Chapter 133, 1/2
Ar'Kendrithyst
âIt is a fact of magic on Veird that everything follows the Elements.â Erick said, âThis was how one is able to create a spell that generically counters âall Blood Magicâ, or which destroys all of a specific Elemental magic, or, in extreme cases, destroys enough of the magic inside of a specific spell that you have countered the entirety of that spell.â
Jane watched her father speak, then she turned to the other Archmage in attendance.
Tenebrae scowled, then said, âThere are so many holes in that theorem that I donât know where to begin, so letâs start with the most obvious. [Force Boulder]. A spell composed of Force and Stone. Counter one half of the spell and you still have the stone hurtling toward your skull.â
Erick calmly said, âGeneralized theories are never the whole story, but what you asked forââ
âYour daughter is already ruined enough with your crazy ideas. Itâs a good thing I demanded this nonsense, otherwise youâd ruin her even more!â
The sun had risen an hour ago, but before that happened, Erick was awake and Palodia caught him in the courtyard. She asked him about what he liked to eat, and almost right after they started talking, Jane, Teressa, and Poi, who were awake as well, joined in the conversation. Palodia was happy to talk of food. She promised to serve some âpizzaâ and âfriesâ after they stopped moving and a Rocky went out for resupply, but breakfast would be ready in just another hour, after she got started on it. Did they have anything in particular they wanted, today? Jane wanted fried toast and sausage, and so, after explaining what she meant by âfried toastâ, which was just french toast but that naming convention wouldnât mean anything to anyone on Veird, Palodia went back to the kitchen, promising that Jane would get her request.
And now, they were at breakfast. Tenebrae joined them, of course, seeming to need to force himself to come out of his tower while complaining about âfried toastâ all the while. Tenebrae sat down at the table, of which everyone had a nice chair this time, while Palodia served them all in the same family-style dinner as yesterday.
Spicy sausages, fluffy eggs, crisp fried toast, and a hearty breakfast tea. It wasnât the most lavish of meals. It was not a feast. But it was perfect, and that mattered more than anything else. Palodia was a Cook, with the Class Ability, Perfect Meal. It helped her to make everything just a little bit nicer, a little bit more rounded and healthy.
Breakfast looked to be great!
And then Tenebrae opened his mouth and spoke of how he wasnât happy that Erick was stealing secrets out of the little words that he had let loose. The older archmage used harsher language than that, and there were threats regarding souls and minds and blood, but Erick let those threats wash over him, as he tried to play nice. He even suggested that they engaged in a [Strike]-for-[Strike], as Arbor Nosier had called it. A hint for a hint.
Tenebrae instantly latched on to that idea.
He declared that Erick was already down at least two [Strike]s, even if he hadnât perfected his [Anti-Blood Charm], or made an [Appraisal] spell. And then he demanded Erick start divulging everything, from the beginning. What was the most basic bit of information Erick had on magic. How did he approach magic? That sort of thing.
Erick calmly reminded Tenebrae that he had only picked up tiny hints from Tenebrae, not full magical essays, but then he rushed forward, and started talking. Maybe, Tenebrae would be nicer after they talked for a while. That was the idea, anyway.
But then, Erick had barely gotten past answering Tenebraeâs first question, and Tenebrae was already complaining, and in a way Erick never expected! To declare that Erick was ruining Janeâs magical aptitude? What!
Erick was now personally offended.
âI have not ruined my daughter.â Erick huffed. âI haveâ!â He continued, more calmly, âMy methods work.â
âThey work because you have uncommonly deep delusions that they will work.â Tenebrae said, âYou see the same sort of savant-like ability in the criminally insane who go around making the best [Force Trap]-derivative spells in a generation, where most people are barely capable of making [Stone Trap], or anything of that nature. You also see it in those who partake of mind altering substances in order to solidify a spell theyâve been workboarding for years. Anything to get them over that final hump. Anyone with enough intent can cause all sorts of strange phenomena.
âThis is, in fact, one of the ways that mages usually end up killing themselves. They desire something so strong, like the casting of a spell which obliterates a target without care for the collateral damage, and thus the mana responds, accidentally killing them in the process. It is this âdeep intentâ that will strip away the Scriptâs safeguards and cause blood and soul damage larger than normal.â He added, âItâs not your fault you have undertaken this flawed methodology. People are emotional creatures, and no mage becomes a mage without some sort of deep desire to change the world, and then believing that they are capable of achieving such a thing. But it is your fault if you continue on this path! I retract my previous question. I donât want to listen to your delusions about magic. Where you claim to start your spells is not where one should start their spells.â
Erick sat in his chair, his fluffy eggs getting cold. He waited.
Tenebrae calmed. Then he said, âI appear to be even more [Strike]s to my favor. So. I will ask this: Tell me how [Cascade Imaging] works.â
Erick considered. Then he gave a non-answer, âInvisible light.â
Tenebrae considered this. He narrowed his eyes and gazed off into the distance. After a moment, he looked to Erick. âBut itâs Particle Magic.â
â[Cascade Imaging] is indeed Particle Magic. I hope that satisfies, since it was about the level of the hint you gave me for [Analyze] and [Blood Dummy]. Whatâs your next question?â
Tenebrae almost frowned, but he did not. Instead, he resumed eating his breakfast. Erick resumed eating, too. It was slightly cold, but that was fine.
Tenebrae did not ask his question.
After breakfast, Tenebrae retreated into his tower.
And then Jane asked for help with her magic. She wanted her father to continue whatever it was he was saying, earlier. Erick had never actually spoken that way about his spellwork before.
Erick happily obliged, almost beside himself with quiet joy that his daughter wanted to learn from him again. He set up a chalkboard in the courtyard, since there was no space in the rooms for this sort of thing and the courtyard was mostly empty, except for the occasional pair of Rockys walking through from one part of the place to another.
