The automatic doors to the emergency room slide open and I head straight for the reception desk. âKennedy Randolph.â
Behind the desk, the dark-haired womanâs mouth hangs open slightly before she recovers. âUm . . . thereâs no Kennedy Randolph here.â
Sheâs lying. Even if she wasnât bad at it, spotting the automatic tells people do when theyâre nervous or hiding something is necessary for my job. This is the second hospital weâve come toâand the receptionist at the first one wasnât lying.
One of Jakeâs contacts, a private investigator, called him after seeing the whole thing go down. He saw the pretty blond prosecutor get into a dark sedan with government plates, a driver at the wheel. And just a few blocks down the road, at an intersection, he saw that sedan get T-boned by an SUVâand flipped.
Intentionally.
Shots fired. FBI on the scene. Flashing lights and sirens. Injuries, medics.
Body bags.
So itâs actually a relief that the receptionist is lying to me; it increases the odds that Kennedy isnât in one of those bags. Or wasnât when she got here, anyway.
I lean over the desk. âI know sheâs here, and I know why youâre telling me sheâs not . . .â My voice wavers and my hands clench with frustration, panicâthe urge to tear the hospital apart looking for her, or to go find the fuckers who dared to do this to her and tear them apart. âAnd you have to let me see her.â
Even before she opens her mouth, I know sheâs going to shoot me down. âSirââ
âIâm her husband.â
Itâs not a smart lie; too easy to disprove. But itâll get me inâor at least get me to someone higher up in the chain who I can convince to let me in.
The desk ladyâs face softens. âJust a moment.â She picks up the phone, turning her back to whisper into it.
Stanton, Sofia, and Jake watch me as I pace, fingers locked behind my neck, every muscle tight and straining. After a few minutes, a square-jawed guy wearing deceptively casual jeans and a button-down emerges from the door that leads to the bowels of the hospital. His eyes are quick, observantâbut his face is deliberately blank.
âCan I help you?â he asks.
âKennedy Randolphââ I start.
âIs not here,â he finishes.
âI know she is.â
âNo, you donât.â
âIâm herââ
âNo, youâre not.â
It takes everything Iâve got not to grab him by the throat and squeeze the answers out. âAre you FBI? Are you with the Marshalls? Your departmentâs job was securityâkeeping her safe.â My cheek twitches. âBang-up job theyâre doing, Skippy.â
âI have no information for you. Itâs time for you to go. Now.â
âIs she alive?â My voice sounds like a captive whoâs been tortured for intel, and is finally broken. âJust give me that, for fuckâs sake.â
I donât care about the restâher hair, her face, her arms, her legsâthey donât matter. Iâll love her without them. As long as sheâs still breathing. As long as sheâs still her.
Stone-face gives me jack shit. âInformation on an active case can only be given to immediate family. Iâm not confirming that there is an active case, but if there wasâyou are no oneâs immediate family. So I have nothing for you. I wonât be telling you to leave again.â
I move forward, ready to get in his face, but Sofiaâs hand on my arm pulls me back. âCome on, Brent. Thatâs not going to help. Letâs go.â
I let her pull me outside to the sidewalk.
âFuck!â I push my palms against my eyes. âGod fucking damn it!â
Was this what it was like for my parents after my accident? While they waited for the doctor to come out to tell them if Iâd made it?
Itâs like thereâs a hot poker under my ribs, pressing against my stomach, my lungs, my heart. Burning me alive slowly, from the inside.
I drop my hands and turn toward the door. âIâm going back in to talk to that agent. Iâll make himââ
Stanton steps into my path. âYouâll get arrested. Not the way to go, man.â
I grind my jaw so hard the sound echoes in my eardrums.
Jake puts his hand on my shoulder, and his voice is clear and calming. âBrent, pull it together. You have resources: take a breath and call them.â
Iâve always hated assholes who use their money and connections to exert undue influenceâand believe me, Iâve known a lot of them. But at this moment, Iâve never been more grateful for my last name. Because it opens doors.
I take my phone out and dial. âDad? I need your help. Do we know anyone in the U.S. Marshalâs Service?â
When he replies, my eyebrows go up. âThe director, huh? Thatâs convenient. Can you call him for me?â
â¢Â  â¢Â  â¢
Ten minutes later, Urban Cowboy walks back into the waiting room. âBrent Mason.â
I stand, but when the four of us move to him, he puts up a hand like a traffic cop. âJust you.â
Iâm immediately engulfed in Sofiaâs strong embrace. âCall us as soon as you canâlet us know how sheâs doing.â
âI will.â
Jake squeezes my shoulder, Stanton smacks my back. âAnything you need.â
âThanks.â
Then I get into the elevator with Super Cop. As the doors close, he tells me, âSheâs all right.â
My lungs collapse. Deflate. Like Iâve been holding my breath for a millenniaâwaiting to hear those words.
âBroken arm, two cracked ribs, some facial contusions, but nothing serious.â
Okay. Sheâs injured, but sheâll heal. Iâll help her heal.
Thank you, God.
As the elevator starts to rise, I feel his eyes on me. âMy supervisor called, told me to get you upstairs straight away.â
I nod. âYeah.â
âHe said the director called him personally.â
âThat sounds about right.â
He pauses for a beat and then asks, âWho the hell are you?â
Thereâs only one way I can answer. I lower my voice and look him in the eyes. âIâm Batman.â
And he actually cracks a smile. Then the elevator opens on the tenth floor and he leads me down a hallway. There are a few agents milling about, but only one door has an armed guard stationed outside. They nod to each other, the marshal opens the door, and I step in alone.
