successful in their previous few collaborations with Lin Yuan, the two had tasted the sweet fruits of success.
However, Lin Yuan left the preparations to them.
He used this time to leisurely write his novel, not just the ongoing Hercule Poirot Series, but also his new fairy tale story that he had mentioned to his sister before, âShuke and Betaâ.
This novel was very relaxing to write.
Because fairy tales are written for children, the simpler the description, the better. The concise text allows the little ones to understand it. For instance, the beginning of the novel introduces the character Shuke straightforwardly:
Shuke is a mouse.
Generally, mice are known for sneaking around and stealing human food. This doesnât change in the world of fairy tales, but Shuke doesnât want to be a mouse that likes to steal things. He decides to be independent. So, in the first chapter, Shuke starts his journey, driving his toy plane outside.
In the beginning, he saves a tiny ant.
Then Shuke is treated by the Ant King.
As a genre that combines fun with education, âShuke and Betaâ is no exception. The first chapter reminds everyone not to steal things and to earn their rewards through their own labor.
Not just educational.
The book is also very imaginative.
For instance, an interesting plot in the story is that Beta drives a toy tank, using peanuts as cannonballs to battle with the Meow alien Mili. This scene is quite fun. If put into a web novel, it would perfect for putting on airs and slapping faces.
Good guarantee of enjoyment.
The author first gives the protagonist Beta a gold finger, a tank that can fire cannonballs, and then the scene of the weak little mouse slapping the powerful little cat Mili happens. Little cat Mili doesnât admit defeat and brings her friends to fight back â
And continues to be trampled on.
Wouldnât you find it hard to believe that the classic scene of showing off and face-slapping in web novels had appeared in the Fairy Tale Kingâs work many years ago? This book simply portrays cats as villains similar to those in web novels.
Writing as such.
Lin Yuan found himself amused.
While Lin Yuan was immersed in writing âShuke and Betaâ for three consecutive days, Silver Blue Books suddenly announced some news. While Lin himself didnât pay too much attention to it, and was engrossed in the fairy tale world of Shuke and Beta, the childrenâs literature circle in general turned its attention to it.
âThree years of grinding a sword!â
âDo you remember your childhood memories of the âThree Little Pigsâ series? Teacher Yuanyuanâs new long-form fairy tale âMeowâ is about to be released. This time itâs a story about a kitten: this will be the childhood memory of a new generation of children!ân/o/vel/b//in dot c//om
A long-form fairy tale is coming!
Teacher Yuanyuan is about to release a new work!