I stare at the papers Richard pushes at me: old headlines. âBy the time theyâd pulled out what was left of him,â he says, âa stab wound inflicted by a fourteen-year-old girl would have been the least of his injuries. Certainly, it didnât show up in the autopsy report.â
I digest that. He continues, âWitnesses at the time reported him, apparently giving chase to a young girl, a redhead. There was a search for you.â He holds up another sheet. I stare out at myself from a much younger face, ginger, freckled and gawky.
He looks at the photo. âI have to say, Charlotte, that you have bloomed since then...â Then he looks at me over his glasses, critically, âAlthough you need to eat. Youâve lost weight in the last couple of daysâ¦. What happened to the knife?â
âI threw it over the bridge into the river.â
âMmm.... Anyoneâs guess then, where it is now. Weâve dredged that section since then. Could even be part of the pilings for the new bridge.
He picks more papers out of the flurry still issuing from the printer, again pushing them towards me.
âThis report, which, by the way, you have not seen, is from the police files. Although Jenkins died at the time, when the story broke about the home, some months later, it was found that he had been one of the leaders of a group trafficking in youngsters for purposes of prostitutionâ¦.â
He pauses. âDo you want to see anymore?â
âUm, no, not right now. Donât think I could handle it just yet. Later perhaps.â
âIâll have all the information I have sent to you, and James of course.â He glances over at my Master, who is browsing his way through the assorted papers, reading, his expression impassive.
Realisation washes over me. My breath shuddering with relief, âOh, God. Itâs over. Itâs over.â
âYes, itâs over. The police may want to interview you, but they are not interested in giving you a hard time. Itâs perfectly clear that you were a victim, not a perpetrator.â
Shaking, my breath is short. My head wonât take it in. Michael tries to hold me, but I twist free. âMr Haswell, how can I ever thank you enough?â
Jabbing a finger towards my Master. âYou can make sure I get my moneyâs worth out of him, for a start.â But he is smiling, and my Master nods a brief smile in return.
Then he turns back to me. âTake a few days off. Get yourself together again. Then I want you back in my office, Monday morning, ten am. Yes?â
I nod. âIâm sorry, but I donât have enough words to thank you.â I walk around his desk and bending, kiss him on the cheek.
He looks at me sideways. âYouâre welcome, Charlotte. I can assume this is the last of your secrets?â
Despite myself, I laugh. âYes, oh yes. Youâve got it all now.â
âGood. Now relax and doâ¦. whatever it is you do, with these two for a couple of days.â
*****
Haswell departs, leaving me with Michael and my Master.
Michael hugs me, kissing me firmly on the mouth. My Master lays a hand on my shoulder, kissing me on the forehead, but there is no joy in his eyes. After a few minutes, he leaves me with Michael.
Michaelâs eyes are disturbed.
*****
Although I know now that most of my problems have been dealt with, my Master is silent for hours at a time. Michael tries to chivvy up some conversation, but is stone-walled, my Master answering in monosyllables, if at all.
âMaster?â
âWhat is it, Charlotte?â There is no welcome in his voice.
âIâm sorry. What can I do to make it right?â
He grabs me by a wrist, spinning me back against the wall, his expression fierce. I land against the wall with a bump, the breath knocked out of me. He looms over me, voice angry.
âCharlotte, is that everything now? Michael and I have been building our lives around you. If there is anything elseâ¦.â
âNo Master, there isnât. Youâve got it all now. Anything else is justâ¦. detail.â
âHe stares down at me, his dark eyes, black pits. âYouâre sure?â
âIâm sure. I promise. Thereâs nothing elseâ¦. Master?â
âYes, what?â
âI know Iâve made life difficult for you. It was never deliberate, not what I wanted.â
âDifficult?â He raises his brows. âDifficult? Is that the right word, do you think? I recommended you to Haswell. Difficult is not an adequate description of what Iâve had from him the last couple of daysâ¦.â
I hang my head. âIâm sorry. I didnât meanâ¦.â
âSorry isnât good enough, Charlotte. You should have told me. You had plenty of opportunities. What did you think I would do? Hand you over to the police?â
âNo.â My voice is a whisper.
âThen why? Why did you not tell me?â
âI wanted to. Really, I did. But ⦠I couldnât say itâ¦â
âYou couldnât talk to me? Is that what youâre saying? You couldnât tell me. But you could tell Haswell, almost a stranger to you, the moment he asked you?â
âWhat can I do to make it right?â I repeat.
âI donât know, Charlotte. Right now, I really donât know.â
And he walks away, into the lounge, banging the door closed behind him.
Michael wraps an arm around my shoulder, giving me a squeeze. âHeâll come round. Heâs had a rough ride the last day or two. Let him calm down, and heâll be himself again.â
But he doesnât come round. My Master sits, by himself, in the lounge all day.
The following day, it is the same. He sits alone, brooding.
I make a pot of coffee, strong, the way he likes it. Timidly, I tap on the door. âI brought you coffee, Master.â
âFine. Leave it on the table.â He doesnât look at me.
âIâm going for a walk, on the beach. Would you like to come with me?â
âNo.â
Fighting back tears, I put on a jacket and head outside. I pass Michael.
âIâm going for a walk.â
âWant company?â asks Michael.
âNo, Iâm fine. I just want some fresh air. I wonât go far.â
He nods, looking unhappy, and I wander off, down to the sea.
There is a strong surf. Autumn is coming, and waves toss their white heads before spilling over onto the sands. I follow the strand line, looking for anything more interesting than seaweed or jellyfish.
It is calming: the rush of the sea, the sigh of the breeze, the wailing of the gulls, but chilling, I hug my light top to myself. Iâd not realised the season was growing so late. Summer is ending, and soon I must return to my university.
And what then?
There are sounds, above the whisper of wind and waves. Straining to hear, I turn, trying to identify the sound.
Raised voices. Shouting. A row.
I follow the sound back to the house, entering quietly, listening.
Still following the sound through the kitchen and the hall, I am just outside the lounge.
It is Michaelâs voice. Iâve never heard him like this: shouting, yelling in rage.
I donât want to go in.
Throat dry, trying to distract myself, I go back to the kitchen, fill a glass of water, hoping that the voices will quieten. but they donât. Deciding that I want something stronger, I pour myself a glass of wine instead.
Leaning back against the wall, just outside the lounge door, I slide down, squatting on my haunches to listen, sipping my wine.
ââ¦. If you could abandon your damn pride for a minute and show a little empathy. Youâre feeling sorry for yourself? Your feelings are bruised? Look at it from her point of viewâ¦â