He barely got through an introduction to the elements, as Syllea had once informed him, before the door to Tenebraeâs tower crashed open and the old archmage strode into the courtyard. Erick and Jane watched the man rush into their little talk, whereupon he conjured a chair for himself and sat down.
Erick paused in his explanation as he looked at himâ
Tenebrae gestured forward, saying, âGet on with it! Letâs hear how wrong you have it all!â
Erick had not been counting on Tenebrae showing up, but he had a plan for that potential event. He said, âThis will discharge all of my debt toward you, and then go even further, putting you in debt to me.â
âNope. Because Iâm going to correct you when youâre wrong.â
âThen at least the first half.â
âAgain. No. Because Iâm going to correct you when youâre wrong. You will owe me even more.â He said to Jane, âYou shouldnât even take part in this correction. Youâre completely inexperienced and I have no doubt that your fatherâs words have damaged your ability to create magic of your own.â He said to Erick, âShe hasnât even made a good [Fireball] spell and youâre talking about countering elemental spells! This is bad teaching. There is the problem of Spatial Magic learning but even worse! There is a reason that we donât allow the teaching of Spatial Magic in normal classes; all they end up creating is [Partial Teleport], and then they eventually,somehow, cast a basic [Teleport] wrong and kill themselves!â
Erick frowned. â⦠You can cast [Teleport] wrong? When youâre using the spell you buy from the Script?â
âYes! My gods you didnât know that eitherââ Tenebrae said, â[Teleport] puts you where you could have been. Some people canât even cast that spell in the direction of the ocean because theyâve never swum that far out to sea and they could never see themselves doing that. Some people couldnât use the spell to even go three towns over! Why do you think the Wayfarerâs Guild exists! In another example, for almost anyone, [Teleport] wonât let you [Teleport] over the Firemaw unless you demand such from the spell, which from your tone, I see that you demand weird things from [Teleport] all the time, donât you!â
âI havenât used [Teleport] in almost a month.â Erick added, âAnd I never felt or heard of what youâre talking about in all my [Teleport]s before then, so I can only assume you are lying to me or being purposefully obfuscating. That spell has never steered me wrong or put me anywhere I did not expect to be put.â
Jane added, âMe either. Never heard that or felt that.â
Tenebrae almost burst out at Erick, but then he turned and regarded Jane. His tone turned questioning, âNever? You never felt a âstickingâ odd sensation when you try to [Teleport] somewhere youâve never been?â
Jane said, âMaybe at the beginning? I donât actually recall. If I did, it must have been forgettable.â
Tenebrae focused on Jane. âTell me: how often have you tried to [Teleport] into places you have never been?â
âA few times?â Jane said, âMostly just in directions, like: â1000 kilometers in that direction, toward Spurâ or in other directions, toward a destination.â
Erick said, âMe too. Same thing.â
Tenebrae frowned. âAlmost everyone experiences this âstutteringâ of [Teleport]. It is a common, well known phenomena. What was the first spell you experienced?â
Jane laughed, then said, âUh! Melemizargo [Teleport]ing us to the surface? Yeah. A few kilometers above, actually.â
Erick regarded Tenebrae, unsure. âAre you talking about the problems of [Teleport 1]?â
Erick had had problems with wardlights back when his [Ward] was not max level.
Tenebrae kept frowning. âI am talking about the base spell, fully leveled; [Teleport X].â He asked, âAside from [Teleport]ing for distance, do you ever try to [Teleport] where you have never been?â
âNever,â Erick said.
âNever,â Jane echoed, with a bit more force than her father.
Erick looked to his daughter. âReally? Never?â
Tenebrae leaned back, and watched Erick and Jane through narrowed eyes.
âI was caught up on the idea of âTeleporting Paladinâ when I came here, but that idea was based around many campaigns where my GM back in high school ruled hard for [Teleport].â Jane said, âI respect that spell. [Teleport] on Veird is positively beautiful compared to the [Teleport] I had been expecting. [Polymorph] is awesome, too!â
âBut youâre so cavalier about [Polymorph]?â Erick asked.
â[Polymorph] is not scary either, Dad. I donât understand your problem with that spell, either.â
Before Erick could speak of missing hearts or lungs, or skulls that crushed the brain in an experimental [Polymorph], or the fact that you didnât have a brain as a slime (how the fuck does that work?!) or any of that, even if he knew there was no actual problem because Magicâ
Tenebrae asked him, âYou have a problem with [Polymorph]?â
âItâs just a bit terrifying, isnât it?â
âNo, it is not,â Tenebrae said.
And Erick had enough intelligence to shut up about his unfounded fears of [Polymorph]. Fear is the mind-killer, after all, and Jane did not need to take on Erickâs fears.
Tenebrae looked back to Jane, saying, âYou do have experience with a lot of magic, donât you, Jane. Even if it was imaginary. Maybe that is the answer, here. You believe that magic is solid, but in a way that is contrary to how it is. This produces a problem when youâre trying to make magics and all you can think of is how you would have thought of it back on Earth.â He looked to Erick. âYouâre open to whatever.â
Erick connected a few dots there, too.
