The Candy Witch was, in many ways, fundamentally different from typical necromancers.
How could her traces be so faint? How could she leave so little behind, no signs of evil energy or aura of malice?
âAnd more importantly, how could she be that powerful?â
Karnak held up a black cube.
âThis is the answer.â
Serati thought the witch might have been a case similar to Laficel. A future powerful being whose soul returned and entered the body of an old woman.
âWhen you look at the way she fought, it doesnât add up.â
In Laficelâs case, she was able to display such grandeur because she wielded the power she possessed with extraordinary skill.
She was a master at maximizing minimal force to its utmost potential.
But the Candy Witch wasnât like that.
âNecromancy itself is simple. Itâs just a basic method of amplifying physical abilities using necromantic power.â
Itâs just that the total amount of necromantic power was unimaginably vast.
âIf you compare it to me now⦠itâs about a thousand times more.â
Both Baros and Serati were shocked and asked again.
âA thousand times?â
âThen how did we win?â
Karnak answered casually as if it was nothing special.
âBecause she handled necromantic power about ten thousand times worse than I do.â
It was the exact opposite of Laficelâs case.
She was wildly swinging an immense power of darkness that had been absurdly compressed.
âThatâs why there was almost no trace of evil energy or aura of malice left behind.â
Because the necromantic power was so highly compressed, very little of it leaked out. But that also meant she couldnât fully utilize her necromancy.
Thatâs why the witch had no choice but to resort to such bizarre hand-to-hand combat.
âBut since the compressed darkness was so massive, everyone else was simply overwhelmed by it.â
âCan necromantic power really be compressed that much?â
Suddenly,Baros raised his hand.
âI remember, young master, you once said that was impossible.â
âThatâs right. For a necromancer, it is impossible. Even if it were possible, it would be useless.â
Normally, necromancy is not about concentrating power.
âYou know how, in stories, when a Demon King exerts his power, there are earthquakes, storms, and lightning? Thatâs because the power is so unfocused that it leaks everywhere.â
Magic focuses on concentration, while necromancy emphasizes dispersion.
Magic gathers vast amounts of energy into a single point to create immediate changes. Thatâs why magic has an image of intense concentration.
On the other hand, necromancy spreads its power wide, subtly infiltrating and overtaking. Accumulation and dispersion are more critical than concentration in necromancy.
âBut this is fascinating. She managed to compress necromantic power to an extreme degree. I have no idea how she did it.â
âNot even you, young master?â
âNo.â
âThen it must be another cult technique. Either aura , magic (??), or divine power.â
âThatâs the most likely, but nothing stands out.â
No aura, no magic, and no divine power can be detected.
In fact, you canât even feel the necromantic power.
If Karnak hadnât known it was left behind by the witch, he would have thought it was just an ordinary dice.
Serati, who had been hearing the conversation between Karnak and Baros, cautiously asked.
âSo, the dice was inside the witchâs body, right?â
âHuh? No.â
Karnak shook his head.
âThis is the witch.â
âHuh?â
âI told you before, she wasnât human.â
People had assumed that an ordinary old woman had absorbed the Darkness of Doom and become the Candy Witch. Lately, thatâs how things have been happening.
But if it had been a case of darkness being absorbed into a human body, no matter how high the necromantic power was, her physical abilities wouldnât have been so enhanced. The human body couldnât withstand that.
âThe truth is, the witch was the Darkness of Doom itself, compressed to an extreme degree.â
She wasnât a necromancer, but rather the result of necromancy.
Like Karnakâs evil spirits, she was a mass of darkness that followed pre-set commands.
This part, Karnak was quite certain about.
âI could tell from the Candy House.â
The witchâs necromantic power was so compressed that none of it leaked out.
So, how did the candy house, that hellish fairy tale image, come to be?
The answer is simple: âThe witch didnât create it.â
The witch, too, was a part of the fairy tale.
Thatâs why she had such an unrealistic appearance, like an old woman from a story, and her dialogue was equally bizarre.
âI think someone projected the collective unconscious of children onto the Darkness of Doom. Thereâs necromancy like that, although itâs not really my style.â
The witch hadnât conjured up the fairy tale image.
Someone else had conjured the fairy tale image around the witch.
And what this meant wasâ¦
âThereâs information about the person who did all this inside this cube.â
***
Serati quietly nodded.
She felt like she had a rough understanding of the situation.
âBut why did you call us here?â
Suddenly, Karnak sighed and held out the black cube.
âI want to extract the information from this.â
It wasnât just the information. Since it contained such a massive amount of necromantic power, absorbing it would also grant great power.
âTo do that, I need to dismantle it slowly and absorb it.â
However, this black cube was an extremely compressed mass of necromantic power.
It was so compressed that no evil energy or aura of malice was leaking out.
Karnak continued, almost as if he were complaining.
âItâs too solid. No matter how much I try to melt it, it doesnât react at all.â
It was like trying to scratch a diamond with a fingernail. Naturally, there wasnât even a speck coming off.
âThe only thing that worked, even just a little, was chaos power. I couldnât extract any information, but at least it made a tiny scratch.â
It seemed that an energy different from necromantic power worked better. Thatâs why he was asking Baros to give it a try with aura.
âAh, I see.â
Baros took the cube and wrapped his right hand in a red aura. He channeled the aura and attempted various things.
