I find him outside, glass in hand.
âBen?â
He turns, and all the camaraderie and any pretense of good humor has vanished. âWhat?â
Close up, the smell of whiskey on his breath is strong.
âAre you alright?â
He takes a mouthful of the whiskey, rolls it around his mouth. âAlright? No, as a matter of fact, Iâm not alright. You think thereâs a reason I should be?â
âWhatâs the matter?â
In the darkness, the whites of his eyes reflect. âThe matter is⦠You just announced to everyone, to all our family, as though itâs good news, that your wife is about to have a baby.â
âThe rest of them seem very pleased about it.â
âMike, you donât even know itâs yours. It could be his.â
The words tumble from my mouth. âIt is hisâ¦â
Crapâ¦
Shouldnât have said thatâ¦
Or should I?
Benâs hands are fisting, knuckles whiteningâ¦
Here we go againâ¦
âHowâ¦â He splutters the words, stops, then starts again. âHow can you say that and be so calm? Itâs his? You know that? You mean your wife has been fucking with him and youâve notâ¦?â His voice vanishes to a strangled gurgle.
âNo. For what business it is of yours, thatâs not what it means. We arranged it between us. Charlotte and I.â
âArranged? What do you mean, arranged?â
âWe arranged that⦠Jeez, Ben, thereâs more than one way of getting your rocks off. We just made sure that only James was able toâ¦â
Ah, Christâ¦.
âTo what? Impregnate her?â White-faced, Ben looms close. âHow the fuck did he convince you to do that?â
âHe didnât. Itâs not Jamesâ doing. He didnât know about it. It was Charlotte who wanted to give him something to make up for losing his daughter.â
âWhat dâyou mean? Lose his daughter?â
âItâs a long story, Ben. Listen, what happened to you agreeing youâd think before you damned anyone to hell for not seeing things your way? If you didnât condemn everything you hear that doesnât fit your idea of how to do things, then Iâd tell you more. As it is you make it impossiâ¦.â
âAnd what about her?â
âHer? Charlotte?â
âNo, her mother. The woman youâve got living in with you.â
âMitch? What about her?â
âI figured it out. You wouldnât tell me, but I figured it. Sheâs a hooker, isnât she? You said she left home at fifteen. How else would she have managed? She went on the streets, and thatâs why her brother wouldnât have her back.â He squares up.
Fuckâ¦
I donât want to speak, donât want to lie to my brother.
But if I admit the truthâ¦
He repeats. âIâm right, arenât I?â
I inhale, then exhale. âYes, youâre right. Mitch was very young; very sheltered and inexperienced. And yes, she had to feed herself, pay rent and all the other things that the rest of us have to do.â
Ben snorts. âSo, Charlotteâs mother was a prostitute too.â
âWhat dâyou mean⦠too? Are you trying to imply Charlotte is a prostitute?â
He shrugs. âWhat would you call it? The way she chooses to live⦠Runs in the family doesn't it. Be honest with yourself, Mike, sheâs doesn't have the morals of an alley cat. This at least explains why.â
My face turning warm, âThat's my wife you're talking about. Fucking well take that back.â
âMy apologies, Bro. She does have the morals of an alley cat.â He slaps a hand on my shoulder. âLook, itâs not her faultâ¦â
Condescending bastardâ¦
â⦠She was being trained to be a sex worker. Her mother was already at it. What else could you expect?â
Fury wells up inside me. I want to shout him down, but the words wonât come outâ¦
No, I want to punch him in the faceâ¦
I slap Benâs hand away from my shoulder.
He keeps blundering on, keeps talking⦠ââ¦What happened? The mother got herself pregnant on the job I suppose and didn't want the kid? Just passed her brat over for adoption?â
âNo. She didnât leave Charlotte there. Charlotte was⦠stolen⦠from her mother. Sheâ¦â
A door opens and a long finger of golden light casts over the dark courtyard. âMichael, are you okay out there?â
âIâll be with you in a minute, Charlotte. Go back into the warm.â
The door closes again and I whirl on my brother. âGet the hell out of here, Ben. I donât want you back in the party and I donât want to talk to you again for a few days. And when we do talk, if you donât fix your attitude, weâre going to have serious words.â
His jaw drops. âYouâre throwing me out?â
âYes, Iâm throwing you out. You promised to behave but you just canât control the urge to mouth off, can you? Good night.â And with that, I spin, march back indoors and close the door behind me.
