With Damien and Carson joining us, the space is a little cramped in the security room.
Weâre all watching as people arrive at Soniaâs mansion for the auction.
From the underground chatter, weâve learned there are four virgins up for sale. Thereâs no way Isabella will be able to get to all of them before they leave Columbia.
Iâve reached out to one of my contacts from the Ruin â a syndicate in Desolate, New York, to get more information on the virgins for me.
I check my phone, and not seeing a reply from my contact, I impatiently shake my head. I hate waiting for information.
âWhat are you thinking?â Demitri asks.
âIsabella wonât be able to free all the girls,â I murmur.
Carson shakes his head. âIâm still trying to process the fact that Isabellaâs working against Sonia. I seriously never saw that coming.â
âIf sheâs as good as us, she might be able to free all four,â Damien voices his opinion. âBut sheâll have to move fast with absolutely nothing going wrong.â
I glance from our brothers to Demitri, then say, âUnless we help her.â
âWe donât know who sheâll be going after first,â Carson says, shaking his head.
âShe hasnât disabled the tracker on her motorcycle.â My eyes find Demitriâs. âAnd sheâll probably go for the youngest two.â
âThatâs what Iâd do,â Damien agrees.
I nod, then say, âWeâll go after the oldest two of the group.â
Just then, the message Iâve been waiting for finally comes through, and I hurry to open it.
Thank fuck. Itâs everything we need.
I put the information up on one of the bigger screens, and seeing the faces of the four girls makes anger start to simmer in my chest.
If thereâs one thing I hate, itâs people preying on young girls.
Just like my father preyed on my mother.
Itâs something Iâve kept from Carson in an attempt to protect him from our sordid past.
Demitri points to one of the girls. âDamien and Carson can follow this girl while you and I will take the other one.â
I glance at the younger two, hoping Isabella will be able to get to them in time. Then, getting up from the chair, I say, âLetâs get ready.â
It only takes us five minutes to gear up, and then we leave the house. We test the earpieces weâre wearing before Carson and Damien head to their SUV.
When I slide behind the steering wheel of our vehicle, I wait for Demitri to shut the door behind him, then say, âHopefully, weâll gain some ground with Isabella by helping her.â
He pulls on his safety belt then chuckles, âYeah, I wouldnât hold my breath.â
As I steer the SUV onto the road, Carson follows us. We head toward Soniaâs compound and park the SUVs down the street. Then, bringing up the cameraâs footage of the grounds and entrance of the mansion on my phone, we wait for the bidders to leave with their purchases.
Demitri has the camera showing the back of the property on his phone. âIsabella just snuck out. Reckless with all the guards.â
I glance at his phone and then look up the street, just in time to see her running away from the compound.
You can do it, little one.
My lips tug up into a smile as another burst of admiration for her fills my chest.
âGet ready,â I say, so Carson and Damien will hear.
I watch the entrance, and a couple of minutes later, people begin to leave the mansion.
âYour girl is in the white Maybach,â I say to Carson. Then, as the Mercedes nears the gate, I murmur, âIn three⦠two⦠one.â
âGot it,â Carson replies as he pulls away and begins to tail the girl they need to save.
âThereâs our girl,â I say when sheâs led to a G-Wagon. I start the engine, and as the vehicle comes through the gates, I steer our SUV after them.
When we head in the direction of one of the private airfields, Demitri says, âJust as well weâre helping. Theyâd have the girl out of the country before Isabella could even think of trying to help her.â
âHow are you doing, Carson?â I ask, checking in with my brother.
âLooks like weâre heading into the city,â he replies. âThe fucker probably plans on getting his moneyâs worth from the girl tonight and then leaving her body in Columbia.â
âBe safe,â I mutter.
âAlways.â
When we near the airfield, Demitri says, âLean forward.â I do as he says, and he pulls my gun from behind my back. I settle back against the seat again while Demitri checks my weapon even though Iâve already done it.
âReady?â I ask as the G-Wagon comes to a stop near a private jet.
âYes.â
I floor the gas, and as we speed toward the men climbing out of the G-Wagon, Demitri opens his window. I turn the steering wheel hard to my right while pulling up the hand brake, and it gives Demitri the perfect angle to take down two of the guards.
The moment I bring the SUV to a screeching halt, Demitri hands me my gun, and we get out of the vehicle.
The remaining guard fires shots in our direction, but Demitri drops him with a bullet to the head. The bidder looks torn between shoving the girl toward the private jet and leaving her behind to save his own ass.
âYouâd think the fucker would have more protection,â I chuckle as we close in on him.
âIdiot.â
The man places his hands behind his head in a surrendering motion, only making me shake my head before shooting him in the right knee cap. He sinks to a kneeling position with a cry. âThatâs better. If youâre going to beg, do it on your knees.â I smile at the man, shaking my head at him again while I wait for Demitri to pull the girl out of the line of fire. Training my barrel on the man, I say, âPicking flowers before theyâve even had a chance to blossom? Tsk.â I pull the trigger, and without any emotion, I watch as the body slumps to the tarmac.