With accusation in his voice, Erick said, âI thought Janeâs report to the Headmaster was confidential.â
Jane suddenly sat straight. âWhat? That was confidential!â
âAnd Iâm an archmage in league with other archmages, including the Headmaster. What of it?â Tenebrae barreled forward, âI think the real answer here as to why youâre so bad and Erick is⦠decent⦠is because youâre pulling at deeper magic, trying to emulate what you have seen your father do, while your father came to the magic quite naturally. Still doesnât explain why you never experienced the common problems of [Teleport]â Oh! Wait! Youâre planar. Ah.â He sighed, and smiled. âThatâs it. That grand transition to Veird was likely the first magic you experienced. I got it, now. Itâs a common thing in some parts of the world for parents to inundate their children with specific magics, in hopes that they can rise to greatness on those magics. It works, sometimes. I never put much stock in any of that, for all the good outcomes were anecdotal and all the bad outcomes were well documented. In your first moments of magic, you were inundated with Spatial Magic.â
Jane said, âIâve never heard about any of that, though...â
Erick lost some of his anger, as he considered what had come before.
Tenebrae shrugged. âBlame your own lack of education. Or glance at the people you lived around for the last year.â He gestured to the house behind them, where Teressa was lounging inside, reading a book, then to the side, where Poi sat in a chair, reading his own book.
Poi raised his head to look at the old archmage.
Tenebrae continued, âA nomad adventurer who likely broke herself of the mental block that hampers [Teleport] long ago, and a Mind Mage, who likely had that thought drowned out of him when he came to Spur, where everyone in that city got there either through their own Spatial Magics, or through the Wayfarerâs Guild. Itâs no wonder you never heard of this. If you had been born and raised on a nothing-farm in some nothing-part-of-the-world where you never moved outside of a ten square kilometer box your entire life, you would have had a lot of trouble with [Teleport]. But surely you had trouble with some spells. So what were they?â
Erick went with the flow, saying, âI had a lot of trouble with wardlights until I came to magic with an open, unafraid mind.â He gestured to the right, and cast a complicated structure ofâ
Tenebrae lifted his hand. â[Dispel]!â
The light sculpture that Erick had been trying to make, collapsed. White light broke into motes that drifted into the ambient manasphere like so much disappearing dust. Erick was almost too stunned to be mad, and then he was mad.
Tenebrae glowered. âItâs rude to cast magic in Polite Society without announcing it first.â
Erick clipped off his angry response, and said, âYouâre right. It is.â
âAnd yes! You cannot be afraid of magic if you wish to be a mage!â Tenebrae laughed right at him. âItâs a wonder you got anywhere at all! Your methods are not applicable to everyone. Your magic is not foolproof. You are not the archmage you pretend to be! So! Continue with your basic lesson, Erick, and I will point out more problems and their roots.â Tenebrae smiled. âThis is fun.â
ââ¦â Erick gestured to his chalkboard. âSo as I was saying, all magic is based on the Elementsââ
âWrong!â Tenebrae said, âShaping is just as important as Elemental usage. For instance, Spatial Magic is not Elemental, at all! Many magics are not Elemental. [Teleport], [Mend], [Telekinesis], and more! If all you deal with is Elemental magic, then you are only learning half of the storyââ
Erick interrupted, âForce is an Element. Spatial Magic is therefore based in Force.â
With a greater smile, Tenebrae said, âForce is the absence of Elemental power! Your conventions are not normal conventions, Erick! And I bet you canât even shapeâ No. Waitâ¦â He looked at Erick, and saw something there that made Erick worried. Tenebrae said, âHa! Your problems are even more basic than that. You just never considered the shape, did you?â Tenebrae instantly recanted, âNo. Thatâs wrong. You must have considered the shapes of your magic otherwise you would never have gotten anywhere. When you make a magic, how do you shape the magic?â
Erick found himself figuratively stripped bare.
First of all, Forcewas an Element, for sure. Erick had no idea what Tenebrae was smoking, but Force was definitely an Element. It was even in that book of Elements that Syllea recommended. And, also, Erick was adept at making magic. He had made Force Element spells before. Force was an Element!
But.
Shaping was important. Possibly even more important than the Elements that would occupy the shape of the desired magic.
Shape was so important, that Erick had never really considered the shapes of his magic, at all.
Of course you would need a canvas before you began painting. Of course you needed a turkey for Thanksgiving, or a car before you considered going on a road trip, or a house before you considered hosting a house party. These were just givens that Erick had never truly considered more than âoh yeah, this is what is necessaryâ. Therefore, the shapes of Erickâs magic was exactly what it needed to be.
But had Erick ever truly considered the shape before? Yes, and also no.
Erick answered, âI shape the magic in the most cost-effective way I can think of for any particular spell.â
âBoil a stew to burned residue!â Tenebrae laughed. He demanded, almost joyfully, âHow do you actuallyshape your spells? Let us discuss [Ice Spike]. And no! Not you.â He looked to Jane. âYou. Youâve heard from your father. Youâve had lessons before this, for sure. So! [Ice Spike]! Tell me where you would begin.â
Jane looked to Erick, and Erick gave a âwhateverâ face.
Jane paused in thought, then said, â[Force Bolt] with Mana Altering for Ice, then infusing the idea with⦠Motionless thoughts of motion, touching and impacting the target.â
Tenebrae nodded, then said, âBasic start, muddling middle, basic ending. A failure of a spell. Perfectly normal. Not good enough for an aspiring mage.â He looked to Erick. âNow you.â
Jane sputtered.
Erick almost warned Tenebrae off from talking to his daughter like that, but that would lead to a deterioration of everything; ruin lay in that direction. He did glance at Jane, though. She glanced back at him, and calmed, putting her own professional facade back on. She handled herself just fine.
