âI feel like weâre in the fucking Middle Ages,â Holt says as we make our way to the fae palace. âNo cars? No transportation at all? Neverlanders just walk everywhere on foot?
.â
Giselle has several folds of her dress in hand, lifting the hem out of the dirt as she walks on her heeled boots.
Beside me, Amara laughs at her brother and sister. âI quite like it,â she says. âNeverland is one of the last wild places in the Seven Isles. Donât you think?â She turns to me and a lock of her blond hair escapes a pin and curls over her forehead. The late morning light warms my skin and rims her in gold.
âI think anything left to be what it was instead of trying to be something it isnât should be commended.â
Clasping her hands behind her back, Amara nods. âI suppose I should respect that about Peter Pan and his Neverland.â
Neverland.
I may be immortal, but even I am not as old as Peter Pan.
When I was just a child in the Darkland highlands, there were whispers even then of the man who might be a god.
Which begs the questionâcan he be killed? Can he die? Because if he canât, dealing with him would require finesse and creativity.
Should we come to a crossroads where Peter Pan needs to be dealt with, that is.
The fae palace finally comes into view and Holt grumbles with relief. âFinally.â
âWhoa,â Amara says beneath her breath.
We stop together on the foot path to take in the sight.
The fae palace is one of the most idyllic places in the Isles. Several spires dot the landscape and the stone glitters like an alabaster seashell just beyond a large, arched gate.
I am aware that most people would label the fae palace as âstraight out of a storybookâ but I canât help but be reminded of the myth of Hansel & Gretel and the witchâs house made of candy.
That which looks magical and inviting is not always a place you want to be invited to.
When we come to the gate, two fae guards are already waiting for us. Their wings are thick and glistening dark green like algae skimmed off the bottom of a swamp. The man has horns that curl over his forehead.
The woman wears a wide-eyed startled look meant for surprise funerals and planned orgies.
âThe queen is expecting us.â Giselleâs smile is carved from impatience.
âState your name,â the man asks.
âState my name?â Giselle huffs.
âHonestly, sister,â Amara says, âwould you let in just anyone at the Darkland palace?â
Holt sneers at me. âWe let him in.â
âThey let me into more than just the palace,â I say back.
âMy name is Giselle Remaldi, Royal Queen of Darkland, Duchess of Noir. And as mentioned, the fae queen is expecting us.â
The guards look over our group. The cousins stayed on deck so itâs just Giselle, Holt, Amara and I. Weâre all in Remaldi black.
âWeapons are to be surrendered at the gate,â the woman instructs with a wobble to her demands. âYou can collect them again when you leave.â
âYou must be joking,â Holt says.
âI donât think the fae joke, Holt,â I tell him.
He scowls at me. It makes his eyes disappear, his nose turn up.
I wonder what face he would make if I cut off his fingers and jammed them up his ass.
I remove the dagger in my boot and the second one attached to my belt. Amara follows my lead and takes the sword from around her waist.
Giselle gives Holt a pointed look and he mutters a string of curse words before removing his own weapons.
When the guards are satisfied, a third man who had been waiting in the watch tower, takes flight from the top deck, presumably to announce our arrival. His wings are silent as they beat at the air.
There are no fae on Darkland. There never have been. So as the fae flies off, Giselle and Holt track his flight with barely restrained awe.
âWhen we get inside,â Holt says, âlet me do the talking.â
Giselle snorts. âYou are not the authority here.â
âYou donât know how to deal with other women. You get snippy.â
âI do not get snippy!â
âThis is going to go swimmingly,â Amara says.
I dig a handful of peanuts out of the pocket of my trousers and crack one open. Amara laughs.
âWhy do you always insist on carrying those around with you?â
âThey help stave off my appetite.â I pop a peanut into my mouth and toss the shell.
âAnd which appetite would that be?â Her expression has turned devious.
âTemper your horniness, princess. Or itâs bound to get you in trouble.â
âI suspect the moment I met you, Roc, I was in trouble.â
I crack another nut. âYou arenât wrong.â
The large, arched doors at the entrance to the palace clank open.
I toss another shell, then return the peanuts to my pocket as the fae queen comes out to greet us.
She is clearly trying to rival Giselle for being the most ravishing royal in a dress that hugs her curves, but doesnât take away from the beauty of her wings. Hers are a shimmering gossamer with a sensuous curve on the forewing, and a sharp turn on the hindwing.
Unlike Giselle, however, sheâs chosen a necklace with a single emerald pendant.
I canât help but think this was on purpose. As if to say she doesnât need to glitter with jewels to prove her significance.
Itâs always interesting to me to watch how women in places of authority portray themselves, especially when faced with opposition.
Women fascinate me. They are almost always underestimated, which makes them potentially some of the most lethal opponents.
Like walking up to a jungle cat thinking youâre going to give its head a gentle little pat and instead it bites off your whole goddamn arm.
Thatâs what women in power are like.
Usually.
Sometimes theyâre just spoiled brats.
