âFollow me,â he instructs and heads upstairs. He opens a door halfway down the hall, finding a bathroom quickly, of course. Right as he places her on the floor by the toilet, she begins to vomit. I look away but grab her red hair and gently hold it back away from her face.
Finally, after more vomit than I can handle seeing, she stops and Nate hands me a towel. âLetâs get her to the room across the hall and lay her on the bed. She is going to need to sleep it off,â he says. I nod, but what Iâm really thinking is that I canât leave her here alone, passed out. âYou can stay in there, too,â he says, seeming to read my mind.
Together we get her up off the floor and help her walk across the hall and into a dark bedroom. We gently lay a groaning Steph onto the bed and Nate quickly takes off, telling me heâll check in on us later. I sit down on the bed next to Steph and make sure her head is comfortable.
Sober, with a drunk girl beside me and a party raging all around, I feel like Iâve hit a new low. I turn on a lamp and look around the room, my eyes immediately going to the bookshelves that cover one of the walls. Since this perks my mood up, I go over to it and scan through the titles. Whoever owns this collection is impressive; there are many classics, a whole range of different types of books, including all of my favorites. Spying Wuthering Heights, I pull it off the shelf. Itâs in bad shape, the binding giving away how many times itâs been opened.
Iâm so lost in Emily Brontëâs words that I donât even notice the change in light when the door opens, or the presence of a third person in the space.
âWhy the hell are you in my room?â an angry voice booms from behind me.
I know that accent by now.
Hardin.
âI asked you what the hell youâre doing in my room,â he repeats, just as harshly as the first time. I turn to see his long legs pulling him toward me and he snatches the book from my hand and tosses it back onto the shelf.
My mind is whirling. I thought the party couldnât get any worse, but here I am, caught in Hardinâs personal place. He rudely clears his throat and waves his hand in front of my face.
âNate told me to bring Steph in here . . .â My voice is soft, barely audible. He takes a step closer and lets out a deep breath. I gesture to his bed, causing his eyes to follow my hand. âShe drank too much and Nate saidââ
âI heard you the first time.â He runs his hand through his messy hair, clearly upset. Why does he care so much if we are in his room? Wait . . .
âYou are a part of this fraternity?â I ask him. Itâs impossible to hide the shock in my voice. Hardin is far from what I imagined a frat boy to be like.
âYeah, so?â he answers and takes yet another step closer. The space between us is less than two feet, and when I try to inch away from him my back hits the bookcase. âDoes that surprise you, Theresa?â
âStop calling me Theresa.â He has me cornered.
âThatâs your name, isnât it?â He smirks, his mood slightly lightening.
I sigh and turn away from him, basically facing into the wall of books. I have no idea where Iâm going, but I need to get away from Hardin before I slap him. Or cry. It has been a long day, so I will most likely cry before slapping him. And what a sight that would be.
I turn and push past him.
âShe canât stay in here,â he says as I pass. When I turn around he has the small ring in his lip between his teeth. What made him decide to put a hole in his lip and eyebrow? That had to be painful . . . though the one piece does accent just how full and round his lips are.
âWhy not? I thought you guys were friends?â
âWe are,â he says, âbut no one stays in my room.â His arms cross over his chest, and for the first time since I met him, I can make out the shape of one of his tattoos. Itâs a flower, printed in the middle of his covered forearm. Hardin, with a flower tattoo? The black and gray design resembles a rose from this distance, but there is something surrounding the flower that takes the beauty from it, adding darkness to the delicate form.
Feeling brave and annoyed, I let out a laugh. âOh . . . I see. So only girls who make out with you can come into your room?â As the words leave my mouth his smile grows.
âThat wasnât my room. But if youâre trying to say you want to make out with me, sorry, youâre not my type,â he says. Iâm not sure why but his words hurt my feelings. Hardin is far from my type, but I would never actually say that to him.
âYou are . . . you are . . .â I canât find the words to express my annoyance toward him. The music through the wall is like an itching sensation. Iâm embarrassed, annoyed, and exhausted from the party. Arguing with him isnât worth it. âWell . . . then you take her to another room, and Iâll find a way back to the dorms,â I say and head for the door.
As I go through it and slam it shut behind me, even through the noise of the party, I hear Hardinâs mocking âGood night, Theresa.â
Chapter ten
I canât help the tears that fall down my cheeks as I reach the top of the stairs. I hate college so farâand my classes havenât even started. Why couldnât I just get a roommate who was more like me? I should be asleep now, preparing for Monday. I donât belong at parties like this, and I certainly donât belong hanging out with these type of people. I do like Steph, but I just donât have it in me to deal with a scene like this and people like Hardin. Heâs such a mystery to me; why must he always be such a jerk? But then the next thing I think of is that wall of books of hisâwhy does he have all of them? There is no way a rude, disrespectful, tattooed jerk like Hardin could possibly enjoy those amazing works. The only thing I can picture him reading is the back of a beer bottle.