Itâs late. I pace up and down the length of the cabin as Annabelâs fingers fly on the keys. Sheâs hacking back into the CIA, searching for anything we can find on whoâs behind American Trade Assets, the political action group that appeared on Director Scapeâs bank deposits.
My thoughts, normally so ordered and neat, are a jumbled mess. Iâm sweating, practically feverish as if the moonlight is stronger than the sun, and itâs burning me through the thin curtain hung over the rustic cabin window.
I need Annabel so bad, Iâm sick. Nausea quakes in my belly, my fingernails dig into my skin. Not even the desire to shift and run can tear me from her side even as it kills me to be close to her. The muscles in my arms and legs begin shaking. Okay. I need to get out of here.
âIâm going for a run.â
Annabelâs fingers stop moving, and she turns. Whatever she sees in my face makes her draw back. She stands up and catches my arm.
âCharlie.â Thereâs fear on her face.
She should be afraid. Afraid of what will happen if I stay.
âIâm sorry, baby. Iâm restless. And staying here with you⦠itâs making me crazy.â
Hurt creases her face, so I glance down at my rock hard bulging cockâawareness blooms.
She swallows at the same time she palms my crotch, taking me by painful surprise.
I groan. âBaby, I canât.â
âYou look like you could use some help with that.â
âI couldâI meanâ
â
She already has my zipper down, cock out and fisted.
I almost come right then. My hand tangles in her hair, pulling her mouth to it even as words like, âNo⦠I canâtâ¦â rasp from my lips.
Then itâs all over. She takes my cock between those beautiful, full lips, and my eyes roll back in my head.
âChrist, Annabel. Donât. I mean, . Please. Oh, fuck.â I thrust my hips forward like a jackass, gagging her with my cock, but I canât hold back. Thereâs no way to stop the monster now that heâs been let out.
My vision changes, her scent grows stronger in my nostrils.
Annabel.
Only Annabel.
My lovely, lovely Annabel.
I must have her.
Iâm way too rough. Grasping the back of her head, I hold her captive and fuck her mouth, shoving deeper and with more force every time.
A salty scent brings me upâtears from gagging glisten on her lashes.
Unacceptable.
Somehow, I manage to pull out of her mouth, to stumble back. But she moves with me.
The crazy, beautiful female wonât allow me to retreat. She stands and follows me, shoving me down onto the sofa.
âYes, no,â I pant. Heat prickles all over my skin as Annabel shimmies out of her jeans and panties and straddles my lap.
She leans over and bites my ear. âDo you have a condom?â
I canât even decipher her breathy words. All I know is a mad desire to claim her in every possible position, in every orifice. To make sure she knows she belongs to me.
But thatâs not right. I canât lay claim to her like sheâs a piece of property. Thatâs the monster talking.
Annabel searches my pockets, and I finally realize what sheâs after. I produce the condom. She rips open the foil packet and rolls the rubber over my massively erect cock.
I catch her and pull her down to my lap, claiming her mouth with a possessive, dominating kiss. She tastes like honey and apples. Like perfection. My tongue sweeps between her lips as I thrust my sheathed cock into the notch of her legs. I fill one palm with her ass, and she squirms over my throbbing manhood. I spin our bodies around. Lips locked, she tumbles back on the couch, my hand protecting the back of her head. I yank her into position and line my cock up with the place itâs dying to be.
All the while, I canât stop kissing her. I bite her lower lip, lick her tongue, devour her. And when I sink into her wet heat, fireworks go off behind my eyes.
And they keep going off. I scythe in and out of her, every thrust a life-changing indulgence, every kiss a new promise.
, the monster roars.
And Charlieâs in here somewhere still, knowing itâs not right, but I canât stop the wolf. He gets what he wants, and he wants Annabel.
She has no chance in hell of not being claimed tonight.
Mine, mine, mine.
Oh God, she feels so good. Itâs like I was born for exactly this moment. To be united with her, both body and soul. Thereâs a communion hereâitâs so much bigger than sex. Itâs galaxies and worlds and every tiny particle in the universe wanting us to be together.
Iâm certain of it.
Nothing could break us apart.
I fuck her and fuck her and fuck her.
She tips back her head and screams, and I cover her mouth, drag my palm over her beautiful lips, drop my thumb between them.
She sucks it.
I get the other hand up her t-shirt, where it wanted to be all night and pinch and pull her nipples.
