*****
Michael Removing two dozen slates makes a gap comfortably big enough to take a man and incidentally exposes the timbers. Thereâs no question of how to anchor the rope this time.
âYou realise weâre probably invalidating Finchbyâs building insurance.â
Klempner whistles in. âWhat a shame.â We peer down into Stygian darkness. âHow far down you think?
Twenty-five⦠Thirty feet?â
âIt canât be more than that if the windows outside are anything to go by.â
This time on the rope, I'm much more in control.
Itâs a straightforward climb down, the rope snagged by hand, thighs and crooked around one foot, and my body mass working for me rather than against, hand over hand, I descend into gloom. As my feet touch floor, the slight noise reverbs with the feel of a large empty space.
Blind-sighted in the darkness, the faint lines of external light seep through eaves.
Almost as I land, the rope shivers in my hand as Klempner also descends, coming at speed and I step smartly to one side as I realise he's all but on top of me.
He lands lightly. âCan't believe it's all going to be this easy.â
The air smells, not exactly stale, but unused. Revolving through three-sixty, the only light is the faintest of gleams, a fine line marking the eaves.
Also from above, a slight rustlingâ¦
Roosting birds?
From below, the floor vibrates to the bass thump of overloud music.
âStill got Beethovenâs Fifth Racket playing,â mutters Klempner from the gloom beside me.
âUseful for us though. Heâll not hear us coming with that going on.â
âToo right. I think we can risk a little light.â
With a click, the narrow beam of an LED flashlight cuts through the air, producing a startled flapping from above. To one side of us, the cracked plaster and paint of a wall, the beam painting threads and dots of light over webs and dust. But as the beam swings, it illuminates receding plaster then vanishes into darkness.
âA single open space?â
âIt is a warehouse. Or was.â
Klempner gestures with the light. âThat way is the front of the building, the main entrance and stairwell.â
He swings the beam the opposite way. âSo, let's follow the wall that way and see if we can find another stairwell. A place this size must have more than one.â
The torchlight aimed at the floor, we follow the line of the wall, stepping over the remains of ancient birdsâ nests and small heaped cones of guano.
Almost immediately we come to a plain timber door; no lock, no complications beyond the weavings of the local spiders over the handle. On the wall beside it, a metal plaque in what might be brass under the patina. 'C-Bay'.
The handle resists turning, but only with the groan of long disuse. And the hinges complain as the door swings slowly open to reveal a small room beyond...
⦠then stepping through, stairs leading both up and down.
Klempner aims the torch upwards. âPresumably our roof access door is at the top. Wait here. I'll check.
If we need to make a fast exit that way, it'll be nice to know what's there.â
He disappears up into shadow, the sound of his booted feet surprising quiet. For a tall man, he walks lightly. From downstairs, the bass thump is louder.
Within a minute, Klempner descends again. âIt can be opened from the inside. Simple turn-key and bars. But the bars are padlocked.â
He swings the rucksack from his shoulder, takes out his weapon, a machine gun. âKeep that axe of yours handy.â
âWhy did you ask me to bring the axe? It's not exactly a common assault weapon.â
âI'm not sure how good you are with a gun. But I've seen you handle that axeâ¦â His voice turns dryâ¦
â⦠and I know what you did to two of my men with one a couple of years back.â
âAm I supposed to apologise? Youâd sent them after Charlotte. It was December. We had to escape into the snow. I was fucking naked barring my boots.â
Klempner blinks. âNaked? I didnât know that.â He slides to a half-smile, looking sheepish. âSorry about that.â
You might be a psychoâ¦
⦠but youâve come a long wayâ¦
âYou realise that was two years ago⦠Almost to the day? And here we are, you and I, fighting on the same side.â
Klempner snorts. âThere's irony for you. Let's head down. Ready?â
*****
We descend two flights then reach a landing; stairs up, stairs down, and a corridor off to either side.
âShhh...â Klempner halts in mid-stride, pressing a finger to his lips⦠âListen.â He cups an ear, head turning, first one way then the other.
A low murmur of sound⦠Voices speaking from some distance away, just audible over the thumping of the music, emerge from⦠somewhereâ¦
âThere...â Klempner aims a long forefinger along the corridor, then moving quietly, he follows the sound.
I pad along behind, axe in hand, ready to swing. âAny idea where we are?â
In a low murmur, âI think weâre heading for Finchbyâs office.â
âSo, thereâs likely to be people nearby?â
âNot sure. Weâre approaching from the rear. Normally Iâd have entered from the front, via the bar area.â
âHis office got a rear entrance?â
âThere was a kitchenette area to the back, I think. I was never in there, but heâd send someone through that way when he wanted coffee.â
The voices are growing louder. As we turn into a door, abruptly, we must be all but on top of them.
As Klempner predicted, weâre in a small kitchen area. The scent of garbage competes with stale tobacco. Flies hum over an overflowing trash can, crawling over a slick brown stain on the lid. The steel of the sink might be âstainlessâ but nonetheless, itâs coated in grime.
On the counter, a packet of biscuits lies open, spilt crumbs being investigated by bottle-green buzzers.
A half-empty jar of coffee is about the cleanest thing in sight.
Klempner eyes the trash, his Adamâs apple working as he recoils from a large bluebottle strafing him.
âHow does he keep this place open?â I mutter. âYou'd think the City authorities would shut him down for something. Poisoning his clients with the food at least.â
Klempner cocks a brow at me âYou only need one or two of the great and good in your pocket to get past that kind of problem.â
âAs you would know.â
He is unabashed. âYes. As I would know.â
A door stands ajar, across from where we entered. The voices are just on the other side.
âYou've done well, Lenaâ¦â
Klempnerâs lips press at the words. I paint the question on my face and he mouths silently to me.