Erick turned to Tenebrae, and said, âMana Altering for Ice and [Force Bolt], channeling the mana for both through my hands to hear themââ
âWhat is this nonseâ!â
âYou asked. Let me finish. Tear apart the whole thing, after I am done explaining. Please.â
Tenebrae scowled. â⦠Continue.â
âFirst, I decipher Elemental Ice, which is a variant element of Water, which is technically the sound for Water but slightly larger, since frozen water is larger than ice. Thereâre also connotations of deepness and spreading and the leeching of all heat in there, and some Particle ideas, but I need not go too far for those when it comes to [Ice Bolt], which is the kind of spell I would prefer to make; not [Ice Spike]. I like actually hitting my target, andââ
Tenebrae interrupted, âNot what I asked for, but sound reasoning and not everyone can aim properly, though you give up most chances to critical when you do this. That you have this failing is not the largest of your failings. I will allow it.â
â⦠And then I take the sounds of [Force Bolt] and join them with the sound of Ice, and create a cohesive whole, which I then shape into something that is sure to touch the target, and to bypass all defenses. In this way, I make an Ethereal, Inexorable [Ice Bolt], which is probably upgraded to [Glacial Bolt], or something. I havenât actually tried that particular one yet.â
Tenebrae smiled, showing off white teeth. âYou havenât made this one? Lying now, are we?â
âAh⦠Wait.â Erick just remembered, âI have made this one. But it was long ago, andâ¦â He looked up his Status. âAh. Itâs called [Ice Spike]. I made it back when I was first starting. I would make a different one if I was doing this today. I must have barely tripped the line toward the naming conventions⦠Or something. I made [Glacial Crash] using this spell and then Mana Altering for fire, and that one does not have âunerringâ. I could probably remake that one, too.â
âLet me see. Both spells.â
Erick⦠decided to show him.
Ice Spike, instant, long range, 22 MP
A bolt of pure ice unerringly strikes a target for 55 + WIL
Glacial Crash, instant, long range, 55 MP
A shard of pure ice strikes a target for 200 + 2x WIL
Erick watched as Tenebrae read. The man obviously wanted to tear Erick a new one, but his joyful sneer vanished, replaced by a small frown. And then Tenebraeâs smile returned.
Tenebrae said, âOver four times the original cost for what is surely a fraction of the damage of a four-times [Force Bolt], depending on your Willpower. And no ability to Slow the target; which is the purpose of Ice Altering. A failure of the spell. The second is even worse! The only impressive thing at all is that you have managed to combine the diametrically opposed Elements of Ice and Fire into this [Glacial Crash] while managing to retain the âpureâ designation. If I were you, I would rip these up and try again. They are a disgrace for any archmage, even if the archmage in question is you.â
âYouâre right.â Erick deleted the spells immediately, saying, âI have erased them. I will be remaking [Ice Bolt] at my earliest convenience.â
Tenebrae narrowed his eyes. They flickered grey. He nodded. âAnd barely a shiftâ¦â He sat up. âAt least you were aware enough of your own shortcomings so that you didnât need to uproot a whole tree of spell failures.â
âYup.â Erick said, âI only ever made the two, and that was way at the beginning. I have only been at this for a year. Please forgive me for my failures.â
âNot forgiven. Not yet. Maybe not ever.â Tenebrae said, âEspecially when you talk of âmusically combining spellsâ! Even the Songstresses of the Songli Highlands use some maths in their magic.â
Erick felt his heart sink. âOh, gods. Math.â
Tenebrae laughed. âYes! Maths! I have decided where we shall begin with your reeducation!â
⦠He was getting a reeducation?
Tenebrae declared, âWe will work on proper spell matrices! Gridwork! This would enable a clarity of shaping and elemental designations much more than your ridiculous âhearing the magicâ ever could. Not everyone hears properly, and emotional magic is insanity waiting to happen. Your methods are deeply flawed, even if they have âsomehow!â worked for you.â He stood and flicked his hand at Erick. âGet away from that chalkboard. I will speak of the true basic start to any spell creation! I will speak of gridwork, and you will learn.â
Erick⦠thought he might have heard of gridwork before, but he wasnât quite sure. It might have been in some of those math classes at Oceanside. But! Whatever! This might as well be happening. Erick walked to the chair beside Jane and sat down.
Jane raised her hand, hoping to ask a question.
Tenebrae glowered, then warned, âIf you dare to say some variation of âDoesnât the Script do it all for meâ, then I will end this talk now and youâre not getting dinner for a week.â
Jane kept her hand raised. She did not flinch under Tenebraeâs glower. She did, however, put on an even nicer, more congenial smile.
â⦠Ask your question.â
Jane asked, âIsnât all math just a representation of the real world? Or do maths have some actual, intrinsic function upon magic? Does 2 plus 2 have a basis in this reality?â
Tenebrae paused, as though he had walked into an [Invisible Force Wall]. He asked, âWhat? Where would you ever get that idea? Mana is possibility, and maths have a direct effect upon the world through the act of sympathy, which is the oldest and best known way in which magic functions, as its most core. Mana is possibility. Magic is the shaping and condensation of possibility. Maths are how you turn Possibility into Reality. Maths are magic, and theyâre also not. Maths are sympathy at its most core. Maths are representative, and also so much more than that. I could repeat it a few different ways, but you get the idea. I hope.â Tenebrae added, âBut while 2 plus 2 does not have a basis in our reality, it does have a basis in our subjective, personal Reality, therefore it does have a use when considering the symbology we erect in order to enact sympathy with the mana in order to create magic. Do you understand? I cannot make it more basic than that.â
Jane nodded. âSympathy. Right. Makes sense.â
â⦠Do you know of sympathy?â Tenebrae asked, almost dumbfounded.
