Chapter 17
Grey: Fifty Shades of Grey as Told by Christian (Fifty Shades 4)
âHow are you getting home?â I pinch the bridge of my nose in the vain hope that the action will distract me from my fraying temper.
âIâll find a way.â
What the hell? Will she drive? I ask her again which bar sheâs in and she ignores my question.
âWhy did you send me the books, Christian?â
âAnastasia, where are you? Tell me now.â
How will she get home?
âYouâre soâ¦domineering.â She giggles. In any other situation I would find this charming. But right nowâI want to show her how domineering I can be. Sheâs driving me crazy.
âAna, so help me, where the fuck are you?â
She giggles again. Shit, sheâs laughing at me!
Again!
âIâm in Portlandâ¦âs a long way from Seattle.â
âWhere in Portland?â
âGood night, Christian.â The line goes dead.
âAna!â
She hung up on me! I stare at the phone in disbelief. No one has ever hung up on me. What the fuck!
âWhatâs the problem?â Elliot calls over from the sofa.
âIâve just been drunk-dialed.â I peer at him and his mouth drops open in surprise.
âYou?â
âYep.â I press the callback button, trying to contain my temper, and my anxiety.
âHi,â she says, all breathy and timid, and sheâs in quieter surroundings.
âIâm coming to get you.â My voice is arctic as I wrestle with my anger and snap my phone shut.
âIâve got to go get this girl and take her home. Do you want to come?â
Elliot is staring at me as if Iâve grown three heads.
âYou? With a chick? This I have to see.â Elliot grabs his sneakers and starts putting them on.
âI just have to make a call.â I wander into his bedroom while I decide if I should call Barney or Welch. Barney is the most senior engineer in the telecommunications division of my company. Heâs a tech genius. But what I want is not strictly legal.
Best to keep this away from my company.
I speed-dial Welch and within seconds his rasping voice answers.
âMr. Grey?â
âIâd really like to know where Anastasia Steele is right now.â
âI see.â He pauses for a moment. âLeave it to me, Mr. Grey.â
I know this is outside the law, but she could be getting herself into trouble.
âThank you.â
âIâll get back to you in a couple of minutes.â
Elliot is rubbing his hands with glee, with a stupid smirk on his face when I return to the living room.
Oh, for fuckâs sake.
âI wouldnât miss this for the world,â he says, gloating.
âIâm just going to get the car keys. Iâll meet you in the garage in five,â I growl, ignoring his smug face.
THE BAR IS CROWDED, full of students determined to have a good time. Thereâs some indie crap thumping over the sound system and the dance floor is crowded with heaving bodies.
It makes me feel old.
Sheâs here somewhere.
Elliot has followed me in through the front door. âDo you see her?â he shouts over the noise. Scanning the room, I spot Katherine Kavanagh. Sheâs with a group of friends, all of them men, sitting in a booth. Thereâs no sign of Ana, but the table is littered with shot glasses and tumblers of beer.
Well, letâs see if Miss Kavanagh is as loyal to her friend as Ana is to her.
She looks at me in surprise when we arrive at her table.
âKatherine,â I say by way of greeting, and she interrupts me before I can ask her Anaâs whereabouts.
âChristian, what a surprise to see you here,â she shouts above the noise. The three guys at the table regard Elliot and me with hostile wariness.
âI was in the neighborhood.â
âAnd whoâs this?â She smiles rather too brightly at Elliot, interrupting me again. What an exasperating woman.
âThis is my brother Elliot. Elliot, Katherine Kavanagh. Whereâs Ana?â
Her smile broadens at Elliot, and Iâm surprised by his answering grin.
âI think she went outside for some fresh air,â Kavanagh responds, but she doesnât look at me. She has eyes only for Mr. Love âEm and Leave âEm. Well, itâs her funeral.
âOutside? Where?â I shout.
âOh. That way.â She points to double doors at the far end of the bar.
Pushing through the throng, I make my way to the door, leaving the three disgruntled men and Kavanagh and Elliot engaged in a grin-off.
Through the double doors there is a line for the ladiesâ washroom, and beyond that a door thatâs open to the outside. Itâs at the back of the bar. Ironically, it leads to the parking lot where Elliot and I have just been.
Walking outside, I find myself in a gathering space adjacent to the parking lotâa hangout flanked by raised flowerbeds, where a few people are smoking, drinking, chatting. Making out. I spot her.
Hell! Sheâs with the photographer, I think, though itâs difficult to tell in the dim light. Sheâs in his arms, but she seems to be twisting away from him. He mutters something to her, which I donât hear, and kisses her, along her jaw.
âJosé, no,â she says, and then itâs clear. Sheâs trying to push him off.
She doesnât want this.
For a moment I want to rip his head off. With my hands fisted at my side I march up to them. âI think the lady said no.â My voice carries, cold and sinister, in the relative quiet, while I struggle to contain my anger.