Special Agent Laurens lives in a two-bedroom ranch in the western suburbs. Potted flowers decorate her porch. A garden gnome stands guard beneath a maple tree in the front yard.
âWhat if sheâs not home?â Harley questions as we make our way up the walkway to her front door.
âSheâs home,â I assure her, pointing to the window on the garage. âHer carâs here.â
Harley rings the doorbell, then steps back to my side.
âAre you sure this will work?â she asks while we wait.
âIt will.â I move the bag from my right hand to my left, then push the doorbell again. Thereâre no cameras.
Not surprising for a dirty cop, but stupid, considering she canât see whoâs at her door from the safety of inside.
âSee? Sheâs not here.â Harley gestures to the door.
âSheâs here,â I say, opening the screen door and pounding on the interior door.
A moment later, the doorknob turns.
âHer doorbell must have been broken.â Harley tenses besides me.
Special Agent Laurens opens the door in a pair of black yoga pants and a bright yellow workout tank. Sweat drips down the side of her face.
Weâve interrupted her workout.
The flush from the exertion of whatever routine she was doing drains from her face when she sees us standing on her porch.
She blinks, then quickly composes herself.
âHarley.â She shoves on a plastic smile. âWhat are you doing here?â Her concerned eyes move to me, then to my bag.
âIâm sorry to bug you on a Saturday, but I remembered some other things, and I needed to talk to you.â She reaches for the screen door, but Laurens grabs the handle from the inside, holding it closed.
âMom gave me your address,â Harley says. âI really need to tell you about it. Do you mind if we come in?â Harley drops her hand from the door, giving Laurens the impression that she has a say in whether or not we go inside.
There is no choice here, but she doesnât fully comprehend the situation.
As far as she knows, people she works for, and with, have gone missing. Thereâs no proof any of them are dead. And there never will be. So, she has only suspicion.
And nothing to back up the idea that weâre behind any of it.
âWeâll only be a few minutes. We have dinner plans with her mom.â I make a show of checking my watch. âWe only have about an hour before we have to be there. Itâll take almost that long to get there.â Laurens lives on the outskirts of the city.
Laurens relaxes.
âOkay. Yeah. But really, just a few minutes.â She pushes the screen door open, letting us inside her sanctuary.
âLetâs go in the living room.â After shutting the door behind us, she leads us to the small room just off the foyer.
Itâs a standard living room. A couch faces a flat-screen television and is pushed back against a wall. Over the couch hangs a painting of some Italian village. A vase of flowers sits in the middle of the coffee table.
All normal for a suburban home.
The coffee table is pushed back and thereâs a workout video paused on the TV screen. Pilates.
Typical.
âHave a seat.â She gestures to the couch.
âIâd rather stand, if thatâs okay?â Harley says, and I take a seat in an armchair in the corner. Iâm not needed yet, so Iâll just stay out of the way.
âYeah. Thatâs fine.â She sinks into the couch herself. âI did some looking and there wasnât anything about an Arthur in the files. If you want, I can schedule some time to talk with your mom this week, see if she remembers something.â She frowns. âTodayâs the day, right? I donât want to push her about this until after, unless you think I should?â She glances at me in the corner before facing Harley again.
âToday is the day,â Harley says firmly. âQuinn was shot on this day, eleven years ago.â She plays with her purse strap that hangs diagonally across her torso, sliding her hand down to the bag at her hip.
âYes.â Laurens leans forward, gripping her hands together. âIâm sorry, Harley, I know today is such a bad day for you and your mom. If youâd rather we talk about this some other time, I understand.â
âNo.â Harley shakes her head. âTodayâs fine.â She swallows, rolls her shoulders back.
âOkay. What is it you wanted to tell me?â
Harley sets her jaw.
âI know what you did.â
âWhat I did?â Laurens tilts her head, still playing the oblivious fool. âDid what?â
âI know you work for the Blackwood family, hiding their crimes, diverting any investigations that might come up. Youâre on their payroll,â she says firmly. Itâs a beautiful scene, watching her take back power from those that stole it from her.
Iâm a lucky man, getting to watch my little bird find her wings.
âHarley,â Laurens laughs her name. âI donât know whoâs been telling you this, but theyâre wrong.â She shoots me a glare. âIs it you? Have you been lying to her?â
I smile.
âI donât tolerate lying, Special Agent Laurens. I would never do such a thing.â I put my bag down at my feet on the soft beige carpeting.
