ELIZABETH âItâs to do with that home she was in, Blessingmoors,â says Richard.
James sips his brandy, looking wary. âMmm...?â
âI was talking to Willâ¦â
âWill?â
âWill Stanton, Police Commissionerâ¦. The investigation on that place was never fully closed, although it has been semi-dormant for some years. During the original inquiry, they caught, convicted and imprisoned a number of the gang-leaders responsible for trafficking the youngsters, but they couldnât get convictions on all of them, due to lack of evidenceâ¦â
âSoâ¦.?â Now, James looks worried.
âSoâ¦. they would like to interview Charlotte. Take her through things again, in more detail. Show her photos of the men concerned. See if she can give a positive ID on any of them, or any more information. Theyâre trying to get convictions. Especially as there is reason to believe that some of the parties concerned may still be involved in trafficking. They might want Charlotte to stand as a witness in Court.â
James closes his eyes, pinching the bridge of his nose. âIâve been worrying that something like this might come up. When do they want to talk to her? I canât break that kind of news to her in the middle of her term, and certainly not when sheâs got exams coming up.â
âPerhaps when sheâs back at the end of the semester?â
âThat would be better timing, yes. And sheâll have Michael for support then.â
âMichael?â
âHeâs better at this sort of thing than I am. When things get emotional, I sometimes⦠over-react.
Michaelâs a rock. Sheâll need him.â
Richard gives him a long look. âOver-react?â
James doesnât speak at first, then, âLetâs just say that Michael deals with some things better than I do.â
âThings alright between the three of you? It must be difficult sometimes toâ¦. umâ¦. achieve a balance?â
Again, James speaks slowly, clearly choosing his words. âThings are fine with the three of us. I suspect that the difficulties you imagine, are not the ones that actually matter between us. Certainly, balance, as you put it, is not a problem. Michael and I are very different people, and we interact with Charlotte in different ways.â
Richard continues his probing.
Is he pushing his luck, asking things like this?
âAnd you and Michael?â
James raises an eyebrow. âMichael is my closest friend. He has been for years.â
I decide that it is time to interrupt.
âAnd how is Charlotte herself?â I ask. âAfter what happened over Summer? Finally coming out with everything that happened to her as a child.â¦â
James sips at his brandy. âShe has nightmares.â
âWhat sort of nightmares?â
âBeing trapped in the dark. Runningâ¦. Iâm not much good for her with that sort of thing. Michael is much betterâ¦â
âBut of course, Michael is not with her at University.â
âNo, he isnât. Which is why Iâm not willing to discuss anything of this with her at all until sheâs back with us at Christmas.â
âDid she always have nightmares? Before the Summer?â
âNo, not before then, or at least, not while Iâve known herâ¦.â He stands, pacing up and down. âLook, I understand why the Police want to talk with her but give us a little while after she gets back at Christmas. Let Michael and I have a few days to help her let off some steam, relax a bitâ¦â
âWork hard. Play hard?â My husband eyes are crinkling at the corners. He has seen for himself, at one of the clubs, how the threesome âlet off steamâ together.
James rubs the back of his neck, suppressing a smile, âSomething like that, yes.â
I interrupt again. âAnd we could go out together, Charlotte and me. No offence, James, but she needs some âgirl-timeâ too, and she doesnât seem to me to have many female friends.â
âThat would be great, Beth. Thanks, andâ¦. youâre right. The girls she shares the house with all seem to be on other courses, so she doesnât really mix with them much. And the other students on her own course are almost exclusively male, so them, she keeps at armâs length to⦠erâ¦.â
â⦠to avoid misunderstands? Mixed signals?â
âMmm. Yes.â
âNo problem. Weâll go shopping one day. Iâll call by the office and collect her from there.â
Richard smiles. âWith, hopefully, no repeat of what happened the last time you took Charlotte shopping?â
James chokes on his drink. I try to sound prim. âCharlotte was defending me when she hit that lout. It was a pleasure to see him go down.â
*****
Charlotte I drive up the mountain, returning âHomeâ, and wondering what I will find. I know that Michael has been working hard at the renovation ever since the sale went through, but the house was a complete wreck, and Iâm not sure if I am going to have a roof over my head for Christmas.
