BETH We return again a couple of hours later with Rossâ meal. Miracle-wise, in the short time, heâs put together a hot casserole, salad, fruit and cheese, juice and coffee; all in picnic-style containers, for easy eating in difficult conditions.
We hover at the room door. Michael isnât there, but Charlotte is sitting on the edge of the bed, her back to us, holding the unconscious Jamesâ hand, kissing his fingers.
Sheâs talking to him, and even though I canât see her face, I hear the tears in her words.
ââ¦. I know you always worried about being older than I amâ¦. But I still thought we were going to have years and years togetherâ¦. Nowâ¦. What am I supposed to do? With you like this? I love Michael too, but itâs supposed to be the three of us. Donât leave me, Master. Please donât leave meâ¦.â
She starts sobbing. Itâs a gut-rending, heart-broken sound. Richard and I exchange glances. Even his eyes are filling.
We sit either side of her on the bed. I wrap my arms around her. Richard holds her hand.
Whereâs Michael?
He appears at the door, towelling damp hair, sees us, with Charlotte, and visibly curses under his breath.
âOh, Charlotte. I thought you were asleepâ¦.â Then to me. âGotta use the bathroom sometimeâ¦.â
âWe brought food for you.â
âThatâs great, thanks. Charlotte. Câmon, eat.â
âRoss cooked it. Itâs his motherâs recipe chicken-casseroleâ¦.â I say.
Her voice is numb. âIâm not hungry.â
âYes, you are.â insists Michael. âYou just think youâre not.â
She makes no move towards the food, which even I, accustomed as I am to Rossâ good cooking, have to admit smells wonderful.
Charlotte wonât look at it. Her face works, as though sheâs suppressing the urge to vomit.
Michael pushes the casserole at her insistently. âCharlotte, eat.â Still, she doesnât make a move.
âCharlotte. James would want you to eat it.â
That finally does it. She picks up a fork and takes a small mouthful, chewing endlessly, forcing it down.
Richard catches Michaelâs eye, gesturing him out into the corridor. Michael looks across at me. âIâll stay here,â I say.
He nods, following Richard.
After a few minutes, theyâve not returned, but Charlotte is drooping. âYou should sleep.â She nods but doesnât speak.
âLet me get you into bed. Youâre right next to him. You can watch him from there.â She nods again.
I help her into bed, fully clothed still, tucking her in like a little girl. Almost instantly, she drops off. I wait for a minute or two, to be sure sheâs asleep, then look out into the corridor. Michael and Richard are there, talking quietly.
âYou think we should get her sedated?â asks Richard. âOr perhaps away from here? It canât be doing her any good, seeing him like that.â
Michael shakes his head. âI donât think sedation is the answer. Whatever happens, sheâs going to have to deal with it. I think itâs better just to have the people she loves around her. As for taking her away; I donât think youâd get her out of there with a bulldozerâ¦. Beth! Youâve left her alone?â
âSheâs asleep.â
He looks angry, pushing past me, back into the room.
Charlotte is still there, sleeping, but is now in Jamesâ bed, lying next to him, one hand resting against his face.
A doctor arrives, white-coated and efficient looking. He spots Charlotte in the bed, and for a moment, surprise, then disapproval, washes across his face.
âYou want us to get her out of there?â asks Michael.
The doctor hesitates, then shrugs. âStrictly, I should say yes, but on the other hand, if he can feel or hear anything, I donât know of a better way to remind a man what he has to live for.â
*****
CHARLOTTE Iâm trying to sleep but canât. Michael has his arms around me and drifts between sleeping and waking.
From his breathing, Iâd say heâs sleeping right now.
Blurry-eyed, my head aching from too much crying, I watch my Master. Heâs close, all but next to me after Michael pushed the two single beds together.
His eyes blink open.
Heâs not focussed, his stare glazed, not fixing on anything.
But heâs waking.
I push back to my sleeping lover. âMichael! Michael!â
Michaelâs voice is confused, groggy. âWhat? Charlotte? What was that?â
âHe opened his eyes. Heâs waking up.â
But as I look back, and Michael sits up to see, my Masterâs eyes are closed again.
It doesnât matter. Heâs waking upâ¦. Heâs getting better.
