I STAB THE MAKESHIFT BUTTON, feeling dazed. Stab stab.
âHey,â he says.
A grinding sound comes from below. Like the elevator didnât get the message.
Stab stab stab.
âDonât do that,â he catches my wrist. âYouâll burn out the winch starter.â
âSomebody is quite the micromanager,â I say.
He kisses my fingers.
The little cage arrives with a strange whirring sound and I get in, and then he gets in and hits the down button. The elevator lurches and begins to lower. It sounds funny. Different than before.
Just then, a motor below makes a grinding, screeching sound.
âShit,â he says.
âWhat is that?â I ask.
âWeâre okay,â he says, but the cage weâre in grinds to a stop. The motor falls silent. The light flickers out.
Weâre in the darkness. Deep in a well.
âNo!â I whisper, turning and clutching the cage side. âNoâ¦â
âWeâre okay. Thereâre safety cables all up and down this.â A light flashes onâHenryâs phone. Heâs talking to somebody, trying to work out what floor weâre near.
I slide to the cold, corrugated floor, arms around my legs, back against the chain-link cage. Iâm in that well again, that well where I spent three lonely, terrified days.
Breathe. Breathe.
Youâre not there.
âVicky?â
Breathe. Breathe.
He squats next to me. Gently, he settles his hardhat onto my head.
âOkay, that just makes me think weâre going to crash headfirst,â I say. âOr something is going to crash on top of us.â
âNone of the above,â he says, adjusting it to fit my head. âIâm only putting it on you because I know Iâd lose points off the manliness portion of the New Yorkâs Most Eligible Bastard competition if people knew I was hogging the only hardhat in a situation like this.â
I nod.
âHereâs my thinking.â He settles in next to me. âWe know I can win the swimsuit part of the Most Eligible Bastard competition. And I have the name memorization bit nailed. But as you can imagine, the manliness portion is extremely important to me.â
Hammers and voices ring up from below.
âYou can smell me if you want.â
âIâm so not smelling you.â
He checks his phone, then puts it down in a way that lights the area in front of us. That helps, too. âMy guys are down there working on the machinery. Itâs a simple winch starter issueâ¦â
âA winch starter issue,â I say. âLike what? Tell me.â
âYou want to hear about the winch issue?â
âDid I burn it out like you said I would? Wait, donât answer that. Just tell me about winches.â I hate how tiny and scared my voice is. I really just need him to be talking. âStart at the beginning. The history of winches.â
âAre you being sarcastic?â
I press my fingers to my forehead, feeling so messed up and hating the silence. âIâm being sarcastic, but also I want you to.â
He seems thoughtful in the silence. He takes my hand, warm and cozy in his. âI have something better to tell. My secret.â
âYou have a secret?â
âHow I do the names.â
I look up at the outline of his head in the dark. âHow?â
âI took a class in memorization techniques. You canât say anything. I donât ever want our employees to feel like a number.â
âYou took a class? Thatâs commitment.â
âIt means a lot to people, and as the company grew, it got harder and harder. So I took the class. I know it sounds a little intense, but peopleâ¦they see me in a certain way, and I donât like to let them down.â
âWow,â I say. âYou make it look so easy. You make it look so easy to be you.â
He huffs out a quiet little laugh. Shifts my hand in his. âAnyway, everybody gets a special visualization location. If somebody is named Mike, I imagine him on a stage singing with a microphone. Clarence is in an orchestra playing a clarinet. Dirk is in dirt.â
âWhat about Fernando?â
âAre you serious? ABBA.â
âLike itâs so obvious.â
âIsnât it?â
âWhat did you use for me?â
âIâm not telling.â I hear the smile in his voice.
I widen my eyes. âCome on.â
âNope. Sorry.â
Playfully, I shove at his shoulder. I kiss his cheek. I nip his earlobe. âPlease,â I beg.
âNope.â
âHmmph. Well Iâve got one for you, Henry. For the name Henry. And you wonât like it.â
He says nothing.
âYou wonât like it. Not. At. All,â I add. Then it hits me. âThere are thousands of employees! You remember all their names?â
âOnly the local ones.â
âThatâs more than a thousand,â I say. âThatâsâ¦intense.â
âOnce I started it, I felt like I had to keep it up.â A thread of weariness winds through his words. He makes it look easy to be him. Doesnât mean it is.