Jane said, âLike-works-as-like.â
Tenebrae found his footing again, saying, âOkay. Yes. For a second there I thought I would need to talk to you as if you were a complete idioââ He rounded on Erick. âDid you
know of sympathy, before now?â
âYes.â Erick said, âI knew. Which is why I never bothered to learn the math. I got plenty of sympathy already. Just, not with the maths.â
Jane said, âI told him about that stuff years and years ago. It was part of Earthâs magic traditions.â
Tenebrae frowned; silent. Then he said, âIâve read your reports to the Headmaster, but explain what you just said.â
Jane said, âIf you have read all my reports to the Headmaster, you might have noticed that thereâs so many parallels from Earthâs magic to the magic of Veird. There are even some parallels with animals like the unicorn and the ideas of elves and fae and angels and demons, too, but what I have seen on Veird is only partially similar to what has been imagined on Earth, and that is a whole different topic, somewhat. Not a fully different topic, because. Well...
âThe similarities might have to do with all the magic that poured into this universe from the Sundering, that was not caught and kept by the Script. Maybe that unbound mana moved faster than light and instantly spread across the universe, catching upon the various worlds out there, and remained, somehow? Thereâs obviously some broken physics in there, which seems to go hand-in-hand with mana, or maybe something even stranger happened, but whatever the case, maybe some of that mana fell to Earth and we fell into a pocket of it, or something. Not too sure about that. But they do say that you cannot destroy mana, so while I suspect a lot of it fell into stars or black holes, a lot of it must have found planets like our Earth. This is what I mean when I talk about Earthâs magical traditions having parallels with Veird. But theyâre, like, strange parallels.
âAnd then, thereâs the idea that mana is also Melemizargo, therefore it is possible that Melemizargo is already on many different worlds, and he just doesnât know it.â Jane asked Tenebrae, âHe is the mana, isnât he? Thatâs what Iâve heard.â
Erick and Tenebrae both listened to Jane, but while Tenebraeâs eyes turned distant and fearful, Erick was just proud.
His daughter had independently come to a lot of the same conclusions he had; Erick had just never expressed them, for those were terribly scary thoughts, as Tenebrae was currently demonstrating. Erick had hoped to never give those thoughts a voice, but there they were, suddenly, out in the open, and put out there by someone other than himself. He didnât want his daughter out there on her own though, soâ
Erick said, âIâve heard that Melemizargo is the mana, too. Iâm pretty sure that your ideas are exactly close to what might have happened, Jane, or at least Iâve had the same ones. I just⦠Didnât want to voice those thoughts.â
Jane sat back in her chair, looking triumphant, as she playfully chided, âCanât be scared of the magic, dad.â
Erick laughed. âI guess youâre right.â
Tenebrae startled. He declared, âThis lesson is over.â
The older archmage rapidly walked away, visibly disturbed, and silent, back through the door at the base of his tower. The door to Tenebraeâs tower slowly closed shut, all on its own.
Erick and Jane, and Poi, watched that happen.
A moment passed.
Uh. So. That just happened.
â⦠Huh.â Jane said, âI did not expect that reaction from him.â
Erick stared at his daughter, and laughed, nervously. He calmed, but not really. âGiving a voice to the fearful thoughts is not always a good idea.â
âEh.â Jane said, âTry not to worry about that stuff. Letâs just enjoy the adventure of it all.â
Erick smiled, and he just had to hug his daughter, so he leaned over and wrapped his arms around her. She laughed over his shoulder as she hugged him too, and patted him on the back.
âLove you.â
âLove you, too.â Erick released Jane and went back to the chalkboard, saying, âSo! The Elements. I consider Force an Element, but I guess not everyone does. Youâve been reading that book Syllea suggested, right?â
Jane said, âYeah. Itâs in the room. Itâs a bit juvenile, but itâs interesting.â
Erick nodded. âSo! The Elementsââ
Tenebraeâs door slammed open again. âNope! Weâre doing gridwork! Force is not an element!â
Erick sighed.
Then he stepped away from the chalkboard.
Tenebrae retook his position as professor.
A minute later, Erick and Jane watched as Tenebrae stepped away from the chalkboard, looking triumphant over his drawings, or rather, his gridwork he had placed upon the board. And it was a lot of gridwork, and each tiny space was filled with the Ancient Script symbols for various Elements; mostly Fire. He had even had to summon another chalkboard to write out all of his âgridworkâ.
Ninety-nine, hundred-by-hundred grids, written out over three boards. There were 99 100x100grids because each of those 100x100 grids was a slice of a 3D magic construction, exploded out into exacting detail. When placed next to each other in the proper way, and if you had a hundred, then you wouldnât have had an exact-center box, which was necessary in about half of magic, since a lot of magic needed a âcentral tenetâ, where the Ancient Script symbol was that would hold the whole working together; if it needed such a thing.
Tenebrae explained the basic overview of it all as he cast the gridwork upon the board, but he did not explain everything. Mostly, he just told them what he was doing, but not the âwhyâ of it.
Erick had seen smaller grids like these in his short time in Oceanside, but he had never truly understood them, or even tried to understand them. But nowâ¦
This was complicated. And written small. Small enough to require most people to use [Ultrasight] to read the boxes from three meters away. Erick, almost uncomfortably, found he could read all of that just fine without any spells. Jane had had to squint, and then activate [Ultrasight].
The idea of all these grids was simple, though, once you understood that the grids corresponded to individual slices of a spell, taken at the moment of casting. Each box had a symbol that corresponded to An element, or a direction, or a shaping of the magic inside that box. Putting all of this sliced-gridwork together into a 3D lightward, and a mage could see what they would need to do to make the spell therein.
The problem with spell matrices, and why Erick had not seen many of them, was that even a 99 by hundred by hundred matrix could only describe the most basic of magics. No one used this methodology for anything over tier 3, except as a general guide, because gridwork failed at higher densities of spellwork.
But gridwork was great for learning basic magics.
