Iâd taken the train to downtown hoping to accomplish . . . something.
What, Iâm not entirely sure, but Iâm so, so tired of feeling like this. Emptiness can make you behave in ways you could never imagine, and this is the only way to satisfy the giant fucking hole inside of me. The satisfaction comes and goes as the men ogle me. They feel entitled to my body since I dress in a way that purposely entices them. They are disgusting and entirely wrong, but I play into their lust, encouraging their behavior with a wink of my eye. A shy smile at a lonely man goes a long way.
Needing this attention makes me sick to my stomach. Itâs more than an ache; itâs a scalding white-hot burn inside of me.
As I turn another corner, a black car approaches, and I glance away as the man behind the wheel slows down to look at me. The streets are dark, and this zigzag alley is located behind one of the richest parts of Philadelphia. Shops line the streets, each of them having their own back dock here.
Thereâs too much money and not enough pleasantness in the Main Line.
âYou want to go for a ride?â the man asks as his automatic window rolls down with a smooth whir. His face is slightly wrinkled, and his sandy-brown-and-gray hair is neatly parted and combed down on the sides. His smile is charming, and he looks good for his age, but thereâs a warning that sounds in my mind each and every weekend that I take this walk, follow this zombie routine for some unknowable reason. The faux kindness in his smile is just that, as fake as my âChanelâ bag. His smile comes from money; I know this by now. Men with black cars that are so clean they shine under the moonlight have money but no conscience. Their wives havenât fucked them in weeksâmonths, evenâand they search the streets for the attention theyâve been deprived of.
But I donât want his money. My parents have that, too much of it.
âIâm not a prostitute, you sick fuck!â I kick my platform boot at his stupid shiny car and notice the gleam of a band on one finger.
His eyes follow mine, and he tucks his hand under the steering wheel. Douchebag.
âNice try. Go home to your wifeâIâm sure whatever excuse youâve given her is set to expire.â
I begin to walk away, and he says something else to me. The distance catches the sound, carrying it away into the night, no doubt to some dark corner. I donât bother looking back at him.
The road is nearly empty since itâs after nine on a Monday night. The lights on the backs of the buildings are dim, the air calm and quiet. I pass behind a restaurant where steam billows from the roof, and the smell of charcoal fills my senses. It smells amazing and reminds me of backyard barbecues weâd have with Curtisâs family when I was younger. Back when they felt like a second family.
I blink the thoughts away and return the smile of a middle-aged woman wearing an apron and a chefâs hat walking out of the back entrance of a restaurant. The flame from her lighter is bright in the night. She takes a drag from the cigarette in her hand, and I smile again.
âBe careful out here, girl,â her raspy voice warns.
âAlways am,â I reply with a smile and a wave of my hand. She shakes her head and puts the cigarette back to her lips. The smoke fills the cold air, and the red fire at the end of the cigarette makes a crackling noise in the nightâs silence before she tosses it to the concrete and loudly stomps on it.
I continue walking, and the air grows colder. Another car passes, and I move to the side of the alley. The car is black . . . I look again and realize itâs the same shiny black as the last one. A chill runs cold down my back as it slows, tires crunching on the trash covering the alley.
I walk faster, choosing to step behind a Dumpster to gain as much distance from the stranger as possible. My feet pick up the pace and I walk a little farther.
I donât know why Iâm so paranoid tonight; I do this nearly every weekend. I dress in a hideous smock, kiss my dad on the cheek, and ask him for train fare. He frowns and tells me that I spend too much time alone and that I have to move on in the world before life passes me by. If moving on were so simple, I wouldnât be doing this quick change into this dress or shoving the smock into my purse to put back on during the ride home.
Move on. As if it were so simple.
âMolly, youâre only seventeen; you have to get back to real life before youâve missed too much of the best years of your life,â he tells me each time.
If these are the best years of my life, I donât see much point in living any longer than this.
I always nod, agreeing with him with a smile while silently wishing he would stop comparing his loss to mine. The difference is, my mom wanted to leave.
Tonight feels different somehow, maybe because the same man is now stopping next to me for the second time in twenty minutes.
I break into a run, letting my fear carry me down the pothole-filled street to the busier road up ahead. A cab honks at me when I stumble into the street and jump back to the sidewalk, trying to catch my breath.
I need to go home. Now. My chest catches fire, and I struggle to breathe in the cold air. I step back onto the sidewalk and look in every direction.
âMolly? Molly Samuels, is that you?â a womanâs voice shouts from behind me.
I turn around and see the familiar face of the last person I want to run into. I fight the need to bolt in the other direction when my eyes meet hers. She has a brown grocery bag in each hand as she walks toward me.
âWhat are you doing out here, and this late?â Mrs. Garrett asks as a chunk of hair falls down over her cheek.
âJust walking.â I try to push my dress down my thighs before she looks again.
âAlone?â
âYouâre alone, too,â I say, my tone more than defensive.
She sighs and shuffles the grocery bags to one arm. âCome on, get in the car.â She starts toward the brown van parked on the corner.
With the click of a button, the passenger-side door unlocks, and I step inside hesitantly. I would rather be inside this car with her and her judgment than out on the street with the guy in the black car who doesnât seem to take no for an answer.
My temporary savior gets into the driverâs side and looks straight ahead for a minute before turning to me. âYou know you canât act out like this for the rest of your life.â Her statement ends in a strong tone, but her hands are shaking on the wheel.
âIâm notââ