The inside of his house is dark, even though the sun is still sharp. The curtains are drawn and the house is quiet as I follow him down a tiled hallway into his room. His floor looks like a fast-food graveyard, with empty cups and bags scattered across the floor. Yeah, a teenage boy has for sure been holed up in here for a week. He mutters an apology and clears away a small stack of dishes by his bed and a McDonaldâs bag on his floor before he takes Bob Ross out of the box. He pushes the audio button, and Bob dispenses a one-liner: âYou have to have dark in order to show the light. Just like in life.â
He puts Bob and his bobbling head on his nightstand next to the copy of I gave him. When I flip it open to our blackout poem, I notice dog-eared pages.
âYouâre reading it?â I ask.
âIt came highly recommended by this cool girl,â he says. âWe were working on this project together, but then she, like, grew horns and started breathing fire, so Iâm not sure itâs going to work out.â
He smiles, but itâs still strained. Still unsure.
âWell, I, for one, am a firm believer in second chances,â I say. Iâm putting the book back when I notice a bottle of pillsâaspirinâsitting on a ripped piece of paper with scrawly handwriting:
I pick it up. âMicahââ
âA little love note from Damon,â he says dismissively.
I shake the pill bottle. I knew he was an ass, but this is next-level asshattery.
âWe have to tell someone. An admin or something.â
He smirks like Iâm a toddler announcing she wants a unicorn for Christmas. âYeah, Iâll get right on that.â
âSeriously, Micah, this is not okay.â
âAnd you think Principal Porter is going to believe the transfer kid with a history of violence who just skipped a week of school?â He chucks the pills and the note into a trash can. âNot a chance. Now, if youâll excuse me a second.â
Micah heads back down the hall, and I can hear an electric toothbrush whir to life, followed by the sound of gargling. While I wait, I pick a sketchbook up off a huge purple beanbag. On the open page, a wispy, black demon squats on top of a man, a natural extension of his shoulders.
âMuch better,â Micah says, coming back into the room, his hair somewhat tamed and his breath minty fresh. He plucks the sketchbook from my hands and flops backward onto his mattress, the bedsprings creaking beneath him.
âSo shall we keep going with the small talk, or are you ready to say what you came to say?â
He gestures for me to sit in the beanbag, and then waits for me to start. Where do I even begin? How do I articulate whatâs going on in my head? How do I explain ?
I sit up straighter, the beanbag shifting loudly beneath me, and I take a deep breath. âCould you maybeâclose your eyes?â
He gives me an look but closes his eyes, his elbows propped on his knees, head in his hands.
âIâIâthink thereâs something wrong with me,â I start. âMaybe like whatâs wrong with Alice.â
âYou think youâre bipolar?â
âMaybe. I donât know. All I know is, my brain isâ¦â I search for the right word while picking at a loose string on the seam of the beanbag. If I pull it out, will the bag unravel? Will all the insides gush across the floor? Would we ever be able to stuff them back in? ââ¦off. Like, I have all these thoughts. It feels likeâ¦likeâ¦like my brain is broken. Like a busted laundry machine thatâs stuck, and it keeps going around and around. And then my body goes haywire. I canât breathe and I think Iâm dying and itâsâterrifying.â
I donât mention the scars on my stomach. Talking about this is one thing, but actually seeing it etched in my flesh is another. Micahâs nodding like he understands.
âItâs like thereâs this voice,â I continue. âNot like Iâm hearing voicesâitâs voice. And it knows all my worst fears and insecurities and it uses them against me. Constantly. And itâs usually the loudest voice in the room, always telling me Iâm wrong, and sometimes it makes me thinkââI take a deep breathââIâm crazy.â
As I say it, out loud, part of me, the part behind my rib cage where I keep all the unspoken words, cracks open slightly. I envision my words flying like butterflies, leaving their perch inside me, floating into the air. They travel through the space between us, and land on Micah. His face twists slightly under the added weight of my confession.
He doesnât say anything. The silence gnaws at me as I wrap the unraveling beanbag thread around my finger. âI shouldnât have told you. I came over to check on you. Iâm supposed to be helping â
âI think,â Micah says, opening his eyes, âweâre supposed to be helping each other.â
âBut I sound mental.â
âYou sound scared. But just so you know, I already knew you were a total weirdo.â
I throw an empty McDonaldâs cup at him. He dodges it and laughs. âJoking, joking!â
âOkay, jokester, your turn. Where have you been since last week?â
Micah stares at the ceiling, where he has stars scattered like the ones Alice put in our room years ago. Micah keeps his eyes on the stars as he talksâslowly, quietlyâso different from his usual sarcastic bravado.
âI know what they say about me, you know. That Iâm a psycho. That Iâm dangerous. Itâs all very sensational and intriguing, except itâs all shit.
is depression.â He gestures to his room, the discarded food, the rumpled sheets, the funky smell. âThis is what it is. Itâs like, like I wake up sometimes andânothing.â
âNothing?â
Micah springs off the bed and switches off the overhead light.