*****
I sit in the armchair by my Masterâs side, reading to him.
ââ¦. The way to live a long timeâoh, a thousand years or moreâis something between the way a child does it and the way a mature man does it. Give the future enough thought to be ready for itâbut donât worry about it. Live each day as if you were to die next sunrise. Then face each sunrise as a fresh creation and live for it, joyously. And never think about the past. No regrets, everâ¦.â
His eyelids blink open, dark eyes staring aimlessly at the ceiling. They close again, but a moment later, flick back.
I lean forward in my seat. âMaster?â I whisper. âMaster? Can you hear me?â
He blinks again, then his eyes slide sideways towards me. He tries to speak, and fails, mouth and lips dry. Quickly I dip fingers in the water jug, pat his lips damp. I pour a little into a glass, and supporting his head, holding the glass carefully, I help him sip a little, wet his mouth. âMaster? Is that better?â
This time his eyes meet mine. âCharlotte?â His voice is so weak, but heâs speaking. Heâs with me again.
I take his hand in mine. âYes, itâs me. Iâm here, Master.â
He smiles, still struggling to speak. âThatâs good, Charlotte. Thatâs good.â
*****
âHow are you feeling?â asks Michael.
My Master, lying flat on his back, fingers pinching the bridge of his nose, âErr.⦠terrible, actually. Iâve never felt so knocked out.â
âMmmâ¦. Thatâs a good sign actually.â
My Master looks up at him doubtfully. âIt is?â
âAh-ha. It means youâre alive.â
*****
âHow long have I been here? I feel dreadful.â
âFour days,â says Michael. âDo you remember what happened?â
âUmâ¦. no, not really. I was blasting Charlotte for behaving like a maniac.â He frowns at me, but his lips are puckering to a smile. âThenâ¦. erâ¦. itâs a bit hazy after that.â¦â
âCorby was there, with a gun, aimed at Charlotte. I tried to get to him, to stop him from firing, but I couldnât move fast enough. I only knocked his aim off. You grabbed Charlotte, and shielded her with your body; took the shot instead.â
My Master blinks. âI did?â
âYou did. It was either the bravest or the most stupid thing Iâve ever seen. You dropped like a stone, and I think you were unconscious before you hit the ground. The bullet severed your femoral artery.
You lost a lot of blood. Youâre very lucky to still be here, to be able to complain about how you feel.â
My Master swallows, digesting this. âBut Charlotte wasnât hit?â His eyes swing back to me.
âNo Master. It didnât touch me. Iâm fine. And even if you donât remember doing it, thank you. Iâd be dead if it werenât for you; for the two of you.â
*****
A day later, pumped with painkillers, my Master is much more himself. He is still very weak but is sitting up in bed, propped up with pillows. With me and Michael, Richard and Beth, sitting around him, he is happily talking, with the air of one giving court.
While he and Richard discuss plans, Michael sitting, silently watching, taking everything in, it all feels so much more normalâ¦.
Whatever that meansâ¦.
âSo where do we work from now, as a base?â asks my Master. âWith the old offices burned out. What has actually been lost?â
âOh, itâs by no means a disaster,â says Richard. âAll the information that mattered was stored in the cloud anyway. And, as you know, it was always the plan that we would move to the new headquarters as part of the City Project. Iâve simply brought forward that phase of the works. The offices are going up as we speak. We should be in there within three months.â
âAnd until then?â
âUntil then, Iâve rented out one of the old warehouse blocks down by the docks. Itâs not ideal, but it will do as a temporary fixâ¦â
Beth has brought some more of Rossâ delicious food. Ye gods, but Iâm hungry!
I polish off a dish of chicken and vegetables and, without asking, Michael shovels more onto my plate. I down that too, and, with an air of satisfaction, he pushes an apple into my hand.
âOn the subject of temporary fixesâ¦.â continues Richard. âI was going to suggest, that since the renovations are not complete in your own home yet, and.â¦â he nods to Michael, ââ¦. you could do with a free hand to get on with the work, why donât the three of you move back into the beach house for a few weeks. It will be much easier for you to complete your renovation works that way, and your mountain home really isnât a suitable place for a recuperating man right now.â
âThanks, thatâd be great.â