CHARLOTTE âI want to know about you,â says Klempner, âand how you make it work with two men.â
What the Hell?
Uncertain, I glance up at Michael. He shrugs. âYour call.â
âAlright. Iâll talk to you.â I say. âIf in return, youâll tell me what I want to know.â
Arms folded, face non-committal, âOkay. Shoot.â
âHow did you know my mother and father? What were they to you? I know you murdered my father.â
His eyes drop.
âDid I?â
âIâm told by the police that you did. And I believe it.â
âOkay, I killed Frank Conners, yes; if youâre determined to call him your fatherâ¦.â
âWhy?â
âHe was my friend, or I thought he was. It turned out I was wrong.â
âSo why did you think he was?â
âWeâd go out together, drinking, chasing women. You know, the things men do.
âWhat was he like?â
He sniffs. âThe reliable type. Solid, dependableâ¦.â
âWas heâ¦. a good man?â
His head tilts, eyes narrowing. âWhat sort of question is that?â
âDid he know you were a trafficker?â
He doesnât reply, folds his arms, stares me down.
I gulp. âAnd my mother? What about her?â
âShe was a hooker.â
âI donât believe you.â
âHe sighs. âJenniferâ¦.
âCharlotteâ¦.â
âCharlotte, you donât want to believe me. But I assure you, she was a hooker, and rather a good one.
She enjoyed what she did; worked at the top end of the market. Charged a lot of money.â
I swallow hard. âYou said you âran herâ, with a string of other womenâ¦.â
âYeah, well, I lied about that. I was running women, but your mother wasnât one of them. Frank and I were in one of the classier hotel bars downtown. Some of the call girls would hang out there, looking for rich marks. She hit on us thereâ¦.â
Please let him be lyingâ¦.
He sees my expression. âYou still donât want to believe me? She was very good at her job. Good enough that, at first, we didnât realise she was a professional. We thought she was just beingâ¦.
friendly. And Iâll admit, when I set eyes on her, I thought she was the most beautiful thing Iâd ever seenâ¦.â He pauses, looking long at me. Michaelâs grip on my shoulder tightens. ââ¦. So did Frank. We took a room for the night andâ¦. well, you know the script from there. Youâve had two guys together often enough Iâm sureâ¦.â
Donât let him bait youâ¦.
âSo, what then?â
âShe was fun to be with. Not just a good fuck, but actually good company. We both liked her. And she seemed to like usâ¦. Really to like us I mean, rather than just pretend to because thatâs part of the job description. In the morning, we took her number, and later, we called her back. It went from there. Weâd meet up with her a couple of nights a week. It became regular. And then.â¦â
Michaelâs voice is soft. âAnd then you realised, that youâd fallen for the woman you thought youâd just bought.â
Klempner looks at him from under hooded eyes. âWhich of course, is something you know aboutâ¦.â
Michael shrugs, non-committal, then takes the seat next to me. âSo, what happened then?â
âConners was crazy about her. Never stopped going on about her. Talked about marrying herâ¦. She was a whoreâ¦. A high-class prostitute.â
âBut a whore you were in love with tooâ¦.â
Klempnerâs face freezes. The arms fold again. The aggression is back. Iâm not sure where to go from here. I try another tack.
âSo, quid pro quo. What did you want to ask me?â
âI told you. I want to know how you make it work. And why? Two men sharing you? I know all about you up to the point I had you shipped out to that farm, up north. After that, I lost track of you for a while.
When Corby first told me you were testifying, I gave him instructions to find out as much as he could about you from the last few years. He tracked the records; told me about you auctioning yourself, living with two men. I thought at first, you had just grown up into just another whore. But thatâs not it, is it?â
How do I answer that?
So, I donât answer, just wait for more.
âWhy did you auction yourself?â he asks. âYouâve grown up looking just like her. Youâre beautiful. You could have had men throwing themselves at you; throwing money at you.â
âI didnât want to be some manâs property. If I did that, I really would be a whore. I wanted to be myself, to go to university, have a life I chose. But I needed to raise money for the fees.â
He frowns, looking bemused. âYou sold yourself for a week, no holds barred, just to go to college?
âJust to go to college? I needed the education it takes to get somewhere in my own right. Yes, Iâve got looks, but a woman who relies just on that always ends up as property at some level. And looks fade in the end. What happens later? I want more than that.â
He ponders this. âSo, you had your week with them. Then what?â
âI had the money. I started at university.â
âAnd later? What? You went back? To the man, the men, that bought you?â
âYes, I did.â
Heâs shaking his head, disbelief written large. âWhy?â
âTheyâd been good to me. Better than anything else Iâd had up until thenâ¦â
Klempner looks sceptical.
I lean forward, as far as I can with the screen separating us. âRemember where I grew up.â I hiss. âYou dumped me in that hellhole at Blessingmoors. Two guys being good to me, and paying me well for it, felt like Heaven.â
Michaelâs head swivels to me, but he doesnât speak.
âSo, you went back because they were paying you again?â says Klempner, still looking confused.
âNo, they werenât paying me. I went back because I wanted more of it. And later, I realised â¦. I wanted them.â
âYou wanted them? Or youâd fallen in love with them?â
âYes.â
âBoth of them?â
âYes, in different ways.â
âYou didnât choose between them? They didnât try to make you choose?â
âChoose? Why would I choose? I love them both. They both love me. They get on together. Why should I choose?â
Michael breaks in. âThatâs what happened, isnât it? With you and Conners. You both fell in love with Charlotteâs mother, and you made her choose between you. She chose Conners. And you murdered him for it, and took revenge on her.â
My heart poundingâ¦. Of course, thatâs itâ¦. Itâs so obvious when someone else sees it first.
My Golden Lover. You see it every time, donât youâ¦.
Klempnerâs face is a study in â¦. what? Regret? Self-loathing? Grief?
He stares at the desktop. âYes, thatâs what happened.â
âDid she know what you were? A trafficker? A slaver?â
âNo, of course not. She only learned that later, afterâ¦.â
âAfter sheâd already rejected you? Chosen Conners? What did you do? Threaten revenge by enslaving her? Like you did with Charlotte? Ship her out to some godforsaken part of the world where she had no hope of rescue, or of anything but a short, miserable life?â
Klempner is silent, his expression sick.
âThe two of you paid for her in the first placeâ¦.â Michael continues, relentlessly. âYou knew that you didnât have to have a conventional relationship with her; that there can be other ways of living. But when it came to it, you forced her to decide between youâ¦.â
Klempner gazes down at the table-top. âWhen she learned what I was, what I did, she said I sickened her. She wouldnât look at me.â
âWell, most people donât like the idea of slaveryâ¦.â Michael's voice drips disgust. âSo, for the sake of a convention you didnât really believe in, you threatened and drove your lover into hiding, murdered your best friend, and have spent the years since trying to convince yourself that you did the right thingâ¦. to the point that you continued your revenge against someone who was completely innocent in all of thisâ¦. Charlotte, probably Connersâ child, but possibly yours.â
My gut clutches. Iâd tried to convince myself Klempner was lying when he said he could be my father, but if all this is true, thenâ¦.
Oh, Godâ¦.
âAnd your final revenge on her was to steal the child, to force her to grow up into slavery herselfâ¦. To fit your idea ofâ¦.â
Michael is sputtering his words, shaking his head in disbelief. âAnd when you found sheâd grown up to look like her mother, you became obsessed with it again, determined to have the daughter forced into a life that the mother had already told you repelled herâ¦.â
Still struggling with his words, looking sick. âIs she alive? Charlotteâs mother?â