2 weeks pass.
2 weeks of dresses and showers and food I want to throw across the room. 2 weeks of Warner smiling and touching my waist, laughing and guiding the small of my back, making sure I look my best as I walk beside him. He thinks Iâm his trophy. His secret weapon.
I have to stifle the urge to crack his knuckles into concrete.
But I offer him 2 weeks of cooperation because in 1 week weâll be gone.
Hopefully.
But then, more than anything else, Iâve found I donât hate Warner as much as I thought I did.
I feel sorry for him.
He finds a strange sort of solace in my company; he thinks I can relate to him and his twisted notions, his cruel upbringing, his absent and simultaneously demanding father.
But he never says a word about his mother.
Adam says that no one knows anything about Warnerâs motherâthat sheâs never been discussed and no one has any idea who she is. He says that Warner is only known to be the consequence of ruthless parenting, and a cold, calculated desire for power. He hates happy children and happy parents and their happy lives.
I think Warner thinks that I understand. That I understand him.
And I do. And I donât.
Because weâre not the same.
I want to be better.
Adam and I have little time together but nighttime. And even then, not so much. Warner watches me more closely every day; disabling the cameras only made him more suspicious. Heâs always walking into my room unexpectedly, taking me on unnecessary tours around the building, talking about nothing but his plans and his plans to make more plans and how together weâll conquer the world. I donât pretend to care.
Maybe itâs me whoâs making this worse.
âI canât believe Warner actually agreed to get rid of your cameras,â Adam said to me one night.
âHeâs insane. Heâs not rational. Heâs sick in a way Iâll never understand.â
Adam sighed. âHeâs obsessed with you.â
âWhat?â I nearly snapped my neck in surprise.
âYouâre all he ever talks about.â Adam was silent a moment, his jaw too tight. âI heard stories about you before you even got here. Thatâs why I got involvedâitâs why I volunteered to go get you. Warner spent months collecting information about you: addresses, medical records, personal histories, family relations, birth certificates, blood tests. The entire army was talking about his new project; everyone knew he was looking for a girl whoâd killed a little boy in a grocery store. A girl named Juliette.â
I held my breath.
Adam shook his head. âI knew it was you. It had to be. I asked Warner if I could help with the projectâI told him Iâd gone to school with you, that Iâd heard about the little boy, that Iâd seen you in person.â He laughed a hard laugh. âWarner was thrilled. He thought it would make the experiment more interesting,â he added, disgusted. âAnd I knew that if he wanted to claim you as some kind of sick projectââ He hesitated. Looked away. Ran a hand through his hair. âI just knew I had to do something. I thought I could try to help. But now itâs gotten worse. Warner wonât stop talking about what youâre capable of or how valuable you are to his efforts and how excited he is to have you here. Everyone is beginning to notice. Warner is ruthlessâhe has no mercy for anyone. He loves the power, the thrill of destroying people. But heâs starting to crack, Juliette. Heâs so desperate to have you . . . join him. And for all his threats, he doesnât want to force you. He wants you to want it. To choose him, in a way.â He looked down, took a tight breath. âHeâs losing his edge. And whenever I see his face Iâm always about two inches away from doing something stupid. Iâd love to break his jaw.â
Yes. Warner is losing his edge.
Heâs paranoid, though with good reason. But then heâs patient and impatient with me. Excited and nervous all the time. Heâs a walking oxymoron.
He disables my cameras, but some nights he orders Adam to sleep outside my door to make sure I donât escape. He says I can eat lunch alone, but always ends up summoning me to his side. The few hours Adam and I wouldâve had together are stolen from us, but the fewer nights Adam is allowed to sleep inside my room I manage to spend huddled in his arms.
We both sleep on the floor now, wrapped up in each other for warmth even with the blanket covering our bodies. Every time he touches me itâs like a burst of fire and electricity that ignites my bones in the most amazing way. Itâs the kind of feeling I wish I could hold in my hand.
Adam tells me about new developments, whispers heâs heard around the other soldiers. He tells me how there are multiple headquarters across whatâs left of the country. How Warnerâs dad is at the capital, how heâs left his son in charge of this entire sector. He says Warner hates his father but loves the power. The destruction. The devastation. He strokes my hair and tells me stories and tucks me close like heâs afraid Iâll disappear. He paints pictures of people and places until I fall asleep, until Iâm drowning in a drug of dreams to escape a world with no refuge, no relief, no release but his reassurances in my ear. Sleep is the only thing I look forward to these days. I can hardly remember why I used to scream.
Things are getting too comfortable and Iâm beginning to panic.
âPut these on,â Warner says to me.
