The car drives into the night, taillights, glowing gold through the exhaust. Ross stands silently by.
âTime for me to go too.â
âGood luck, James. Iâll be listening.â He offers his hand and I shake.
Then, bag in hand, I set off down the dark streets.
*****
Michael The night is icy, the ground slick with frost and a breeze, slight though it is, bites at fingers and ears, even through the gloves and the woollen caps both Klempner and I are wearing.
Slipping from one shadow to another, we skirt the luridly lit front entrance of Club Electric, moving around the side.
âDonât slip on the ice,â mutters Klempner. âYouâd end up in the canal.â
The water, black and unwelcoming, ripples sluggishly, assorted unsavoury-looking objects bobbing at the surface.
âNo, thanks⦠How are you planning on getting inside? Iâm assuming you werenât planning on the front door.â
âNo. He probably has the back covered too.â
âFire escape?â
Klempner shrugs, noncommittally. âMaybe.â
âSo, what then?â
He brandishes the wooden carrycase heâs been toting since he first arrived with his armoury.
âAnd that isâ¦?â
He kneels, unclipping the case. It opens into two halves, lying flat, to reveal inside what looks like a gun, sort of, and various components, nested into hollows in packing foam.
âA harpoon gun? And you plan to use that how exactly? I know James talked about hunting whales.
Not that I wouldnât be happy to see Finchby with one of those through his chest, butâ¦â
âItâs a line thrower.â Klempner raises eyes to high above.
There, above what would once have been loading access for, what was then, a warehouse, a mix of silhouettes and dull glints mark the rusted remains of ancient winch and pulley systems jutting from the wall.
Klempner strolls to and fro, apparently measuring height or angle by eye. âWhat are you like at climbing? Ever done any?â
âKlempner, thatâs got to be, sixty⦠seventy feetâ¦â
âYes. Have you done any climbing?â
âA bit of rock-climbing when I was a teenager and of course some rope work in the gym. But nothing likeâ¦â I let my eyes slide upward: a solid wall of smoothly constructed brickwork, damp in the night air, slick in the winter freeze. â⦠nothing like that.â
âIf you can climb a rope in a gym, you can do this. Itâs just a longer stretch.â He cranes his neck, looking up. âWhich of those looks the most secure, would you say?â
âYou have got to be kidding. Trust our weight to one of those? Theyâre decades old. There canât be more than rust and hope holding them together.â
âYou want to get inside or not? We canât use the entrances. Thereâs no windows at all for the first two stories and the ones above that are barred. Oh, and for the avoidance of doubt, weâll be trusting my weight to it, not yours.â
âYour weight? Why yours?â
âYou're heavier than me, by quite a bit. I'll go up first, get the rope anchored to whatever else I can find up there. Then you can follow.â
âKlempner, thatâs just notâ¦â
âGot any better ideas?â
âSince you ask, no.â
âWell then.â
âWhatâs your idea from there? Hoping thereâs access from the roof?â
He shrugs. âThere usually is for these places. Services shafts, ventilation⦠Whatever. And if there isnât any ready-made, we might make an access. Through the roof tiles perhaps.â
He looks up again, sucking at his teeth. âIf weâre pushed, I suppose we could tackle the bars on those upper windows, but I donât much like the idea of dangling sixty feet up for the length of time that would take. Even in the dark, weâd be too visible if anyone came round.â
He extracts the âgunâ from the packing, assembling parts. It could be a shotgun except for the unusually short barrel and strapped below the barrel, a canister, loaded with coiled cord.
Then a long brass pole, with a loop to one end⦠He glances up. âThe projectileâ¦â he explains, without waiting for my question.
I watch in some fascination. âYouâve done this before.â
He huffs. âOnce or twice.â
âYouâve led an interesting life, havenât you?â
âYou could say so.â He fiddles with the cord, smoothing over a kink. Then knotting cord to the loop, he loads the projectile into the front of the barrel where it protrudes, dangling the cord, then snaps fingers at me. âPass me one of those cartridges.â
I ease one from its slot. âWhat is it the Chinese say? May you live in interesting times?â
âThereâs that...â He pushes the cartridge into the breech, clicking it home. â⦠But itâs not as though Iâm cut out for afternoon tea with the vicar.â
âTrue.â
His eyes rise to mine. âYou going to tell me what the deal is with you and the Haswell woman? Youâre supposed to be Jennyâs husband.â
âOne of them.â
âAlright, one of them. But whatâs with you and Beth Haswell? You seem pretty chummy with her, but no-
one blinked. Not even her own husband. And Iâd not have thought Richard Haswell was the type to sit back while his wifeâ¦â
âRichard offered it. Charlotte has two husbands. I have two wives. Weâre a five-cornered family.â
He says nothing for long seconds. Then, âAnd Jennyâs happy with that?â
âShe was one of the instigators.â
Klempner snaps the gun closed. âStand back. Just because it spits line instead of bullets itâs no less a firearm and itâs going to be fiddly.â
âWhy?â
âBecause this isnât really the job it was designed for. Itâs a line-thrower but itâs intended to be fired horizontally; for sea rescue and similar. I have to get it up and over one of those brackets so the line will catch. Then we can follow on with a rope to take real weight. This stuffâs good to one-twenty pounds. Not enough to take me and certainly not enough for you.â
âWhy just one of the brackets? Why not aim to straddle two or more if you can, then thereâs more than a single support if one of them fails?â
Klempner sniffs. âI like that idea.â He aims upwards, sighting along the length of the shaft, then fires.
