At the newsroom, the bubbly spring in her step didnât go unnoticed. Her colleagues, curious about her high spirits, nudged her for details, but Regina was a vault. Not a word slipped through her grin.
âPff, letâs see how long that smug look lasts on your face,â Ahab snorted with a mix of jealousy and challenge. âLanding an interview is one thing, but pulling it off is another ball game. If you botch it, you might as well have passed it along to someone else.â
Regina brushed off Ahabâs cynicism with ease, âWhy donât you focus on sprucing up your own articles, Ahab? Even if I stumble, Iâll find my footing. After all, my interviewee has turned you down more than once, hasnât she? Makes one wonder if sheâs got something against you. Imagine the mess if it were in your hands. Best stick to what you write best, while I hustle on my gig.â
With that last dig, she grabbed her tote bag and sashayed into the café where sheâd arranged to meet with Dahlia. Arriving nearly an hour early, she planned to use the extra time to prepare.
But to her surprise, Dahlia showed up at the café just half an hour later.
They exchanged smiles of mutual respect.
âI thought I was being the early bird,â Dahlia quipped, âbut it seems you are even earlier, Ms. Tanner.â
âWe journalists always scout the scene early-t helps us get the lay of the land and set us up for a better story. Didnât expect you to beat me to the punch, Dahlia.â
âUs dancers, we like to get a feel for the stage to avoid any missteps o performances,â Dahlia replied.
âAnd by âgetting a feel, you meanâ¦?â Regina probed, sensing the interview had already. begun.
Dahlia chuckled softly. âYou might find it hard to believe, but the dance world is rife with sabotage. From sprinkling fine glass to scattering tacks on stage, Iâve seen it all. Thatâs why, after bouncing around from country to country, I only work with those I trust implicitly. Ensuring a clean stage before a performance is a must.â
Regina nodded, understanding. âItâs rare to see such young talent in the arts without stirring up envy.
Those younger aim to outshine you, while the veterans look down with a sense of superiority, never quite satisfied.â
Reginaâs words struck a chord with Dahlia, articulating the balancing act she faced in her industry.
âHave you faced similar challenges with your seniors at work, Ms. Tanner?â
Dahliaâs interest in Reginaâs career was encouraging-it was the first step toward a rapport.
âI wonât lie,â Regina admitted. âEver since I got assigned to profile you, Iâve faced countless jabs from the old guard. They thought Iâd never manage. Even when I received your interview invitation, the digs kept coming. But Iâm used to it. I believe that as long as I can present solid results, their skepticism wonât stand a chance against the hard evidence.â
Dahlia nodded in agreement. âDo you know what convinced me about you?â
âBecause you saw potential beyond the surface,â Regina guessed, her voice buoyant with encouragement.
âExactly. Many think I avoid interviews because Iâm aloof. On the contrary, Iâve been waiting for the right moment to unleash my full potential. This interview might raise eyebrows, make people think Iâm selling out. But I believe that for an art form, especially dance, to thrive, it needs an audience beyond the inner circles.â