The piano room was as grand as any other in the club, with luxurious drapes cascading to the floor in swaths of rich velvet and golden sconces glowing softly against the deep rose walls. A proud Steinway grand stood center stage, its polished black curves gilded silver by a blanket of moonlight.
Seated in front of it, her back to me and her fingers flying over the keys at a speed that was almost dizzying to witness, was Isabella. Sheâd entered the sonataâs final movement.
A bold trill announced the start of the first theme, which twisted and stretched and turned upside down over the next two-hundred-something odd measures. Then, it was quiet, an intermission before the second themeâs choir hummed into existence.
Soft, haunting, dignifiedâ¦
Until the first theme crashed in again, its rushing notes sweeping over its successorâs quieter existence with such force it was impossible for the second not to bend. The two themes curled around each other, their temperaments diametrically opposed yet inexplicably beautiful when conjoined, climbing higher and higher and higher stillâ¦
Then a plunge, a free-falling grand finale that nosedived off the cliff in a magnificent splash of double trills, parallel scales, and leaping octaves.
Through it all, I stood, body frozen and pulse pounding at the sheer impossibility of what Iâd witnessed.
Iâd played the same sonata before. Dozens of times. But not once did it sound like that. The final movement was supposed to be thick with sorrow, an emotionally draining twenty minutes that had earned it mournful superlatives from commentators. Yet in Isabellaâs hands, itâd transformed into something uplifting, almost joyful.
Granted, her technique wasnât perfect. She leaned too heavy on some notes, too light on others, and her finger control wasnât quite developed enough to bring out all the melodic lines. Despite all that, sheâd accomplished the impossible.
Sheâd taken pain and turned it into hope.
The last note hung in the air, breathless, before it faded and all was quiet.
The spell holding me captive cracked. Air filled my lungs again, but when I spoke, my voice sounded rougher than usual. âImpressive.â
Isabella visibly tensed before the last syllable passed my lips. She whipped around, her face suffused with alarm. When she spotted me, she relaxed only to stiffen again a second later.
âWhat are you doing here?â
Amusement pulled at the corners of my mouth. âI should be asking you that question.â
I didnât disclose the fact that I knew sheâd been sneaking into the piano room for months. Iâd discovered it by accident one night when Iâd stayed late in the library and exited in time to catch Isabella slipping out with a guilty expression. She hadnât spotted me, but Iâd heard her play multiple times since. The library was right next to the piano room; if I sat near the wall dividing the two, I could hear the faint melodies coming from the other side. Theyâd served as an oddly soothing soundtrack for my work. However, tonight was the first night Iâd heard her play something as complex as the âHammerklavier.â
âWeâre allowed to use the room after hours if thereâs no one else here,â Isabella said with a defiant tilt of her chin. âWhich I guess there now is.â She faltered, her brows drawing together in a tight V.
She moved to stand, but I shook my head. âStay. Unless you have other plans for the night.â Another involuntary glimmer of amusement. âI hear neon skate parties are all the rage these days.â
Crimson bloomed across her cheeks, but she lifted her chin and pinned me with a dignified glare. âItâs impolite to eavesdrop on other peopleâs conversations. Donât they teach you that at boarding school?â
âAu contraire, thatâs where the most eavesdropping happens. As for your accusation, Iâm not sure what you mean,â I said, tone mild. âI was merely commenting on nightlife trends.â
Logic told me I shouldnât engage with Isabella any more than necessary. It was inappropriate, considering her employment and my role at the club. I also had the unsettling sense that she was dangerousânot physically, but in some other way I couldnât pinpoint.
Yet instead of leaving as my good sense dictated, I closed the distance between us and skimmed my fingers over the pianoâs ivory keys. They were still warm from her touch.
Isabella relaxed into her seat, but her eyes remained alert as they followed me to her side. âNo offense, but I canât picture you in a nightclub, much less a neon anything.â
âI donât have to take part in something to understand it.â I pressed the minor key, allowing the note to signal a transition into my next topic. âYou played well. Better than most pianists who attempt the âHammerklavier.â â
âI sense a but at the end of that sentence.â
âBut you were too aggressive at the start of the second theme. Itâs supposed to be lighter, more understated.â It wasnât an insult; it was an objective appraisal.
