CHARLOTTE My Masterâs face furious, âDonât you dare speak to me in that tone!â And he slaps me across the face, hard, the blood rising where his hand has caught my skin.
And I see red. I slap back, catching him on the cheek.
For a moment he freezes, as though he canât believe what I just did, then grabbing both my wrists, he pushes me towards the bedroom. âIn there, Madam.â he hisses. He doesnât shout, his fury turned to iced words.
Do I fight this?
Is there any point?
âAlright,â I say. âIâll go into the bedroom. Iâll take whatever it is youâre going to hand out. but it doesnât change anything. It doesnât change whatâs in my head.â
I walk into the bedroom, and without being asked, bend over the end of the bed, my face pressed sideways against the comforter. And I wait.
My Master does not hurry. Instead, he stands over me, arms folded, looking down. After a moment, he pulls me upright by the wrist. âAlright then. Tell me whatâs in your head.â His anger is still there, but it is contained now.
âYouâve got me locked up here, for my safety as you say. But Iâm not a child, and Iâm not stupid. You all want to tell me what I must or must not do, and no-one asks me what I think, let alone what I want.
Instead, you just want to run my life by â¦. diktat. Alright, Iâm being hunted. We all know why. So, do I stop thinking for myself? Wait to be rescued by my knights in shining armour? Is that what you expect of me? Because Iâm going crazy caged up here, andâ¦. and Iâm sorry I took it out on Michael. He really did do nothing to deserve it.â
He faces me, arms still folded, face expressionless.
Whatâs he thinking?
He stares at the ceiling, then looks away from me, then back at me.
Abruptly, he pushes forward, grabbing me by the shoulders, pushing me back against the wall, fastening his mouth over mine.
Whatâ¦
He tugs at my tee-shirt, roughly, pulling it up over my head, then reaches around, unclipping my bra.
He points at my jeans. âOff,â he instructs.
I remove the rest of my clothes. He strips off too but keeps his tie in his hand. As I stand naked before him, he pushes at my chest with the flat of his hand, propelling me backwards onto the bed.
Jeez.⦠hope heâs going to give me time toâ¦.
His erection is huge, and heâs not wasting time. He clambers over me, and, holding my eyes as he does it, ties my wrists, binding them to the bedhead. Then flipping me over, he rolls me onto my stomach, the tie twisting painfully tight.
âMaster.⦠My hands....â
He reaches, unties and reties, allowing blood back into my fingers, then hauls me up at the hips, presenting himself with my assâ¦.
Ah, I know where this is goingâ¦.
â¦he slaps hard across my ass. It stings, and I gasp.
Is he angry still? Or just letting off steam?
He rubs the spot where he caught me the first time, then slaps again, in a different placeâ¦
â¦. Yeah⦠letting off steamâ¦.
And knowing now that he is not angry with me still, my nerves vanish andâ¦
⦠my pussy floods.
Now, he slaps again, and again, but this time my gasp evolves into a cry of arousal. He plunges fingers inside me, briefly finger-fucking me, testing my readiness I think, and with a grunt of satisfaction, bringing his body atop mine, slams his cock inside me.
He rams home, arrested only by my inner walls, and I yell at the pain. But a part of me is dissolving, tension evaporating as my Master plunges into me, driving in hard again and again.
His own breathing is laboured, and our bodies are quickly slick with sweat as he rides me, taking me, claiming his due.
His hand snakes around me, fingers working down to my clit. Normally this would have been simply too fast for me to work to climax, but as the tension in me uncoils, orgasm takes its place, welling up in me, ready to explode against my Masterâs ramming of my insides.
My pussy erupts into climax, pulsing violently around my Masterâs cock. Iâm not sure if it triggers him, or if he simply releases his control, but as I buck and jerk and howl my pleasure, he growls against me, grinding hard as he shoots into me.
With a gasp he rolls off me to one side, reaching to untie my wrists. I collapse next to him, and he reaches round to pull my face to his, kissing me.
âI think we both needed that,â he says.
I nod, still panting. âThank you, Master.â
âThank you?â
âI feel much better now.â
He huffs a laugh. âIâll tell Michael, next time you start getting cantankerous with himâ¦â
âCantankerous?â
He laughs. âFeel free to substitute the adjective of your choiceâ¦â
âWell, okayâ¦. how about âgrumpyâ?â
âLook, Iâm sorry. You were right. We shouldnât have tried to lock you in your ivory tower like some latter-
day Rapunzel.â
âWasnât she golden-haired?â
âAs you say, so youâre clearly unsuited to the role. Listenâ¦â he turns serious. âDespite our⦠umâ¦
personal de-stressing techniquesâ¦â he grins, âYou canât just go wandering around. It really is too riskyâ¦â
âI want something to do. Iâm never going to be the idle type.â
âI know. And it was unfair of me to expect it. Leave me with it. Weâll find legitimate work you can do to help with all this. Fair enough?
âYes, Master. Thatâs fair enough.â
*****
MICHAEL âHow is she now?â asks James âSheâs a lot better. Seems to have found herself something to doâ¦. Although I notice that sheâs not doing any of it sitting downâ¦.â
âReally?â
James tone is bland, but there is a glint of amusement in his eyes. Richard looks briefly over the top of his glasses, then looks away, smiling to himself.
âWhat is she doing?â asks James âIâm not sure what it is exactly, but she has plans of the City spread out. Seems to be cross-referencing them to various websites.â
âI gave them to her,â says Richard. âWeâre trying to figure out just how they got Elizabeth out of sight so easily.â
*****
CHARLOTTE Will Stanton is here. And the Commissioner of Police is not a happy man.
âAnd how long do you think it took them to figure out theyâve got the wrong woman?â demands Richard.
âAnd how would they react then?â
Will looks sympathetic. âRichard. Theyâre not going to simply kill her. Assuming that they didnât decide just toâ¦.â He swallows his words, obviously editing what he was about to say, âShe has a value to them. Even if they donât know who she is; her value as a ransom hostage, theyâre traffickers. A woman who looks like Beth; theyâll take the time to get a good price for her.â
This is his edited and improved version of what he was going to say?
Will continues. âWe have shots of them getting her into the car and driving across the City, but then they disappear into a parking lot and the car is abandoned. Clearly, they changed it for some other vehicle, and on the way out, well, hundreds of cars have gone past.â
âAssuming they got out by car of course.â
âHow else then?â
Richard slams his fist against the table, rage and frustration writ large. âYouâre saying that we have no leads? None?â
Will hesitates, then, âI think the only way we are going to get a handle on where they are, is if we can entice them outâ¦. some sort of lure.â¦â
His eyes slide across to me.
My Master leaps up, eyes flashing, face furious. âAbsolutely not!â
Michael speaks. âNo. Richard. Iâm sorry. Beth is a lovely woman, but you are not using Charlotte as bait to track her down. I know James is on your payroll, but Iâm not, and I say âNoâ.â
Iâve never heard Michael sound like this before: implacable, almost threatening, but he sits there, face set, lids half-lowered.
âDonât I get a say?â I ask.
âNo, you donât,â says Michael. âYouâre not doing it.â His arms are folded as he stares me down.
âButâ¦.â
My Master interrupts. âNo, Charlotte. Youâre not doing it.â
Now I begin to be angry. âIâm not a little girl to have decisions made for me. Weâve already had this discussion, havenât we? You canât tell me what to do.â
Michael looks thoughtful. âNo? Watch me. In this case, Charlotte, just watch me.â
Like hellâ¦