Chapter 141
Grey: Fifty Shades of Grey as Told by Christian (Fifty Shades 4)
âA small glass, please.â
I pour her a little more Sancerre. I donât want either of us to drink too much if weâre going to play.
âHowâs the, umâ¦situation that brought you to Seattle?â
Leila. Shit. This I do not want to discuss. âOut of hand. But nothing for you to worry about, Anastasia. I have plans for you this evening.â
I want to see if we can play this so-called arrangement of ours both ways.
âOh?â
âYes. I want you ready and waiting in my playroom in fifteen minutes.â I stand up, watching her closely to gauge her reaction. She takes a quick sip of her wine, her pupils widening. âYou can get ready in your room. Incidentally, the walk-in closet is now full of clothes for you. I donât want any arguments about them.â
Her mouth sets in a surprised o. And I give her a stern look, daring her to argue with me. Remarkably, she says nothing, and I head off to my study to send a quick e-mail to Ros telling her I want to start the process to acquire SIP as soon as possible.
I scan a couple of work e-mails, but see nothing in my inbox about Mrs. Reed. I put thoughts of Leila out of my mind; sheâs preoccupied me for the last twenty-four hours. Tonight Iâm going to focus on Anaâand have some fun.
When I return to the kitchen Anaâs disappeared; I presume sheâs getting ready upstairs.
In my closet I remove my robe and slip on my favorite jeans. As I do, images of Ana in my bathroom come to mindâher flawless back, then her hands pressed against the tiles while I fucked her.
Boy, the girl has stamina.
Letâs see how much.
With a sense of exhilaration I collect my iPod from the living room and bolt upstairs to the playroom.
When I find Ana kneeling as she should be at the entrance facing the roomâeyes down, legs parted, and wearing only her pantiesâmy first feeling is one of relief.
Sheâs still here; sheâs game.
My second is pride: she has followed my instructions to the letter. My smile is hard to hide.
Miss Steele does not back down from a challenge.
Closing the door behind me, I note that her bathrobe has been hung up on the peg. I walk past her barefoot and deposit my iPod on the chest. Iâve decided that Iâm going to deprive her of all her senses but touch, and see how she fares with that. The bed has been made up with satin sheets.
And the leather shackles are in place.
At the chest I take out a hair tie, a blindfold, a fur glove, earbuds, and the handy transmitter that Barney designed for my iPod. I lay out the items in a neat row, plugging the transmitter into the top of the iPod, letting Ana wait. Anticipation is half the buildup to a scene. Once Iâm satisfied I go and stand over her. Anaâs head is bowed, the ambient light burnishing her hair. She looks modest and beautiful, the epitome of a submissive.
âYou look lovely.â I cup her face and tilt her head up until blue eyes meet gray. âYou are one beautiful woman, Anastasia. And youâre all mine,â I whisper. âStand up.â
Sheâs a little stiff as she gets to her feet. âLook at me,â I order, and when I look into her eyes I know I could drown in her serious, rapt expression. Iâve got her full attention. âWe donât have a signed contract, Anastasia. But weâve discussed limits. And I want to reiterate we have safe words, okay?â
She blinks a couple of times, but remains mute.
âWhat are they?â I demand.
She hesitates.
Oh, this will never do.
âWhat are the safe words, Anastasia?â
âYellow.â
âAnd?â
âRed.â
âRemember those.â
She raises an eyebrow in obvious scorn, and is about to say something.
Oh no. Not in my playroom.
âDonât start with your smart mouth in here, Miss Steele. Or I will fuck it with you on your knees. Do you understand?â
As pleasing as that thought is, her obedience is what I want right now.
She swallows her chagrin.
âWell?â
âYes, Sir,â she says quickly.
âGood girl. My intention is not that you should use the safe word because youâre in pain. What I intend to do to you will be intense. Very intense, and you have to guide me. Do you understand?â
Her face remains impassive, giving nothing away.
âThis is about touch, Anastasia. You will not be able to see me or hear me. But youâll be able to feel me.â Ignoring her confounded look, I turn to the audio player above the chest and switch it to auxiliary mode.
I just have to choose a song; and in that moment I recall our conversation in the car after sheâd slept in my bed at The Heathman. Letâs see if she likes some Tudor choral music.
âI am going to tie you to that bed, Anastasia. But Iâm going to blindfold you first andââI show her the iPodââyou will not be able to hear me. All you will hear is the music Iâm going to play for you.â
I think itâs surprise I see registering on her face, but Iâm not sure.
âCome.â I lead her to the foot of the bed. âStand here.â Leaning down, I breathe in her sweet scent and whisper in her ear, âWait here. Keep your eyes on the bed. Picture yourself lying here, bound and totally at my mercy.â
She sucks in her breath.
Yes, baby. Think about it. I resist the temptation to plant a soft kiss on her shoulder. I need to braid her hair first and fetch a flogger. From the top of the chest I grab the hair tie, and from the rack I select my favorite flogger, which I stuff into the back pocket of my jeans.
When I return to stand behind her, I gently take her hair and braid it. âWhile I like your pigtails, Anastasia, I am impatient to have you right now. So one will have to do.â I fasten and tug on the braid so sheâs forced to step back against me. Winding the end around my wrist, I pull to the right, bending her head to expose her neck. I run my nose from her earlobe to her shoulder, sucking and biting gently.