Michael The lawns might have been mown, but the shrubs and borders are heading for the sky. A quick exploration of a small back shed produces saw and secateurs, so I set to, getting the garden back under control.
âHello.â
I turn to see a woman, standing by the garden gate. Wearing jeans and a shirt, her hair tied tightly back in a ponytail, she has a prim, pleasant face. âHello, Iâm Eleanor Collier. Iâve been keeping an eye on the house. I saw something was happeningâ¦?â
I stand, wiping muck and sap off my hands and onto my pants, then stride forward to offer my hand.
âMichael Summerford.â My brain connects the dots. âCollier, was it? Charlo⦠Jenniferâs foster mother?â
Her face lights up. âThatâs right. You know Jenny? Sheâs here?â
âIâm her husband. And yes, sheâs here.â I yell towards the upstairs window. âCharlotte! Friend of yours here.â I gesture to the gate. âYouâd better come in.â
From above, a movement at the window, then a clatter down the stairs and Charlotte erupts from the house, her eyes wide and her face lit to a delighted smile. âMrs Collier!â The woman holds out her arms and Charlotte throws herself into the embrace.
James appears at the door, pointing and mouthing to me silently. âWho?â
I mouth just a silently back, âFoster mother.â
The two women are chattering excitedly. âItâs so lovely to see you, Jenny.â She stands back, looking her up and down. âAnd you look so wellâ¦â
*****
Inside, Sebastian keeps an endless supply of pots of tea coming, plus the coffee James enjoys; fit to asphalt the road with. Charlotte and Chad sit with Eleanor, gossiping and catching up on old times.
James sits in the background, silently watching, a smile playing around the corner of his mouth.
Thereâs a knock at the door. I yell through. âItâs open.â
Thereâs a click, a clunk and footsteps, then the door opens and a woman steps inside. âEleanor, I saw your car⦠Oh!â
Her eyes settle on Chad. âChad! You never said you were here. Whatâ¦?â Then she sees Charlotte, and with a face like a wasp, âOh, itâs you, is it? Come to cause more trouble, I suppose.â
Thunder rolls over Jamesâ face and he starts to stand, but I gesture him down as Chad, rising smoothly from his seat, says, âHi, Mom. Yes, I was coming to see you. Thereâs someone I want you to meet.â He shouts back into the kitchen. âSeb, take a break will you and come through.â
Sebastianâs slim, pretty, Latino face pokes around the door. âYup?â
Chad strides over, takes him by the hand then tugs him into the room. âMom, this is Sebastian, my husband.â
Her face goes slack, then her forehead knits. âChad, dear, I donât understand you. Why are you here withâ¦â She casts a venomous glance at Charlotte⦠â⦠with her? I thought when you divorced her that would be the end of it.â
âMom, I didnât divorce Jenny. She divorced me. And this is why.â He swings up his hand, still entwined with Sebastianâs, then points to the gold band on the fourth finger. âMy marriage to Jenny was never going to work, and it wasnât her fault.â
James watches with an expression of fascination, propping an elbow on his chair arm and his chin on his knuckles.
Mrs Bennettâs face morphs through a kind of rainbow from pink through red to purple, which looks wrong on the face of a wasp.
Sebastian pipes up. âCan I get you a cup of tea, Mrs Bennett? We were all just getting to know each other.â
She doesnât so much as look at him. Lips pursed tight she brushes dust from the tweed of her jacket.
âYour father will have something to say about this.â And turning on her heel, she marches out, banging the door closed behind her.
Eleanor bursts into laughter. âOh, God, Chad. Why did you not do that years ago? You would have saved everyone so much troubleâ¦â Her eyes shift to Charlotte⦠â⦠and some of us a lot of anguish.â
Chad breathes deep, rubs the back of his head. âYes, I should have done, shouldnât I. But sheâs my mother andâ¦â
â⦠and sheâs needed telling for a long time. She may be your mother but sheâs alsoâ¦â She shakes her head. âI donât know. Jenny, when I think⦠That morning after your wedding when you were so upset. I wish Iâd known.â She grinds to a halt, and the silence grows awkward.
âEleanor,â says James. âI have a favour to ask. Am I right in thinking that Jenny here rode one of your horses?â
Her face breaks into a sunshine smile. âOf course, yes. Oh, youâll want to see Charlie again while youâre here, wonât you Jenny?â
âIâd love to.â
Chad leans in close. âAnd now, youâre going to see a sight to behold.â
*****
Oh, my Godâ¦
Iâve never had a lot to do with horses. Iâm a city boy. Horses are something from movies and racing tracks.
Thatâs going to change.
