MICHAEL âThis ends here, tonight.â James locks eyes with Haswell, who nods.
Heâs right of course. And, he may be my closest friend, but even I know that James has a dangerous side.
Her âDark Angelâ she called him?
Just so.
âWhat do we do? Oneâs accounted for. Itâs seven against three.â
âFive against three.â murmurs James.
âFive? Why five?â
He nods towards the window again. âSheâs got her hands around the balls of one, and anotherâs about to shove his cock between her teeth. What dâyou think will happen to them when we burst in?â
Despite myself, I cringe inside. Richard flinches, staring upwards.
âYou have a point.â I concede.
âStay there a minute,â says James. âIâm going to see if thereâs a rear entrance. Klempnerâs got his back to a door there. If I can get behind himâ¦.â
He vanishes into the darkness. Richard takes another quick look inside and chuckles. âI donât believe itâ¦. Sheâs got them, quite literally with their trousers down and theyâve put their guns to one side.â
âMmmm⦠yes. James is going to knock her sideways when he gets his hands on her, but sheâs done what she set out to doâ¦.â
âAs always.â murmurs Richard.
James reappears, holding a crowbar, a large spanner and a hammer. âYes, thereâs a side entrance. I can get behind him. You want these?â He keeps the crowbar but offers the other tools. âThey were in a shed to the rear. Can I suggest that you two go for the pair over by Beth, keep them from taking her hostage. Iâll take Klempnerâ¦.â
âAnd I think we can rely on Charlotte to do as much damage as possibleâ¦.â I say.
James flashes his brows, clicking his tongue, then, âAs soon as you see me appear behind Klempner, get in there, and weâll take out as many as possible while we have surprise on our side.â
Poised by the entrance, I wait. Half a minute later, the door behind Klempner opens and James appears, moving carefully, the crowbar in his hand.
Charlotte, naked, on her knees, but watching, sees him andâ¦.
There is a shriek: two shrieks.
The man face-fucking her drops, screaming. His companion drops too, curling in on himself, clutching at his groin. Charlotte scrambles up, spitting blood.
For the smallest of moments, the tableau freezes as her would-be rapists, clearly not believing what they have just seen, hesitate. Everyone is staring at her, standing naked, her mouth dripping red.
Then chaos breaks outâ¦.
James, swinging the crowbar, brings it squarely across Klempnerâs head. Klempner screams, reeling, but turns to grapple with his attacker, knocking the bar from Jamesâ hand, to clang to the ground.
Richard and I burst through the door. Caught off-guard, my mark, a spanner smashing into his temple, shrieks and falls. Richardâs puts up more of a fight, trying to go for a gun, but Beth sweeps her legs past his ankles, and as he falls, Richard, seizing him at the throat, smashes him backwards against the wall, where he drops, unconscious.
James and Klempner are still struggling, hand to hand. Stretching to reach Jamesâ throat, Klempnerâs face is contorted, twisted with⦠what? Hate? Fear? Jamesâ is cold, impassive.
The two are all but evenly matched, but Charlotte breaks into the fight. Snatching up the crowbar, now she swings it, bringing it down on Klempnerâs outstretched arms with the crack of breaking bones.
Klempner howls and falls, writhing in agony.
Now, the surprise gone, the remaining three gang-members are scrabbling for their weapons. A gunshot whistles past my face, smacking into the plaster behind me. Another shatters through the windowâ¦.
â¦. there is the wail of sirens, many sirens. In the darkness outside there is the flash-flash of blue lights and the squeal of brakes.
The three remaining gang members pause, looking at each other, then, the first holds up his hands, dropping his gun. The others hesitate, butâ¦.
âItâs over,â says Richard. âThe police have come armed, and half the City force is here. You canât win now, and youâll not escape.â
Two more weapons drop to the floor. Quickly, I kick them to one side.
Charlotte flashes a smile at James, but his gaze is furious. Eyes flashing. âGet some fucking clothes on.â
Her face drops. Quickly she gathers her clothes, much torn, pulling them on as best she can.
Uniformed police, firearms at the ready, burst into the room, but the scene is already played out. Hand-
cuffing both the conscious and the unconscious, the traffickers are either marched or carried out.
