Meeting my eyes for a moment, Haswell riffles through his mail. Most of it, he tosses straight into his outbox; standard fare that someone else will handle. He pauses at a large brown envelope, fat with contents. He turns it over. There is no addressee, or any other marking, on either side.
He rips away the top of the package, pulling out a sheaf of papers. Turning it upside down, he shakes, and something drops out: a flash drive.
He looks briefly through the papers, again, expressionless, then wordlessly, passes them across to me.
Swallowing hard, I look through them.
I know exactly what they are: the brochure and marketing for the auction, including my details and photograph.
Staring at the floor, I take a deep breath. âWell, at least youâve seen the worst of it.â
Haswell is silent and I look up. Is there a trace of sympathy in his eyes? âPerhapsâ¦â he says.
He plugs the flash drive into the side of his laptop and swings it around so that we can both see it. It flickers up into video. In shock, I stare at the screen.
It is a movie, of me, standing on a podium. I am dressed, with a black leather collar around my neck.
âOh, God,â I say, not knowing what to do with myself. Haswell simply watches, saying nothing.
The view is framed by the heads and shoulders of people, clearly taken by someone sitting in the audience. The auctioneerâs voice is clearly audible. And other voices.
âRaise your head. At these prices, I want to see what Iâm getting.â
The âfilm meâ raises her head, chin tilted up, staring out, and looking as though she is going to burst into tears.
The horrible movie plays onâ¦. The auctioneer addresses me.
âCharlotte, it is entirely your choice, but are you willing to undress at this stage, on the podium? It will almost certainly help you to bring a better price.â
âUndress now? All the way?â
âItâs up to you, Charlotte. No-one is going to make you. But the better they can see what they are buying, the better your chances.â
It goes on and on, the bidding, the ever-mounting prices. At the end, the bang of the gavel, a leash attached to my collar, being led away by the man who is now my Master.
Haswell reaches forward and clicks it off. âClearly taken by someone using a mobile phone or similar.â
I sit, flaming with humiliation, speechless with mortification.
âCharlotte, why did you need the money? What was going on, that you were willing to endure that? And what presumably followed?â
âI wanted to go to college, but the university feesâ¦.â
He cuts me off. âFine. Thatâs all I need to know. Nowâ¦. James was your buyer?â
âYes.â
âAs that film closes, it shows you, naked, being passed to him⦠on a leash.â
âYes.â
âWhat happened after that?â
My mouth is dry. I fight the words past my lips. âMr Haswell. It must be obvious to you whatâ¦â
âYes, yes. The purpose of the exercise is clear. My point is that a man who I was about to appoint as a director on my board, paid a great deal of money to purchase, with no limits on his behaviour, a young womanâ¦â
He sits back, his face hardening, anger there. âDid James⦠abuse you?â
I suddenly realise the turn of his thoughts. âOh no! No, please donât think that. No, he⦠he was wonderful. He was so kind and so gentle.â I blush. âActually, I had a marvellous week.â
âYou did?â
I feel I must stand up for my Master. âHe told me⦠he told me, that heâd always had a fantasy about making it good for a girl on her first time. And he did. I was so scared, and he made it⦠â
Haswell relaxes a little. âAlright, Charlotte. You understand that I need to ask you a little more about this.â
I nod, swallowing hard.
âAre you still âcontractedâ to James?â
Shake head.
âYou are under no obligation to him?â
âNo, after the week was up, I left and started at college, but I came back when I could. I wanted to see him and Michael again.â
âMichael?â
âYou saw him, at the Club.â
âThe blond man?â
Nod.
âSo, you met Michael during this week also?â
Nod head.
He stands, pours himself another coffee, offers me the jug. I accept, and again, gulp it down.
âSo, you are telling me, quite clearly, that although he paid for, um, your services, during that initial week, James treated you well, and you are with him now entirely because you choose to be?â
Nod head.
âDoes he know you are here? Talking to me?â
Nod head.
He taps the console on his desk. âFrancis, track down James Alexanders would you. Tell him Iâd like a word. I suspect heâs not far away.â
Haswell continues. âHe sent you in here? To face me alone over this?â
âNo. I insisted. He wouldnât be in this position if he hadnât tried to help me.â
In less than a minute, there is a sharp rap at the door.
âCome in, James,â says Haswell, without even looking away from me.
My Master strides in, looking down at me. âYou okay?â
âYes, Masâ¦. James.â He stands behind me, takes my hand, strokes my fingers.
A glint of humour creases Haswellâs eyes at my words, my stumble.
âContrary to what you might imagine, Charlotte, I am not angry with you. It is in the nature of things that young, beautiful women, tend to attach themselves to rich and powerful men. You would hardly be the first to have done it by contract.â
For a moment he pauses, seeming to consider some other thing, then, âYou did the right thing in coming to me. I wouldnât worry too much about the blackmail aspect. You have effectively disarmed him by speaking with me.â He looks up at my Master, irritably. âJames, will you stop hovering over her like a protective hen. Iâm not going to bite.â
My Master sits beside me.
âHe may still do it anyway, spread it around, out of spite,â I say.
Haswell sniffs. âWe may be able to do something about that. A man who behaves in that fashion probably has other unpleasant secrets. Weâll start by trying to track down the other girl in the auction that you mentioned. Do you know her name?â
âNo, but I suppose the auction house would know.â
âThey will,â says my Master. âIt was in the contract that the auction house knew exactly the identities of the girls and the buyers. Also, where the girls were taken afterwards. And, that they followed up, to ensure the girls were safe.â
âThey never followed up on me,â I say.
âThey didnât?â
Shake head.
âSo,â continues Haswell, âas it happens, the Commissioner of Police is a friend of mine. Weâll start there. As to you twoâ¦.â he looks me in the eye, pointing at my Master. âYou are telling me, here and now, that although he âboughtâ you, he did not abuse you? He treated you well? And that you are with him because you wish to be? He has no hold over you other thanâ¦. the bonds of affection?â
âYes, that is what I am telling you.â
âVery well, Charlotte. You may go, but donât go too far. I may wish to speak with you again. James, you stay.â
I go out to reception, try to read a magazine, but my head wonât take in the words. After about fifteen minutes, thereâs a buzz at the desk.
âYes, Mr Haswell?â says Francis.
âIs Charlotte out there?â
âSheâs right here.â
âSend her in, would you.â
I tap on the door.
âCome in, Charlotte.â
I sit, feeling uncomfortable. What has happened while I was out?
But my Master seems relaxed. As I look at him for reassurance, he droops an eyelid in half a wink, before returning his attention to Haswell.