The brass projectile streaks upwards, trailing its cord. As it approaches its target it flies straight as an arrow, but then overshooting, rises above the roof and abruptly veers off-course, taking the cord with it.
âFuckâ¦â Klempner cranes to see. âMust be a wind blowing up there.â
As it falls back, the cord misses the brackets and the projectile clatters onto the concrete.
In my peripheral vision, something shifts⦠a brighter patch in the darkness.
âSomeoneâs coming.â
Freezing hard back against the wall, at the last moment, we turn faces away from the betraying beam as a figure comes around the cornerâ¦
Two figures⦠Matched silhouettes, behind the glare of a torch, accompanied by floating red embers and the scent of cigarette smoke.
âWhat dâyou think it was? I didnât hear anythingâ¦â
âWell, I did. Some sort of clanging noise.â
âProbably kids or crack-heads.â
âThatâs what they pay us to find out isnât it.â
The beam swings through the darkness, frozen fog a-glitter in the air as it moves, then passes over the trash bins.
With a yowl, a cat streaks out from between the bins, knocking one of the cans flying as it goes. Then darting between the legs of the recoiling guards, it vanishes into the night.
âFucking vermin. Iâll tell Finchby he needs to put down some poison.â
âWouldnât it be better to poison the rats instead?â
âWell thatâll take the cats too, wonât it.â He tosses his cigarette butt at the trash, a small red ember arcing through the darkness to fall glowing to the ground by the bins. âCâmon, Iâm fucking freezing.â
As the bootsteps recede, I draw breath and then realise I'd been holding it. Thereâs a distant clunk and all falls quiet again. âWant to give it another try?â
Klempner is already reloading: a fresh canister of cord; a fresh cartridge. He stands where he stood before, then eyeing upwards, repositions himself, aims and fires.
Again, the projectile whistles upwards, the cord unravelling to follow behind. At the top of its arc, it hangs, glittering, then fallsâ¦
⦠and this time drops squarely over one of the brackets.
âNot two?â
âCanât have everything.â Klempner is already taking a coil of rope from his pack. As cord and projectile touch ground, heâs already knotting one end of the cord to the rope, then hauling on the other, up and over the ancient bracket, then down again. In under two minutes, our climbing rope is in place.
Klempner tugs experimentally, then hoists himself, his full weight on it. Nothing much happens.
âOff we go,â he mutters. âIâll go up first. Once Iâm up, Iâll re-anchor, then you send the bags up next.
Then you come last.â
âFine. Be careful. With the freeze, itâs probably icy.â
He sniffs and nods, then, one hand over the other, feet propped against the brickwork, âwalksâ up the rope.
I watch as he ascends.
How old are you?
Old enough to be Charlotteâs fatherâ¦
And you climb that wall like a monkeyâ¦
The dangling end falls still, then jerks. Quickly I attach Klempnerâs bag of tricks and tug. In a series of jerks, it rises, vanishes into darkness, then the rope falls back. My bag next. That too is hauled upwards and the end of the rope drops back.
It's been a while since I last did any climbing, several years in fact. The rope feels unfamiliar in my hands as I haul myself upwards.
And as I crane upwards, the wall, sheer, vertical, smooth, looms vertiginously above me.
Crapâ¦
Klempnerâs voice hisses down. âMichael, move your ass. We donât have all night.â
He did itâ¦
So can Iâ¦
My pride stinging, I grab at the rope. Feet propped up against the wall, knees flexing as I âwalkâ up, hauling myself, arm-over-arm up and ever up the brick surface.
At about the half-way point, biceps beginning to burn, I stop for breath.
Klempnerâs voice hisses down from above. âMichael, what the fuck are you doing down there? This isnât a sight-seeing tour.â
Smart bastardâ¦
And, filling my lungs again, I pull up from my right arm, reaching, and pushing up from the feet againâ¦
⦠and my feet skid...