Iâm going to fuck her all night. After this fucking, Iâll lick her to orgasm. Then Iâll tie her to the bed and torture every inch of her body with my tongue. Iâll keep her up singing, keep her screaming until the damn moon sets.
But then something momentous happens. Like a car crash or a rebirth. My body feels like itâs being torn apart and put back together at the same time.
The monster roars.
I come.
Annabel comes.
Happiness flows through me. Pure joy.
Then my tongueâs coated with blood, and Annabelâs scream pierces the night.
Pain rips through meâa burning, gauging pain.
I donât believe it, but Charlie flies back and lands onto his ass on the floor, blood dripping from oversized canines.
And his eyes.
Ice. Blue.
Just like the wolf in the stairwell. Like the wolf at the cabin.
Cold gooseflesh runs across my arms. No. It canât be.
Werewolves donât exist.
But thereâs no other explanation. Charlie is a freaking werewolf!
And he bit meâthe man I wouldâve sworn this morning would protect me from anything.
âGet back!â I shout even though heâs already retreated. Hands shaking, I grab the Glock from my purse and cock it. Blood soaks my t-shirt around my right shoulder.
Flashes of what Iâve already seen run through my mind. Charlieâs need to go out alone for night runs. The wolf tearing at the door of the cabin. The wolf appearing in the stairwell while Charlie went off comms. It all fits.
I wouldâve sworn nothing ruffles Charlie Dune, but right now, horror fills his eyes. He doesnât look ready to attack. He seems afraidâof what heâs done.
âShoot me,â he whispers.
My two hands shake as I aim the gun between his eyes. My breath comes fast and shaky.
âDo it,â he says, louder.
I try to keep a tough face on, but I feel one side of it crumple. Iâm not a warrior like my dad or Charlie. I couldnât shoot the wolf between the eyes when it tried to get to me at the cabin. Thereâs no way I can do it now when heâs in human form and afraid. But I know heâs not afraid of me. Heâs afraid me. And thatâs the reason I keep the gun pointed.
âHow long?â I shout. âHow long have you been a wolf?â
âA month, I guess,â he mutters.
âYou guess?â My voice rises in pitch. âWhat the fuck, Charlie?â
âI donât knowâmaybe all my life. My dad was one. But I only started changing a month ago. After Honduras. I wouldâve told you if I couldâve figured out how to make it sound believable in any way.â
âSo, am I a werewolf now, too?â I canât keep the wobble out of my voice.
Charlie wipes the blood from his lips. Remorse shows on every line of his face. âI donât know.â His words are barely audible. âBut you should put me down. Before I do it again.â
I swallow. âI already shot you once,â I rasp. âAt the cabin.â
He points to the center of his forehead. âPut it here, Annabel.â
I should. Charlie Dune is out of control. He hurt me. He could hurt someone else. But killing isnât in my wheelhouse.
âDo it!â he roars.
I jerk when he shouts, but I still canât fire. A tear rolls down my cheek.
âAnnabel, Iâm a danger to you. I donât know what else I might do. You need to shoot me. Iâd rather you did it than someone else. Please.â
My finger tightens on the trigger.
But pulling it is an impossibility. Even when heâs yelling at me to do it.
My lips tremble. âGet up.â I gesture with the gun.
âShoot me,â he whispers again.
âGet up!â I put some authority in my command.
Charlie scrambles to his feet and cleans upâtaking off the condom, tucking his cock away in his jeans.
âGet out.â I point to the door with the gun.
âAnnabel, Iâll just come back. Iâll find a way in. Youâre like a drug to me.â Heâs pleading with me. He wants me to put him down.
I âGet.
.â
Charlie walks to the door, opens it and steps through. âLock this door, sweetheart,â he mutters as he shuts it tight.
Charlie Oh lord, what have I done to Annabel? I wish to God she wouldâve shot me.
I donât experience fear. I learned to shunt that into power long, long ago. But Iâm more afraid for Annabel than Iâve ever been.
I hurt her.
I hurt my beloved.
Annabel.
My mind replays what just happened. How deep the wounds were where they were located. How much blood left her.
No, the wounds arenât fatal. If they donât get infected, sheâll heal up, even without immediate medical intervention.
I stand on the porch and stare up at the moon.
What have I done?
The strange thing is, I have no urge to shift and run anymore. Iâm calmer than Iâve been any night this week. More focused.
I climb into the truck we stole to get here. Iâll spend the night here, watching over her. In the morning, Iâll make myself invisible and follow her out, wherever she goes. I canât leave her unprotected. Not until this mission is over.