More hammering from below. âHow long until weâre out?â
âI donât know. Between ten minutes and an hour.â
âUh.â I pull into myself more tightly, my limbs finding the old familiar grooves with each other. I feel like Iâm falling, falling, back into that well.
âAre you claustrophobic?â
I pull my legs tighter. I should answer, but I want him to talk, not me.
âYou seemed okay in the many elevators weâve been traveling,â he says.
âItâs because this shaft feels like a well. The unfinished sides, the light above.â
âOh.â A beat, then, âDo you haveâ¦history with a well?â
âI fell in one,â I say. âWhen I was younger. They didnât find me for a pretty long time, and I was just terrified out of my mind.â
âHow long?â
Iâm about to say three days, but thatâs the kind of thing that gets reported in the news. âLong enough,â I say. âI felt like Iâd fallen off the face of the earth. But most of all, it was terrifying. I was scared of the dark to start with. And you donât know how dark the bottom of a well isâyou have no idea. I thought Iâd never get out. People couldnât find me. And there are slugs, and itâs justâ¦â I shudder. âIt was a long time in there.â
He slides his arm around my shoulders. âThis isnât a well.â
âI know,â I say. âBut I kind of donât know.â
He pulls me close. I find myself leaning into him.
âIt would be scary,â he says. âAlone. Not sure if youâd be found.â
âYeah,â I say. Not sure if youâd be found by the right people, anyway.
He pulls his phone out and whips off a quick text, then clicks off. A few moments later, the shaft is flooded with light from the bottom.
âOh,â I say.
âIs that better? Less well-like?â
âThanks. It is better.â
âYou got out of that well, Vicky.â
âI got out. And grew up to be a dog whisperer slash captain of industry,â I add. He says nothing. Itâs a stupid joke. âIâm sorry. Iâm just messed up right now.â
Bangs and drills sound from below.
âItâs hard to be powerless like that.â
âItâs more about the fear,â I say. âDid you ever have that fear of footsteps in the dark? And then you get to the warmth and light of safety and itâs such a relief. But in the well, it was like the footsteps never stopped. Hour after hour, the terror kept grinding on. It took everything out of me. Fear is exhausting. Little-known fact.â
âHow long were you in it?â
âCan we talk about something else?â
âIâm sorry that happened to you,â he says.
âSomething. Else.â
He sighs. âYou know that model we fixed together? With the trees? And I wouldnât tell you why it was important to fix it?â
âYeah.â
âOkay, well, now Iâm telling you. Thereâs this guy, Renaldo, heâs the one who made it. He eighty-five, one of the oldest guys in all of Locke. He helped my grandfather and father build the company, and he definitely has enough money to retire, but building is his life. Those models take him forever to make, but Brett and I feel like it keeps him alive. And if he saw the thing destroyedâ¦heâd be crushed.â
âYou seemed mad.â
âWell, whoâs leaving their bevs all over the model? Right? Anyway, he was kind of an uncle to Brett and me. As my dad got too busy to deal with us, Renaldo was the one whoâd take us around, make us learn the ropes with the trades. Brett and I would go and do our homework at that place, and if we finished in time, Renaldo would give us little assignments. Make a five-inch bridge out of ten toothpicks and a piece of string, stuff like that. And there would be a test, like the bridge would have to extend between blocks spaced five inches apart and be able to support a stack of ten quarters.â
âA bridge made out of just a piece of string and toothpicks? How is that possible?â
âYouâd be surprised what you can make from a piece of string and toothpicks. Itâs excellent building material.â
âMaybe this is the part where you reassure me that even though itâs excellent building material, you went on to use more durable materials in the construction of things like freight elevators in boutique hotels.â
He turns to me there in the strangely lit shaft. âThis thingâs solid steel, baby.â
I suppress a smile, because of course it sounds slightly sexy. âSo you keep Renaldo on staff. Thatâs sweet.â
âHe gave us an amazing education. Heâs a master builderâliterally.â
It comes to me that he didnât mention his mother. As if she wasnât in the picture. âDid your mom help out with the company?â
âNo.â He pulls out his phone. I donât press him on it. Iâm not exactly the mother relationship queen myself.
âI want to tell you something and have you hear me on it. Trust me on it.â I need to tell him without violating my pact with Carly.
âYeah?â He slides his hand along mine.
