James In the back seat of the 4x4, beside me, Klempner sits with his own phone balanced on one knee, mine on the other. In the front, Kirch sits by the driver who I assume is âBaxterâ.
Is this where I disappear?
âWhere are you taking me?â
âNowhere for you to worry about. Just somewhere the police arenât likely to turn up.â Klempner sounds frustrated. âJames, I ask you to believe me. I intend you no harm. I intend them no harm. All I want is to talk to Mitch.â
âOh, thatâs all you want is it?â
âYes. Thatâs all.â
âAnd to achieve that you broke out of prison, murdering two guards in the process. So far as I could hear on my way out, you damn near ram-raided the house front to get in the door. Youâve taken me prisoner and sent men looking for Charlotte and her mother. You spent twenty years hating Charlotte for something in which she was a complete innocent. You abused her and damn near raped her at one point. And Iâm supposed to believeâ¦â
âIt was different then. I didnât know.â
âWhat makes you think Mitch wants to talk to you? Sheâs hidden herself from you for over twenty years.
Sheâs terrified of you. And I donât blame her.â
âI donât want to hurt her. I just want to talk.â
âSo you keep saying. But youâve lain in wait in prison at your convenience, using the girl who turned out to be your daughter as a catâs-paw to track her down. Oh, and not forgetting, youâve kidnapped me.
You donât think all this might worry Mitch at all?â
Klempnerâs forehead knits, as though it were a new idea.
Iâm having trouble believing what Iâm seeing. âYou hadnât thought of that had you? You seriously hadnât thought of it. Klempner, youâre such a mixed-up bag of crazy that no-one knows what the fuck to make of you, least of all me.â
He simply looks confused.
*****
Michael Whatever theyâre queuing for, it looks like the movieâs a hit. I make my way along the line of people, but it seems an unlikely place to find Charlotte. Teenage boys, some wearing geek costumes, chatter excitedly about the latest superhero. Plunging through the crowd, I ignore the shouts and insults of the offended.
In the foyer, crowds heave. Itâs Friday night and, just like the previous two cinemas, itâs packed.
I push to the front, ignoring outraged catcalls and insults. âHave you seen a group of three women?
Two red-heads, one brunette.â
A pair of thick-rimmed spectacles backed by a blue-rinse fixes on me and a long finger points behind me. âGet to the back of the queue, Bud,â she growls.
âIâm serious. Itâs important. An emergency.â
My tone penetrates. The spectacles come off to reveal watery blue eyes and a frown. âNo, Iâm sorry, sir.
I havenât. One moment.â She leans to one side, âHey, Sheila, Gale; you seen three women together?
Two brunettes and a red-head.â
âNo. Two red-heads and a brunette.â
A voice rattles across the counter. âNo, not seen anyone like that.â
âMe neither.â
âThanks.â Working my way past the ticket points I scan the movies, looking for something likely to have caught the interest of three women on girl-time.
Most of the crowd is in line for some blood-gore-axe-wielding horror flick. Not Charlotteâs cup of tea.
Thereâs a French noir offering which she might watch if she were alone, but itâs not a likely choice for a girlsâ outing. A Rom-Com looks promising, so I work through the short queue then squeeze past an incensed usherette with a brief ââScuse me,â before striding to the front and standing in front of the screen where they would be bound to see me.
No joy.
The usherette scowls at me as I exit again. âSorry, wrong screen,â I say.
Anything else?
I work my way through the rest of the postersâ¦
End-of-the-world-apocalyptic-dystopia⦠Nope.
Spy-action movie⦠Nope.
Sci-fi thrillerâ¦
Thereâs nothing else there that seems likely to draw them in. I march out and, once more, set off at a sprint for the next cinema.
*****
Blinking back the spots behind my eyes I exit my fifth, and final, cinema. And thereâs been no sign of the women.
Ben?
Not heard from himâ¦
I check my mobileâ¦
No call. No message.
I tap inâ¦. Wait⦠Listen to the ring toneâ¦
No reply either.
So I send him a message.
U found anything?
Still nothingâ¦
What to do?
Clutching my sides, wheezing, I make my way back to Francescaâs store.
*****
By the time I get there, the store is closed. The shop-front is bright with expensive signage in green and gold, the windows full of designer fashions where if you have to ask the price, you canât afford them.
But the interior is dimly lit and the doors are barred.
Fuck!
Wondering what the hell to do next, I try Ben once more: still no reply. Nothing from James either, and under the circumstances, Iâm not about to call him.
So, I walk around the side, looking for perhaps a back-door or a security officeâ¦
⦠and I find the entrance to the parking lot, with only a bar across the ramp to prevent entry.
With half an eye on the security camera and stepping carefully over patches of oil, I duck under the bar, heading down the ramp into the more or less deserted car park Footsteps echoing, I make my way past concrete columns towards the door, following signs⦠This way to the storeâ¦
What am I looking for?
Would Charlotte have come down here?
She mightâ¦
If she scented troubleâ¦
Then I see it: Kirstieâs car. Charlotte no longer has a car of her own, having written off the last one in a previous adventure. And neither James nor I was inclined to replace it for her. With two vehicles already in the family, itâs not as though she has real need of it.
Kirstieâs car is large and comfortable, with room for dogs, camping out and trekking to the wilder places I know she likes to go. Certainly, thereâs plenty of space for three women and their shopping.
But itâs hereâ¦
What does that mean?
They were meeting Kirstie. Girlsâ day out. Shopping and high tea. So, they met here? Or met somewhere else and Kirstie brought them here?
Did Charlotte get warning of trouble?
Richard? Heâd keep tryingâ¦
What would she do?
This is Charlotteâ¦
Inexorably, my gaze is drawn to the steel rectangle of a manhole cover.
Gone to ground?
She did it beforeâ¦
Sheâll probably still have the maps on her phoneâ¦
Charlotte knows her way through the underground City like no-one else. Even the City authorities use the maps and schematics she produced.
Sewersâ¦
Drainsâ¦
Subwaysâ¦
Service tunnelsâ¦
Carefully, I circle the hatch, looking for signs of disturbance; scratches in muck and grease, the marks of a crowbar or a tyre iron. I donât see anything.
The light is poor, typical basement illumination, so I scan the cover again using my phone flashlight, but thereâs still nothing.
Where else?
Looking with new eyes, I quarter the area; section by section.
âHey, you!â A torch swings a beam across me, and then as I turn, blindingly into my eyes. âWhat dâyou think youâre doing?â A silhouette with bad attitude marches toward me.
A hand raised against the light, âIâm looking for someone.â
âDown there?â A man in blue uniform drips sarcasm. âOr were you looking for a way in?â
âIâm not fucking casing the joint, if thatâs what you mean. Iâm trying to find three women: two red-heads and a brunette. Theyâre all lookers. You wouldnât miss them. You seen a group like that?â
The derision fades. âNo. No, I havenât.â He drops a sceptical eye at the hatch. âYou think they mightâ¦?â
âItâs possible, yes, with the kind of trouble thatâs chasing them. Have you done a round of the store yet?
Had a look around?â
âIâm just taking my first turn now.â The guard eyes me. âYou want to come with me? See if thereâs any sign of them?â
âI would, yes.â
He jerks his head back to the door. âYou think they were actually here? Any idea what department?â
âThe tearoom.â
âWeâll try there first then. âWatcha called?â
âMichael.â
âIâm Jack.â
I check my mobile again, but thereâs no signal.
*****