âYour Majesty,â Giselle says and gives the fae queen a shallow bow. âHow good of you to invite us here and into your home.â
âIâm glad you could make it.â Her wings go still and her eyes find me behind the royals.
âCrocodile.â She takes a breath and her tits swell at the plunging neckline of her dress. âIâm so happy to see you.â
Holtâs upper lip curls.
âLikewise.â
She waits, hands clasped behind her back.
I know what sheâs waiting for.
In current company, Iâm the only non-royal here.
âDonât just stand there,â Holt says. âBow to the queen.â
The fae queen lifts an eyebrow.
I know they all think that this is some kind of degradation, the royals putting the peasant in his place. But I fall easily to my knees.
The fae queen is pleased with this, as if by bowing to her, Iâve relinquished something. People like the queen donât realize that by giving them what they want, I take something in turn.
Pride is most everyoneâs greatest weakness. That and fucking. Iâve watched grown men lose their minds over a hole.
I lose my mind over just two things: blood and unshelled peanuts.
Satisfied that Iâve done my duty of being obedient, the queen says, âRise,â and then, âCome with me.â
The queen leads us to the throne room.
Itâs domed and partially below ground. Vines are webbed over the ceiling where lanterns hang from wrought iron chains, the insides glowing with fae magic.
Neverland is vibrant with it. Even more so than when I visited the island last.
A servantâa brownie wearing leather boots and a hat with a brim that curls like an ocean wave, pours us wine into goblets and hands them off.
Holt sniffs his but doesnât drink. He probably thinks its poisoned or hallucinogenic. Iâve heard the stories about faerie wine. Never stopped me from gorging myself on it.
I take a long drink to show the fae queen I half trust her. If she wants to poison me, Iâm not sure why she would have gone to all this trouble of bringing me here. But if that is her plan, I guess I respect her for it.
âYour Majesty, Queen Tilly,â I say, âyou promised me secrets. Weâre all waiting with bated breath.â
âYes, of course. But first I need to know that youâll help me defeat Peter Pan.â
âDefeat him?â Giselle doesnât bother to hide her incredulity.
âIt can be done,â the fae queen argues.
âDebatable,â I say and circle the room.
âPeter Pan has no bearing on us,â Holt says. âWhy would we make him an enemy?â
âBecause Peter Pan will defend Vane to his last breath. Which means if you want your shadow back, youâll have to deal with Pan in one way or another.â
Giselle and Holt turn dour. They knew this was a possibility. Even if Vane wasnât loyal to Peter Pan, Pan would still have a hard time letting anyone come on his island and start taking power away from it.
I drain my glass and suddenly the brownie is there refilling me. I could get used to this.
âWhat do you propose?â Amara asks. Sheâs hovering by her sisterâs side. She may be least likely to rule, but sometimes she does tend to cram her head up Giselleâs ass to get on her good side.
The fae queen sets her glass down and folds her hands in front of her. I notice she didnât touch the wine.
Smart girl. Best to keep a clear head when dealing with a Crocodile.
âPeter Pan has two weaknesses,â the queen says. âVane and his Darling.â
I come to a stop, a sudden chill crawling up my spine. âThereâs a new Darling on the island?â
The fae queen regards me with a look that feels like a secret. âWendyâs great-great granddaughter.â
I am not a man that lives in the past, but hearing Wendyâs name yanks me back anyway by years and years and years and makes me feel things Iâd rather not feel.
Sheâs dead now. Mortals die quickly on mortal soil after all, but even dead, she lifts the hair along the nape of my neck as if she were a ghost in the room, exhaling on my skin.
If I am endlessly fascinated by women, I was in total awe of Wendy Darling.
She is the only person to ever beat me at a game of chess.
In the beginning, I fucked around with her because I knew Peter Pan wouldnât.
But in the end, I realize she was fucking around with me because she could.
I wanted to hate her. Even more so when she denied me and told Peter Pan to take her back to her insufferable mortal land.
But eventually I came to respect her for the magic she wielded over me.
There are not many people I would allow to put a collar around my neck.
But Wendy Darling would have been an exception.
âSo what do you propose?â Giselle asks. âUse the Darling in a hostage scenario?â
âThreaten Vaneâs life?â Holt suggests.
The cool fingers of dread claw into my heart.
I had not intended for this island visit to get messy, but if Holt so much as lays a hand on my brother, I swear to fucking god, I will cut off his hand like I did Hookâs. But unlike Hook, Iâll make Holt eat his. One knuckle at a fucking time.
âYou wonât be able to get near enough to Vane,â Tilly says and some of the anxiety eases out of my shoulders. âBut the Darlingâ¦â
âWhatâs the name of this one?â I ask and keep circling the room.
âWinnie.â
âShe anything like Wendy?â
The queen lifts a shoulder in a half shrug. âSheâs feisty. Smart, too, I suspect. She did help Peter Pan get his shadow back.â
âThe fuck?â Holt says. âYou could have fucking told us that before we came here.â
Tilly grits her teeth. I can hear her molars grinding together from clear across the room. She takes a breath and then says, âHe only just now reclaimed it, which means if we are to strike against him, the only time to do so would be now, when heâs still remembering how to harness the magic.â
Giselle clucks her tongue. âOr we can forget about the Darling entirely and use our most potent weapon.â Her greedy gaze lands on me. âThis is why you hailed for the Crocodile, is it not?â
I stop when I reach the dais where the throne sits in the center.