Watching him, Serati asked.
âSince you have Sir Baros, why did you call for me?â
âBaros isnât my subject anymore. I thought maybe I could control it indirectly through a subjectâs soul.â
Karnak then also tried channeling necromantic power into the cube again through Seratiâs soul.
But the result was still disappointing.
âAh, itâs no use.â
âSame here, young master.â
âDo we need to find another method?â
âHow did the one who created that witch even use this? You canât even use it, young master.â
âIsnât that exactly what weâre trying to figure out right now?â
Clicking his tongue, Karnak returned the cube to his pocket.
âIâll store it safely for now.â
It looked like he was simply putting it in his clothes, but that wasnât the case.
A small space opened between his garments, and he stored the cube inside that space.
Seeing this, Serati asked a question.
âOh my, what was that?â
âHuh? Itâs an illusory space.â
âIs it like a mageâs subspace pouch?â
âSimilar. But itâs more like a necromancerâs subspace pouch.â
âMy goodness! Isnât that a 9th-circle spell?â
In shock, she widened her eyes.
A subspace pouch is a magical space that can store several items with the volume of roughly a cow. Time doesnât pass within the subspace, and the weight of the items disappears as well, making it incredibly useful in many ways.
With a bitter smile, Karnak responded.
âThe illusory space is much easier to use. Its storage capacity is also far larger.â
Compared to the subspace pouch, which is a 9th-circle ultimate spell, the illusory space doesnât require such a high level of necromancy. In terms of difficulty, itâs roughly equivalent to a 6th-circle spell in magic.
Even so, it can hold dozens of times more items than the subspace pouch.
Feeling frustrated, Serati raised her voice.
âWith such a convenient magic, why did you make me carry everything?â
As she spoke, something felt odd.
âWait a minute, werenât these guys carrying stuff too?â
Besides, it wasnât like Karnak to hold back from showing off.
âWell, thereâs a serious drawback to the illusory space.â
The two of them sighed.
âIf you store food in it, it all rots.â
âNot just food. Even clothes get tainted with evil energy and an aura of malice.â
âAnd if you put a living creature in there, it comes out as a corpse.â
âSo, Iâve only used it to carry catalysts and reagents related to necromancy.â
âDidnât you mostly store corpses in there before, young master? And a heap of skeletons too.â
âI donât live the way I used to, so I purposely didnât bring any of that along.â
In other words, you canât really put any normal items in it.
Disappointed, Serati remarked.
âItâs surprisingly useless.â
âExactly. It was pretty handy back when I was a necromancer, though.â
After closing the illusory space, Karnak picked up his wine glass again.
âWell, until Alius gets back, letâs finish our drinks.â
This, too, couldnât be stored in the illusory space.
âSince carrying it would be a hassle, weâd better just drink it now.â
***
It was late at night when Alius returned to the inn.
âIâve gotten a general understanding of the situation here through Priest Belton.â
First of all, their target, Count Hudel, was currently absent from his territory.
Karnak and Baros frowned.
âHe left the territory?â
âWasnât this supposed to be the period when he stays here?â
Like most nobles, Hudel alternated between spending time in the imperial capital, Thea Crahan, and his own estate.
However, there was something different about Hudel compared to other noblesâhe traveled between the two places far too frequently.
Typically, nobles spend spring and summer in the capital, return to their estates during the autumn harvest season, celebrate the New Year there, and then head back to Thea Crahan once spring arrives.
Hudel, on the other hand, made the trip back and forth almost every two months.
Because of this unusually short interval, Karnakâs group had timed their journey to coincide with his return to the estate.
âBut if heâs left the territory, then our schedule is messed up, right?â
âNot exactly. It seems heâs just delayed by about half a month.â
âWell, thatâs a relief.â
In any case, Count Hudel Grenthal had no formal accusations of being part of a cult.
âBut it seems Priest Belton has been suspicious for quite some time now.â
The Grenthal estate itself appeared spotless.
Having lost his parents and family to necromancers, Hudel governed his territory with great vigilance, ensuring that no sinister figures could set foot in Grenthal County.
âThatâs not particularly surprising. Itâs just proof that Count Hudel is competent.â
However, in the neighboring Baron Ralcadeâs territory, Kalat City, and Aolinâs territory, cultists had been far more active than in other regions of the empire.
The problem was that these cultists were incredibly elusive.
Even when they were tracked down, they always severed ties and disappeared, with their leaders vanishing without a trace. No one could figure out where they were hiding.
âPriest Belton believes that the Grenthal estate is the most likely place theyâre hiding.â
Baron Ralcadeâs territory lies to the east of Grenthal, Aolinâs territory to the south, and Kalat City is situated at the center of the three.
In other words, the Grenthal estate was perfectly positioned for cultists, whose identities had been compromised, to escape to.
If everything around you is a sea of blood, yet one place remains peaceful, what does that imply?
âHeâs definitely the culprit.â
However, it seemed they couldnât do anything just yet, as evidence either vanished naturally or was impossible to find.
âNot just Priest Belton, but other priests also suspect that Count Hudel has spies within the Saisha Temple.â
Now that they had gathered this information, it was time to cross-check it.
Alius spoke.
âStarting tomorrow, weâll begin investigating the village. If there are any cultists here, they must have left some traces behind. Thatâs where weâll start.â