I donât know if the brickwork is iced or just sheened in condensation, but the soles of my boots slide like some old slips-on-the-banana-skin joke, lose contact with the wall and abruptly, I'm danglingâ¦
Caught in mid-movement, my left arm reaching up, my entire weight drops onto my single right hand.
For a heart-stopping second, the rope slides, the leather of the glove hot against my palm and my heartbeat accelerates from andante to allegro in the space of a couple of beats before I snap my left hand into place and regain my grip.
Christ!
For a moment, all I can do is dangle, spinning. The darkness below me, which I had taken to be a kind of uniformly black pit, is revealed as a mosaic of light and dark and grey which swirls under me alarmingly. All around, the lights of the City draw streaks of red and amber and white across my vision...
âMichael!â The voice is a hiss from the darkness above. âWhatâs happening?â
âWallâs iced. Gimme a minute.â
âIâm coming downâ¦â
âNo, just give me a secondâ¦â
âYou alright?â
âGot a stick handy?â
âA stick?â
âTo push my heart back down my throat.â
A snort, then, âYou coming or not?â
âI'm coming.â And with that, shifting my gripâ¦
Thank the fuck for glovesâ¦
⦠I swing my feet back to the wall propping myself once, continuing my ascent. And this time, instead of arm over arm, I inch my way up, first my left hand, then my right, both hands on the rope all the time.
The metal prop emerges from the darknessâ¦
No Klempnerâ¦
âWhere are you?â
âHere.â
From a couple of feet above me, he reaches down, offering his hand. I take it, and as he hauls me up, my other hand snaps reflexively onto the edge of the roof.
âSwing up and over. You can stand on the other side.â
Hooking my heel up over the edge never felt so good. I find myself on the inside of a small wall and standing upright.
âWeâre in luck,â says Klempner. âWalkable roof and what looks like ready-made accessâ¦â He follows my downward gaze. âYou werenât supposed to stop to admire the view you know.â
Smart-assâ¦
He crooks his arm, winding the rope around between hand and elbow in a neat coil then stows it back in his rucksack. âOf course, itâs harder for you. You have at least thirty pounds on me.â
My teeth ungritâ¦
âOn the other hand,â he continues, a spark in his eye, â⦠You also have twenty years on me.â
âKlempner, if it had been James with you instead of me, would you spend your time needling him like this?â
He seems to consider. âNo,â he says at length. âBut then I donât think James would have made it up that wall. He was right, that leg of his would have disabled him for this.â
My ire rises again. âThat leg as you put itâ¦â
â⦠was a wound honourably received. But he needs to be more careful. Iâve been in far more gun battles than he has, but I spend my time dodging bullets. Not putting myself in the way of them.â
Thereâs no moon and only the crystal glitter of winter stars above. Below us, the odd cracked streetlamp reflects orange from the canal before vanishing behind other similar warehouses, mainly derelict. And beyond, the City lies, in a sparkling mosaic of buildings and moving traffic.
But up here, itâs dark.
The footing beneath us is slick with more than just ice. In the torchlight, moss or algae coats lead and slate, a sheen of slime under the boots.
Klempnerâs âaccessâ is a straightforward dormer door, built-in between slates and lead flashing.
The doorâs pretty solid. Reinforced steel and with the kind of lock that says visitors aren't welcome.
Even if he didn't expect burglars up here, he was prepared for them. Barred from the inside at the very least.
âCan you hear anything?â
âNo. Does Finchby have anything on this top level?â
âNot that Iâm aware of, but as I said, I canât claim to know the place well. My visits were limited. But how many would try to escape this way? What would they do? Fly?â
Klempner kneels, fishing in his rucksack.
âWhat are you looking for?â
âSemtex. Blow the lock out.â
âThat's likely to make quite a bang, and it'll be inside the building. They won't mistake that for a cat and a trash can. Canât you shoot it out?â
âYouâve watched too many movies. Firing a gun at a metal lockâs just a good way of getting a bullet bounce back in your face.â Klempner starts fiddling at the door. âItâs only a small charge and heâs on the lower levels. We'll have to risk it.â
I cast my eyes over the surrounding roof section. âKlempner, wait a minute.â
He straightens up. âWhat for?â
Sometimes people don't see the obvious.
Unslinging the axe from my shoulders, I slip the edge of the blade under the end of a tile, then ease in and twist. And the whole thing lifts, pivoting on a single nail on the top edge.
And below, there's not so much as under-drawing. I'm looking directly down to an empty space.
Klempner chuckles. âWell, fuck me. They fit a door like that andâ¦â
â⦠and It doesn't occur to them that a slate roof is essentially a series of overlapping flaps. Get your rope out again.â