Charlotte sits astride a mare; very pretty, with a black mane, tail and lower legs. The rest of herâ¦
âI didnât know horses come in pink.â
James, arms resting on the timber rail of the fence, gives me a side-look. âThe colouring pattern is called âbay roanâ. I wouldnât let any of the locals hear you describe her as âpinkâ if I were you.â
I donât care. I watch my wife riding her namesake.
The meadow stands two feet high in a swaying sea of grass, dotted in white and blue and yellow with wildflowers. The hum of insects rises over the whisper of the breeze. Charlotte sits atop Charlie, picking her way through at a slow walk.
The breeze ruffles my hair. âWhatâs that smell?â
James sniffs, nostrils flaring. âItâs either late hawthorn or early meadowsweet.â
âItâs as though the airâs full of honey.â
Horse and rider pick up pace, moving to a trot. Charlotteâs hair, long and loose, ripples behind her as she rises and falls with her mount. The mare switching to a canter, picks up speed. Her mane and tail stream in the wind, matching Charlotteâs copper tresses, glistening in the sunlight.
The two break into a full gallop, racing pell-mell through tall grass like the wind brought alive.
She looks like a goddess.
âYou knowâ¦â says Chad⦠I startle. Iâd not noticed him join us, standing by me, also leaning on the rail.
âYou know, it was when I saw her years ago, riding Charlie, just like that, that I fell in love with Jenny. Iâd never seen anything so beautiful.â
âI believe you.â
We watch in silence.
After a while, I say, âWe absolutely have to get her a horse.â
James Hmmms... âWonder if theyâd sell Charlie? In a few months maybe, once the babyâs born.â
âLetâs go find out.â
*****
âEleanor, would you be interested in selling Charlie?â
âYouâre interested? Yes, in fact I would. Sheâs been one of my best breeding mares, but sheâs getting too old for it now. Iâd like to retire her to a good home.â She pins me with a gimlet eye. âYou have proper facilities for her?â
âWe would if youâre willing to wait a few months.â
She hovers. âHow many months?â
âEnd of the year.â
âThatâs quite a long wait.â
âCharlotteâs pregnant. Lovely as she looks out thereâ¦â I wave across the rippling waves of grass⦠âIâd not want her on a horse again for several months.â
Eleanorâs face lights up in that pretty way she has. âOh, congratulations. And yes, of course, that would be entirely sensible.â Then her face sets again. âWould there be company for Charlie? Horses are herd animals. They shouldnât be kept alone. Iâll not sell an animal if thereâs not at least one other.â
I stall. Iâd not considered that. âAhhâ¦â
But James breaks in. âYes, there would. I wouldnât mind a horse for myself.â
I blink. âYou can ride?â
âYes, I can ride. Itâs a long time since I did any, not since I was a boy. So, Iâd have to ease into it, but itâs excellent exercise and it would help take some strain off this.â He pats his thigh.
Eleanor raises brows. âIf youâre out of practice, then a good steady gelding might be what you need. In fact, I have one of Charlieâs own sons I was thinking of selling. Heâs a nice solid, sensible lad. You want to throw a leg over?â
While one of the stable-hands lays a saddle over a horse that looks, to my eye, huge, Eleanor says, "About that delay in buying..."
âI canât bring it forward. Not with Charlotte expecting.â
âNo, I wasnât going to say that. But I was thinking. Has she decided what sheâs doing about the house?â
âI'm not sure. She doesnât want to live in it herself. Our home is elsewhere. But I donât think she wants to sell it either. She's very sentimental about the place.â
Eleanor turns business-like. âI thought that might be the case. The thing is, the farmâs expanding, especially the livery side of the business. Iâm short of space to house the new hands and I was wondering if you might be interested in renting it out?â
âThat sounds like the perfect solution. Iâll talk to her. Iâm sure we can come to some arrangement.â
*****
James interrupts my gardening. âYou seen Charlotte?â
âShe said she was going for a walk.â I nod along the road. âShe went that-a-way.â I straighten up, pressing hands into my lower spine. âActually, now I think about it, her tone was a bit odd.â
âYou look as if youâve done enough for a while. Want to take a break and stretch your legs?â
âGood idea. Iâll just tell Chad weâre going out.â
I find him inside, paint bucket in hand, slapping emulsion on a bedroom wall. âJames and I are just going for a walk. I donât think weâll be long.â
He cocks an eye at me, his expression assessing. âYou might like to know that Mr Kalkowski is buried nearby, in the churchyard.â
âHe is? I thoughtâ¦â
âHe had no traceable family, so he stayed here. Some of the holier-than-thou churchy types tried to kick up a fuss about it, but Mrs Collier kicked up a bigger fuss and they found a space for him.â
âGotcha.â
He moves to the window and points a long finger along the road; the same direction Charlotte went.
âThat way for about half a mile, then itâs on your left.â
*****