*****
BETH Police work their way around the room, searching the building. White coveralled men appearâ¦.
Forensics?
âCharlotte!â James calls her, fury in his voice. âHere. Right now!â
Her eyes roll towards him, then to Michael, who shrugs, folds his arms, looking at her with a âWell, youâve got it coming.â expression. Certainly, thereâs little sympathy there.
âHeâs really mad at me, isnât he?â
âYes, he damn well is, and heâs not the only one.â
Glumly, she turns and slowly, makes her way to James, standing at the end of the room.
He is livid. âWhat the Hell do think you were playing at there, Charlotte? What does it take to get you to behave in a reasonable fashion?â he hisses at her.
Michael is listening in. Pacing the room, arms folded, he stares at the floor. Richard, holding me in his arms, is, just as clearly, paying close attention.
Jamesâ raised voice echoes through, furious. Charlotte is subdued, quiet.
âIâm sorry.â
âAre you? What exactly are you sorry for?â
âFor what happened outside. I knew you wouldnât like it, but there was no timeâ¦â
âYou say youâre sorry, but would you do it again? Running off like that?â
She hesitates. âYes, I would do that again. I couldnât leave Beth in here by herself. And I had to stop them realising that you were here.â
His face softens. âBeth is not your responsibilityâ¦.â
âBut she is. Sheâs my friend. It matters what happens to her. If youâre going to punish me, then get on with it. Iâd rather not wait, and Iâm sorry for upsetting you, but Iâm not sorry for what I did.â
âI havenât decided yet if Iâm going to punish you. Astonishingly, Iâd like to hear what you have to say.â
Her voice is all but a whisper.
âI didnât want Beth to get hurt.â
âAnd what about you? What about you getting hurt? Michael was beside himself when he saw what you were doingâ¦â
âThey were going to gang-rape her.â
âAnd what about you? Your solution is to goad them into gang-raping you instead?â
âIâm tougher than Beth. And it doesnât matter for me the same way.â Michaelâs head jerks up. Richard, turns, disbelief writ large over his features.
âDoesnât matter?â James' voice is incredulous. âDoesnât matter? Charlotte, weâre not talking about fun and frolics at the clubs, with Michael and I close by, watching to make sure things donât get out of hand.
It would have been violent assault, and thereâs a fighting chance you wouldnât have survived it. Have you no ideaâ¦?â
She cuts him off. âNo idea? Of course, I have an idea... You know how I grew up. I know exactly what could have happened.â
James is quiet for a moment, then in a calmer voice. âYes, of course you do.â¦. But, I canât believe you could be so unthinking.â
âI wasnât unthinkingâ¦â
Michael interrupts, âJames, let meâ¦. Charlotte, tell me exactly what was in your mind when you didâ¦.
what you just did. And what do you mean? It doesnât matter the same way for you?â
She is quiet for a moment, then, âI was thinking that I didnât want them to touch Beth. For me, it would be just.⦠just, one more thing thatâs happened. You two, it wouldnât upset you that thereâs been other menâ¦. But itâs not like that for Beth. Youâve seen her friends. Theyâre all polished nails, expensive hairstyles and gossip. If it got out that something like that had happened to her, sheâd be humiliated.
And thereâs Richard tooâ¦.â
Michaelâs voice is cold now. âRichard? Charlotte, I know you felt you had a debt to himâ¦.â
My husband drops his head, nestling his face in my hair. âOh, Godâ¦â
Michael is still speaking. ââ¦. but that debt is paid. And more than paid. Do you understand me?â
Still staring at the floor, she says, âHe had to have her back unhurtâ¦. Caesarâs wife.â¦â
ââ¦. must be above reproach?â Michael expression is bitter as he finishes her sentence. âBut you count for something too, Charlotte.â
James stares at her, swiping his hand through his hair. His dark eyes slit, an outstretched finger pointing at her, âThis discussion isnât finished.â¦â
In my peripheral vision, there is a movement. Michael yells a warning, and runsâ¦. and I scream.
Like some nightmare scene from an old movie, the world goes into slow-motionâ¦.
Framed in the doorway is a man with a gun, pointing across the room, directly at Charlotte. Itâs Corby, his face, cold and impassive, as he aimsâ¦