âWeâre moving in on the target,â Carson suddenly says over the earpiece.
âWe already have our girl. Youâre losing your touch,â I taunt him.
âFuck off,â my brother grumbles, earning a chuckle from me as I turn toward Demitri and the girl.
I glance over her for any bruises or wounds, and not seeing any, I hide my gun behind my back as I lean down to catch her eyes. âAre you hurt, little one?â
Fearfully she shakes her head.
âWhatâs your name?â
âPaola,â she whispers with a quivering voice.
âYouâre safe, Paola. Weâre going to take you to a woman who will help you get home. Okay?â
It doesnât look like she believes a word Iâm saying, but still, she nods.
Demitri gently takes hold of the girlâs arm, then says, âLetâs get out of here.â
When we get to the SUV, Demitri gets into the back with Paola, so she doesnât try to throw herself from a moving car. Itâs only natural that she doesnât trust us.
I start the engine, and as I steer the SUV away from the private jet and bodies, I pull my phone out and check the tracking device on Isabellaâs motorcycle. It shows sheâs on a highway heading out of the city.
âGot our girl,â Carsonâs voice comes over the earpiece.
âMeet you at Isabellaâs safe house,â I reply as I drive in the direction of it.
A half an hour later, we come to a stop a safe distance from the house, so we donât spook Isabella. It takes Carson another fifteen minutes before he pulls up behind us.
Getting out of the SUV, I walk toward the other vehicle. Carson rolls down his window when I reach him, then asks, âArenât we dropping off the girls?â
I gesture down the street to where the house is. âDoesnât look like anyoneâs home. Bring your girl to my SUV. Demitri and I will wait for Isabella to get here with the other girls. You and Damien can head back and start preparing for the attack.â
I walk back to the SUV, and when I climb into the driverâs seat, I say, âWeâre going to stick around with the girls. We canât just leave them on the doorstep.â
âOkay,â Demitri replies, glancing at Paola, whoâs still in shock from everything thatâs happened.
Carson brings the other girl, and Paola seems to relax a little when she gets to huddle with her friend.
As we wait, my thoughts turn to the impending attack. Weâll strike at the crack of dawn.
ISABELLA
Jorge Dos Santos.
Thatâs the name of the man Iâve been following back to his house for the last hour. After parking my motorcycle, I pull on my ski mask and then jog toward the side of the villa. Hoisting myself over the wall, I crouch down and quickly move to behind a tree.
Quietly, I pull my binoculars out of my bag, and then I canvas the area, taking in the positions of the guards stationed around the mansion.
Dos Santos has half an army, which means Iâll have to move as quietly as I can. At the first gunshot, all hell will break loose.
Pulling my KA-BAR from its holder, my fingers tighten around the knife, and then I keep low as I creep toward the back of the house thatâs less guarded than the front.
Reaching the sidewall, I glance at the pipe and windows that I can use to scale up to the second floor. I bite onto the handle of my knife and grab hold of the pipe running up to the second floor.
I keep my breaths slow and deep, focusing on not making a sound as I pull myself up the pipe. When I reach the second floor, I have to swing my body toward the balcony, almost missing grabbing hold of the ledge. My fingers tighten around the wrought iron of the railing, and I let out a slow breath. When I hear movement inside, I hold still, my arms straining from hanging off the side of the balcony.
I hear a girl sniffling, and then a slap rings from the room. Slowly, I pull myself up until Iâm able to climb over the railing. I quickly press my body against the wall then take the knife from my mouth. Cautiously, I lean forward until I have a view of the inside of the room through the glass doors.
Dos Santos is alone in the room with the two girls, and heâs currently unbuttoning his shirt.
Fucker.
My muscles tighten from having to hold back because if I move now, heâll definitely see me coming. The last thing I need is for him to alert his guards that Iâm here.
It feels as if a fist is tightening around my throat, and my breaths grow shallow as I watch Dos Santos undress.
The youngest girl stands rooted to the spot, silent tears falling over her cheeks. The older one stares at the carpet, her face expressionless as if sheâs mentally left the room.
Iâm here.
Dos Santos slaps the older girl, which only makes the younger one sob. The bastard is mentally playing them up against each other.
When heâs focused on the youngest girl, pretending to console her while groping her chest, I slowly inch forward until Iâm able to take hold of the door lever.
Donât let it be locked.
Little by little, I press down on the lever, and when the door softly clicks open, I say a silent prayer of thanks.
Moving fast, I come up behind Dos Santos, and before he can realize Iâm here, I drag the blade of my KA-BAR across his throat. I cover his gaping mouth with my hand to muffle his garbled breaths and plunge the knife into his heart to finish him off. I lower his body to the carpet and then look at the girls. Bringing my finger to my lips, I show for them to not make a noise.
