absence haunts me with memories.
Her ghost sits at my side in literature class, her golden head catching the light of early spring, her fingers tickling the edges of the next page as she reads. Her ghost drifts in the corridors and down the tree-lined paths of Spearcrest. Her ghost lingers on the top floor of the library, typing quietly away on her laptop or stooping over her notebook or stretching her slim arms over her head like a nymph tempting a god.
I had decided to stay in Spearcrest over half-term to concentrate on my studies, but two days in, I change my mind and go home.
If I hoped home would be easier, less haunted, I was woefully wrong. Memories of Theodora linger there too, each more heartrending than the last.
Memories of Theodora sitting in my motherâs breakfast nook, her hands wrapped around a mug of tea. Memories of Theodora on the couch in the Blue Lounge, her head on the armrest, Zaroâs pirate book resting on her belly as she read. Memories of Theodora walking through the gardens with Zaro at her side, their arms linked together, the pretty contrast of Zaroâs tumbling black curls and Theodoraâs silken gold tresses.
Memories of Theodora in my arms and in my bed, stifling cries of pleasure into my pillows, her body spread under mine, her starlit skin, the sensuous wetness of her.
Each memory is more torturous than the last. Most nights, I end up giving up on sleep and going downstairs to sit at the dinner table with a cup of coffee, distracting myself with research and essays and work, always more work.
Every day, I pull out my phone and call Theodora, to no avail.
Wherever she is, whateverâs happened, sheâs turned off her phone or changed her number. Maybe she doesnât have a phone at all. She might not wish to talk to anybodyâor the choice to do so might have been taken from her.
The not knowing is the worst thing.
Zaro comes downstairs one night, wrapped in a bathrobe and slippers, blinking sleepily in the light of the single lamp Iâve turned on. She pulls out the chair next to me and sits down, hugging a leg to her body.
âHey, are you alright? Has something happened? You donât seem your usual self.â
I had intended not to say anything, to keep my suffering to myself. But being home reminded me of the time Zaro and Theodora spent together, the easy friendship between them, the sisterly bonding, as though they were already sisters-in-law.
âTheodoraâs gone.â
Zaro frowns, her whole face scrunching into her frown. âWhat do you mean sheâs gone? Gone where?â
âI have no idea. Russia, maybe. Her father came to get her right before the end of half-term. Removed her from the school.â
â
â Zaroâs dismay is soothing in the way it gives voice to mine. âWhat do you mean, her? Maybe theyâre just having a family emergency andââ
âNo, removed her, as in, from the school. Out of education. He told Mr Ambrose sheâs not going to university, that sheâs moving to Russia to live with him.â
âWhat? Can he do that? But itâs not even the end of the school year yetâwhat about the A-level exams?â
âI donât think he cares. And yes, he can do that. He can do whatever he pleases, it sounds like.â
Zaro is silent for a moment, and then she voices the thought on her mind in a whisper, âKind of like our father?â
I cast my mind back to the first time I met Theodora, the tall, dark man she was accompanied with, how little he resembled her, the way he commanded her to follow him without casting her so much as a glance.
âNo, not like our father at all.â I shake my head with a sigh. âOur father might be harsh, itâs true, and heâs not always kindâespecially not to you. But he would never take your education away from you, he would never choose your future for you.â
âNot for lack of trying.â
âFather wants whatâs best for us, in his own rigid way. He might not approve of our choices, but he would never rob us of them.â
âMaybe Theodoraâs father wants whatâs best for her too,â Zaro says, and the sadness in her voice tells me she believes this about as much as I do.
âOr maybe he just wants whatâs best for .â
Zaro leans forward to wrap a hand around my shoulder, pulling me towards her in a half-hug.
âZach. Itâs normal to fear the worst. But if you keep telling yourself sheâs unhappy, youâre going to drive yourself mad.â
âI sheâs unhappy, Zaro.â
âHow could you possibly know?â
âBecause she told me herself.â I bury my face in my hands. âI think she was trying to tell me all along, in that secret, subtle, silent way of hers, that something was wrong. I just never picked up the clues she was leaving me. I think Iâm so clever, Zaro, I think Iâm so fucking clever but this whole time, Iâve been blind, and now, Iâm more blind than ever. Everything is ruined, sheâs gone, and thereâs nothing I can do to find her, to help herâto save her. What if I was supposed to save her, Zaro?â
âMaybe Theodora needs to save herself,â Zaro says. âMaybe sometimes broken people have to fix themselves.â
âBut they donât have to do it alone. She doesnât have to do it alone.â
âShe knows this,â Zaro says, grabbing my hand. âShe knows this, Zach. Sheâs smartâsheâs the smartest person Iâve ever metâfar smarter than you, in fact. If anybody can figure it out, itâs going to be her. You just have to trust her.â
âItâs not her I donât trust.â I fix Zaro with a grim look. âItâs that father of hers.â
âHeâs her father,â Zaro says. âHe wonât hurt her.â
âFathers hurt their daughters all the time.â I squeeze her fingers, which are still wrapped around mine. âWhether or not they mean to. I think you know this.â
She stares at me but says nothing.
Thereâs nothing to say.
Iâm on my way to the study when a commotion somewhere in the house stops me in my tracks. I freeze to listen. Voices, running footsteps, and then one voice, loud and hard and booming, rising above the rest.
I hasten down to the corridor and towards the main staircase, in the direction of the commotion, which seems to be happening in the atrium. The voices become clearer when I reach the staircase, a chaotic jumble.
âSirâplease, follow me toââ
âDamien, you need to go get Lord Blackwood, hurry.â
âSir, you need toââ
And above all, the hard, harsh voice.