âYour mother handed over the company to Smuckers.â Thatâs not violating our pact, right? Itâs a true fact. Light beams up from below, peeking through slits in the metal. âThingsâ¦tend to work themselves out. When something belongs to somebody, it tends to find them.â
âWhat does that mean?â He watches my face with intense interest. âIs Smuckers giving back the company? Is there something in the will that reverts it?â
I shake my head. âThings work out, donât you find?â
âYou canât say more?â
âI can swear to you that I never had my sights on Locke. I know you have no reason to trust me,â I say. âI know what the evidence makes it look like. What it makes me look like. Iâm not that terrible person. Itâs not what everyone thinks.â
My throat feels thick. Itâs like the emotion of the last eight years is rushing up all at once, choking me.
âI want you to believe.â The words rush out of me. âI need you to believe in spite of the evidence.â
âHey.â He pulls me onto his lap, holds me tightly. âI believe you.â
Emotion lurches through me. Iâm stunned. Reeling. His arms pull tight around me. âI believe you. I trust you.â He kisses my cheek. âI see you.â
I swallow. I close my fingers around his arm. His breath warms my cheek.
And he believes me.
Contrary to all evidence, he believes me. The world seems full of possibility. Like whatâs happening between us could be real. Like maybe things work out for Vonda, too. Like string and toothpicks can make a bridge.
Clanks and voices ring out from below.
âShow me one of those bridges,â I say. âI want to see.â
Heâs got his phone and heâs swiping the screen. âBrett sent me this last year. This is before.â He shows me a picture of a tiny bridge with string running as tension wires under the arch of toothpicks. He swipes. âAfter.â Itâs a sad little pile of quarters and toothpick bits.
âAwwww,â I say.
âWait, I might have one of the old successful ones.â Heâs flipping through his photo cloud when the elevator lurches back to life.
I grab onto his arm as it begins an excruciatingly slow descent.
âHold up,â he says. âDonât think Iâm letting you out before finding a successful one.â He finally gets it, hands me the phone.
Itâs the bridgeâstring and toothpicks supporting quarters, but the shot gets his face, and thatâs what I love. Heâs maybe eleven, crouching behind the table with a shit-eating grin on his face and those dimples in full force. Happy. Proud.
Eventually, we reach the bottom and the cage door opens to a group of guys in hardhats. They help me out first, all apologies. Henry goes to inspect the motor with them.
I wander over to the reclaimed junk he wants to incorporate into furniture like itâs something I super need to check out.
Iâm afraid to think itâs real, but I do. My heart pounds like a happy drum. I smile. I shove at the pile with my foot and smile like a madwoman.
I feel him near. I donât know why I always feel him.
I say, âThey used to make everything so ornate. Even the most lowly electrical thing was ornately designed. Buildings had pretty flourishes they didnât need. Why donât they do it anymore?â
âWe still do,â he says. âJust in a different way.â
I pick up a piece of grate with a vine pattern.
âHow cool would it be incorporated into a table or seating?â he says.
I kneel and pick up a metal circle the size of a dinner plate with elaborate edge pattern, trying to get my head straight. It has numbers and a bird logo pounded into it. A patina of scuffs from across the ages.
I toss it onto the pile and pick up a block of weathered timber with old nails in it and a shiny metal plate the size of a playing card stuck to the side. âI know how to get this made into furniture. More awesome than you can imagine.â
Itâs Latrisha Iâm thinking of. This is her jam.
âTell me.â
His eyes lock onto mine and Iâm back on that roof, breath coming in shaky tremors, awash in the goodness of him. Still holding my gaze, he tosses it back into the pile. Itâs a sexy, confident, screw-it-all move that I love.
Itâs the kind of thing Vonda would love even more. Itâs weird to imagine that, against all odds, he senses that fun, wild Vonda part of me. He trusts her.
He doesnât know the most important details of my life or even my real name or hair color, but he knows my Vonda side. And he knows my makerâs heart.
âYou got a truck?â
He comes to meâslowly. My blood races as he nears. Is he going to kiss me? I would let him kiss me.
But instead of kissing me, he stops.
I look up at his gorgeous lips and sparkly golden-brown cheek stubble and enchantingly uneven dimples.
âDid you just ask Henry fucking Locke if he has a truck?â
AN HOUR LATER, weâre rumbling over the Brooklyn Bridge in a heavy-duty diesel pick-up truck with the Locke Worldwide logo on the side.
Itâs loaded with the best stuff from the site, courtesy of the crew that Henry called over. He told me to point out the best bits, then he disappeared.