Theyâre still dressed in the white cloaks my mother had them wear for the auction.
I crouch down in front of the girls, then whisper, âHold hands and stay behind me. Iâm going to get you out of here.â
The older girlâs eyes flick to mine, then she whispers back, âYouâre helping me?â
âBoth of you. Stay behind me at all times. Okay?â
When she nods, I add, âTake her hand and donât let go. If anything happens to me, you take her and run as fast as you can.â
The older girl nods again, emotion returning to her face. It makes her eyes shimmer with unshed tears.
âYouâre so brave. You can do this. Okay?â I try to offer her some encouragement.
She nods as she takes hold of the younger girlâs hand in a tight grip.
I turn my focus to the youngest, then say, âDonât make a noise.â
She nods quickly, and then I get up and walk to the door.
I press my ear to the wood, listening for any movement outside the room, then I take a fortifying breath before I yank it open.
Darting into the hallway, there are two guards. I manage to plunge my knife into the one guardâs eye, and then the other oneâs fist connects with my left ear. I stumble to the side, then swinging around, I bring my right leg up, slamming the heel of my boot against his temple. The kick sends him sprawling onto the tiles, motionless. Pulling my knife from the dead guyâs eye socket, I walk to the unconscious one and slit his throat open.
I glance at the girls as I rise to my feet and begin to move down the hallway. The older one drags the younger girl behind her as she follows after me.
Reaching the top of the stairs, I become aware of my heart pounding against my ribs as I cautiously lean forward to see whatâs on the first floor.
Two guards are stationed at the foot of the stairs.
I inch back behind the wall, and taking off my backpack, I pull a silencer from it and attach it to the front of my Heckler & Koch.
I take five seconds to even my breathing and to calm my racing heart.
Focus, Isabella.
Slowly, I suck in another deep breath of air, and then I move. As soon as I have a clear shot at the guards, I pull the trigger. As the first guard falls, I bury a bullet in the temple of the second one as he begins to turn.
Moving down the stairs, I hear hurried footsteps coming from the left, and as the men appear, I begin to fire shots. Iâm aware of the girls behind me as I keep taking one guard after the other down. While Iâm reloading the clip of my Heckler & Koch, the front door bursts open, and a bullet clips my right arm before I can take out the man shooting at us.
Too close.
I move toward the open front door, every single one of my senses on high alert. I keep checking behind us, so Iâm not caught off guard as we step out of the house.
Holding the Heckler & Koch in my right hand, I pull my Baretta from the side of my left boot, and then I open fire on the remaining guards.
A bullet slams into my left shoulder, and I clench my teeth at the sharp pain while not losing my focus. I keep pushing forward until the last man drops.
Putting my Baretta away, I yell at the girls, âWe have to run!â I hurry them toward the main gates as I pull my phone out, calling Ana.
âAre you okay?â she answers, her voice strained with worry.
âIâm bringing them out. Meet me at the front of the house.â
âOkay.â
Ending the call, I rush to the security booth and open the main gates. Seconds later, Ana pulls up, and I herd the girls toward the van. Ana stays behind the steering wheel as I open the side door, and then I shove the girls inside.
I spare a second to say, âYouâre safe now.â Slamming the door shut, I pound a fist against the metal so Ana will leave, and then I run toward my motorcycle.
Following behind the van, I escort Ana and the girls back to the safe house so I can protect them should there be a hit while weâre on the road. Luckily nothing happens, but I only feel a sliver of relief when we pull up the driveway.
My thoughts turn to the other two girls I couldnât save as I become aware of the pulsing pain in my shoulder.
As I climb off my motorcycle and remove my helmet, movement from the street grabs my attention. I drop the helmet and have my gun drawn and ready within the next second.
My breath shudders from me when I see the two older girls running toward me.
Oh. My. God.
My eyes instantly begin to burn as intense relief washes through me. Iâm only overwhelmed for a moment before I dart forward to make sure thereâs no one behind the girls thatâs a threat.
When the street is clear, I turn back to the girls, then ask, âHow did you get here?â
âMen brought us. They said youâd help us get home.â
Nodding, I gesture toward the house, still holding my gun ready in my right hand. âLetâs get you inside where itâs safe.â
I glance up and down the empty street again and then back to the girls.
I canât believe it.
Thank God.
There are only two men I can think of. Alexei and Demitri.
Alexei Koslov helped me?
Why?
Probably so Iâd owe him a favor and help him take down my mother.
Then it really sinks in â all the girls are safe with Ana and me, and it doesnât matter what I owe Alexei.
Emotion bubbles in my chest, and I bite back the thankful tears knowing all four girls have been saved from a horrendous life as sex slaves.