The lights are low, the blinds closed. Kennedyâs propped up in a hospital bed, her left arm encased in plaster hanging in a sling. I stand there for a minute, reminding myself that sheâs alive; looking her over, taking in every mark, every bruise. Her face is a messâbottom lip split in the middle, caked with black dried blood; her left cheek is scraped raw, already starting to turn purple; the eye above it is swollen completely shut; and thereâs a row of stiches at her hairline.
âYouâre here.â Her voice is softâraspyâlike her throat is sore.
And then Iâm sitting on the bed, cupping the uninjured side of her jaw. She leans into my palm, and my throat strangles so tight I can barely get the words out. âYouâre okay?â
She tries to smile, but canât quite manage it with her lip. Her good eye gazes back at meâthat sweet, soft golden brown. âIâm okay.â
My other hand gentlyâso gentlyâruns through her hair, over her shoulder, settling on her chest, soaking up the feeling of her heart beating strong and steady beneath it. I swallow hard and my eyelids burn, because sheâs my Kennedy and sheâs hurt . . . and I couldâve lost her. For good.
âJesus, Kennedy . . . let me just . . .â I canât finish. Instead I pull her into my arms, chest to chest. I turn my face into her neck, breathing against her soft skin that still smells like peaches beneath the scent of hospital antiseptic. Sheâs trembling, so I stroke her hair and rub her back and rock her slowly, resting my lips against her temple.
And I want to stay just like this. Where I know sheâs safe because my arms are around her, and Iâll never, ever let anything fucking hurt her again.
âThey hit the car hard,â she whispers against my shoulder, her fingers clinging to my bicep. âI wasnât wearing my seat belt, and we flipped on our side. I saw their feetâI knew they were coming for me.â
I press her closer and have to force myself not to hold her too tight.
Her voice goes shaky and I hear the tears. âAnd all I could think was that Iâd never see you again.â She pulls back just enough so she can look up at me. âThat Iâd never have the chance to tell you that . . . that I have loved you forever . . .â
The last word comes out on a sob, her face crumbling. â. . . but never as much as I love you right now.â
I wipe her tears away with my thumb, kissing her softlyâjust a brush against her upper lip. And my voice is steady, solid, with the easiest words Iâve ever said.
âI love you.â
Then I tuck her in against my chest, my chin on the top of her head. âWeâre going to have lots of time to say that to each other, Kennedy. Over and over again. Thousands of days to show it.â I kiss her hair. âItâs gonna be sickening.â
She laughs.
And thatâs when I know for sure that sheâs going to be okay.
â¢Â  â¢Â  â¢
A little while later, after a nurse checks in with pain meds and Kennedyâs sucking down some apple juice, I ask about the bastards who went after her.
âThe agents shot them. Theyâre dead.â
âGood.â Thereâs a dark undercurrent to my voice.
I take the empty juice box from her and put it on the table. She lies back on the pillow, looking sleepyâthe medicationâs doing its job. She touches her discolored cheek. âYou can start calling me Bruiser nowâthereâs a nickname for you.â
âBruiserâs a name for someone who gives bruises, not gets them.â
She traces the frown lines on my forehead, smoothing my scowl. âToo soon to joke about it, huh?â
âA millennium isnât enough time to make this jokeable.â
Before she can reply, a sharp female voice cuts through the closed door.
âDo you think Iâm concerned about hospital policy? I donât care if she already has a visitor, I will see my daughter now!â
Kennedyâs good eye slides closed. âOh no.â
âRemove yourself from my path or there will be consequences, young man!â
âOh no.â
Mitzy Randolph steps into the room, looking unusually haggard in an untucked dark blue blouse, black slacks, her pearls askew, her hair falling out of its bun. Iâve never seen Mitzyâs hair not flawlessly styled; I always figured the strands were too terrified to move.
Like a bodyguard, I stand but donât move an inch from Kennedyâs bedside. Because, mother or no mother, if I hear one backhanded insult, I will lose my shit.
âHello, Mother,â Kennedy says quietly.
Mitzyâs breathing is shallow as her eyes roam Kennedyâs battered features. She moves forward slowly, as if sheâs in a trance. âOh, Kennedy, your lovely face.â
âItâs all right.â She tries for a stoic grin. âTheyâre just bruises. Nothing permanent, no scars.â
Her motherâs lip trembles and her eyes fill, then brim over. Iâve never seen Mitzy cryâand from the look on her face, neither has Kennedy.
âMy dear, precious girl . . .â Her voice cracks. â. . . what have they done to you?â
Kennedyâs expression goes soft and she looks almost apologetic and at the same time, grateful that her mother actually cares enough to be bothered.
âDonât cry. Iâm okay, really.â
But her mother just shakes her head, weeping quietly.
I gesture to the door. âIâm gonna step outside a minute.â
Kennedyâs eyes flick quickly to me and she nods a silent thank-you.
Before I walk out, I glance back at them. For some people, this is how it works. You have to get smacked right in the face with the possibility of losing something before you wake up and realize how much it means to you.
Mitzy whispers softly and gazes down at her daughter like sheâs finally seeing her, not just all the things she wants her to be.
About fucking time.
â¢Â  â¢Â  â¢
Out in the hall, I spot the marshal who escorted me to Kennedyâs room and motion him over. âYou think theyâll try again?â
His eyes narrow. âAs long as thereâs money being offered, they might.â
I nod, grab a pen from the nurseâs station, and take a business card out of my pocket. I scribble on the back and hand it to him. âAny security arrangements that need to be made should be made at that address. When she comes home, sheâs coming home with me. And Iâm keeping her there.â