Isabella cocked an eyebrow. âYou think you can do better?â
My pulse spiked, and a familiar flame kindled in my chest. Her tone straddled the line between playful and challenging, but that was enough to throw the gates of my competitiveness wide open.
âMay I?â I nodded at the bench.
She slid off her seat. I took her vacated spot, adjusted the bench height and touched the keys again, thoughtfully this time. I only played the second movement, but Iâd been practicing the âHammerklavierâ since I was a child, when Iâd insisted my piano teacher skip the easy pieces and teach me the most difficult compositions instead. It was harder to get into it without the first movement as a prelude, but muscle memory carried me through.
The sonata finished with a grand flourish, and I smiled, satisfied.
âHmm.â Isabella sounded unimpressed. âMine was better.â
My head snapped up. âPardon me?â
âSorry.â She shrugged. âYouâre a good piano player, but youâre lacking something.â
The sentiment was so unfamiliar and unexpected I could only stare, my reply lost somewhere between astonishment and indignation.
âIâm lacking something,â I echoed, too dumbfounded to dredge up an original response.
Iâd graduated top of my class from Oxford and Cambridge, lettered in tennis and polo, and spoke seven languages fluently. Iâd founded a charity for funding the arts in underserved areas when I was eighteen, and I was on the fast track to becoming one of the worldâs youngest Fortune 500 CEOs.
In my thirty-two years on earth, no one had ever told me I was something.
The worst part was, upon examination, she was right.
Yes, my technique surpassed hers. Iâd hit every note with precision, but the piece had inspiredâ¦nothing. The ebbs and tides of emotion thatâd characterized her rendition had vanished, leaving a sterile beauty in their wake.
Iâd never noticed when playing by myself, but following her performance, the difference was obvious.
My jaw tightened. I was used to being the best, and the realization that I , at least not at this particular song, rankled.
âWhat, exactly, do you think Iâm lacking?â I asked, my tone even despite the swarm of thoughts invading my brain.
Iâd never done anything less than perfectly, and this would not be my exception.
Isabellaâs cheeks dimpled. She appeared to take immense delight in my disgruntlement, which shouldâve infuriated me more. Instead, her teasing grin almost pulled an answering smile out of me before I caught myself.
âThe fact you donât know is part of the problem.â She stepped toward the door. âYouâll figure it out.â
âWait.â I stood and grabbed her arm without thinking.
We froze in unison, our eyes locked on where my hand encircled her wrist. Her skin was soft to the touch, and the flutter of her pulse matched the sudden escalation in my heartbeat.
A heavy, tension-laced silence mushroomed around us. I was a proponent of science; I didnât believe in anything that defied the laws of physics, but I couldâve sworn time physically slowed, like each second was encased in molasses.
Isabella visibly swallowed. A tiny movement, but it was enough for the laws to snap back into place and for reason to intervene.
Time sped to its usual pace, and I dropped her arm as abruptly as Iâd grasped it.
âApologies,â I said, my voice stiff. I tried my best to ignore the tingle on my palm.
âItâs fine.â Isabella touched her wrist, her expression distracted. âHas anyone told you that you talk like an extra from ?â
The question came from so far out of left field it took a moment to sink in. âIâ¦a ?â
âAn extra from You know, that show about the British aristocracy during the early twentieth century?â
âI know the show.â I didnât live under a rock.
âOh, good. Just thought Iâd let you know in case you didnât.â Isabella flashed another bright smile. âYou should try to loosen up a bit. It might help with your piano playing.â
For the second time that night, words deserted me.
I was still standing there, trying to figure out how my evening had gone so off the rails, when the door closed behind her.
It wasnât until I was on my way home that I realized I hadnât thought about the CEO vote or its timing once since I heard Isabella in the piano room.