*****
Michael Back on the rear stairwell, we descend one levelâ¦
Another landing, again with a corridor to both sides, flanked by the âcellsâ we saw on the security feed.
âNext one down,â murmurs Klempner. âThis should be it.â
We pass under a single camera at the top of the next staircase, but it remains reassuringly off, its indicator light dark. Still, itâs unsettling to have the empty black eye follow us as we descend into the dank scent of basements everywhere.
At the bottom, the same single corridor, running right and left, doors off either side. Underfoot, slab floors are slippery with damp.
Thereâs no sound other than our own footsteps and, as I realise after a moment, my own heartbeat pulsing behind my ears. Down here, even the bass thump of the music doesnât carry.
Itâs cold. Not the iced night of outdoors, but a moist chill that creeps into lungs and turns breath to grey mist.
Klempner draws a fingertip through droplets hanging onto the brickwork, making a shining trail that trickles from the base, trailing fingers of water to the ground. âLooks like we're down to the river level.â
âBelow it, Iâd say. It's canalised here.â I try to get bearings in my head. âCould be it's just on the other side of that wall.â
And this is where theyâve kept herâ¦
Klempner thumbs left along the corridor. âYou try the doors that way. Iâll try these.â
He turns right, trying one door after another. None are locked and as doors open then close, the sound creaks, clanks then echoes away.
At the first room I try, rusted hinges complain as I turn the handle, then push. Resisting me all the way, the door opens. I already know sheâs not here. This doorâs not been opened since god-knows-when.
Inside, all I find are stacks and files of papers; many mildewed, all yellowed, curling in the damp;
battered ledgers, and ancient floppy discs, aged well past any possibility of there being a drive able to read them.
Finchbyâs old business records?
The legal stuff presumably. Heâs not going to keep hard copies of the kind of dealings he hasâ¦
⦠is he?
I pick up a ledger at random, checking the title. Winsbury Mill Inc. Purchase Ledger Y/E Dec â83 Not even cleaned the place out from the previous ownersâ¦
I enter the second room more easily. The door hinges are corroded, squeaking a protest as I enter. Itâs a paint store: shelves stacked with tins and cans, brushes, bottles of cleaner and solvent, stepladders leaning against the wall. The walls run with damp and many of the tins are rusty or leaking.
As I back out, Klempnerâs with me again. âSheâs not down that way.â
âOnly one door left, then.â
Itâs solid. Nothing like the previous rotting remnants of a bygone time, this is new: bolts drawn at top and bottom, constructed in steel, set heavy into the wall, and with a high-grade security lock.
I run fingers over hinges and locks. âThey werenât taking any chances with her getting out.â
Klempner scratches at his scalp. âThat may be my fault. I did mention to Baxter one time that Jenny had a talent for escape when she was younger.â
What do I say to that?
I have no idea.
So, I say nothing.
The bolts draw smoothly, and I try the handle, just on the off chance. Of course, it doesnât open. âGot those keys?â
But theyâre in his hand already, offered out to me. âI think you should be the one to go in first. That she sees first.â
The keyring is heavy, jingling as I work my way through Yales, skeleton keys, what could be filing cabinet or padlock keys, brass deadlock actions⦠andâ¦
Thatâs the oneâ¦
I insert, turn, then turn again as the internal levers clunk. Then I try the handle once more.
Without a sound, the door swings smoothly open.
I thought I was ready for it.
I saw the ransom video. I saw the security feed in Finchbyâs office.
I thought I was ready.
Iâm not.
The stench hits me like an assault; a reek of damp and rot and filth left unattended; the stink of drains and raw sewers and that sickly-sweet smell of rotten blood and flesh.
All unmeaning, I recoil.
Donât be a foolâ¦
And she's there, Charlotte: kneeling up from the concrete floor, supporting herself against the bare brickwork with her hands, without so much as a blanket or a towel. Her manacled ankle is swollen red, the flesh puffed and shiny where the metal cuff bites. Her beautiful hair is dark with Christ-knows-what, hanging in rank rats-tails to her waist.