Her gaze slides to the bag.
âI donât know what youâre talking about, Harley. I havenât done anything other than try to find the men responsible for your sisterâs death.â Her denial is flat, rehearsed. And maybe someone with a less trained ear for such bullshit would believe her. But sheâs not good at her job. Any of them.
As she makes her denial, her gaze flicks to a case sitting on the bookshelves next to the television. Her gun is probably inside. One of them, anyway.
âYou never did a real investigation into our case. You pretended, took statements from me, questioned me every now and then, hoping I hadnât remembered what really happened.â Harley takes a small step forward. âAnd it wasnât that hard to let it go unsolved. We were dumped at a hospital. Quinnâs body, too. Nothing linked us to that mechanicâs shop.â
Laurensâ face contorts with that little fact.
I get up from my seat, moving behind Harley while she continues to lead the scene. Such a powerful woman, my girl.
âNo physical evidence, only my fucked-up memory, and Mom didnât know anything.â She pauses. âThat should have been a flag to me. How could Mom not have known anything about who kept us prisoner?â she huffs.
âHarley.â Laurens rubs her hands against her knees. âI know this is all confusing. Your memories are starting to come back, obviously, and itâs all messed up. I think you should see a doctor. A therapist who can help you sort it all out.â She reaches for her cell phone on the coffee table, but Harleyâs quick.
She snatches it up first and tosses it to me.
âWhat are you doing?â Laurens barks at me. I pocket her phone, then flip open the wooden box she keeps eyeing. Sure enough, there it is.
âI donât think a therapist is going to help much.â Harley twists toward me, smiling when she sees the gun. âI think that would work best,â she says to me with her hand out. The Glock in her purse, the one I took off the security guard at Jimmyâs place, can stay tucked away.
Sheâs right, Laurensâ own gun is best.
âHarley!â She sits back on the couch, flittering her eyes to me. âWhat are you doing? Please. You need help. Youâve got this all twisted.â
âSheâs helping herself,â I tell her. âYouâre a dirty cop who helps monsters steal little girls and women. You help them get away with the worst things imaginable.â
âLook. Itâs not my fault. I had to. You donât understand.â
âI do understand.â Harley pulls back the slide. âYou probably had a good reason at the beginning. Maybe they were blackmailing you, or you needed money, or whatever. I donât care.
My sister and I were beaten, raped repeatedly, and then my sister was killed. Thatâs what I know. Thatâs what I care about.â
She aims.
âHarley, please. I can help you.â The begging begins. âIâll open a real investigation. Weâll get them all.â Special Agent Laurens offers what she cannot give.
âThereâs no need for that,â I say. âWeâve already taken care of them.â
Laurensâ eyes widen. Fear rolls off of her.
âPlease, Iâm sorry. So, soââ
The bullet strikes Special Agent Laurens in the forehead. Her lifeless body slumps back, the back of her head splattered against the wall.
âI couldnât listen to her anymore.â Harley drops her hand to her side with a frown. âAll the lying and the begging. Itâs just annoying.â
âTrue.â Bringing my bag to the coffee table, I pull out a pair of latex gloves. âLet me have it.â I wiggle my fingers at the gun in Harleyâs hands.
âWhat are you going to do?â She peeks into the bag as I pull out a rag to wipe off all of her prints. âWhatâs that?â She points at an insulated lunch box thatâs inside the duffel bag.
âWe need to replace your prints.â I open the lid of the box and pull out Jimmy Blackwoodâs hand.
âOh. Ew.â Harley takes a step back. âIt stinks.â She covers her nose.
âOf course it does.â I laugh. Iâve preserved it as best I can with ice packs, but decomposition is going to smell.
Carefully, I wrap his hand around the gun. Pressing his fingers in all the right spots. Once Iâm satisfied with my work with the weapon, I go to work placing fingerprints on the coffee table and on the glass of water sitting beside the flower arrangement.
âWonât it look sloppy, leaving the gun behind?â Harley asks when I drop it in on the couch beside her.
âMaybe, but sheâs a dirty cop and heâs in the Mafia. What better way to close this case fast than to pin it on a mobster?â I close the box, zip up the bag and gesture toward the front door. âAre you ready?â
She chews on her lips.
The next stop is the worst stop.
But this has to draw to a close.
She takes in a deep breath, rolls her shoulders back, and gives a firm nod like sheâs made her decision.
âAs ready as Iâm going to be.â She heads to the door. âLetâs get it over with.â