MICHAEL Will says, âCharlotteâs father, Frank Conners, was murdered, either by, or at the instruction of, Lawrence Klempner.â
There is stunned silence, then, âIs it known why?â asks James. âHe was involved with their trafficking trade?â
âWe donât know the motive. Perhaps that was it. What is also unknown, as yet, is how Charlotte herself, or as she then was, Jennifer Conners, came to be in Blessingmoors at allâ¦.â
âThat file you had on her, said she was placed there as a ward of the court; that her mother was unfitâ¦.â I point out.
âYes, thatâs so.â agrees Will. âHowever, here we have a discrepancy because what has also emerged, is that Michelle Conners was not, in fact, deemed unfit as a carer, as the mother of a young baby.
When we cross-referenced to the court records, there is nothing there to support the content of the Blessingmoors fileâ¦.â
I am about to interrupt again, but Will raises a finger, silencing me. âAnd, what we now know is that in fact, Michelle Conners was, at that time, given a new identity for her own protection. Her child should have been with her at that point.â
âSo, Charlotteâs mother is alive? She has a family?â demands James.
âWe donât know. We canât find her. We have had officers visit her last known address, but that is from over twenty years ago. Sheâs dropped off our radar.â
He is about to say more when his phone rings. He glances at the scene. âExcuse me a moment. I need to take this call.â
He listens in silence then, âYes? Good⦠and⦠Yes? Iâm on my way.â He taps off the mobile. âThe attacker they dragged from the building has woken up. He wants to plea-bargain. Heâs ready to talk.â
âDoes he know where Beth and Charlotte have been taken?â
âIâll let you know as soon as I do.â
*****
Ill at ease, barely speaking, we wait. And we wait.
James paces the room. Richard sits, drumming the tabletop with his fingers. I fight down the nausea that rises every time I think about what Will has told us.
And Charlotte is in the hands of these people.
Richardâs phone rings. âYes?â He covers the set for a moment. âItâs Will. Yes? Yesâ¦. What!â He jots something down. âWeâre on our way. How long before you can get there? Is that with back-up? Right!â
He clicks off. âCome on. Weâre going. We know where they were taken, and itâs not far away. Can you believe it? Weâre almost on top of them. Itâs an old abandoned farm. Iâll tell you on the way.â
*****
CHARLOTTE I try to alternate between sitting and resting, and standing and walking about. When my opportunity comes, I need to be able to go.
Beth doesnât look so good. Sheâs not handling this well. Will I be able to take her with me again? Iâm not sure. How can I judge, when I have no idea where we are, and what I will find outside?
There is a click of keys and the door opens, and a man brandishing a gun enters, followed by Klempner. He smiles brightly at us.
âGood evening ladies. I just thought Iâd bring you up to date on the news. My colleague, Mr Corby, will be arriving in due course, and weâll be starting our entertainments thenâ¦.â
Beth cowers in the corner, where she sits on the floor, leaning against the wall, legs outstretched.
Klempner stands over her, inserts first one foot between her ankles, and then the other. He does no more, but his implication is obvious as he pushes her legs apart.
Staring down at her, he says, âCorby wanted to fuck Jennifer first; show her how annoyed he is with her. But thatâs my privilege. He can have you instead. The pair of you look enough alike that he should be happy with that. When heâs finished, the others can take turns with you⦠Or they might not take turns. Thatâs up to them.â
He waits, enjoying her fear. âEver done that? Had a man at every hole? I know she has.â He tosses his head across to me.
Beth says nothing, tears rolling down her cheeks, her breathing short and rapid.
He turns to me. âIâm having you first. Get some pay-off eh? Before I let the others at you? How many can you handle at once dâyou reckon? Weâll find out, shall we?â
âWhat payoff? What have ever done to you?â
He shows his teethâ¦.
Is that a smile?
â¦. But he doesnât reply, just leaves the room, and his goon follows. The door closes behind him, followed by the rattle of keys in the lock and the slam of bolts.
The exit is locked. The two small windows barred. The only way out of this room is to be taken out.
I give it a while, but I canât wait too long.
How long have we got? Before Corby gets here?
I bang on the door. âHey, I need the bathroom.â
After a minute or so, and the sound of a struggle with lock and bolts, the door bangs open again, and one of Klempnerâs hoods sticks his head in the room. âYou only just went.â
âThat was hours ago, andâ¦. and Iâm nervous. Please, Iâve gotta use the bathroom.â
He rocks his head in an indecisive, âShould Iâ¦. Shouldnât Iâ¦.â kind of way, then, gun trained on me, points me out of the room into a hallway, and at the next door. âIn there. Youâve got two minutes.â
In the five or ten seconds I have, between exited the one room and entering the next, I get a quick glance around the hall; several doorways lead off, and one of them looks like an outer door.
The window is not barred, but the tiny opener at the top would not be nearly large enough for me to squeeze out. Trying my luck anyway, I stand on the WC seat to open it, peering out.
Itâs dark outside, but there seems to be a courtyard andâ¦. barns? Outbuildings? Yes, itâs an old farmyard. If I can get outside, there should be plenty of nooks and crannies to lurk in while I get my bearings.
Iâve used at least half of my allotted two minutes.
How to get out?
Break the glass?
Nope - there are cross-bars on the outside, the perfectly normal kind, often used as anti-burglar devices in isolated buildings.
Perhapsâ¦.
Itâs the oldest trick in the book. Could I be lucky enough that heâd be that stupid?
There is a bang on the door. âCâmon. Timeâs up. Out you come.â
Silently, I open the small top-light, leaving it as wide ajar as I can, then stand behind the door.
The banging increases. âCome on. Out of there. Or Iâll come in.â
I remain silent, and after a second or two, there is a crash as the door is kicked in, me standing behind it. I suppress an âOw!â as the door bounces in my face.
I canât see the man, but hear, âFuck!â and he dashes back out, and I hear the bang of another door opening.
Darting out from my hiding place, into the hall where the outside door is swinging open, I dash out into the darkness. I hear other doors opening behind me, and yells and shouts or pursuit from behind as I runâ¦.
*****
Bolting out into the darkness, I duck into the cover of one of the barns, then halt. Thereâs no point simply running. I canât outrun them, and Beth is still in there, so I canât just leave.
Watching figures dashing around the farmyard, running, searching, bawling and shouting, I back into the shadows, trying to think.
Hands reach out from behind me, one pulling me in tight by the waist, and the other clapped firmly over my mouth.