Klempner A voice echoes from outside the room. âLarry, what dâyou think youâre doing in there? You really think you have a chance?â
âI might ask you the same question, Baxter.â
âDo you seriously think you can get out of there? Youâre covered from all angles in a dead-end corridor.
Youâve nowhere to go. Put the gun down and come out with your hands raised.
âFuck you!â
There is a pause and the sound of movement and muttering, then, âIf you donât drop the weapon then we might have to take alternative action. We have a friend of yours with us. And to be fair, we have the money too.â
Jamesâ¦
A bluff?
Probably notâ¦
âYou going to take a look? Heâs been missing youâ¦â
And in the background, cursing; another voice I recognise.
Darting forward, then back, I risk a check around the door and down the corridor.
And yes, itâs James, battered and bruised but definitely not out of the game.
He looks fucking furiousâ¦
One eye is swollen almost shut, bruised to a shade of blue-crimson, the orb, a ball of blood. His head is raised against the muzzle pushing up at his chin to one side, the knife at his throat to the other. And I think his hands are cuffed behind him.
Standing to one side, Finchby, carrying somethingâ¦
The money?
No⦠some kind of boxâ¦
More like a fishermanâs tackle boxâ¦
His grin is beyond irritating.
To the other side of James, Baxter cradles a handgun, the muzzle semi-aimed at him.
I yell down. âNice to see you, James. I wondered if youâd be joining the party. Howâre you doing?â
He growls, âIâve had better days.â
From behind me, Jennyâs voice. âIs that him? They have him? Is he hurt?â Then she breaks into a groan.
Michael stills. His eyes meet mine then drop to Charlotte.
âYou canât let them kill him. You canât.â She whimpers, then strains again.
From between her legs, a head is emerging. Bloodied, with a scrape of dark hair plastered over the scalp. She leans forward, trying to see over her distended belly then looks up to me. âPlease, Fatherâ¦
Have they hurt him?â
âHe looks beaten up, but mad as hell.â
She drops back against Michael, her face contorted. âDonât let them hurt him. Oh, God. Donât let them hurt him.â
Baxterâs voice again. âDrop the gun, Larry. Weâre coming in like it or not, and I imagine your little girl in there would prefer this one stays in one piece.â
Jamesâ voice is a snarl. âFuck you. Youâre not using me toâ¦â Thereâs a crunch and a grunt. As I risk a look outside, James is on the ground, Finchby planting a boot in his gut.
Jenny again, on a note of rising panic. âWhat are they doing? What are they doing to him?â
âLarry, throw out the weapon. Kick it into the corridor. Or we finish him. Itâll be slow and itâll be noisy and sheâll hear every second of it.â
Finchby punctuates the end of the sentence with another kick. To Jamesâ credit, the only sound he makes is a huff of expelled breath.
âWhat are they doing? Donât let them hurt him. Stop them. Oh, God, Father, please stop them. Iâve never asked you for anythingâ¦â
I turn. âJennyâ¦â Sheâs streaming tears. âJenny, this isnât sensible.â
Michael kisses her cheek, then to me, âWe canât get out right now anyway. And do you think we can fight our way past gunfire with Jenny and a new-born baby? At least this way, James is here with Charlotte and theyâll not do him any more damageâ¦â
For nowâ¦
He has a point thoughâ¦
But I donât have to like it.
The voice from outside again. âThrow out the weapon, Klempner. And remember we can see you on the camera.â
Not quite trueâ¦
Iâm below the cameraâ¦
I suck air, run a quick mental inventory, then toss the gun out into the corridor.
âStep outside, Larry. Hands up.â
Will they shoot me on the spot?
No⦠Finchbyâs a gloaterâ¦
Jenny, her face screwed up as she groans through another contraction, looks up at me. âFather⦠Iâ¦â
I wink and click my tongue at her. Pointing a finger, âYou handle your end of it.â She nods, panting, and I step out, arms raised.
True to form, itâs not Finchby or Baxter who approach me. They stay safely at the far end of the corridor, standing over the still-prone James.
If ever I saw a man with murder in his eyesâ¦
Baxter nods his two heavies towards me. âSearch him. Heâll have other weapons.â
And thereâs a face I recognise. Baxterâs sidekick from when he sprang me from the prison van.
âGood to see you again, Hickman. Just like old times.â
He grunts, frisking me.
My Glock goes first, from the belt holster. Then the knife tucked in the back of my belt. Then the other knife in the top of my left boot. Then the Ruger in my right boot holster.
âTake his belt too,â says Baxter. âAnd check his pockets for a slapper or a cosh.â
Iâve known that bastard far too longâ¦
âUp his sleeves too,â says Finchby.
Him tooâ¦
Once theyâre happy Iâm ânakedâ, the happy pair wrench James up onto his feet and make their way to me.
Jamesâ meets my gaze. With his one open eye and the expression heâs wearing, it could be Odin declaring Ragnarök.
Baxter strolls along, gun in hand, all nonchalance, smiling pleasantly. âGood to see you, Larry.â
âBaxter.â
âI'll admit, I expected we'd meet earlier.â He jerks his head to James. âJust like you to send someone else to do your dirty work... Now⦠âHe points inside with the muzzle of his gun⦠âIn you go. Letâs see how the happy eventâs progressing.â
Once inside, he continues. âBring him in. Let's get the three musketeers together, shall we.â He claps his hands together, rubs palms âWhat a good day. I'll be settling the bill with you, Klempner, and getting well paid for it at the same time.â
Finchby strolls in, still carrying the box. James is pushed into the cell behind him, his movements stiff.
Close to, heâs no prettier. His eyes settle on the straining Jenny.
âMad as hellâ does not describe him. As he sees Jenny, his expression is apocalyptic. âYou bastards!â
he hisses. âYou do this to a woman whoâs innocent of any wrong to you? What possible justification do you have forâ¦?â
Michael cuts him short. âSheâs okay. Itâs going normally.â Then to Finchby, âSuppose you let him take my place, then I can take a look at how sheâs doing?â
Finchby looks to Baxter, who shrugs.
âGo on then,â sneers Finchby. âGo help the little girl.â
Jamesâ voice is flat. âIf Iâm going to support her, youâll have to free my hands.â
Finchby wavers then jerks his chin at Hickman. âTake his cuffs off. Stannis, keep them covered. Larry, you over thereâ¦â He points to the far corner of the cell.
Perfectâ¦
A wall behind me and room to move.
But, as I meet Jamesâ one eye, I keep my face bland.