Jaxon
I go up to my bedroom to check on the packing progress.
Iâd wanted to get out of town last night, only to discover that there are more decisions to be made in advance of putting this property on the market, including some paperwork to handle.
Arnold calls me up to the third floor so that I can take a look at the clothes heâs recommending I take. Theyâre all laid out on the bedâa lightweight white suit, swimming trunks, polo shirts, jeans, belts, and so forth.
âLooks fine,â I say. What the hell do I care? âThe crewâs filed a plan for a midnight take off. Weâll sleep on the plane and be in Manama in the morning. Our morning, anyway.â
âVery good, sir,â he says.
âAnything else?â I ask.
He looks at his watch.
âWhat is it?â
âSomebody who wants to see you.â
My heart lurches. It canât be Jada.
âJenny, sir. Sheâll be here any minute.â
âSheâs in the Catskills.â
âNot anymore.â
âArnold, why? You didnât call her, did you?â
âShe wants to see you.â
I groan. âWeâre leaving in a few hours.â
âShe asked to say goodbye.â
I groan. âI did want to grab a meal with her. This will have to do.â
âShe loves you, Jaxon.â
âYeah, yeah, yeah,â I say.
âI strived to be carefully neutral in matters of family drama,â Arnold continues. âI told myself it was my place, and I regret that, now. Jenny never shrank from a fight. She was a woman to admire.â
âThis isnât necessary, Arnold.â
âI beg to differ, Jaxon. I shouldâve stepped up.â
I clap a hand onto his shoulder and look at himâreally look at him. It comes to me that heâs been there for me in his quiet way all along, a steady, comforting presence. Somebody who modeled what it is to be a calm, fair man who gets things done. A father figure in all the ways that counted. âYou did step up. Youâve always been there for me. Always.â
He gives me a quick nod.
I meet Jenny in the parlor room. Sheâs in a powder-blue cardigan, the kind she always used to wear. Chef Ursula brings us small sandwiches and tea.
âIâm sorry we canât grab that dinner,â I say. âHow was the Catskills? You didnât leave early just to see me off, I hope.â
âWhat the hell are you doing?â
âUm, what?â
âYou heard me.â
âIâm, uh, heading to my favorite wintertime track?â Why did that sound like a question? Why do I feel like Iâm being chastised?
âArnold tells me that sweet girl was smitten with you, that you were smitten with each other,â she says.
âWishful thinkingââ
âOh, stop. I saw it with my own eyes back there in that office. The way you looked at each other. And this group of yours. You were making your way, you were finding your people. You have no idea how I loved seeing it, after all this time!â She shakes her head, clearly angry. âYou looked soâ¦happy. Like the Jaxon I caught glimpses of as a child. Like the boy his father tried toâ¦â She swallows and looks away, her jaw going tense, as if to hold the truth in. âThen I find out you got into a fist fight and ended up in jail? And now youâre leaving?â
âI was never going to stay.â
She blinks, dead-eying me in a way that hits me viscerally. Something from early childhood that I feel more than remember. âWhat about that girl?â
âIt wasnât going to work, Jenny. I donât do relationships, and even if I wanted to, even if I was the type, I burned that bridge.â
âSo fix the bridge,â she says, as if itâs that easy.
âDid you hear the part about me not being the type? Anyway, itâs too late,â I say. âThat life there, it wasnât for me. It can never be for me.â
Jenny folds her arms and gives me her famous look of disapproval.
âThat stopped working three decades ago,â I say.
âNothing to risk if youâre sure you donât want it, if youâre sure itâs going to fail, is there?â Jenny says.
I snort. âSounds like another vote for Bahrain.â
Jenny frowns. âI donât remember you being a coward. Taking the cowardâs way out.â
âBut the cowardâs way out features a few days at Jarada Island Beach, night racing at the track, and some serious foodie action versus selling handbags and acting like I give a shit about a whole lot of people who I didnât know two months ago.â
âBullshit.â I blink at the curse word. âThat boy in the photo I gave you, heâd risk anything for love.â
Itâs the dead certainty in her voice that sends a cold chill up my back.
