James Klempner pauses, sucking at his teeth, eyes vacant for a moment. Then he head-jerks up the stairs.
âKeep going. Iâll be right behind you.â Then he reverses and, to the sound of running footsteps vanishes back the way we came.
âKlempner⦠whereâ¦?â But heâs gone.
Michael meets my eyes but doesnât comment, simply heading upwards, Charlotte clinging to his neck with one arm, and to Cara with the other.
I follow. âYou know the way out?â
He talks back over his shoulder. âNot sure. Finchbyâs office is just up here.â
âGreat. From there, out through the pool room, across the dance floor and out down the stairs.â
He grunts acknowledgement, stepping up his pace.
At the top of the stairs, now on the level, Charlotte and Cara in his arms, Michael goes through the office and past the pool room bar at speed. Ahead of us, women mill.
âDownstairs,â I yell, but none of them seems to understand English. The multi-coloured glare of the dance-floor lights illuminates complete chaos. Customers are looking wildly in all directions, pulling their pants on, dashing for the exitâ¦
Thinking itâs a police raid maybe?
Michael pauses, looking around. âWhich way?â
âThere.â I point towards the stairs I entered by the first time I came here with Klempner. âThrough that door then two floors down to the front exit. Go.â
He sets off at a run, leaving me hanging and wondering what Klempnerâs doing.
Should I go back for him?
Above the cacophony of the dance music, an alarm rings. The steady tone of a fire bell. Klempner emerges from Finchbyâs office. âYour attention, please,â he shouts. Everybody out! This is not a drill.
Evacuate the building⦠Evacuar o edifÃcio!â
Women⦠some of them the prisoners, others Finchbyâs workers, scream and scatter, clutching what passes for their clothes. Clients too, some half-dressed, others holding up their pants at the belt. They at least know the way out, dashing for the exit. The women donât, some heading for the back rooms.
Klempner snags one by the arm, whirling her around, then pointing to the stairs. âI said out!â
She cringes, then runs, this time the right way.
âKlempner, whatâs going on?â
âJames, get everyone out. And quickly.â He glances at his watch. âWithin seven minutes to be precise.â
???
âWhat the fuck have you done?â
âNever mind. Get them out. Have you seen Finchby or Baxter?â
âNo.â
âWe need to find them, or weâre back to square one.â
*****
Michael Charlotte hanging to me, clinging to a wailing Cara, I run out into the dark. I donât know where weâre going, just out.
Something shrieks by me, hammering into the ground a few feet ahead and my brain catches up with the fact that shots are being fired at us. Behind me, thereâs the rat-tat of gunfire.
Ahead of me, a carâ¦
Crapâ¦
In my breathless, headlong charge, for a moment I donât recognise it, but then I see the face. Richard at the windscreen, screeching in, almost on two wheels as, rubber burning, he skids to a halt in front of me.
The central locking clunks open and Ross leaps out from the other side. âGet her in the back!â he yells, opening the doors ahead of me, pulling Charlotte through from one side as I push her in from the other.
Richard yells from the driverâs seat. âMichael. Get in.â
I clamber in beside Charlotte. Sheâs trembling violently, Cara clutched to her chest. She doesnât seem to have realised that James isnât with us.
I pull her into my arms. âItâs alright, Babe. Youâre safe now. Soâs Cara.â
She nods, face pressed into my chest, then explodes into weeping. Ross twists back to look. Richard meets my eyes in the mirror then nods to Ross. âCall Elizabeth. Tell her to let Mitch know we have them.â
Ross taps in, talking quietly into his mobile. After a few moments, he turns back again. âYour motherâs waiting for you Charlotte. She wants to meet her grand-daughter.â
Charlotte jolts in my arms. âYouâre not taking me to the hospital, are you?â Her voice is rising in pitch, panic in every word. âNot the hospital. I donât wantâ¦â
Richard cuts her short. âNo, not the hospital Charlotte. I thought youâd feel like that about it. Iâve made other arrangements. Iâm taking you home.â
Through her tears, Charlotteâs brow puckers. âArrangements?â
âHome?â I lean forward, hissing by his ear. âRichard, she needs medical help. Cara too. The conditions they were keeping her inâ¦â
Richard ignores me. âI wasnât able to be part of your rescue, Charlotte. But Iâve not been sitting on my hands while all that was going on.â
Jamesâ¦
Flooding from the doors now, women and men alike stream out.
I tap Richard on the shoulder. âGet her out of here.â
He twists back. âWhat? What about you.â
âJames⦠Heâs in there somewhere. Soâs Klempner.â I kiss Charlotte. âSee you soon.â
âNo!â Sheâs scrabbling after me as I get out. But behind me, I hear the clunk of the locks re-engaging as Richard pulls away.
*****