Iâve been floating in the lagoon for countless minutes, maybe hours, with Peter Pan watching me like a guard on the shore.
As soon as I was on my feet after Smee left, he took my hand, dragged me from the house, through the forest and to the lagoon.
âGet in,â he had ordered.
âIâm fine,â I protested to which he said, âGet in the goddamn water Darling before I toss you in.â
With a huff, I peeled off my clothes and waded in and though I donât like to admit when Peter Pan is right, as soon as the water was lapping around my shoulders, I felt infinitely better.
Now Iâm on my back floating and even though Iâve been in the water forever, my fingers arenât even pruned.
âWhy donât you come in?â I call to Pan.
âThe lagoon and I have an understanding,â he answers.
I roll over and tread water so I can look at him on the shore. Heâs got his back propped against a large rock that sits on the edge of the woods. One of his legs is stretched out in front of him, the other bent at the knee, his arm draped over it.
His feet are bare.
There is nothing quite so intimate as the bare feet of a myth.
âWhat sort of understanding?â
âThe one where I donât get in.â
More secrets between him and the island. I know his first memories are of the lagoon and that he believes itâs the lagoon that birthed him.
I know heâs afraid of losing his shadow again and that probably he thinks itâs the lagoon that gave it to him in the first place.
Peter Pan is ancient but even he is afraid of something, but how odd that heâs afraid of a lagoon and an island laying down judgement.
Because even if he wonât admit it, somehow I know that to be true.
I think Peter Pan might be unconsciously worried that while he reclaimed his shadow, he no longer deserves it.
My stomach growls again and Iâm reminded we never had our pancake breakfast.
âAre you hungry, Darling?â Pan asks.
âI could eat,â I say.
âCome out.â He stands up and grabs my dress from the sand and gives it a shake.
âBut the water is so nice,â I complain.
âDarling.â He tilts his head in a way that promises punishment. âDonât make me repeat myself.â
I know thereâs nothing he can do, considering he refuses to get in and I like playing games with him. I think secretly he likes playing games too so long as he wins. But Iâm ravenous in a way that Iâve never been before, even when I was starving back at home, so I donât think I could play very long.
âFine,â I say and sink my feet into the cool sandy bottom of the lagoon and make my way to the shore.
When I walk out, water runs down my arms, down my torso and follows the V of my thighs. My hair is heavy and wet and sticks to my breasts.
Peter Panâs eyes are drinking me in.
âWe could linger for a while,â I suggest. âIâm hungry for something else, too.â
âYou are always hungry for cock, Darling. But you will never be able to keep up with me if you donât feed yourself something other than dessert.â
âWhen you say âdessertâ, are you referring to Lost Boy cum or pancakes?â
He snorts and holds up my dress. He has it bunched in his hands so all I have to do is thread my arms in as he pushes it over my head.
I wiggle my hips so the thin cotton will sink over my hips. Pan lets out an appreciative growl.
âThere will be plenty of time to fill you up with Lost Boy cum, Darling. But right now, you need meat and potatoes. Something to stick to your bones. Come.â
âIâm trying.â I give him a devilish grin.
âIs that the game weâre playing then?â
I donât know whatâs gotten into me. I am 100% a sex-positive kind of girl. I like sex and I donât try to hide that. But Iâm not usually so damn needy for it.
Or maybe itâs Peter Pan Iâm needy for.
Pan scoops me up and tosses me over his shoulder.
âHey!â
The wolf barrels out of the woods and yips at Pan.
âI warned her,â Pan tells the wolf. âShe will obey me and so will you.â
The wolf yips.
Iâm not sure what that means but Pan seems satisfied with the response.
He starts away from the lagoon.
But he doesnât go toward the treehouse. Instead he goes toward town.
âI thought we were getting food?â
âWe are,â he says. âItâs about time I show my face in Darlington Port. Remind them all who rules this land.â
It isnât until I hear the distant hum of a small city that Pan puts me down. I straighten out my dress and realize Iâm bare foot. But so is Pan. I guess thereâs something wild about us both.
The dirt path from the woods connects to a road that goes north and south. But across it is a cobblestone road that spills downhill into a town.
Darlington Port, I guess. I can hear the rattle of wagon wheels over the stones. People shouting and laughing. The toll of a distant bell. The clashing of metal on metal and the smell of burning iron.
It wasnât that long ago that I lived a normal life in a normal town in the normal world.
But however long Iâve been on Neverland and at the treehouse, itâs somehow wiped away what was normal and replaced it with something new.
Because being here in Darlington, I feel like a tourist in a novelty shop. Like I want to oohh and ahhh around every corner.
I suppose it doesnât hurt that Darlington Port is very much like a 19 century Dutch Colonial town with white stucco buildings with exposed timber beams and crooked little stoops with colorful awnings and goods displayed in shop windows.
âYouâve been keeping this from me this entire time?! This is wonderful!â I say up to Pan and he smiles down at me.
âI suppose it does have itâs charm.â
We pass a bakery and a man out front is sweeping the stone stoop, the sign in his front window reading CLOSED in big red letters.
When he sees Pan, he stops sweeping, bows his head and keeps his eyes on the stone. âNever King,â he mumbles.
Pan ignores him.
Across the street is a book shop and a stationary next to it and a shoe shop next to that. Only the latter is open.
âDo you have money?â I ask Pan. âI could use shoes.â I wiggle my toes on the cold cobblestone.
âOf course.â
Something sweet bites at the air and on the tip of my tongue and a second later, Pan holds out his hand to reveal a pile of gold coins.
