Translator: Nyoi-Bo Studio | Editor: Nyoi-Bo Studio
Filming had ended, and the âHigh School Musicalâ crew announced disbandment, so Wang Yang and others returned to Los Angeles. Of course, people like the filmâs lead actors, original music composer David Lawrence, cinematographer Valeri-Fister, and others needed to follow through with the filmâs post-production work; whereas people such as the dance director Annie Fletcher, lighting technicians, makeup artists, and so on, had already excellently completed their duties and contracts, with no further work for them.
The official website of âHigh School Musicalâ released the news of the filmâs wrap-up immediately, as well as a batch of new stills, including several cool on-set photos of Wang Yang, looking through the cameraâs viewfinder, instructing Tom Willis on acting, and contemplating the script, among others. A few of his cool photos were taken on purpose; the makeup artist fussed over him for a while, then the lighting technician adjusted the lights, and Valeri- Fister took the shot from a beautiful angle.
This was also a reluctant move in movie promotion because compared to lead actors like Tom Willis, Jessica and the like, Wang Yang had higher popularity. Fans who had been following the film were not interested in the big stars but in âMiracle Yangâsâ second film and first film on celluloid; they were curious whether the film would be good and if it could create another box office miracle?
The overseas release of âParanormal Activityâ had essentially ended, sweeping across cinemas worldwide like the craze in North America, with an overseas box office hitting 150 million US Dollars! Coupled with the 160 million taken in North America, âParanormal Activityâsâ total global box office reached 310 million US Dollars! How much was the production cost? The entire world knew âit was just 10,000 US Dollars.
Wang Yang and Lionsgate had become the true âmoney-coupling,â and even the media joked that at the 71st Academy Awards held in March this year, âParanormal Activityâ would sweep the awards like âTitanicâ did the previous year, beating out films like âSaving Private Ryanâ and âLife is Beautifulâ to win Best Picture, and Miracle Yang would beat Stephen Spielberg, Peter Weir (director of âThe Truman Showâ), and others to win Best Director. What? âParanormal Activityâ didnât get a single Oscar nomination?!
Although these were jokes, all major media and magazines summarizing the movies of 1998 would definitely mention âParanormal Activityâ and Wang Yang.
The Los Angeles Times said, âIn 1998, James Cameron conquered the world with a ship, becoming the âKing of the Worldâ. The whole world wept for the love of Jack and Rose, and itâs said that the tissue industryâs profits skyrocketed because of it. That year also saw great films like âSaving Private Ryanâ, âElizabethâ, âShakespeare in Loveâ, and so on⦠but lastly, we must mention an 18-year-old young man, who scared the whole world with a DV camera, yes, that wondrous youth Wang Yang, and his debut work âParanormal Acthrityâ.â â1998 had two oddities. The first was everyone rushing to the cinemas to watch Titanicâ over and over again; the second was every youngster rushing to the cinemas to watch âParanormal Activityâ over and over again.â
The total box office of 310 million US Dollars and the year-end summaries by various media and magazines skyrocketed Wang Yangâs popularity to an unprecedented peak. Everyone likes those who seem to defy gravity. Everyone admires heroes. America values teamwork, even more so the comic book style superheroes. An 18-year-old guy, all alone with 10,000 US Dollars, created a box office miracle of 310 million. Isnât he a superhero? If Wang Yang were white, his popularity would only be higher, at least he hasnât been on the cover of TIME Magazine yet, right?
Therefore, the anticipation of the fans of âHigh School Musicalâ was also at a high point. The news of the wrapping up of the film excited many fans and Wang Yangâs female followers who were eager to watch this school musical.
But the current question was, when would âHigh School Musicalâ be released? Its release schedule had not yet been determined.
In the conference room of Flame Film Company, a meeting was in session. CEO Mark Strong, Distribution Manager Simon Willis, Production Manager Sandy Parks, and other department managers were present; Wang Yang sat in the middle at the head of the conference table, looking at the documents in his hands-the filming phase of âHigh School Musicalâ had ended, and up to that point, the financial statement.
A detailed list, including all expensesâactorâs salaries, crewâs wages, rental fees for photographic equipment, costs of purchasing film stock, licensing fees for songs, hotel expenses⦠and so on. Wang Yangâs gaze swept over the items one by one, Jessica Albaâs 500,000, Tom Willisâs 300,000⦠Although all this was his money, Wang Yang still found it pretty boring and skimmed over it, looking to the end. The current total expenditure was about to reach 7 millinn It was expected that after the post-production work ended, the final cost would exceed 8 million. Luckily, this film didnât require much in the way of special effects, just fireworks in one scene.
The estimated 8 million cost had significantly exceeded the initial budget, not only because of too much film burned, making the shooting period half a month longer; the main reason was the crewâs salaries. Take the dance directorâs position, for example-the initial budget was only 100,000 to 200,000, but then Annie Fletcher was invited. She had initially declined Flame Filmâs offer, but Wang Yang called her multiple times, with sincerity plus an offer of 500,000, Annie Fletcher finally took the job. Her salary of 500,000 was also the highest pay among the cast, equal to that of Jessica.
