Chapter 128
Grey: Fifty Shades of Grey as Told by Christian (Fifty Shades 4)
âWhere are we going?â
âYouâll see.â
Stop with the grinning, Grey.
She pouts with frustration. Miss Steele, as ever, is curious. But all sheâs wearing is her camisole and jeans; sheâll be cold once weâre airborne. âFinish your tea,â I order, and leave the table. In the bedroom I rifle through the armoire and pull out a sweatshirt. This should do. I call the valet and tell him to bring the car out front.
âIâm ready,â she says as I return to the main room.
âYouâll need this.â I toss the sweatshirt to her as she gives me a bewildered look.
âTrust me.â I plant a swift kiss on her lips. Taking her hand, I open the door to the suite and we head for the elevators. Thereâs a hotel employee standing thereâBrian, according to his name tagâalso waiting for the elevator.
âGood morning,â he says, giving us both a cheerful salute as the doors open. I glance at Ana and smirk as we enter.
No shenanigans in elevators this morning.
She hides her smile and peers at the floor, her cheeks coloring. She knows exactly whatâs going through my mind. Brian wishes us a good day as we exit.
Outside, the valet is waiting with the Mustang. Ana arches a brow, impressed by the GT500. Yeah, itâs a fun drive, even if itâs only a Mustang. âYou know, sometimes itâs great being me,â I tease her, and with a polite bow I open her door.
âWhere are we going?â
âYouâll see.â I get behind the wheel and ease the car into drive. At the stoplight I quickly program the address of the airfield into the GPS. It directs us out of Savannah toward I-95. I switch on my iPod via the steering wheel, and the car is filled with a sublime melody.
âWhatâs this?â Ana asks.
âItâs from La Traviata. An opera by Verdi.â
âLa Traviata? Iâve heard of that. I canât think where. What does it mean?â
I give her a knowing look. âWell, literally, âthe woman led astray.â Itâs based on Alexandre Dumasâs book La Dame aux Camélias.â
âAh. Iâve read it.â
âI thought you might have.â
âThe doomed courtesan,â she recounts, her voice tinged with melancholy. âHmm, itâs a depressing story,â she says.
âToo depressing?â We canât have that, Miss Steele, especially when Iâm in such a good mood. âDo you want to choose some music? This is on my iPod.â
I tap the navigation screen and bring up the playlist.
âYou choose,â I offer, wondering if sheâll like anything I have in iTunes. She studies the list and scrolls through it, concentrating hard. She taps on a song, and Verdiâs dulcet strings are replaced by a pounding beat and Britney Spears.
âââToxic,â eh?â I observe, with wry humor.
Is she trying to tell me something?
Is she referring to me?
âI donât know what you mean,â she says innocently.
Does she think I should wear a warning?
Miss Steele wants to play games.
So be it.
I turn the music down a tad. Itâs a little early for this remix, and for the reminder.
âSir, this submissive respectfully requests Masterâs iPod.â
I glance away from the spreadsheet Iâm reading and study her as she kneels beside me, her eyes cast down.
Sheâs been exceptional this weekend. How can I refuse?
âSure, Leila, take it. I think itâs in the dock.â
âThank you, Master,â she says, and stands with her usual grace, without looking at me.
Good girl.
And wearing only red high heels, she teeters over to the iPod dock and collects her reward.
âI didnât put that song on my iPod,â I tell her breezily, and floor the gas, throwing us both into the back of our seats, but I hear Anaâs small, exasperated huff above the roar of the engine.
As Britney continues at her sultry best, Ana drums her fingers on her thigh, radiating disquiet as she stares out the car window. The Mustang eats up the miles on the freeway; thereâs no traffic, and dawnâs first light is chasing us down I-95.
Ana sighs as Damien Rice begins.
Put her out of her misery, Grey.
And I donât know if itâs my good mood, our talk last night, or the fact that Iâm about to go soaringâbut I want to tell her who put the song on the iPod. âIt was Leila.â
âLeila?â
âAn ex, who put the song on my iPod.â
âOne of the fifteen?â She turns her full attention to me, hungry for information.
âYes.â
âWhat happened to her?â
âWe finished.â
âWhy?â
âShe wanted more.â
âAnd you didnât?â
I glance at her and shake my head. âIâve never wanted more, until I met you.â She rewards me with her bashful smile.
Yes, Ana. Itâs not just you who wants more.
âWhat happened to the other fourteen?â she asks.
âYou want a list? Divorced, beheaded, died?â
âYouâre not Henry the Eighth,â she scolds me.
âOkay. In no particular order, Iâve only had long-term relationships with four women, apart from Elena.â
âElena?â
âMrs. Robinson to you.â
She pauses for a moment, and I know sheâs scrutinizing me. I keep my eyes on the road.
âWhat happened to the four?â she asks.
âSo inquisitive, so eager for information, Miss Steele,â I tease.