âThere! Now you know what youâre looking at.â Tenebrae asked, âSo what is this spell? Jane.â
Janeâs eyes went wide. Erick frowned. Was the old archmage picking on Erickâs daughter? All Tenebrae had done was explain a bit about the gridwork in front of him; not what he was actually putting in that gridwork. Was he pouncing on Jane just because he could, just because she had no experience, at all, with this âgridworkâ? He probably was.
But Jane was smart; she could handle this.
Jane guessed, âFire⦠Something. An individual spell. So not⦠Wave⦠[Fireball]?â
Erick smiled. That was going to be his guess, too, exceptâ
âIncorrect!â Tenebrae said, âErick! Now you try!â
Erick frowned, complaining, âWhat you made has all the hallmarks of [Fireball] what with the majority of the gridwork looking like what I do to manually cast [Force Bomb]. That tiny bit of [Force Wave] you have in there is not a large enough part of the spell to make my daughter necessarily wrong.â
Tenebrae smiled wider. âSo what would you name this spell?â
Erick guessed, â[Firewave] or [Fire Spreader]. The purpose seems to create a conflagration at the detonation point that spreads outward, putting all of the damage of the initial spell into the âover timeâ part of the magic, with almost no damage in the initial effect. A common way to use Fire spells.â
âYou have fallen into my trap!â Tenebrae gloated. âItâs [Extinguisher]!â
âWhat! Thereâs no Destruction mana anywhere in thatââ
Tenebrae pointed at box 50, the center box, at the very center of the spell, and Erick fell silent. Tenebrae had left that central spot blank. Erick had assumed this was because he was not focusing on the explosion part of the spell⦠or⦠Actually. He didnât know why the man had left it blank. The spell had lots of blank spots in its gridwork. None of them really meant anything, except for directions for the surrounding mana to flow, or transform, orâ¦
Erick wasnât too sure about gridwork, actually. It was one step removed from math and useless for higher level spellwork, so what was the point of learning it?
⦠To trick people who thought they knew everything? Seemed like a poor way to use a teaching tool.
Okay. Okay. Erick admitted, and only to himself, that he had no idea what was actually going on here.
Poi snorted a laugh to the side.
Tenebrae ignored Poi, and instructed, âA proper [Force Bomb] spell is a 100x100x100 grid. If you knew your gridwork, you would have known that. This one is 99x100x100 to enable this central square in box 50. You can shift around the gridwork as necessary. You could even do 99x99x99 and make it all symmetrical in a different way, if you wish. This blank spot, and all the others, are for Destruction to occur. If you look upon the structure here, and here, you can see that the Fire mana is sucked into the blank spaces, and nothing comes out. In actual casting, this would create Destructive Fire that would nullify any fire in the area. This is how you properly create a Destruction-based spell, since you never use Destruction in itself. You always have the desired Element you wish destroyed to flow into Destruction, or, in some rare cases, for Destruction to overtake the targeted Element. The first instance is normal application, as we see here. The second instance is almost Propagation, and unless you limit the spell most severely, it will not work due to the Propagation Ban of the Script. Donât use the Propagation-Destruction except in applications of war. This second type of spell usually has âDestructionâ in its name. [Fire Destruction], for example.â He said, âIt is with gridwork like this, that you create a perfectly-made [Extinguisher] spell, which will be named whatever Rozeta feels like naming your spell, but if you have a name youâre working with, your spell will likely get that name, unless you run counter to the Naming Conventions of the Script, in which case Rozeta will name your spell without your input. Questions?â
Erick had a few, butâ
Jane instantly asked, âSo circling back to the idea that math is representation is sympathy is magic: If you were to create a [Ward] with this gridwork, what would happen? And if a spell was not created, then why not?â
Erick almost said that nothing would happen. Lightwards were not spells⦠Right?
Tenebraeâs eyebrows scrunched. He said, âNothing would happen if you made this out of a lightward. You have to make it out of [Force Bomb], Mana Altering for Fire and Destruction, and [Force Wave].â
Jane asked, âOkay. But. How? How does this translate into all of those things you just said?â
âIt just does?â Tenebrae frowned. âIâm not sure what the problem is, here.â
Jane clarified, âWhere is the gridwork for [Force Bomb] in the spell [Force Bomb]? I never see grids when I cast.â
Tenebrae frowned, then pointed upward. Erick watched, as the air around the man flickered, twisting inward upon the tip of his finger. A grey dot launched from his digit to soar past the roofs of the castle and detonate with a spack upon the [Air Shield] of the estate, grey light briefly glittering in the explosion. Tenebrae said, âThe gridwork is right there. In the manual casting. Itâs not actually a part of the spellwork. Gridwork lets you understand how to Shape and Alter the mana while you are casting the spell.â
âOh!â Jane said, âManual casting! Okay. Yes. I get that.â
Erick nodded. âThat makes sense.â
â⦠What did you two think I meant?â
âI thought you meant inside [Force Bomb]s blue box.â Jane shrugged. âSomehow⦠inside that box. I didnât understand that. How is magic inside the blue box? That makes no sense.â
âI was confused a little, too.â Erick said, âThey spoke a little about gridwork in one class I took at Oceanside; that it was somehow in those boxes. I didnât understand it at all, and the professor never properly clarified. I didnât even know about manual casting till Kiri looked it up and showed it was possible.â
âAh. This problem.â Tenebrae said, âOceanside trains warriors that work for the Headmaster, or other powerhouses around the world. All Arcanaeums are like this. They train warriors, even if they call themselves mages. And they were not wrong to simplify manual casting to the blue boxes. The same thing happens in the manasphere when you activate magic using the Script, but you cannot feel that shift unless you manually cast your magic, but many teachers are forbidden from explaining about the Remake Quests and about aura work. Students have to come to that on their own. Most do, eventually, unless theyâre purposefully kept from those lessons when they are deemed a risk to themselves or others. That happens quite a bit, too.â Tenebrae said, âThe blue box for [Force Bomb] is one slight step above the truth of manually shaping the mana; it is an automated process to use that box. Meanwhile, Mana Altering is one slight step above the truth of aura altering for the various Elements; it is an automated process to use that box, too. Understanding these deeper truths of Shaping and Altering, through the process of gridwork, will allow you to properly visualize and then work both [Force Bomb] and Fire Altering in the best possible way. Do you understand?â
Jane said, âOkay! That makes a lot of sense!â
Erick understood quite a bit more, now. Gridwork was like the difference between drawing using freeform, or using tools. He begrudgingly admitted, to himself, that this âgridworkâ held possibilities.