But I ignore it, the way my parents would have, the way they taught me. I cross my legs and sip my tea, beyond ready for this tête-à -tête to be over.
Itâs nine at night and Iâm alone in the limo, heading back from a flurry of signing legal documents in Midtownâan annoying way to spend an hour that ensures I wonât have to come back anytime soon.
Iâm looking out at the dark, rainy streets, gearing myself up for the trip, when I realize weâre near the SportyGoCo offices, or at least near the turn that would get us there. Iâd left a few things in my desk drawer, most notably my favorite watch; years of experience have taught me to always remove my watch before hitting a man. I decide I should have Stanley swing by so I can run up and pick up my things while nobodyâs there. Otherwise, somebodyâs sure to turn up at my door one of these days with a plastic shopping bag of my last belongings and a doleful expression. And that personâs name will rhyme with Made-a.
Iâll need to stop doing that.
Marv is at the security desk. The place is empty and quiet, and heâs not so sure about letting me in, but I make him an offer that he canât refuse in terms of a tidy stack of Benjamins, and he relents.
He accompanies me up to the design department. âFive minutes. And I never saw you.â
The office is a sea of cubicles, dimly lit by scores of colorful balls bouncing on computer screens.
I go over to my cubicle. My fucking cubicle. It was an experience, I suppose. I sit down, thinking about my unfinished spreadsheets. The program wasnât that hard once I got the hang of it. Even those stupid formulas.
I run my hands lightly over the keyboard, touching every key, but not hard enough to wake up the machine. I open the drawer and take out my watch and a few other things. I spin around in my chair and thatâs when my eyes fall on the knit hat. Iâd hung it up on the rigid plastic thumb that goes with the cubicle, a coat hanger thatâs constructed so poorly you canât even put a jacket on it, but it works for a hat.
I pull the hat and hold it, squeezing it. I shouldnât have come back here.
I put the hat back on the hook and head back, pausing briefly to slide my hand over the smooth strip of plastic at the top of the wall of Jadaâs cubicle. The brown plastic strip where I put my hands so often, and sometimes even my chin when Iâd talk to her. Jada utilizes her shoddy coat hook for a hedgehog calendar that her friend Noelle gave her. Next to that is a picture of her gang of girlfriends and Antonio, all standing outside of the shabby apartment building where they live. Next to that is a group photo of the office gang, limbs draped over each other, everybody making goofy faces.
A flash of red on her desk catches my eye just as Iâm about to continue on out. A spot of red, very small and bright, in a tiny bowl of dirt and gravel.
I go in close.
The red bit seems to be attached to a shriveled husk-type thing.
I blink. With a lurch in my chest, I recognize what Iâm looking at, though it doesnât seem possible.
Itâs part of Keithâs shriveled little arm. And the red bit is Keithâs budâopening. Blooming. Becoming a flower.
I lean in closer. Yes, it really is happening. This stupid bloom growing off a shriveled little arm of a garbage bin cactus. This stupid doomed cactus, making a ridiculous flower for no reason at all.
Itâs so Keith. Because honestly, why bother? And of course Jada is cheering it on. Nurturing it.
Caring.
I stand up, trying to pull myself back together, to remember what I was doing, why Iâd even come.
Fucking dead Keith with his fucking flower.
Suddenly I canât breathe.
Iâm choked up like an idiot because a garbage cactus made a cactus flower. I sink to the floor next to her desk, face hot. The wheels of her chair blur. My breath comes in shudders.
I tell myself to get up. Eventually, I do.
I go back over to my cubicle and grab my hat and leave. Somehow I get out of the building. I get into the back of my car. I shove earbuds into my ears to signal that Iâm not in the mood to talk.
But Iâm not listening to anything. Iâm not even thinking.
Iâm riding in the back of a car, speeding down the rainy street, and my dead, shriveled heart is bleeding red.