âRoc?â Giselle asks. âLetâs hear your contribution to the predicament.â
Without an invitation, I step up on the dais and go to the throne. It has a sunburst at its back with vines twinning around the rays. There are insects and squirrels and other woodland creatures cast around it with the arms curved over to look like talons.
When I go around to the backside, I spot a familiar makerâs mark stamped into the metalâwings with a circle in the center.
The Myth Makers.
There are several societies in the Seven Isles older than the cities and villages themselves.
The Myth Makers.
Deathâs Hand.
The Ancient Order of Shadows.
And my favorite, and one I happen to belong toâThe Bone Society.
I wonder if the fae queen knows her throne is likely imbued with the supposed dark magic wielded by the secret society.
I could tell her.
But I probably wonât.
âWhat is the secret?â I ask and come off the dais. âYou promised me.â
The queen clasps her hands behind her back. âAs you know, I can get inside most mortal minds without much effort at all and up until recently, Peter Pan tasked me with using my power to root around inside a Darlingâs head to find the location of his shadow.â
âYes, yes. This we know.â I pull a peanut out, crack it between my fingers. âPlease do get on with it.â
The queen narrows her eyes at me. I suppose Iâm pushing her authority with my tone. Sometimes I forget to pretend to be submissive.
âGetting inside the heads of the Darlings has borne fruit,â she says. âSecrets of Peter Panâs.â
âGo on,â Giselle says.
I pop a peanut into my mouth.
Tillyâs wings shift from green to turquoise and I sense that what sheâs about to reveal excites her more than it should.
This better be good or Iâm eating the fae queen for wasting my fucking time.
Tilly sucks in a breath and says, âPeter Pan never returned Wendy to the mortal realm.â
I swallow bits of the peanut and look at the fae queen searching her face for a game.
And then the chess pieces start moving in my head.
âIf Wendy was never returned, then how did the Darling line continue?â
The queenâs wings buzz back and forth. âThatâs where it gets interesting.â
I dust off peanut shell from my hands. âShow me.â
âExcuse me?â
âIf you can get inside a head, you can show me the memory. Donât deny it.â
She clamps her mouth shut, ruby red lips thinning into a frustrated line.
I go to her. She backpedals.
âShow me.â
âI canâtââ
âYou want this island, do you not? Thatâs why you called me here. You need my help. You want my help, you give me proof.â
I reach out for her hand. She tries to snatch hers back, but my fingers circle her wrist and drag her into me. âShow me, little girl.â
She huffs, furrows her brow. The fae live long lives. Iâm not entirely sure how old Tilly is, but I guarantee she isnât as old as me.
âFine,â she says and then the throne room disappears and Iâm suddenly Wendy and Iâm being yanked out of Peter Panâs grip.
âDonât leave me,â Wendy screams. âPan! Donâtâ¦pleaseâ¦â
Peter Pan pulls a blade from his side and slits a guardâs throat. Blood geysers. He stabs another.
âGet him!â someone shouts.
Pan backpedals. I get further away, but my arm is outstretched and thereâs panic beating at my breastbone.
âGet Roc!â she yells. âPlease get Roc and come back for me!â
When I stumble out of the memory, there are tears in my eyes. They arenât mine exactly. Or maybe they are.
I can still feel Wendyâs panic thumping in my chest.
He left her.
He fucking left her.
And he didnât tell me even though she begged him to.
Unlessâ¦
I blink back to reality and search the queenâs face.
Can the queen make up fake memories? I suppose I couldnât put it past her.
âTell me how the Darling line continued.â
âWendy told Peter Pan sheâd already had a child,â Tilly explains. âSo he didnât think anything of leaving her.â
âI noticed.â The words come out through clenched teeth.
âWendy was lying, of course. She told him she had a child because she had wanted to stay in the Isles with you.â Tilly taps at her chest. âI could feel her desire for that right here. A heaviness I still have a hard time shaking.â
âThen why did she deny me?â I challenge.
âBecause of what you did to Hook.â
I tsk. âThat was no business of hers.â
âWasnât it?â
âHe deserved what he got.â
Tilly cants her head. âDid he?â
âGet on with it, queen. How did the line continue if Wendy never returned?â
âBecause when Wendy Darling left Neverland, she was pregnant.â
I can hear all of the things the fae queen is not saying.
She left pregnant. She did not arrive pregnant. And what I amâ¦it does not so easily procreate.
Which meansâ¦
Heat rises in my throat and for the first time in a long time, the shift threatens to overwhelm me outside of the seconds and the minutes and the hours.
Somehow, I keep it at bay.
I must amend my list. I will lose my mind over things.
Blood and unshelled peanuts and revenge.