The cardboard sheâd used to protect herself is a foul mush which sheâs pushed towards the drain where it seeps green-brown. Iâm fighting the urge to gag. Beside me, Klempner hisses.
Face twisting to us as we enter, tear-streaked, eyes swollen, Charlotteâs foetid hospital robe is pulled up around her waist as she screams through a contraction.
âOh, God it's you. Michael⦠Oh, God⦠Itâs you.â Her gaze passes to Klempner. Her eyes widen, then, her voice rising in pitch. âThey left me here. Left me alone. Just dumped me in here. And the baby's coming.â
Klempner nudges me. âIâll watch the corridor. You see to her.â He casts an eye above the door to where a camera sits dead and black, then semi-turns away, standing in the doorway, looking out.
I barge forward, swinging the pack from my shoulders, tugging out blankets and towels. I drop to my knees beside her, cradling her in my arms. âOh, God, Babe, I'm so sorry. I'm so sorry.â
Then cupping her cheeks in my palms, pressing my lips to hers. âLetâs get you off the ground and into something warm before we do anything else.â
âI knew you'd come.â Then her eyes flick to Klempner. âFather? Howâ¦?â
His answering nod is brief, as he looks at her âwithout lookingâ at her semi-nakedness. âJenny.â
She creases up again, gasping and clutching at her stomach. Reflexively I support her at the shoulders, holding her as close as I can while the contraction passes, then tugging at the putrid robe, âLetâs get this off you for a start. Weâll clean you up later. Letâs get you warmed up for now.â I pull the disgusting thing away, tossing into the far corner Charlotte snatches at the fleece blanket I bundle around her shoulders, tightening it around herself.
Then I wrap a space blanket around that; the silvery surface reflecting oddly in the light.
âHere, drink some of this. Itâll help warm you up.â
I was careful to heat the soup enough to warm, but not to boiling, and she gulps it down.
What has she eaten?
Anything?
Around her on the floor, a scatter of empty packets: peanuts, jerky, chips⦠Bar crap thatâs fine as a snack with a beer, but as food for a pregnant woman at term? And to one side, the collection of bottles we saw her filling from the dripping faucet.
Standing by the door, Klempner looks outward, constantly glancing up to where the security camera indicator remains a dull black. âWe need to get out of here. And fast. Itâs only a matter of time before they notice the dead feed.â
Charlotteâs more or less covered now, âdecentâ as they sayâ¦
Whoâs the indecent one here?
Not herâ¦
⦠and Klempner, gun in hand, watching through the half-open door, looks back, taking her in properly this time. His face is a carefully schooled blank. âJenny, can you stand? Can you walk?â
Nodding vigorously. âI'll try.â
She struggles to rise, and I help her upright, a hand under each armpit. She tries to step, then cries out, collapsing on herself. âI can't. I'm sorry. Iâm sorry. I can't.â
I catch her, helping her down again. âShh⦠It's alright. It's alright. We're here now. It'll be fineâ¦â
âWhy are they doing this? Why do they want to hurt me and Cara?â
âItâs not you they want. Itâs your father theyâre after. They took you as bait. They demanded ransom, but itâs him they want.â
Her eyes pass beyond Klempner and out. âWhereâsâ¦?â
I press a finger to her lips, speaking softly. âShhh⦠Iâll tell you everything laterâ¦â I roll eyes up to the camera, still blacked-out⦠âJames had to do something else. Weâve come to get you out of here.â
A contraction ripples over Charlotte's belly. She tries to suppress the groan, then breaks into a hacking cough.
I gesture Klempner over. âHold her upright, would you. Support her for a moment.â
He grunts, taking her from my arms, supporting her against himself. Charlotteâs expression is non-
committal as I unpack the bubble-wrap from my pack then, choosing a dry area, well off the reeking drain, unroll it to the floor. âItâs not luxury accommodation Babe, but it gets you off the ground.â A blanket over the plastic and she should be relatively comfortableâ¦
Relativelyâ¦
Nextâ¦
âKlempner, Hold her away from the wall, as far as you can. Pull that chain tight against the ground.â
Charlotte, in her fatherâs embrace for the first time in her life, âWhat are you going to do?â
Axe in hand, âStand clear. Turn your face away.â
âI wonât flinch.â
âI know you wonât. But there might be flying splinters.â
Klempner turns her face into his chest, cupping rank and filthy hair with a palm, then nudges at her foot with his boot, drawing the chain tight.