*****
Klempner - The Present Hands and ankles cuffed, I wait in the yard. A grey sky spits rain on the grey tarmac, grey stonework and the dark grey uniforms of my guards.
The van arrives, equally grey, pulling up close by. Paired metal doors swing open at the back, revealing the inside, stark and gloomy, a slatted bench flush to either side. Hoops and bars project from the framework for the restraint of high-risk transportees.
âIn you go, Larry...â Hartwell pokes me in the ribs with his baton, playfullyâ¦
Think itâs funny, do youâ¦
â⦠I donât know what idiot thinks you belong in a low-security prison but Iâll not be sorry youâre not my responsibility anymore.â
I say nothing, all obedience, stepping up to the van. My movement is awkward in my cuffs as I grab the handle to pull myself up. Sutcliffe raises a hand, supporting me at the elbow as I rise.
âLeave him alone, Sutcliffe,â snaps Hartwell. âLarryâs a big boy now. He can get himself inside.â
âYes, sir.â Sutcliffe follows me up, indicating a seat then, his back turned to Hartwell, he grimaces in apology as I sit. Producing keys, he releases one hand, cuffs the other to the restraint bar then sits beside me.
Hartwell climbs in, the remaining warder slamming the doors closed behind him. Tugging the sharply ironed crease of his trousers up at the knee, he takes a seat opposite, then bangs the flat of his hand on the wall by the grill; once, twice. The metal walls over the cabin vibrate as the engine rumbles into life, Hartwell pulls out a handset which crackles as he speaks into it. âSetting off now.â He tucks it away again into the holster on his belt. On his other hipâ¦
Taser?
The fabric of his shirt folds over the holster, partially concealing the contents. I lean, shifting on my seat as though uncomfortable, trying to get a better lookâ¦
Noâ¦
Glock?
HK45?
âSomething wrong, Larry?â Hartwellâs voice grates and echoes.
âCuffâs tight. Itâs digging in.â I offer up my restrained wrist as far as it will move.
He snorts. âAs I said, youâre a big boy now. Youâll live.â
The interior looks clean but with the doors closed, smells sour. Sweat and stale cigarette smoke compete with urine and vomit. Hartwell grimaces. âWhat is it about these things? Doesnât matter how often theyâre cleaned out, they never smell any better.â
I grunt and he raises brows. âSomething we agree on, eh? Like it nice and tidy do we? Too used to Mommy cleaning up after you?â
Heat blooms up my chest and my eyes rise to his. Hartwellâs chin rises. âYes, Iâll be glad to see the back of you, Larry.â
How long?
I hold his gaze. âBe careful what you wish for, Mr Hartwell.â
He blows out his cheeks and looks away.
*****
Brakes whine and the rumbling of the engine changes key. The van jolts and halts. We jolt with it.
Hartwell pulls out his handset. âWhatâs happening?â
A voice crackles back. âFlock of fucking sheep in the middle of the road.â
âDrive round them.â
âCanât. Itâs fenced.â
Hartwell, one hand with the handset, reaches for his sidearm with the other. âMove away from him, Sutcliffe.â
Sutcliffe looks to me. I shrug.
Hartwell stands, stooping from the roof. âWhat the fuckâs going on here? Sutcliffe?â But heâs looking down the muzzle of Sutcliffeâs Glock. Sutcliffe gestures with the gun, down to Hartwellâs sidearm.
Slowly, reluctantly, he takes it from the holster, passing it to Sutcliffe.
Thereâs a banging on the doors. âOpen up!â
âSir?â Sutcliffe speaks sidelong, eyes and weapon fixed on Hartwell.
âDo as the man says. Open the door. And give me your keys and Hartwellâs Glock.â
Hartwell, white-faced, lets out air.
Et Tu Brute?
Sutcliffe fumbles for keys, passing them to me one-handed, keeping his gun locked on Hartwell. Itâs a little fiddly unlocking the cuff with one hand, but Iâm cheerful about it. Rubbing blood back into my wrist, I unlock the doors. From the outside, the handle turns and the doors swing wide, letting in a rush of clean air.
âGood to see you, sir.â Baxter stands almost to attention.
âYou too, Baxter. Efficient as ever I see.â
Hartwellâs voice comes from behind me, hollow-sounding in the van. âYou never had me fooled, Larry.â
âThatâs Mr Klempner to you.â To Baxter, âKnife.â
He grins as he passes it across. âAs you requested, sir.â
Stepping up and back into the van, I make sure he sees it coming. Hartwell screams as the blade goes in. I plunge, twist and tear upwards. Shrieking, he drops, convulsing and clutching at his gut. Wiping the blade on his pants, I shove it into my belt.
