Chapter 150
Grey: Fifty Shades of Grey as Told by Christian (Fifty Shades 4)
âNo, sir.â
âWhat is it, then?â Why the hell have you called?
âLeila left her husband. He finally admitted it to me. Heâs washed his hands of her.â
This is news.
âI see.â
âHe has an idea where she might be, but he wants his palm greased. Wants to know whoâs so interested in his wife. Though thatâs not what he called her.â
I fight my surging anger. âHow much does he want?â
âHe said two thousand.â
âHe said what?â I shout, losing it. Why didnât he just admit earlier that Leila had walked out on him? âWell, he could have told us the fucking truth. Whatâs his number? I need to call him. Welch, this is a real fuckup.â
I glance up, and Ana is standing awkwardly at the entrance to the living room, dressed in jeans and an ugly sweatshirt. Sheâs all big eyes and tight, pinched face, her suitcase beside her.
âFind her,â I snap, hanging up. Iâll deal with Welch later.
Ana walks over to the sofa, and from her backpack removes the Mac, her phone, and the key to her car. Taking a deep breath, she marches to the kitchen and lays all three items on the counter.
What the hell? Sheâs returning her things?
She turns to face me, determination clear on her small ashen face. Itâs her stubborn look, the one I know so well.
âI need the money that Taylor got for my Beetle.â Her voice is calm but monotone.
âAna, I donât want those thingsâtheyâre yours.â She canât do this to me. âPlease, take them.â
âNo, Christian. I only accepted them under sufferance, and I donât want them anymore.â
âAna, be reasonable!â
âI donât want anything that will remind me of you. I just need the money that Taylor got for my car.â Her voice is devoid of emotion.
She wants to forget me.
âAre you really trying to wound me?â
âNo, Iâm not. Iâm trying to protect myself.â
Of courseâsheâs trying to protect herself from the monster.
âPlease Ana, take that stuff.â
Her lips are so pale.
âChristian, I donât want to fightâI just need that money.â
Money. It always comes down to the fucking money.
âWill you take a check?â I snarl.
âYes. I think youâre good for it.â
She wants money, Iâll give her money. I storm into my study, barely holding on to my temper. Sitting at my desk I call Taylor.
âGood morning, Mr. Grey.â
I ignore his greeting. âHow much did you get for Anaâs VW?â
âTwelve thousand dollars, sir.â
âThat much?â In spite of my bleak mood, Iâm surprised.
âItâs a classic,â he says by way of explanation.
âThanks. Can you take Miss Steele home now?â
âOf course. Iâll be right down.â
I hang up and take out my checkbook from my desk drawer. As I do, I remember my conversation with Welch about Leilaâs fucking asshole of a husband.
Itâs always about fucking money!
In my anger I double the amount that Taylor got for the death trap and stuff the check into an envelope.
When I return sheâs still standing by the kitchen island, lost, almost childlike. I hand her the envelope, my anger evaporating at the sight of her.
âTaylor got a good priceâ¦itâs a classic car,â I mumble in apology. âYou can ask him. Heâll take you home.â I nod to where Taylor is waiting at the entrance of the living room.
âThatâs fine, I can get myself home, thank you.â
No! Accept the ride, Ana. Why does she do this?
âAre you going to defy me at every turn?â
âWhy change a habit of a lifetime?â She gives me a blank look.
Thatâs it in a nutshellâwhy our arrangement was doomed from the start. Sheâs just not cut out for this, and deep down, I always knew it. I close my eyes.
I am such a fool.
I try a softer approach, pleading with her.
âPlease, Ana. Let Taylor take you home.â
âIâll get the car, Miss Steele,â Taylor announces with quiet authority and leaves. Maybe sheâll listen to him. She glances around, but heâs already gone down to the basement to fetch the car.
She turns back to me, her eyes wider all of a sudden. And I hold my breath. I really canât believe sheâs going. This is the last time Iâll see her, and she looks so sad. It cuts deep that Iâm the one responsible for that look. I take a hesitant step forward; I want to hold her one more time and beg her to stay.
She steps back, and itâs a move that signals all too clearly that she doesnât want me. Iâve driven her away.
I freeze. âI donât want you to go.â
âI canât stay. I know what I want, and you canât give it to me, and I canât give you what you need.â
Oh, please, Anaâlet me hold you one more time. Smell your sweet, sweet scent. Feel you in my arms. I step toward her again, but she holds up her hands, halting me.
âDonâtâplease.â She recoils, panic etched on her face. âI canât do this.â And she grabs her suitcase and backpack and heads for the foyer. I follow, meek and helpless in her wake, my eyes fixed on her small frame.
In the foyer I call the elevator. I canât take my eyes off herâ¦her delicate, elfin face, those lips, the way her dark lashes fan out and cast a shadow over her pale, pale cheeks. Words fail me as I try to memorize every detail. I have no dazzling lines, no quick wit, no arrogant commands. I have nothingânothing but a yawning void inside my chest.