Finchby.
A womanâs voice whines. âYou are going to pay me, aren't you?â
âCourse I am, Lena. We had an agreement didn't weâ¦â
Klempner edges to the door, inching around to see. After a second, he motions me to join him.
The pair are seated at a desk piled high with papers. A half-full bottle of cheap whiskey sits beside an empty tumbler. An open laptop casts a glow brighter than the daylight which struggles through a barred window and glass clouded with dust and webs.
Finchby taps a butt into an overflowing ashtray, extracts a cigarette from a packet then offers one to the pregnant woman sitting opposite. She accepts both cigarette and the offered flame, inhales, blows blue smoke, then sits with the cigarette poised between two fingers.
And yes, itâs the woman Beth spotted on the video footage, watching James and Charlotte at the hospital.
Finchby leans forward, counting out from a wad of notes. âHere you are, Lena. Five thousand, like we agreed. You can start again, just as you wanted. New start. New lifeâ¦â
Abruptly, another figure moves into view and both Klempner and I jerk away before moving cautiously back.
Once more, I recognise the face: Baxter. We met when he was driving for Klempner when we were rescuing Mitch and Charlotte from Benâ¦
Benâ¦
Heat blisters at my cheeks then morphs to a chill sweat.
I couldnât have brought myself to kill my brother. Klempner did what he had to.
And now, heâs doing it againâ¦
Finchbyâs still talking. âThere's enough there, Lena, for the deposit on the rent for a nice place. Get yourself some decent furniture, decorate. Maybe even a job.â
Her chin lifts. âGot a job.â
âYeah?â He displays yellow teeth. âWhat doing?â
âJob in a flower shop. Nice work. Nice people.â
In the background, Baxter raises a brow. Finchby notices but Lena doesnât.
âThat's great, Lena. You see⦠It's all going your way now. And all because you did me one little favour.â
She leans forward. âYou got him? Klempner?â
âWe'll have him very soon. We're just giving him a bit of exercise before we pull him in.â
She inhales from her cigarette. âYou got his bitch daughter too?â
âOh, yes. We have her too.â
She sniggers. âLet's see how he likes it when it's his turn.â
âCouldnât agree more. Youâve properly got your back on him this timeâ¦â
ââ¦Come on, Lena.â Finchby stands, making a mock bow towards the door. âYouâre celebrating. Iâll take you through to the bar. Itâs on the house for you tonight.â He opens the door for her, cacophonous music thudding in, then stands back, waving her through.
She beams as she leaves. âGee, thanks Boss.â
Finchby exits behind her, grinning and flashing brows at Baxter.
Baxter, arms folded, sucking in his cheeks, waits.
Beside me, Klempner shifts, his voice low. âWhile those two are busy up here, we should head down by the back stairs.â
âNot yet. Look...â
âWhat?
âThe laptop screen.â
Itâs at an angle, the detail impossible to make out from where weâre standing. But the screen is split into four; monochrome images flickering from one view to another.
âWell spotted, that man,â mutters Klempner. âThe security feed.â
Finchby returns only a minute or so later.
Baxter jerks a thumb out of the door. âA flower shop? That one? Whoâs she think she is? Fucking Eliza Doolittle?â
Finchbyâs face goes slack. âEliza who?â
âDoolittle. My Fair Lady.â
âOh, that old crap.â Finchby snickers. âWell, I donât think she had a crack habit.â
Baxter folds his arms, shaking his head. âYou're going to let her go? Just like that?â
Finchby adopts an angelic expression. âKept my end of the bargain, didn't I?â He sucks in smoke, holds it, then streams it out from his nose. âBut I'll make a prediction. Lenaâll get tanked up on free vodka tonight, then sheâll go looking for her next fix. Which of course sheâll buy from me at full price.â
Baxter huffs and chuckles.
Finchby continues. âThat five thou⦠Sheâll blow the lot on crack, booze and cigarettes, most of it spent with me. And by the end of the month, sheâll be back on the doorstep begging to work for me again.
And begging to sell that brat she's carrying.â
He draws again, inhales. âAnd that's if I don't get the call to bail her out for possession or for knocking off some old dear for her pension. And then she'll owe me.â
Baxter leans back against the wall, grinning. âGot it all worked out, haven't you.â
Finchby grins back. âI know Lena. Useless little bitch. All big ideas and no carry through. Anywayâ¦â He slaps Baxter on the shoulder. â⦠We have some celebrating of our own to do tonight. Shall we go and see how the partyâs going?â
âSure. Where are we at so far? Everything looking okay?â
âHeâs there with a bag. The size looks about right. Got your Hickman giving him the run-around right now. But itâs not Klempner. Our delivery boy has a limp.â
Baxterâs head twists. âThat's Alexanders. Whereâs Klempner then?â
âAlexanders is wearing some kind of earpiece. Itâs small, but you see him touch it sometimes, when heâs figuring where heâs going. Iâm guessing Klempnerâs on the other end of it.â Finchby grows agitated.
He sucks smoke again. âThat bastard could shoot the balls off a flea at a hundred yards. Heâll hang around in the background, shadowing Alexanders and wait for us to appear. Then heâll try to pick us off.â
Baxter huffs, but looks askance at Finchby. âDon't worry. No oneâs going to ask you to risk a hair of your precious little head. Still⦠it sounds about right. Leaving some other poor bastard in the line of fire while he stays safely out of sightâ¦â
Beside me, Klempner sucks air between his teeth, head shaking slightly, brow furrowedâ¦
âPoor bastard nothingâ¦â snaps Finchby. â⦠Alexanders and that ginger bitch of his cost me a lot and left me making apologies where I shouldnât have had to. At any rate, we need to get that headset off him. Come on.â