He was on the verge of losing the Most Eligible Bastardâs manliness competition at that point for not helping to loadâ¦but then he came back in work clothesâa long-sleeved green T-shirt and jeans and boots and glovesâand he started loading with the guys.
He went for the heavy stuff, like the hunks of concrete. He sometimes grunted, muscles bulging like melons under the light fabric of the shirt. I tried not to stare too hard as he worked. Or when heâd wipe the dripping sweat off his forehead with his big freaking glove, sometimes leaving smears of dust.
Manliness portion of Most Eligible Bastard unlocked!
Weâre heading deep into Brooklyn, away from the trendy parts.
âAnd youâre not telling where weâre going.â
âTake a left up here on Oakerton,â I say.
He takes a left. On we go.
I look at the increasingly decrepit buildings from his point of view, wondering what he thinks. Was I wrong to bring him here? No matter how dirty he gets his hands, heâs a billionaire, a man from another world. He wields a shovel, yes, but some of those shovels have giant bows on them.
I check my phone. I texted Latrisha during the loading, making sure sheâd be around and she hasnât responded.
This is the kind of reclaimed shit she lives for.
We pull up at the Southfield makers space. Thereâs actually street parking in this part of town, of the leave-your-vehicle-at-your-own-risk kind.
I suddenly dread taking him into the dank and half-ruined warehouse, with industrial lighting and power sources hanging from ropes and duct tape on things. There are plywood partitions between workspaces. Giant welding setups that arenât entirely legal. Home-cooked venting that is totally not code.
Even the grungiest Locke fabrication facility is a palace compared to this. Clean and spic and span.
And then thereâs the culture of the place.
Itâs not all well-behaved jewelry makers who just need a soldering setup, or fashion-forward furniture makers like Latrisha. Thereâs a wild edge to a lot of the people, from the tattoo-and-leather Neo-Renaissance guys over in the blacksmith area to the facially pierced mosaic artisans to the crazy-ass pottery people and neon guys and everyone else. Will the scene be too outlandish?
âYou have an alarm on this thing, right?â I say.
âIâm not worried,â he says. âWhoâs going to steal a load of vintage construction debris?â
âUm, youâre about to meet them,â I say.
We hop out and walk up the fractured sidewalk to the entrance. I wince as I unlock the skull-design metal door, made by said blacksmith guys.
I lead us into the hulking space, like the inside of a Klingon warship. And of course the first thing we see are the potters and blacksmith guys in the lounge area couches around a table loaded with empty beer bottles and some kind of sculpture that might be made out of part of a tractor.
I smile and wave at them. âLively today.â I grab his hand and pull him in toward the more subdued side.
âWhat exactly is this place?â he asks.
âSouthfield Place Makers Studio. Itâs a makers co-op.â We pass the welders and the collective hardware area where tattooed urban beardsmen argue over the schedule for a circular saw. âYou have to sign up for some of the larger tools,â I explain. âTheyâre shared.â I lower my voice. âThat guy doesnât always follow the rules, but things usually go really smoothly.â
He doesnât reply.
My mood fizzles as we go deeper, because I donât see Latrishaâs bright red hat over the plywood partition of her space. This was a bad idea.
âYou do your jewelry here?â
âWell, I need venting for soldering. I think Iâd get evicted from my apartment if I tried it there.â
âDamn,â he says.
Miserably, I lead him onward, past rows of messy workshop tables made of raw plywood. Why did I think heâd like this?
Itâs not just the scene here, itâs him, too. Heâs dressed down, but heâs a different species than we are, like he canât wash the rich off, no matter how hard he might try.
âIt seems a bit low rent, I know,â I say, âbut itâs a great deal and the tools here are really good.â
He doesnât reply, seeming stunned by the decrepitude.
I keep going. If nothing else, he can see some of Latrishaâs furniture and maybe hire her, and that would be great. Whatever else he thinks about this place, Latrishaâs furniture is amazing.
âAnd itâs not like we let just anyone in, much as it might look like that. People have to pay monthly and we can kick them out if theyâre assholes. I mean, itâs hard to do this kind of stuff in the city; itâs not like we all have sheds in our yard, or even yards, and when you look at the start-up capital for like, a woodworker or even someone like meââ
âVicky,â he says in his laughing way.
I turn and walk backward. âWe all have lockers for our personal stuff over there,â I say.
âWatch out.â He grabs my arm just in time to keep me from backing into a couple rolling a cart.