But the drive up the mountain is so beautiful. Climbing the steep, winding road, I drop to third gear, then to second, skirting around tight corners, and occasionally pulling in to let some idiot pass me at lunatic speed. I just want to amble Home, and enjoy the spectacular views; the glory of the forests, the lake, the plant life that scrambles, wild and beautiful, everywhere around me.
And I look forward to being together again with my Master and my Lover, noâ¦. my fiancée, for a few weeks until I return to college after Christmas.
As I turn the final corner, the hotel hoves into view, looking good already. Paint has been freshened up, windows replaced, signage installed; âLife and Beautyâ, doubtless to partner with Michaelâs âLife and Fitnessâ brand in the City.
But from here, I canât see the house. It sits behind the hotel, hidden by trees and a rambling, overgrown garden.
Michael knows I am coming, of course he does. But I didnât give him a time, or phone ahead. He and my Master surprised me at my student digs. I want to surprise him here. Parking up, I go looking for him.
Where is he?
Walking through the hotel, a variety of workmen are there, plumbers and electricians by the looks of them. From upstairs, across the house and down in the basement, there is a cacophony of banging, clattering, hammering, drillingâ¦. It is deafeningâ¦.
I snag the nearest man in an overall. âHave you seen Mr Summerford?â
He looks at me oddly. Of course, he probably has no idea who I am. âI think heâs out back somewhere, Love.â
As I walk through, one of them shouts after me. âCareful out there. Itâs not safe everywhere.â
The gardens at the back are still an extravagant mess of unpruned roses, rampaging brambles and nettles, overgrown trees and forgotten lawns, but a clear path has been hacked through, so I donât have to navigate spikes, stings and thorns in quite the same way as I did on my first visit.
I can hear chopping.
The old house, when I reach it, has a kind of roof; tarpaulins sheeting over to keep the weather out, while old struts, trusses and timbers are renewed or repaired. Floor joists are missing entirely, apparently removed en masse for replacement, and so, as I stand on the ground floor on plain stone flags, I look up into a wide roof space, or at least, what would be a roof space, if there were a roof.
I still hear the chopping, and I follow the sound.
Passing through the kitchen; at lastâ¦. an area that seems to be a functioning room. An add-on to the main house, it has a tiled floor, a ceiling and, looking out and up, a roof too. There is a door beyond, perhaps leading outside, and another to⦠who knows where? A scullery perhaps? Tables and chairs gather around an old cast iron range, set into an inglenook, and blazing with heat. A single, unlit, light-
bulb dangles from a cord in the ceiling. I flick a wall switch in a mood of experiment, but the bulb remains firmly off.
An old stone sink looks antiquated but functional. Checking the faucet, the water spurts. Of course, once of a time, the kitchen was the heart of many houses, and so this is now.
Despite the ruin and dilapidation, it is quite beautiful.
The sound of chopping is loud now. I follow it through a back door and outside, into a shed area where, despite the December chill, stripped to the waist, jeans tightly belted, and skin gleaming with perspiration, is Michael, my Golden Lover, bringing an axe down on a timber block, splitting it to firewood. As each piece splits, he repositions it and strikes again, gradually reducing slices of tree-
trunk to useable firewood.
He doesnât notice me, and I simply stand quietly, watching him, enjoying the view. As he swings the axe, in a long arc over his head, muscles ripple and play under his tanned skin. His blond hair is slicked down over his head with sweat, and his brow furrowed in concentration, as he targets the wood with the blade, splitting it, then tossing the stove-lengths onto a growing heap to one side.
He looks like a god. My bronzed, blond Apollo...