After looking through it again and finding no issues, Wang Yang closed the financial statement and placed it on the conference table, smiling as he said, âAlright, letâs discuss the next item!â
The next item on the meeting agenda was to determine the release schedule of High School Musicalâ. A movie could only undertake and coordinate its promotional work after setting a release date; this included the progress of post-production and whatnot. Everything could proceed orderly only once the schedule was set. Of course, independent films were not included in thisâafter completing post-production, they would seek distribution.
âHowâs our campus screening system coming along?â Wang Yang asked, looking towards the distribution manager Simon Willis.
Simon Willis glanced at Fiona Hassan, the secretary responsible for the meeting, gesturing for her to hand over the documents to Wang Yang. He began, âWeâve established relationships with various school cinema chains. If weâre planning to release a movie, we can cover most cinemas in elementary, middle, and high schools, as well as universities across America. However, a lot of school cinemas operate independently, and itâs difficult to get in touch with them one by one; some schools donât even have cinemas.â
Wang Yang took the document handed over by the secretary and had a look There were thousands of schools listed, scattered all over America. He nodded with a smile and said, âThatâs good! Itâs enough. With these schools, we have enough.â
Simon Willis continued, âHowever, they usually screen older movies or movies that are about to end their cinema run. Almost all tickets there are sold at half price.â He shrugged and added, âItâs rare for movies to schedule their first- week screenings in campus cinemas, as the profits are very low.â
Wang Yang shrugged, unconcerned, âWhat we want is popularity and influence. The profits from premiere screenings are trivial, the important thing is the large-scale screenings that follow, thatâs where the real money is.â
Paranormal Activityâ had fewer than 30 cinemas in its first week, more than 700 in the second, and over 2,000 in the third; the focus is on impact and sparking market interest, otherwise if more than a thousand cinemas release in the first week and in the second week that number is halved, it would only lead to an even more disastrous failure.
âMy boss, you are absolutely right,â Mark Slant said with a smile, picking up the conversation. âMy idea is that we select some high-income campus cinemas, roughly around five hundred, for the first week of trial screenings; we then take it offline after a week and move to another 500 schools in the same city. This way we wonât lose much in market profits. If we achieve good results, those cinema chains will automatically get in touch with us.â
Yes, thatâs a good plan,â Wang Yang nodded, considering the trial screening for two weeks, getting a good report card and influence, and then going for a mass release.
In fact, two factors mainly influenced this decision. First, the movie promotion focused on campuses; and second, cinema chains in cities were lukewarm about
High School Musicalâ, perhaps due to a sluggish market for musicals that gave them little confidence, or maybe because the movie had all the elements of a âflopâ. Either way, they were only willing to offer gold time slots in shabby, out-of-the-way cinemas, or suboptimal time slots in good cinemas.
Wang Yang and Mark Slant disliked both options. The former could easily result in the movie being opened in a thousand cinemas but only managing to gross a few million dollars, firmly crowning it a âflopâ. With the latter, who would go see a campus musical at midnight? This isnât a horror film that can stimulate the audienceâs nerves; theyâd probably fall asleep halfway through, smoothly obtaining the title of a âflopâ.
So, they decided to use results to convince them. Cinema chains and theaters are like reeds swaying in the wind; once they know screening which movie can make money, they will scramble to show it, and if theyâre a step slow, the box office will be gone.
âYang, you know the next good slot is the summer slot,â Mark Slant said, looking at Wang Yang who nodded with a smile, âThe summer slot is perfect.â
The summer slot begins in June, which was still over five months away. Wang Yang and Mark Slant both understood that âHigh School Musicalâ couldnât launch too late. The world changed too quickly with new things emerging each day. Wang Yangâs popularity and name would fade rapidly with time, and if he failed to seize the opportunity, he would eventually be forgotten. Hence, they needed to ride the wave of his current peak in popularity to get the best effect; if they waited until his popularity and attention had dwindled, the likelihood of the movieâs failure would greatly increase.
Mark Slant continued, âOur screening plan establishes the first two weeks of showings need to occur before schools break up for the summer, so we have to start at least two weeks before the summer slot.â He spread his hands helplessly and said, âBut âStar Wars Episode I: The Phantom Menaceâ is releasing on May 19th, and we canât collide head-on with it, so weâll have to start another two weeks earlier.â
âMhm, that means a month earlier,â Wang Yang mused and suddenly thought of a date, blurting out, âApril 28th!â He turned to Simon Willis and asked, âWould that date work for a release?â Simon Willis nodded, âNo problem.â Wang Yang smiled happily, glanced at Mark Slant, and declared, âThen itâs settled, weâll hold the premiere on April 28th.â