He smiles down at me, and itâs one of his fake smiles. And thatâs not okay. âWhatâs wrong?â I ask.
âItâs nothing.â
âTell me,â I say.
He lets me go. âItâs a wealthy guy complaint. Trust me, you donât want to hear it.â
âI know it seems a little shabby.â
âYou think thatâs the problem?â
âOrâ¦low rent.â
âVicky,â he says. âYouâre seriously apologizing for the state of the place?â he says. âItâs utterly amazing.â
Shivers swirl over me. âYou think so?â
âI know so.â
âI worried youâd think itâsâ¦I donât know.â
âOne of the little-understood things about having my kind of money is the insulation. It can be greatâyouâre insulated from tedious chores and time sucks, and I never have to talk to anybody who I specifically donât want to talk to; other people talk to those people for me. But Iâm also insulated from something like this. I literally canât have this.â
âYou could if you wanted.â
âYeah, okay, technically I can, because itâs a free country, but Iâd almost have to come as somebody else. Like a poser. Look at me. I could buy an airplane hangar and fill it with the best tools money can buy before dinner. Iâd have to take a space from somebody who actually needs it.â Heâs silent a bit. âThis place is awesome. And I can never be one of the people who belong here.â
Iâm stunned at how I misread him. He wasnât feeling judgy; he was feeling jealous. Billionaire Henry Locke canât have this. And he thinks itâs awesome.
I grin and turn to him, walking backwards. âI wanted you to like it. Itâs one of my favorite places in the world.â
His eyes sparkle. âI like it a whole lot.â
Heat creeps over my neck, because I feel like heâs talking about me.
He catches up to me and takes my hand. My heart skips a beat.
âDo you have a lot of collaboration?â he asks. âDo people walk around and see what each other is doing?â
âYeah, people hook up on projects, but itâs not as if weâre walking around all dude, please tell me about this awesome creation of yours! That would be a little dorky.â
âThey hook up from the lounge,â he says.
âMore often than not,â I say.
I see Latrishaâs head pop up, and I think, Yay! She widens her eyes at me. I suppress a smile. I warned her I was bringing Henry, but she still looks a little stunned.
We get to her space, and I see sheâs cleaned it up. âLatrisha, this is Henry. Henry, this is Latrisha. She makes furniture out of reclaimed stuff and itâs freaking amazing.â
âHey,â he says, taking her hand. âSo nice to meet you.â
âLikewise.â Latrishaâs apron is full of pockets and her hair is wound in a braid on top of her head like a rope crown. Sheâs trying to disguise her grin, and it makes her look a bit mad. âIâve heard a lot about you.â
âI think I might be familiar with one of your recent pieces, actually,â Henry says, moving over to her workbench and picking up a remnant of the polished metal she used on Smuckersâs throne. He goes on to slide his hand over a partly finished stool on her workbench. âI love this burnished effect. How did you get it?â
She explains her burnishing technique, which I realize would be good with the reclaimed posts and wood. She ends up showing him pictures. They discuss finishes so extensively, it seems like a joke at one point.
I go to my locker and grab work clothes to put on behind the changing curtain.
When I get back, she widens her eyes. Yeah, thatâs right; itâs Henry Locke, hot Henry Locke, here in our space recognizing the awesomeness of her furniture. It makes me feel ten feet tall.
He wants to hire her to do the furnishings and they talk about that. And I know heâs not hiring her to appease me. She really is one of the best, and Henry would see that.
Henry gets this world. It makes my heart swell.
We head out to the truck, the three of us, and pick through the wood chunks and start matching parts together. We haul a few things out onto the broken sidewalk. Latrishaâs thinking tables and a lobby desk. Henry has measurements on his iPad.
I get the idea of having Bron, one of our smithy pals, heat and reshape small bits of the rebar to make design elements. Latrisha is talking about an entire lobby desk of chopped and polished construction timbers, fit back together like a puzzle with mostly triangular pieces. Itâs an awesome idea, and soon enough, Bron, another smithy friend, and Henry are unloading the truck.
People donât recognize Henry right off, though I have no doubt word will spread once somebody figures it out.
But right now, to everyone but Latrisha, heâs one of us, full of energy and ideas.
Maybe his work clothes cost more than a monthâs rent, but he makes up for it with his passion, not to mention his construction expertise. He and Latrisha and Bron and I take to the collaboration of making a grand lobby desk from the reclaimed materials like weâve been working together forever.
