For two days, I sleep and draw, nibbling the crackers and cheese, drinking all the bottles of water until theyâre gone and I have to refill them from the tap.
On the third day, Iâve got a pair of Mikeyâs headphones on while I draw. Morrisseyâs singing sweetly at me when I hear a dull pounding. I slip the headphones off, my heart thumping wildly, as the door swings open. Mikey? Is he back already? I scramble to my feet.
The woman at the door is tall, her lean hands grasping each side of the doorframe. Her hair is white and straight, just past her ears. Iâm wearing overalls, but my arms are bare in my short-sleeved T-shirt, so I tuck them behind my back. Iâm disappointed itâs not Mikeyâmy heart slows back down.
She squints down at me. âBlind as a fucking bat. Forgot my glasses in the house. Michael texted me. He wants to know if youâre okay. In case you havenât figured it out, Iâm the lady who owns this place.â
There is a rough edge to her voice, some type of accent I canât place. She has the kind of lined face that people call etched. The kind that looks beautiful and intimidating and slightly creepy. I always wonder what these women looked like as children.
I nod cautiously. Iâm always careful around new people, especially adults. You never know what theyâre going to be like.
âMichael didnât say you were mute. You mute?â Turquoise rings on her fingers clack against the doorframe. âSo you okay, or not okay?â
I nod again, swallow.
âBullshit.â
She moves quickly, reaching around me to grab my wrists. She flips my arms so the raised lines are visible. Instinctively, I stiffen and try to pull my hands back, but she tightens her grip. Her fingertips are tough with calluses.
She makes a growling sound. âYou girls today. You make me so fucking sad. The world hurts enough. Why fucking chase it down?â
The breath through my nostrils is bullish, panicky. Fucking let go careens inside my head like a pinball and shoots from my mouth. Iâm surprised by the sound of my own voice and she must be, too, because she opens her hands and lets my arms fall away.
I rub my wrists and consider spitting at her.
âA girl with teeth.â Her voice is weirdly satisfied. âThatâs in your favor.â
The edge of the door brushes my shoulder; in my head I slam it in her face. I step away from her so that I donât make that happen in real life. Who is this bitch?
âIâm Ariel. Here.â She presses a piece of paper to my chest. âI have a friend down on the Avenue. Sheâs got a shop. She needs some help. Tell her Iâll take her for appletinis on Friday.â
Halfway across the scrubby yard, she turns, shading her eyes. âYou get a job, Michaelâs friend. You find a place for yourself. You donât stay here longer than two weeks.â