âWhere is my daughter? I know sheâs here. Bring her to me. Bring her to me .â
I descend the steps, a spike of adrenaline making my skin bristle with invisible thorns, raising every hair on my body.
A man stands in the middle of the atrium. Tall, imposing, with the unpleasant, ugly strength of a Brutalist factory. Heâs dressed all in black, and thereâs grey streaking his dark hair, but he looks exactly as I remember him.
â
.â His eyes turn to me, two dark bullets boring into me with deadly intent. âThe filthy dog who defiled my daughter.â
Everything falls into place then.
Theodora, in Year 9, declining my invitation to the Summer Ball and telling me she wasnât allowed to date.
Iakov, in Year 12, mentioning in his deadpan tone that Theodoraâs father had a bounty on anyone who touched her. At the time, I had assumed he was just joking, maybe as a way to keep the idea of Theodora being off-bounds when it came to the bet.
Theodora, after we slept together, making me vow I would never tell a soul. Theodora, telling me she was as free to make her own choices as a prisoner. Theodora, always so pale and sad and broken, and that terrible fear in her face when Mr Clarke came to take her to Mr Ambroseâs office.
âIs this it?â I ask, meeting Mr Dorokhovâs gaze head-on, refusing to look away. âYou would sacrifice Theodoraâs educationâwhy? Because she didnât obey some archaic, misogynistic rule you set her?â
Mr Dorokhov steps forward sharply, and I notice the staff that surround him suddenly step back, fear flashing on their faces. Blackwood staff, in the heart of the Blackwood house, should have nothing to fear from this manâand yet they do.
I remember telling Theodora that she couldnât be a prisoner because there were no walls, or locks, or guards keeping her imprisoned. Shame bubbles through me, thick like tar. How cold and insensitive I must have sounded to her.
How despicably little I understood what she was trying to tell me.
âMy daughter,â Mr Dorokhov hisses, âis mine to do with as I please. And you, boy, have made her into little more than a whore.â
I descend the rest of the steps in a surge of anger like Iâve never felt before. I stand in front of Mr Dorokhov, and I push back the wave of my fury. I turn myself to ice, just as Theodora was forced to do all these years.
âYou will not speak of her like this in front of me again,â I say, my voice low and deathly calm.
âIâll speak of her however I please,â Mr Dorokhov hisses. âI am her father. Who do you think you are?â
âIâm the man who loves her. The man whoâs going to spend his life making sure sheâs safe from harmâsafe from you. And one day, Mr Dorokhov, Iâll be the man who marries her.â
He lets out an ugly laugh. âIâll be cold in my grave before I let that happen.â
âThat can be arranged,â I reply.
He raises his hand to me, but violence is stupid and predictable. I catch his arm, stopping his blow, and look him in the eyes.
âTheodora deserves better than to have for a father.â
Mr Dorokhov snatches his arm from me, letting out a vile string of curses.
A booming, steady voice interrupts him.
âThere is no need for such language in my house.â I turn to see my father appearing from a doorway. Heâs slowly lowering his rolled-up sleeves and buttoning them up. âGood morning. Mr Dorokhov, is it?â
Mr Dorokhov turns to my father and spits out, âYou know exactly who I am.â
âThen let introduce myself. I am Lord Blackwood, and you, sir, stand in my house. You will show respect to me, my family and my staff, or else be escorted off the premises.â
â
What respect do I owe the people who have stolen my daughter from me? What respect do I owe the boy who debauched her?â Mr Dorokhov turns back to me. âWhat respect did you show my daughter when you used her like a whore?â
âMr Dorokhov, thatâs enough.â My fatherâs voice is the deep, calm rumble of distant thunder. It brokers no denial. âI have expressed my expectations to youâyou are incapable of meeting them. I will now ask you to remove yourself from my house.â
âIâm not leaving without my daughter!â Mr Dorokhov bellows.
My father and I exchange a split-second glance. Mr Dorokhov thinks Theodora is here. My father doesnât know whether or not sheâs hereâshe could be. But I know sheâs not here. And sheâs not with her father either.
So where is she?
Mr Dorokhov shouts in the direction of the stairs. âTheodora! I know youâre here!â He turns back to my father, pointing an accusing finger. âI know sheâs here, and you have no right to keep her from me. Bring her to me now, Blackwood, or I willââ
My father raises a hand, effortlessly interrupting Mr Dorokhov. My guts clench with terror. Is he going to tell Mr Dorokhov the truth?
âYou will do nothing at all, Mr Dorokhov. You will turn around and leave this house. Outside my door, you will find several private security agents who will escort you from the premises and to whatever private airport you arrived from. You will leave the United Kingdom immediately, and ensure you do not return. Threatening a lord in his own home was most unwise, and I assure you that your return to this country would be considered a matter of national security.â My father steps forward, and Mr Dorokhov steps back. âAnd now, Mr Dorokhov, on a more personal note. Should you go anywhere near myself or one of mineâbe it my own children or my future daughter-in-lawâI will personally see to it that your presence is permanently removed from our lives.â A sudden smile brightens my fatherâs face. âIs that understood?â
For a moment, Mr Dorokhov says nothing. A black rage seethes from him, and his hand twitches near the lapel of his coat. Iâm strangely calm, given how obvious it is that Mr Dorokhov carries a weapon on him.
Behind him, the door opens. My fatherâs private security agents wait outside the door, silent black shadows.
Mr Dorokhov turns brusquely and stomps to the door. Once he reaches the doorway, he stops, turns, and tells my father.
âSet foot in Russia, Blackwood, and youâll be dead before you can blink.â
My father tilts his head. His smile broadens. âI see we understand one another. Goodbye, Mr Dorokhov.â