James But downstairs in my playroom, Klempner is nowhere to be seen. Neither is he in the laundry, the boiler room or anywhere else.
Finchby has vanished too.
Michael regards the empty spot. Clicking a thumbnail against his teeth. âThereâs only one way he could have gotten out.â
âYes, there is. Michael, Klempner knew the tunnel existed. How long d'you think it would have taken him to find it if he was seriously looking?â
Hissing through his teeth, he marches across to the hidden exit at the far end of the chamber.
A click, the concealed door opens and he vanishes inside.
Re-emerging a minute later. âThereâre drag marks where the floor turns to earth. You want to follow them?â
âI donât think I do. Iâm not sure I want to be responsible for whatever happens to Finchby. Besides, I have more immediate things to do.â
âSuch as?â
âI have a hard drive to clean up before I deliver it to the police.â
Michael scratches at forty-eight-hour stubble. âI suspect Finchby may not be our problem anymore.â
âI suspect youâre right. Klempner wanted to question him some more. I doubt heâll survive the experience.â
âAnd Klempner?â
âHe'll be back.â
âYou think?â
âMitch.â
*****
The following evening, the front door opens and Klempner breezes in as if he had not a care in the world.
âJames, Michael, sorry to leave you so precipitously. I'm sure you understand why.â
Heâs changed, wearing fresh clothes which look new and fit him well; trousers, a roll-top sweater, jacket and shoes. And he carries a pair of bags, offering one to me.
âYours. Thank you for the loan. I had them laundered of course.â
âFinchby?â I ask, cautiously.
â... Will trouble you no more.â His gaze is direct. âOr for that matter, anyone else.â
âWhat did you do with him?â
His head inclines. He regards me from under his brows. âYou really want to know?â
âYes.â
âI slit his throat. After heâd told me what I needed.â
âBuried him in the woods?â
âNo, I want whatâs left of him found.â His tone turns savage. âI want it known what will happen to anyone who makes any move against my family.â
He turns calmer again, his smile sunny. âIf someone has a quarrel with me, they can discuss it with me.â
This is Klempnerâ¦
And I know what heâs done to some of the people who seriously upset him.
âI'm surprised you stopped at cutting his throat.â
He mellows again. Heaves air. âI didn't want Jenny or Mitch reading something like that in the papers and deciding they were somehow responsible.â
Footsteps at the end of the hall: Richard, watching, silent.
Klempner regards him. âAnd how is your friend? Commissioner Stanton?â
âConflicted, I would say. He blistered my ears before he settled down.â
Klempner scratches his nose. âI can imagine. Hereâ¦â He proffers the second bag. âI should have given you this before, but we were rather busy. Itâs Finchbyâs half of the money. I think most of itâs there, minus a⦠um⦠finderâs fee to Hickman. I thought that was appropriate. Iâve not recovered Baxterâs half, Iâm afraid, yet.â
Richard stares at the bag. âI assumed Iâd never see that again.â
âNo?â Klempner cocks his head. âYou know what they say about assumptions.â
*****
Klempner James and Michael head upstairs. They want to see Jenny of course. Spend some time with her.
And the babyâ¦
Of courseâ¦
Haswellâs vanished too. To see his Beth, I suppose.
Alone now, I pace the lounge.
In one corner, a Christmas tree stands, half-decorated. Close by, a cardboard box overflows with tinsel and paper decorations.
Through the window, fog swirls and inside, winter penetrates. The air is damp with chill, so, for lack of anything else to do, I make up the fire. Itâs not difficult. A wicker basket contains paper, matches and kindling; the hearth is stacked with logs and thereâs already a good bed of ashes, albeit cold ashes.
A couple of minutesâ effort produces a bright flame and I stack thinnish stove-lengths then thicker logs over it, building it high. A good burn will heat the stonework and then the room.
From upstairs, the sound of laughter and chatter drifts. I can pick out Jennyâs voice, excited and happyâ¦
Showing off her new baby?
Jamesâ much deeper tones rumble down too and occasionally the nurse trots past the door, uniform crisp, hat starched.
I stand, back to the fire, letting the heat bathe me.
The fizz of activity, the buzz of excitement fades. And depression settles over me.
Now what?
Perhaps I should go?
Let them play Happy Familiesâ¦
I should be tracking Baxterâ¦
I turn to stand over the fire, leaning with both hands on the mantle, staring down into the flames and where now, wood begins to drop into glowing ashes.
âLarry?â The voice is soft, mellow⦠beautiful.
I turn. âMitch, is Jenny alright? And the baby?â
âJennyâs fine. Sheâs caught up on her sleep and sheâs having a bath, cleaning herself up properly now.
Theyâve put Cara in an incubator, but itâs just a precaution while they make sure everythingâs working as it should.â
âAn incubator? Here?â
She smiles. âRichard was busy while he was here. Thereâs half a medical facility up there. If they needed to, everyone could be whisked away to a clinic or hospital, but unless itâs an emergencyâ¦â She shrugs. âI think he just kept shoving money at them until they agreed to set up here for the meantime.â
âThe joys of having one of the super-rich for a friend⦠Iâm glad everythingâs alright.â It sounds trite, but I donât know what else to say.
She looks at me long, then moving slowly, she comes close, raising her hand to my cheek. âThank you for everything you did.â
âItâs not finished yet, Mitch.â
âI know. But thank you anyway.â
She steps back, holds out her hand. âCome with me.â
I take it, following her. âWhere are we going?â
âYouâll see.â
She leads me from the house, around to the rear and across a courtyard with what look like stables at one end. To the side of the stables, white-painted walls, set with trellis and roses sprouting at the base.
A door, new and freshly painted, furnished with brass handle and knocker, both polished and bright.
âWhatâs this?â
âThis is where I live.â
âHere? I thoughtâ¦â
âThey need their privacyâ¦â She opens the door, leading me inside⦠â⦠And now, so do I.â
She closes the door behind me, then moves close, stands close, rests her palms on my chest. After a moment she chuckles, pressing her right hand hard against me. âI can feel your heartbeat.â
âI imagine you can. Iâm wondering whatâ¦â
She surges closer to me, her arms rising, hooking up behind my neck, seeking my mouth with hers.
How could I refuse?
And why would I ever want to?
The moment is the sweetest Iâve known sinceâ¦
⦠since before Jenny was bornâ¦
Her lips are soft and warm and welcoming, opening under mine as I slide my arms around her, stoop to meet her. My heart may be banging, but so is hers; hammering through rib and flesh and breast.
She breaks away, her eyes on mine. âTwenty years is too long.â
âYes, it is.â
I look around, take in my surroundings; classic âMitchâ: walls in pale cream painted with flowers, trailing vines, overhanging trees and of course, butterflies.
I eye-point a door. âWhere does that lead?â
âThe kitchen.â Her mouth twitches, then she dimples, turning and aiming a finger. âBut that one leads to the bedroom.â
âYou know, I never did see inside your bedroom.â
âNo, you didnât, did you.â She takes my hand again. âLetâs put that right.â
*****