âThe driver? One of ours?â
âNo, sir.â Baxter jerks his head to the doors. âOutside.â
The driver is on the ground, some sidekick of Baxterâs keeping him covered. Baxter advances, muzzle zeroing in.
The driver weeps and pleads. âPlease, you promised. My wife. My little boy⦠You promised.â
âBaxter, whatâs he talking about?â
âWeâve got the wife and kid. Just making sure he behaved himself. Did as he was told.â
The driver screams, looking up to me, streaming tears. âThey promised. Please. My wifeâ¦â
I hunker down next to him. âAnd you love your wifeâ¦â
His breath comes in jerks. âPlease,â he says. âIâm dead. I know Iâm dead. But donât hurt them. Let them go. Please let them go.â
I stand, turn to Baxter. âTie him up and shut him up.â
Baxter blinks. âSir?â
âYou heard me. Gag him. Whereâs the wife and kid?â
Baxter lowers his voice. âWe have them under guard in the basement of one of the old warehouses by the docks.â
âFine. Same for them. Gag them. Make sure they canât get out by themselves but tell himâ¦â I jab a finger at the driver, â⦠where he can find them.â
Baxter curls a lip. âAs you say, sir.â
âAnd keep your opinions to yourself, Baxter.â
âI didnât speak, sir.â
âYou spoke very loudly. Now, do as I sayâ¦â I turn to face him⦠â⦠unless you want to argue about it?â
He lowers his eyes, then his face. âNo, sir.â
âPleased to hear it. Sutcliffeâ¦â
âSir?â He holds a carryall in one hand.
âAs you would imagine, Iâm leaving. What are your plans?â
âIâm leaving too, sir.â He waves towards a car parked on the verge. âI⦠er⦠wasnât expecting to be so involved in thisâ¦â He turns to where blood trickles from the back of the van, pooling in the dirt below.
From inside comes a rattle and a groan. Sutcliffe pales. âI didnât know Iâd be on transport duty until the last minute. Iâve had to change my plans. Iâm heading for, um, foreign shores.â
âYou okay for money?â
âYou have been very generous, sir, but Iâll admit I could use some more to, er, oil the wheels.â
âIs fifty thousand enough oil for you?â
âThat would be very helpful, sir.â
âGood. Make sure Baxter has your bank details. Iâll have it forwarded.â
âThank you, sir. Iâll do that.â
Sutcliffe, bag in hand heads for his car. Baxter sidles close, voice very low. âSir, you canât let him go.â
âWho? Sutcliffe? Whatâs your problem with him?â
âHe knows too much.â
âSutcliffeâs been nothing but loyal. Heâs performed perfectly.â
âSir, heâs been privy to everything thatâs gone between us. He knows names, times, places. If heâs caughtâ¦â
âHeâs leaving the country.â
Baxterâs voice turns to a hiss. âHave you seen his passport? Itâs a fake and a bad one. Sir, heâs an amateur. You cannot let him go.â
âHeâs done nothing to deserve it, Baxter. Heâs done exactly what he was asked when he was asked.â
Baxter stands rigid. âSir, I believe you employ me because you trust my judgment. I ask that you trust my judgment in this. Sutcliffe cannot be permitted to roam free.â
He speaks slowly, intensely. His words filter through.
âI donât like this. Alright, but make it quick. Ideallyâ¦â I jab a finger at him⦠â⦠make sure he doesnât see it coming.â
Baxter jerks a nod and turns to where Sutcliffe is rummaging in the back of his car. âHere, let me help you with that.â Baxter comes up from behind, slaps him on the shoulder with one hand, raises the other to his temple. As the gun fires, Sutcliffe jolts and falls.
Baxter returns, slotting the gun into its shoulder holster. He glares down at the wild-eyed van driver.
Behind the tape over his mouth, the driver whimpersâ¦
âDoes Sutcliffe have a family?â
âGirlfriend and a kid I believe.â
âSee she gets the money.â
Baxter stares at me. âSir?â
âHe was going to be paid. See that the money goes to the girlfriend.â
âAnd how do I do that?â
âI donât know. Use your fucking imagination. She can win the lottery. Get an unexpected bequest from a dead uncleâ¦â
Bech, where are you when I need you�
Baxter nods but narrows his eyesâ¦
⦠And I know rebellion when I see it.
Baxter checks his watch. âSix minutes.â
Time to leave.
*****