He liked his own song magic methods, though.
But Jane was rather analytical. Maybe she would do well with this method? She probably would.
Tenebrae asked, âDo either of you have experience at all with using your aura to cast magic?â
Jane said, âI can cast with [Greater Shadowalk], and some of the rest. I have never learned aura control.â
Tenebrae sighed. âElemental Bodies are shortcuts to aura control, and you need to learn how to properly control your aura.â Tenebrae zeroed in on Jane. âYou have [Prismatic Body]. You need to work on turning that into [Greater Prismatic Body], either through remaking it with every Greater Elemental Body, or through aura work and great aura control. I suggest you choose the path of aura control, since this will allow you to mimic much of the smaller aspects of [Greater Prismatic Body] while that particular spell is notactive, as well as allow you to cast smaller magics outside of the Script Second. You will be able to cast [Fireball] or any other low-tier spell whenever you wish. This will also save you on mana costs, since you will not need to be constantly running an Elemental Body if you want to simply pick up a cup of tea from the other side of the table. Save your Script Seconds for when they are needed. Never waste them.â
Janeâs eyes went wide. âCasting outside of the Script Second, for everything?â
âNo no no!â Tenebrae said, âLow-tier magics, only, that will have full mana costs. Itâs not as good as using the Script to cast. Clarity does not work for manually cast magic. But for you, with all of your Elemental Body experience, there are fewer time constraints when you use proper aura control to cast your smaller spells.â
Erick was too busy thinking about the need for better aura control, himself, that he almost missed when Tenebrae rounded on him.
The glowering archmage turned to Erick. âAnd what of your aura control?â
âAhâ¦â Erick admitted, âNon-existent outside of [Greater Lightwalk].â
â⦠What!â Tenebrae exploded, âWhat travesty is this! And you made it to Archmage withâ! How has this happened! What the fâ!â He suddenly calmed as he closed his eyes and gripped the bridge of his nose between a thumb and forefinger. He opened his eyes, dropped his hands, and said, âYou have given me a headache, Erick Flatt, because you are technically an archmage. Youâve even got a tier 9 spell. You are qualified. And yet, you astound me.â He stared at Erick. He asked, âAre you a Wizard?â
Erickâs response was calm; measured, even. He saw what was coming, and he answered as best he could. âWhat is a Wizard, exactly? I know they produce their own mana and have a core, but thatâs about it. Why does the possession of a core mean that theyâre able to overcome the Script?â
Jane seemed unable to help herself as she stared at her father, and then at Tenebrae, then frowned a little, and tried to turn her face unreadable. She mostly failed.
Tenebrae bargained, âI would not be nearly as hostile with you if you were a Wizard. We could work together to achieve something that should have been done a long time ago, for Wizards can truly cast magic outside of the Script. They can remove curses that gods themselves have placed upon lineages, or individuals. They can travel through time, with perfect accuracy, and without Phagarâs limitations. They can create new Elements.â Tenebrae seemed genuine, and sad, and desperate, all at the same time, while trying to appear as none of those. âI ask again. Are you a Wizard?â
âNo.â
And it was the truth. Erick had none of the hallmarks anyone had ever said should be there. So what if other people called him a Wizard? That didnât make it true.
Erick asked, âShould I bring a truthstone with me, too, when I deal with you and your possible âlessonsâ? You claim the Headmaster is purposefully hindering the magical growth of the people of this entire world, and that seems like something I would have been better served to hear while a truthstone was present.â
He didnât know where it was, but there was no doubt in his mind that there was at least one of those truthstones somewhere around here.
Tenebrae scowled, but the heat was not there. He spoke the truth, âI would never use one of those against you.â
âAh.â Erick understood. âBecause you can just cast the base spells yourself. I should have guessed as much.â
âExactly!â And then softer, âExactly.â Tenebrae should have been triumphant; he had won a fight that he thought they were both fighting. But Erick was not fighting, and Tenebrae was not triumphant. He was just sad. âYou should have guessed as much. Learn all the magic there is, yourself. Learn to cast as much of it as you can, outside of the Script Second; manually. Delve into the deepest Soul Magic. Explore Mind Magic, and donât mind the Mind Mages; they get uppity, but youâre beyond them. Rip apart a million monsters to learn Blood Magic. Enchanting is a fine pastime, or a way to make some yellow on the side, but an archmage with need for trinkets is not a true archmage. Even those rings on your fingers⦠Well. I would have called them useless and a waste of time and even a detriment. But it appears youâve made artifactsâ¦â He tried again, âAnd youâre sure youâre not a Wizard?â
âAs much as anyone can be sure.â Erick said, âI ask again: How is a Wizard able to overcome the Script?â
Tenebrae sighed, then said, âOkay. Now Iâm done.â
And then he walked off. The door to his tower gently shut behind him.