Breakfast in the blue room has become routine. I eat and donât ask where the food comes from, whether or not the workers are being paid for what they do, how this building manages to sustain so many lives, pump so much water, or use so much electricity. I bide my time now. I cooperate.
Warner hasnât asked me to touch him again, and I donât offer.
âWhat are they for?â I eye the small pieces of fabric in his hands and feel a nervous twinge in my gut.
He smiles a slow, sneaky smile. âAn aptitude test.â He grabs my wrist and places the bundle in my hand. âIâll turn around, just this once.â
Iâm almost too nervous to be disgusted by him.
My hands shake as I change into the outfit that turns out to be a tiny tank top and tinier shorts. Iâm practically naked. Iâm practically convulsing in fear of what this might mean. I clear my throat just the tiniest bit and Warner spins around.
He takes too long to speak; his eyes are busy traveling the road map of my body. I want to rip up the carpet and sew it to my skin. He smiles and offers me his hand.
Iâm granite and limestone and marbled glass. I donât move.
He drops his hand. He cocks his head. âFollow me.â
Warner opens the door. Adam is standing outside. Heâs gotten so good at masking his emotions that I hardly register the look of shock that shifts in and out of his features. Nothing but the strain in his forehead, the tension in his temples, gives him away. He knows somethingâs not right. He actually turns his neck to take in my appearance. He blinks. âSir?â
âRemain where you are, soldier. Iâll take it from here.â
Adam doesnât answer doesnât answer doesnât answerâ âYes, sir,â he says, his voice suddenly hoarse.
I feel his eyes on me as I turn down the hall.
Warner takes me somewhere new. Weâre walking through corridors Iâve never seen, blacker and bleaker and more narrow as we go. I realize weâre heading downward.
Into a basement.
We pass through 1, 2, 4 metal doors. Soldiers everywhere, their eyes everywhere, appraising me with both fear and something else Iâd rather not consider. Iâve realized there are very few females in this building.
If there were ever a place to be grateful for being untouchable, itâd be here.
Itâs the only reason I have asylum from the preying eyes of hundreds of lonely men. Itâs the only reason Adam is staying with meâbecause Warner thinks Adam is a cardboard cutout of vanilla regurgitations. He thinks Adam is a machine oiled by orders and demands. He thinks Adam is a reminder of my past, and he uses it to make me uncomfortable. Heâd never imagine Adam could lay a finger on me.
No one would. Everyone I meet is absolutely petrified.
The darkness is like a black canvas punctured by a blunt knife, with beams of light peeking through. It reminds me too much of my old cell. My skin ripples with uncontrollable dread.
Iâm surrounded by guns.
âIn you go,â Warner says. Iâm pushed into an empty room smelling faintly of mold. Someone hits a switch and fluorescent lights flicker on to reveal pasty yellow walls and carpet the color of dead grass. The door slams shut behind me.
Thereâs nothing but cobwebs and a huge mirror in this room. The mirror is half the size of the wall. Instinctively I know Warner and his accomplices must be watching me. I just donât know why.
There are secrets everywhere.
There are answers nowhere.
Mechanical clinks/cracks/creaks and shifts shake the space Iâm standing in. The ground rumbles to life. The ceiling trembles with the promise of chaos. Metal spikes are suddenly everywhere, scattered across the room, puncturing every surface at all different heights. Every few seconds they disappear only to reappear with a sudden jolt of terror, slicing through the air like needles.
I realize Iâm standing in a torture chamber.
Static and feedback from speakers older than my dying heart crackle to life. Iâm a racehorse galloping toward a false finish line, breathing hard for someone elseâs gain.
âAre you ready?â Warnerâs amplified voice echoes around the room.
âWhat am I supposed to be ready for?â I yell into the empty space, certain that someone can hear me.
Iâm petrified.
âWe had a deal, remember?â the room responds.
âWhaââ
âI disabled your cameras. Now itâs your turn to hold up your end of the bargain.â
âI wonât touch you!â I shout, spinning in place, terrified, horrified, worried I might faint at any moment.
âThatâs all right,â he says. âIâm sending in my replacement.â
The door squeals open and a toddler waddles in wearing nothing but a diaper. Heâs blindfolded and hiccupping sobs, shuddering in fear.
One pin pops my entire existence into nothing.
âIf you donât save him,â Warnerâs words crackle through the room, âwe wonât, either.â
This child.
He must have a mother a father someone who loves him this child this child this child stumbling forward in terror. He could be speared through by a metal stalagmite at any second.
Saving him is simple: I need to pick him up, find a safe spot of ground, and hold him in my arms until the experiment is over.
Thereâs only one problem.
If I touch him, he might die.