But I also canât put myself in the same room with her, either.
Iâm a terrible danger to her.
The shock of betrayal guts me even though Iâm starting to believe Charlie couldnât control himself. I donât think he meant to hurt me.
I run for the bathroom and pull off my t-shirt to inspect the wounds. There are four puncture wounds, a half-inch deep.
Couldâve been worse. No major arteries. Not too much blood loss. I definitely feel woozy though.
I turn and heave into the toilet. The room spins. Oh God. Am I turning into a werewolf?
Will I start biting people at the full moon, too?
I stagger to the bedroom and fall down on the bed. My eyelids are heavyâtoo heavy to keep open. Itâs like Iâve had a few too many drinks and Iâm passing out still liquored up.
Yep, passing outâ¦
I wake to a creaking floorboard.
Charlie?
Did he come back in? Of course, I locked the door, but Charlie Dune could get past any lock if he wanted to. I didnât think he would though.
And yet, relief is not a strong enough word for how I feel at the idea heâs come back. Itâs more like celebration. Like everything was off in the world, and now itâs right again.
The doorknob to the bedroom turns slowly, and the hair stands up on my head.
Itâs not Charlie.
My instincts take over, and I throw myself over the side of the bed, rolling under it just as the door creaks and swings wide.
Someone grunts and a body thuds to the floor.
Somehow, I stifle my scream.
The cabin shakes with gunfire in the living room. I crawl on my belly to retrieve the pistol on the night table. Based on the thuds and smacks of hand to hand combat, interspersed with gunfire from the front room, I think Charlieâs here, silently fighting to protect me.
I try to turn on the lamp by the bed, but nothing happensâthe electricity has been cut. I get up and run for the door, just as the glass shatters in the bedroom window, exploding with gunfire.
âAnnabel?â Charlie shouts as I drop to the floor.
âOne assailant, firing from outside.â Iâm amazed at how calm my report sounds.
Guns fire from the living room, and suddenly, Charlieâs in the doorway, lit by a swath of moonlight from the window. âStay low. Get behind the bed.â I hear his soft footfalls and the crunch of glass as he runs to the wall beside the window and dodges out, gun leading. He fires twice, then drops the gun.
âHere.â I slide mine across the floor to him, assuming heâs out of bullets.
âThanks.â He picks it up and fires three more times. âThereâs at least two still out there. Three down.â
I crawl toward the closet, remembering the duffel bag of weapons. When I open the door, Charlie joins me. âYou take the semi-automatic. Give me two more pistols.â
I yank them out with the magazines.
âStay behind me.â He moves through the cabin stealthily, and I follow behind, holding the weapon in both hands.
Gunshots ring out the moment he kicks open the door. He yanks me up against the wall between the door and window. I count the gunshots. Eight. Ten. Fourteen. Fifteen.
âStay here.â Charlie breaks through the door, a pistol in each hand, arms extended out straight in two directions. He fires four bullets.
One body drops.
âCover me.â Charlie disappears, running toward the dirt driveway where he parked the car we stole.
I donât really know how to do that, but I fire a round toward the trees in the direction away from where Charlie ran. God forbid I accidentally hit him.
Except waitâbullets apparently canât harm him unless theyâre between the eyes.
I hear fists smacking flesh, grunts, and strikes. I creep out of the cabin in their direction, swinging the gun right and left defensively.
Behind the vehicle, Charlieâs fighting with Director Scape.
âDonât move,â I shout.
Both men ignore me. Charlie slams Scape up against a tree trunk and smacks his head against the wood.
âI kept you alive for this,â Charlie says and punches Scape in the gut.
âOof.â He doubles over. âFor what?â
âFor Annabel. So, you can tell her the truth. Go on.â He pounds a right hook into Scapeâs jaw.
Director Scape spits blood from his mouth and laughs. âThe truth? The truth is whatever I want it to be. I run the fucking CIA.â
âWho killed my father?â I demand. Itâs not the question I thought I would ask, but itâs the one that comes out.
Scape laughs. âI did. I killed your father when he disobeyed orders.â
I shouldnât be holding this weapon. Because I am way too ready to use it. âWhat orders?â I grit between clenched teeth.
Charlie punches Scape again.
âHe had orders to destroy the village. Restart the war. He didnât comply. I had to go in and clean it up for him.â
âWho gave those orders? You?â
Scape gives another bloody smile. His hand flashes out before I realize Iâve stepped too close. He swings the butt of my weapon around to point at Charlie and squeezes the trigger.
