Mitch sits in an armchair by the fire, knitting something small and stripy in rose pink, apple green and primrose yellow. Tucked down beside her, kinda out-of-sight behind the chair, is a huge canvas bag, stuffed tight, balls of green and red wool poking out of the top.
âWhat is it?â I ask.
âA winter hat for Cara,â she smiles.
âAnother one?â says Richard. âHow many hats does one baby need?â
Mitch sucks in her cheeks. âYou might be surprised. And besidesâ¦â She gestures toward Beth, her hands neatly folded over her bulging stomach, with the ends of her knitting needles⦠âIt isnât just one baby is it?â
Cara, lying in her carrycot, starts crying. Charlotte immediately rises, lifting her out, holding her close, rocking gently and murmuring something quiet.
From somewhere outside, thereâs a rumble and a clatter, perhaps of a vehicle. Michael makes for the window, twitching back a curtain.
Charlotte rocks the little girl, trying to soothe her back to sleep. âWho is it?â
âJust a delivery van come to the wrong place. Iâll just go redirect them back to the hotel. Sally will be wanting the kitchen properly stocked.â But his eyes meet with James, then with Richardâ¦
A smooth lie thereâ¦
Occupied with Cara, Charlotte doesnât notice their glance, but the three men make for the door and James gives me the smallest of eye-rolls to join them.
Outside, in the hall, he speaks in a low voice. âKirstie, do me a favour would you. Keep Charlotte occupied for a few minutes. There's something Michael, Richard and I need to do.â
âOf course I will. You want me to keep her in the lounge?â
âUpstairs would be better if you can manage it.â
Back with Beth, Mitch and Charlotte, Cara is still fussing. âPerhaps sheâd be better in her bed in the nursery,â I suggest. âItâs quieter there and she likes that mobile above her cot.â
Mitch cranes her neck to the door, then setting the half-finished baby cap to one side, pulls something else, much larger, out of her knitting bag. It flops, shapeless, over her lap in holly green and Santa red.
âYou could play some music for her too,â she says. âHave you noticed that she always calms down when James plays some of that soft classical?â
*****
Christmas Day The heap of gifts stacked under the tree is bright with coloured wrap and ribbons. James waves an arm down at the stack. âYouâre closest, Michael. Youâre in charge.â
Michael takes a small gilt-wrapped package from the top, checks the label then offers it out to Beth.
âFor you.â
Beth peels off foil and ribbons to reveal what is very obviously, a perfume bottle. She opens it, then smiles brightly at Richard. âItâs lovely, thank you. The old one has almost run out.â
Michael is already reading the label on another gaudy parcel, bulky and soft, in the kind of economy wrapping paper you might find in a supermarket or newsagent. âThis oneâs for you, James.â
He accepts it, raising brows and looking to Charlotte, but she shakes her head. âItâs not from me.â
He turns over the tag, jagged-edged, perhaps pinked from an old birthday card or similar. His head inclines. âWhy, Mitch, thank you. You shouldnât have. Youâre only just getting back on your financial feetâ¦â
Klempner frowns...
But she chuckles. It's a low sound, deep and throaty. âYouâd better not thank me yet. You havenât seen whatâs inside.â
James pauses, suspicion flitting across his features, then slides fingers under tape, easing the parcel apart to reveal something large and brilliantly coloured which flops over his lap.
Lifting it, he displays it for inspection. And biting my lip, I turn away while I get my smile under controlâ¦
Thatâs what all the knitting was aboutâ¦
Dead-pan, James regards the Christmas themed pullover dangling from his fingers. In fact, it is a particularly fine example of the type. A knitted Rudolph head looks out from the chest. His red nose is a stitched-on, glittery plastic bead.
I shift, angling to get a better viewâ¦
Is Rudolph cross-eyed?
Yupâ¦
Michael meanwhile, is holding another similar parcel. And now that I look, I can see more on the heap of the same kind. Mitchâs eyes crinkle as they meet mine.
I canât resist. âYou have to wear it, James. Itâs a present. I can see itâs hand-knitted. It must have taken Mitch ages to make.â
James casts me a look then nods across to Michael and the parcel heâs holding. His voice neutral.
âLetâs see whatâs in yours.â
âItâs not mine.â His voice equally dead pan, Michael offers the package to Richard, who eyes it like a live snake.
James lays Rudolph out, smoothing down the front to display the cross-eyes to best effect. âSo, letâs see yours, Richard.â
Charlotte has found some excuse to turn away and is busy fussing over Cara. Nonetheless, her eyes flick to where Richard opens his gift. Santa looks out from a frame of holly leaves. His nose is as shiny as Rudolphâs, and again, is a sewn-on extra.
Ryan sits beside me, his hand partly concealing his face. âThey look very well made.â He casts eyes over the base of the tree. âHow many more are there like that?â
Michael looks glum, holding another parcel. âJust the oneâ¦â Mitch frowns⦠Then he brightens. âOh, no. Two. Hereâ¦â He grins as he passes a package wrapped in snowman paper to Larry.
The pullover is in navy blue. On the front, a grey and white penguin with black button-eyes wears a stripy, multi-coloured bobble hat. The logo declares that Winter is Comingâ¦
Larry holds the offering with all the care of a grenade with the pin pulled out, then his gaze shifts to Michael. âLetâs see yours then.â
The blond manâs face falls. He opens the final parcel with the air of one laying out his own funeral shroud; another woollen offering, this one much larger than the previous three, flops out. The festive theme continues with a snowman on a blue-covered background. Hand-sized snowflakes with little diamante centres twinkle around him.
âYou have to try them on,â I say, turning to Ryan for support. âThey look very well made.â
Charlotte pipes in. âYes, a gift from my Mom. Her first Christmas with us. You have to put them on. All of you.â
Richard turns to Beth, his eyes beseeching, but she simply says, âIt would be very rude not to wear them.â Then, âYouâre so clever, Mitch, doing all that. And without any of us noticing a thing.â. Her expression is innocence itself, but Richard casts her a sharp look.