A few people drift over and throw out suggestions. He draws the appreciative gaze of most every woman who comes by, but he just keeps rolling with the group, gazing over at me, all sparkly, when things are popping.
Henry is so full of contradictions. Heâs a powerbroker into controlling everything, but he can do brainstorming and teamwork like a pro.
More smithy guys come over a few hours later and, not coincidentally, beers come out. The smithy guys clink bottles so hard, I think the glass might break. I wince and catch Henryâs eye and heâs just laughing, like he knows what Iâm thinking.
And then he goes off with them, the three of them with armfuls of rebar.
âOh, how far weâve come from the dog throne,â Latrisha says to me, watching them disappear.
âWhat?â
âYouâve done a one-eighty. From wanting to mess with him to quite the opposite.â
I canât keep the smile off my face.
âWhat happened to the asshole?â
âHis company is his family and, yeah, heâs a complete asshole to anyone who threatens it. Which he saw as me, I supposeââ
âIf he really knew you, he would know youâre the most trustworthy person on the planet.â
I smile without meeting her eyes. Latrisha doesnât know Iâm Vonda OâNeil, either. Iâm lying about my entire identity. But thatâs not what sheâd hate me for. Sheâs my age, around twenty-four. She would remember Vondaâs supposedly destructive lies. She couldâve forwarded the news stories and liked the Facebook memes.
Somebody made a video of strung-together clips of me on the Deerville courthouse steps that made it look like I was dancing up and down the courthouse steps. They spliced in a lot of imagery of pigs rolling in mud and set it to music with violent, misogynist lyrics.
It got millions of likes. Latrisha could have been one of them. I could still go type Vonda pigs in the Facebook search bar and find the seven-year-old video online, and I could search the likes for her name.
Iâve done it before with people, like teachers of Carlyâs, but I had to make myself stop that.
Would Latrisha be in there if I hovered over those likes? Would Henry? God, heâd hate me. They both would.
âWeâve come to a good place. Itâs complicated.â
âRecord scratch!â she says. âDid you sleep with him?â
âWeeeeeellâ¦â
âOh-em-eff-gee,â she says.
âNo, we didnât do itâ¦â I pause, awash in memory of us on the rooftop. And the way his lips felt against my skin, his hands.
âBut youâve been doing each other.â
âWe have.â I toss a bottle cap into the trash. âAnd itâs amazing. Heâs amazing.â
âI thought he didnât trust you. Like youâre this weasely scammer who stole his company,â she says. âWhat happened to that?â
âWeâve gotten to know each otherâdeep down, beneath all the bullshit of this situation. We click. Itâs amazing. And Iâm giving the company back.â
âHold onâwhat?!â
âDonât tell him. I didnât actually tell him, but I implied it. Carly and I have that twenty-one-day waiting period thing and promising is the sameâ¦â
âBernadette gave it to Smuckers and you because you two were her only friends in the universe. She wanted you to have it. That is your security. You and Carly. You would give that up?â
âIt doesnât feel right to keep it.â
âWhat part of going from scrabbling along to super wealthy doesnât feel right to you?â
âAll of it. Carly and I were getting on fine. We have a great life just how it is. And the company was never ours.â
âSo, let me get this timeline straight.â She sets a hand on my shoulder and her eyes bore into mine. âHeâs an asshole to you. He plays dirty tricks. It doesnât work. Then he decides to be charming. And we know the tales of him in the sack. Iâm sorry. I know heâs hot. Heâs smart and fun. But heâs not one of us. He just wants that company.â
Iâm shaking my head.
âNo, you listen.â She tightens her grip. âHeâs spending time with you and heâs all that. And suddenly youâre handing over the company. Youâwho hate rich, entitled assholes until this one decides to wrap you around his worldwide cock.â
Something twists deep my belly. âI know how it looks.â
âIs that or is that not the timeline?â
My pulse races. âI donât care.â
âYou need to start caring. This rich boy is playing you,â she warns. âYour first instinct was not to trust him. You need to honor that.â
âMy instinct is to trust him now.â
Warmth slides over me. I turn to see Henry coming toward me alongside Bron.
Latrisha swears a blue streak, but Iâm not listening.
Henryâs all sweaty and wearing his big gloves. Theyâre carrying something they made out of the rebar. Henry smiles at me, and the smile hooks to something deep in my belly.
âDonât be a fool,â Latrisha warns, voice hard as steel. âThis guy is leading you by the vajeen.â