Charlie grasps Scapeâs head and breaks his neck, even as blood spurts out his shoulder and side.
âCharlie!â I scream.
âIâm okay. Iâm fine.â He covers the wound in his side with his hand while he toes Scapeâs limp body as if to make sure heâs really dead.
Apparently unconcerned with his bullet wounds, Charlie pulls his phone from his back pocket and hands it to me. The recorder is onâhe got the whole confession.
âWeâve got it. Youâre free now.â
I take Scapeâs phone and wallet and pocket them. I already searched the men inside the cabin. None of them carried IDs or phones. I need to find their vehicle.
I sniff the air. Iâm getting better at identifying the different scents around me, and I donât detect any new humans. Iâve dealt with them all.
I check the body of the guy I shot in the trees. Heâs dead, no ID.
âLetâs get you inside,â I say carefully. Annabel hasnât moved, and I scent her fear and shock. I donât know if she will even let me in that cabin with her, but I have to at least make sure sheâs unharmed. The urge to care for her is overwhelming. Once I know sheâs safe, that she can safely return to her life and her family, I will leave. I need to get away from anyone I could hurt.
âAre-are they all dead?â
I smell only death. I nod. Even though the danger is over, my body is still tense. Iâm wary of any further danger to my mate.
Thatâs a strange word choice.
I find their vehicle a hundred yards up the dirt road. It has the IDs and phones of the other men. I take them all. When I get back to the cabin, I flip the breaker in the electrical box. The lamp in the bedroom flares to life.
Annabel still hasnât moved like sheâs afraid to go in alone.
I walk to her, reaching out cautiously. She tumbles forward into my arms.
âCharlie,â she chokes.
âItâs okay.â I stroke her silky hair. âItâs over now. Everything is over.â
The scent of her blood from the wounds I inflicted stings my nose, making my chest collapse in on itself.
She sniffs, her tears wet against my neck. âNow what?â
I straighten, pulling away to wipe her tears. âNow you go in. Turn yourself into someone you trust. Make copies of that recording, so thereâs no getting rid of you. Youâll be safe. Your sister and nephew can go home. You can go back to your job.â
Her lips tremble. âWhat about you?â
Iâd rather cut off my arm than leave Annabel. But Iâm not safe for her.
âIâll disappear.â
Pain creases her forehead. âWhat does that mean?â
âI need to get this wolf thing figured out. Before anyone else gets hurt.â My eyes fall on her blood-soaked shirt, and her fingers reach to lightly touch the bite marks.
âAre there others you can talk to? Find out how to get rid of it? Or what to do to eliminate the effects?â
I think of Jared and the wolf pack in Tucson. âMaybe.â I nod. âYes. thatâs where Iâll go first.â
âWhere are they?â
I touch her nose. âIâm not telling you that, angel. Disappear means disappear.â
Her jaw firms and she lifts her chin. âI might be able to help. Iâd like to help.â
Iâm not sure how I keep standing. The earth seems to shake and crumble beneath my feet. I cup her nape and lean my forehead against hers.
âIâll be sure to ask if I need anything,â I promise, but itâs a lie.
We both know this is goodbye.
Forever.
âWhat if I need you?â Her voice rises. âWhat if I turn into a wolf and start attacking people, too?â
âYou know how to get a message to me.â All clandestine agents have servers we check for messages. I can keep checking mine even if I stay rogue. âIâll message you with anything I find out thatâs pertinent to your bite. I promise.â
âSo, this is it?â Her voice chokes, and I nearly drop to my knees.
I stroke her cheek with my thumb. âI love you, Annabel Gray.â
It seems important to tell her. Especially since Iâll never see her again. She should know the truth.
âCharlie,â she chokes.
âItâs okay. You donât have to say anything. I just wanted you to know. This wasnât some mission hook up for me. It was about as far from that as it gets.â
Tears spill from Annabelâs beautiful gray eyes. âMe too.â
I cup her face with both hands and thumb away the tears.
âYou need me, Iâll come. Thatâs a goddamn promise.â
âI know,â she chokes.
My eyes sting. âGood.â I pray to God she never needs me though.
No, thatâs a lie, but I canât even hope for another shot with Annabel. That fantasy will absolutely kill me.
I move in slowly, my lips hovering above hers. âGoodbye, Annabel.â
She darts in for a quick peck, then pulls away, turning her back on me. âGoodbye.â