âHoly shit. How did youâ¦whereâ¦â
I would have noticed if he was carrying a pile of heavy coins in his pants. Trust me. I notice everything that goes on in his pants.
âA perk of the shadow,â he admits. âI can make anything appear.â
I gaze up at him. I sense there are practically stars in my eyes. âYou are amazing.â
He breathes out through his nose and the corner of his mouth lifts. âGo on. Take a few and buy yourself some shoes, Darling.â
He doesnât have to tell me twice. I pluck a few coins out, having no idea what the worth is or the cost of shoes, and then push through the heavy wooden door on the shoe shop. A bell dings above us and the salesman calls out a hello before he spots Peter Pan and the wolf beside us.
âGood god.â The man sinks to one knee. âI had no idea you were⦠Apologies, Never King. What an honor to have you in my shop.â
âMyâ¦â Pan looks over at me and a wrinkle appears between his brows. âDarling needs a new pair of shoes. Could you assist her?â
âOf course.â The man stands upright. He eyes the wolf, opens his mouth like he means to protest the big hairy beast and then thinks better of it. âWhat will the lady desire?â
âSomething simple will do.â I look around the shop. Itâs small and cozy, but there are displays everywhere on the shelves that line the walls and on the little square tables that dot the room.
I make my way to the shelf on my left and the floor creaks loudly beneath me and then the wolfâs claws click and scrap as he follows.
âWhat do you think?â I ask him as I pluck a ballet flat from the shelf and hold it out.
The wolf says, I peer down at him. âWho says I need to run?â
âI agree with him,â Pan says behind me.
âFine.â I return the flat to the shelf and then pick up a brown leather boot with laces. âThis then?â
âBetter,â Pan and the wolf say at once.
âDo you have this in a seven?â I ask and the salesman nods and hurries to the back.
âWhy are you both worried about me running?â I ask.
Pan is leaning against one of the floor-to-ceiling shelves on the other side of the shop, his arms crossed over his chest. Heâs unmoving, but there is still an aura about him that he could break bones quickly, with barely any effort.
If Peter Pan was intimidating before, now with his shadow, heâsâ¦heâsâ¦
Itâs impossible to find the right words to describe how it feels to be near him now.
Like trying to describe the way a hurricane feels two days before it reaches land. The air is different and you can feel the impending destruction maybe in your belly, maybe in your soul. But you canât touch it with your hands and so it doesnât feel real until the carnage is lying around your feet.
Peter Pan is like that. Like a hurricane.
The wolf comes around a display to look up at me and he snaps me out of my reverie.
he tells me.
The salesman comes barreling through a swinging door, a black box in hand. âHere we go!â He sets the box down and pulls over a chair and gestures for me to sit in it.
âDo you have socks?â I ask.
He yanks a pair off a rack, tears off the tag and hands them to me. Theyâre made of soft creamy cotton with a little bit of a slouch to them.
With the socks on, I slip on the boots and then tighten up the laces and take a test walk across the store.
âHoly shit. These are amazing.â
The salesman beams. âI only craft the best. I was an apprentice of The Shoemaker.â
âThe shoemaker?â I ask.
âRenowned Shoemaker in the Seven Isles,â Pan answers. âTaught by the elves.â
âRight.
Of course.â I will never get used to the absurdity of this place. And I suspect Iâve only just scratched the surface.
I lift up my foot to inspect the boots. âWell The Shoemaker and the elves clearly know how to do what they do. Iâm glad he passed on that knowledge to you too,â I tell the salesman.
He nods and clasps his hands together. âIâm so glad you like them.â
âHow much do we owe you?â Pan asks.
âOh no. No.â The salesman shakes his head. âI couldnât take money from the Never King.â
âYou can and you will. How much?â
âI really mustnâtââ
I go over to the older man, grab his hand. The second our skin touches, his expression goes blank and his eyes wide. âOur thanks,â I tell him and drop several coins into his open palm.
He nods numbly and then immediately sinks to his knees.
âThank you. Thank you to you both. What a blessing tonight has been.â
Peter Pan pushes away from the shelf and frowns down at the man. âWhy are you bowing to her?â
I laugh and push Pan toward the door. âLet the man do what he wants, Never King.â
Still he scowls. âOnly I will be on my knees for you.â He takes my hand in his and yanks me outside into the warm darkness, the wolf following behind.
âNot just you,â I remind him.
He sighs. âYes, fine. Vane, the twins, and myself. Better?â
I frown. âIâm not sure. Why donât you show me what you mean?â
There is a deep rumble in his chest. âDarling, I will notââ
My stomach makes another loud complaint, cutting Pan off. He lets our argument drop and pulls me up the next street, then turns us down a wider thoroughfare where more nightlife abounds.
There is energy here. Iâve never been to New Orleans or Bourbon Street, but I imagine this is what it must feel like surrounded by buildings that feel old while the people and their music fill up the cracks and crevices with laughter and revelry.
Pan nods at a tavern halfway down the street. A sign hangs from the roof ledge that reads OX & MEAD in old English lettering.
Is that the name of the tavern or the food they offer?
Iâm not eating ox. I was hoping for a burger and fries.
, the wolf says beside us and then takes off at a sprint.
When Pan and I enter the tavern, weâre greeted by a din of conversation and the quiet song of a lute. Circular tables are spread over the room with a bar on the right and booths that line the back. Giant arched windows let in the warm light of the lampposts outside.
It takes the tavern a few seconds to notice who is standing just inside the door.
And then the entire place goes quiet and all eyes are on us.