Erick asked Jane, âDo you want to try out some of that âgridworkâ?â
âYes!â She said, excitedly. âDo you have any books on that?â
âNope. Weâll both have to muddle through it together.â
Jane hummed, then looked toward the closed door to Tenebraeâs tower. â⦠Iâll ask him if he has any books at lunch, maybe.â She turned back, eyeing her father. âAre you a Wizard?â
âNope.â
Usually, Erick would have felt bad about lying to his daughter, but that was only âusuallyâ. This was not a usual case.
âOkay⦠Well. If you were⦠Which type would you want to be? I read all about them. If you picked âTime Wizardâ I would tease you relentlessly by calling you The Doctor.â
âSo youâd pick the Paradox Wizard?â
â...They have a better name for them?â Janeâs eyes went wide. âParadox, you say! Oh! Okay! Paradox is a lot more varied than I thought! You could doââ
Erick cut in, before Jane got on a roll, sending, âIâm going to give you a bit of advice, and I urge you to consider it: Gifts of Time are useless in the face of absolute power. Thereâs also the Destruction Wizard, and the Creation Wizard. Together with the Paradox Wizard, you have the three archetypes. Itâs my understanding that you can only pick one, and that you have to produce your own mana and take that mana and create a core, from which you then cast all your magics. I am almost a hundred percent sure that Wizards are like Shades in that regard. Iâm not sure of the connection to Melemizargo and to monsters, but there is one there, for sure.â
Jane listened, then said, âI thought I had read about Wizards, but I guess not. Thatâs a lot more on the subject than I ever found. All I ever found were horror stories.â
âWhat sort of horror stories? I never sought any of that out.â
âOh⦠There was that one Wizard Pirate a while ago that terrorized Archipelago Nergal. Hullbreaker was his name, I think. Made a lot of artifacts and stole from every ship he passed as well as created some still-hidden island that no one has been able to find. They say all of his stuff is still there. But I bet the Headmaster found it all. Every Wizard has some hidden caches around the world; thatâs how the stories go, anyway. What sort of Wizard do you think Hullbreaker was?â
Erick thought, then said, âI donât know of him. But⦠Creationâ No. Iâm not sure.â
âCreation, eh?â Jane started to silently think.
Erick changed the subject, speaking aloud, âSo? Gridwork?â
Jane went with it, saying, âWhat does [Force Bolt] look like as a grid? And does it look like what I think it looks like? When I manually make a few hundred at a time with [Greater Shadowalk], I make it likeâ Well.â She held up her hands and sort of did a spiky, gathering motion. âThatâs how it usually happens. Oh! You know what?â She stood, saying, âLetâs make some 3D lightwards for [Force Bolt], and then compare! Iâm going to make mine over here.â She rushed into the blocky house and stepped behind a wall, saying, âNo peeking!â
Teressa spoke from inside the house, âWhat are you doing now?â
âGridwork!â Jane answered.
âMagic stuff. Got it.â Teressa promptly ignored Jane and went back to reading.
Meanwhile, in the courtyard, Erick held a hand up and cast a lightward that was representative of what he did with his [Greater Lightwalk] in order to manually cast a [Force Bolt]. It was a simple design, really. Just gathering mana then linking that mana toward the idea of touching a target in the distanceâ
Ah.
Erick ran into a problem. How to represent that âtouchingâ aspeâ Oh. Put the Ancient Script designation for âtargetâ in the center of the âgridworkâ. Obviously. But thenâ¦
Jane mumbled, âThis is more difficult than I thought it would be.â
Teressa absently said, âMmâhmm.â
Erick heard Teressa flip another page in her book.
Erick concentrated on his own working. He recast his gridwork several times before rapidly abandoning the âgridsâ after only a few recasts. When he was happy, he dispersed his working, then recast it, attaching the working to the chair beside him. Jane seemed to still be working on hers. Erick waited.
After five minutes, he said, âOkay. Come on back. Letâs check.â
âOne sec! Itâs taking meâ¦â Silence. âAh. Blast it all. This is good enough.â Jane walked back into sight, carrying a cube of light that had been divided into smaller and smaller cubes, each with a speck of notation inside of each tiny cube. She held it up, then looked to Erickâs, attached to the chair. âWhat!â
Erick looked at his own representation of [Force Bolt]. It was fully clear, with no smaller, inner gridworks.
Jane said, âYou didnât even divide that tiny thing into grids!â
âI donât understand the need for that.â Erick held up his perfectly fine representation, saying, âThis is fine! Itâs only a 5 mana spell. How complicated do you need to be?â
While Janeâs gridwork was a bunch of arrows and boxes filled with Ancient Script for gathering and targeting, Erickâs spell representation more resembled a bit of glasswork in the shape of a spiral galaxy. The center of his spell had the âtargetâ part of the spell, while four spiral arms contained all of the inexorable and ethereal parts of the spell which were prepared to crash into the center, whereupon the whole thing would then take off and impact the target. The âtargetâ itself was a variable that could change based on need.
Erickâs and Janeâs representations were different in another way, too. His lightward gridwork was a handspan across and a singular construction. Hers was half a meter across, and made of several overlapping lightwards; the âgridâ itself was a single lightward, possibly so that she could recast the central âworkâ pieces as she refined her idea of [Force Bolt].
Erick gestured to the chair next to him, and the accompanying gridwork.
Jane handed him a stone with its attached lightward. She likely kept that stone in her pocket for just such a necessity such as setting a mobile [Ward], for there were no useless stones anywhere in this estate; the place might be boring, but it was immaculate. Erick should keep a useless rock in his pocket, too.
She said, âYou should keep around something to attach mobile [Ward]s to, dad.â
They began reading each otherâs gridwork.
- - - -
Tenebrae watched them from his position in the Lighthouse. He mumbled, âItâs like giving new toys to deprived children.â
He couldnât help but smile.