âSo right now, your pupils are dilating, yes?â
I nod. The room comes back into view slowly, illuminated with just enough light from the cracks around the drapes to let me see the shape of Micah in the dark.
âSometimes itâs like I canât dilate. I canât see the light, and I lose hope that Iâll find it again.â Light floods the room when he flicks the switch back up, and my mind shoots back to when the lights came on in the janitorâs closet.
âWas it because of me? Did Iâ¦cause it?â
Micah gives a short, small, forced chuckle, like what Iâve said is funny, not in a ha-ha kind of way, more like a life-sucks-doesnât-it kind of inside joke.
â
as in depression?â
I nod.
âYou can say it out loud, Lily. You wonât summon it.â His eyes meet mine. âBut no, it wasnât you. Or maybe it was you. I donât know. It just Itâs part of me. People always ask, are you depressed? But the boring truth is that nothing is wrong. I feel nothing. I am nothing. When I look into the future, nothing. Itâs the nothing that destroys me.â
Is that how Alice felt on her meds? Was the nothing chipping away at her? Micah picks up the demon drawing on his desk again, studying it.
âPeople always talk about mental illness like itâs a heroic war with a monstrous disease. But the fact is, weâre fighting ourselves. Just a bunch of smaller battles. Getting up, every day, facing down the beasts because I can never beat them. Because they me. The best I can do isââ
âMake friends with the monsters,â I say, not even aware Iâm saying it out loud until Micah nods.
âExactly.â
Behind him, my eye catches a drawing of all the characters from Winnie-the-Pooh standing on a cliff overlooking the ocean, their arms around each other. I bolt up out of the beanbag.
âAcceptance!â
âExcuse me?â he says.
âThe Hundred Acre Wood. Itâs about acceptance.â
Heâs watching me, and for the first time since I got here, a real smile plays at the corner of his lips.
âIâm listeningâ¦.â
âPiglet and his anxiety. Rabbit with his OCD rows of carrots.â I point to each character, thinking it through as I talk. âDyslexic owl and ADHD Tigger. Eeyore and depression. Oh, and donât forget Christopher Robin, the boy whose stuffed animals to him. Hello, schizophrenia!â
Micahâs face is all weird, and Iâm not sure if Iâve nailed it or totally offended him, but I keep going. âAnd they all know Pigletâs gonna freak out about the wind. They expect Eeyore to be a dud at the picnic. But they invite him anyway. They help each other, but nobody tries to fix anyone. Youâre just you and theyâre just them and thatâs okay.â
I flop back into the beanbag. âIâm right, right? Iâm totally right.â
Micah looks from me to the drawing and back again. âSorry, kind of in shock here. Youâre the first person to ever figure it out. Or care enough to try.â
âI guess that makes me pretty special, then.â
âYes, Lily Larkin, I guess it does.â A true Micah smile finally appears, and he motions for me to move over. He squishes next to me in the beanbag.
âFor the record,â I say, turning to him, âI do care. A lot.â
I reach out and take his hand, separating his fingers with my own. He doesnât say he forgives me, exactly, just slides his palm against mine as our eyes meet. I can tell heâs still holding back, though, afraid Iâll pull away again. So I lean in close. Closer. His faceâhis lipsâare a whisper from mine.
His curls tickle my forehead, and a rush of adrenaline shoots through me, white-hot and consuming because all I can see or feel or think is him. Iâm not even sure who makes the final move, but the space between us disappears and our lips touch, feather light. I lean into him, and his mouth opens, just slightly, enough for me to feel the wet warmth of him.
His lips move slowly, as gentle as a breeze, but the taste of him makes my whole body hum, my brain float. His hand cradles the back of my head, and our bodies, our lips, melt farther into each other, and all my plans and reasons and worries fade away, and the only question I have is, Why havenât we been doing this since the first moment he walked into my life?
When we pull apart, he smiles, and even though all I want to do is keep kissing himâmaybe foreverâhe leans back on the beanbag, his cheeks slightly flushed.
âYou have idea how long Iâve wanted to do that,â he says.
I scrunch next to him as he puts his arm around me, and I cuddle into his chest.
âI have a pretty good idea.â
His weight settles into mine as we fall farther into the beanbag, into each other. It feels good, our bodies, leaning in, supporting each other.
âI could almost fall asleep like this,â he says, his eyes closed. âAnd thatâs coming from someone who sleeps.â
âSleep is for the weak.â
âYeah, who needs it?â Micah says, midyawn.
âNot a couple of weirdos like us.â
His heartbeat is steady against me, his body warm against mine. We fall into silence, but not the kind of heavy nothing filled with unsaid words. Our silence is easy, the kind of quiet that says nothing, and somehowâeverything.
âHey, Lily?â Micah says, his voice slow and slurry.
âYeah?â
âThank you.â
âFor what?â
The last thing I feel before falling asleep are his fingers sliding deeper between mine.
âFor staying.â