How close can I go?
I want as much of the chain as possible removed from her. With a brief practice swing, I check my clearance overhead, test my striking point and settle on the fourth link away from her ankle. Settled flat to the ground, the concrete floor is my anvil.
Then swinging for real, I bring the axe-head in a smooth arc down on the link. With a sharp Crack! it splits into two, the shattered halves skidding across the concrete to bounce from the walls with a ping.
Charlotte stoops, trying to rub at her leg, but canât bend properly.
âThatâs all I can do for now, Babe. Weâll get that cuff off you once weâre out of here. Now, lie down again. Let's take a look at how youâre doing.â
Klempner helps. Between us, we lie her down onto the âbedâ I laid out for her. Then he resumes his watch over corridor and camera.
Charlotte tries to lie flat but then curls up in on herself again as another contraction ripples across her stomach. And all I can do is hold her until it passes. After a minute or so, she relaxes, lying back.
âCharlotte, Babe⦠Open up. I need to see whatâs happening.â She parts her knees, giving me a view.
Klempner, his gaze shifting between the corridor and up to the camera, says, âI don't want to seem unsympathetic, but is there any chance this can be speeded up? We're sitting ducks if we stay here.â
I kneel up again, then back on my thighs, exhaling. âIâd say thatâs a No. Weâre going to have to stay here.â
Klempner holds up hands, his expression disbelieving. âHere? Youâre sure?â
âIâm sure. Iâm looking at the top of a babyâs head. Cara's on her way.â
Klempner jerks a glance at me, then down at Charlotte. âYou have got to be fucking kidding.â He rubs at his forehead. Blows air. âRight⦠If thatâs what we haveâ¦â Machine gun in hand, poised, he resumes his vigil.
Charlotteâs eyes widen. âFatherâ¦â
He turns back to her, his gaze level. âLet me worry about this end of things. You have a job to do.â His lips twitch.
And briefly, so do hers. Then her face crumples as the next contraction takes her.
Screaming and crying, itâs more than just the pain. I know Charlotte can handle pain. And sheâs hard to frighten⦠But sheâs hard-pressed to cope with feeling helpless.
Panic marches over her face. âOh, God⦠Michael, Father. Iâm sorry. Iâm sorry. Youâre both in danger because of me⦠What are we going to do? I canâtâ¦â
Klempner watches, apparently impassive, then striding over, he hunkers down beside her Gripping her chin, he forces her face to his. âJenny, this isnât you speaking. This isnât Jennifer. Iâve known you all your life, even when you didnât know me. And Iâve seen you in action...â
He jolts her chin between his fingers. Itâs gentle, but itâs a jolt. â⦠You donât give in to pain or fear. You never have. Youâre not going to start nowâ¦â
Her eyes, green and wide, stay locked on his, pupils shrinking then dilatingâ¦
âIf youâre afraidâ¦â He jerks her chin once more⦠â⦠then use the adrenaline. If youâre in pain, then make the pain work for you. Weâre here now. Our task, mine andâ¦â He thumbs to me. â⦠your Michaelâs, is to protect you and your baby. Your task is to get her out into the world. And after thatâ¦â
He releases her and stands, looking downâ¦â ⦠After that, whatever Baxter or Finchby might think, we will be leaving. You understand me?â
Charlotte heaves breath, her gaze still locked to his.
âYou understand me?â he repeats.
She nods. Her breathing is rapid, her face streaming sweat. Her eyes shift to meet mine then squeeze closed as a muscular ripple flows over her stomach. Lips peeling back, teeth bared, face flushing scarlet, she grips me, groaning, fingers biting into my arm.
But the fear has left her face.