Burned Dreams: Chapter 21
Burned Dreams: A Forbidden Mafia Bodyguard Romance (Perfectly Imperfect Book 7)
I pull the blanket up to cover Ravennaâs naked shoulder and sit on the edge of the bed, staring at the phone in my hand. Several scenarios were running through my head as I was lying next to Ravenna earlier, her head tucked into the crook of my neck. None of them were great, and each option seemed worse than the last. The moment I offed Pisano, I knew thereâs only one feasible outcome to this situation.
I find the name Iâm looking for in my contacts list and dial. Itâs well after midnight, but heâll answer. No one calls the don at this time unless itâs an emergency.
âWhat happened?â Salvatore Ajelloâs voice comes through the line.
âRocco Pisano is dead,â I say.
âDid the Serbs get him?â
âNo. I did.â
Dead air reigns before he speaks again. âAnd are you just calling to confess?â
âNo. I called to tell you that Ravenna had nothing to do with it. No harm should be done to her.â
Iâve been working for the don directly for years, and he gets me well enough to know that I wouldnât kill anyone without a reason. Especially a capo. But it doesnât change the fact that I did so without his approval. I went against the don and betrayed the Family. The punishment for that is death. I canât run and I canât lie to him. Besides, he probably already knows what happened at the brunch party, including me and Ravenna kissing in front of everyone.
Ajello again falls silent, making panic rise in my chest. To keep Ravi safe, I wouldnât bat an eye over killing him, too. But Iâm not sure Iâll ever get that chance.
âPlease.â I close my eyes and squeeze the phone in my hand.
âDid he deserve it?â
âHe deserved much more than what I served up,â I say.
Another pause. It probably lasts mere seconds, but it feels like eons to me.
âAre you at Roccoâs house?â Ajello asks.
âYes.â
âThe body?â
âIn his office.â
âAll right. Listen to me very carefully, Zanetti. You have four hours to clean up your shit, then take your woman and be gone by five. Do you understand?â
Heâs letting us go?
âDo you understand, Zanetti?â
âWhy?â I ask.
âYou saved my wifeâs life. Now, Iâm gifting you yours, so weâre even. If Iâll ever see you in my city again, youâre dead.â
âWeâll be gone in four hours.â
âGood. Make sure you cover your tracks, because if anyone connects you to this fucking mess, Iâm giving my men the green light to come after both of you.â
He disconnects the call, leaving me no doubt he means it.
I set down my phone and stare at it while the wheels in my brain begin to spin. A minute later, I dial another number.
âI need another body,â I say as soon as Felix answers the call.
âWhat?! Are you insane? Do you know what timeââ
âStop talking, Felix. This is an emergency.â
âLife and death?â
âYes. I need a female body, black hair, twenties. Delivery location is New York, Iâll send you the address.â
âFine. Iâll have something for you next week.â
âI need it delivered in three hours, Felix. Not a minute longer. And I need a car.â
I cut the call and run out of the room to get my laptop and the blueprints for the mansion.
* * *
Planning a house fire that appears as if it was a gas leak and erasing all evidence of my involvement in about two hours is nearly impossible, but I donât have a choice. Even if the gas leak doesnât hold up, it wonât matter as long as they believe that Rocco, Ravenna, and I died in the blaze.
I check the blueprints spread out on the floor next to the bed one more time, then glance at Ravenna. Sheâs still soundly asleep.
âIâll make this work, Ravi.â
Grabbing my laptop, I open up the video surveillance software and pull up the archived data files, finding the recording from the gate camera that shows my car when I left earlier today. The time log is for just after four in the afternoon. I edit the half-a-minute clip, switching it with a dummy video of the closed gate. Then, I skip ahead to when I snuck in and killed the two security guys at the guardhouse. I alter that part as well, along with a few frames where cameras caught me offing the rest of the guards.
It takes me almost two hours to edit every compromising frame. Since I already had several saved clips from various times in the day, it was a matter of finding suitable ones and manipulating the log entries before splicing the feeds, resulting in a clean continuous recording that shows me and Ravenna arriving at the mansion midafternoon, and then Rocco showing up at half past ten. With that done, I override all cameras between the front door and the gate to display a still image for the next two hours.
The first phase is done. Time to head downstairs to set up the stage for phase two.
* * *
The low rumble of the engines fills the night as Iâm taking out the empty fuel canisters through the front door. A few seconds later, two black SUVs round the bend in the driveway and come to a stop near the front steps. The driverâs door of the leading car opens and a man in his late forties exits. My body bag buddy from last week.
âAnother delivery from Felix Allen,â he says and walks up to open the vehicleâs cargo area. âFemale. Black hair. Died of natural causes. I couldnât get one in early twenties on short notice, so you got someone in their late thirties. Sorry.â
âItâll work.â I nod. There wonât be much left of the body to identify anyway. If there is, Iâll have Felix do his magic and alter the DNA test results to show a match.
âTell Felix he owes me,â the man says and throws me the car keys.
âThere are two bodies by the gate and three more along the perimeter wall.â I take out five diamonds from my pocket and hand them over. âCan you dispose of them for me?â
âSure.â
I watch as he pulls away in the other vehicle, then take the body bag out of the car and throw it over my shoulder.
Rocco and the body of the male from my SUV are already arranged in the kitchen. It might not be the ideal location, but the natural gas furnace is right underneath, so the kitchen will suffer the biggest damage when the heater explodes. I add the femaleâs body to the scene, collect the body bag, and take it back out to the vehicle Felixâs guy delivered. I shove the empty jerry cans into the cargo space, then transfer the stuff out of mine to the replacement SUV. When everything is done, I start the vehicle and turn on the heat, then head back inside the mansion to get Ravenna.
âRavi.â
I open my eyes and squint at Alessandro. Heâs crouching next to the bed and, although he looks tired, his eyes are sparking in the dim light.
âItâs time to go, baby.â He reaches out and brushes my cheek with the back of his hand. âIâll take your bag to the car.â
âWhatâs going on?â
A smile pulls at his lips as he leans forward to drop a quick kiss on mine. âIn order for us to get away, we need to die first.â
He collects his laptop and some papers off the floor and leaves the room.
As Iâm descending the stairwell ten minutes later, Iâm hit with a strong smell of gasoline. The odor is so overwhelming that my eyes begin to water and a sudden cough seizes my throat. I bury my face in the crook of my elbow and run across the entry hall as fast as I can to get outside.
Alessandro is standing by an unfamiliar black vehicle, holding the driverâs door open for me. He has a gas mask around his neck, and in his other hand, heâs holding a bottle with a rag sticking out of it.
âDrive to the gate and wait for me,â he says. âIâll be there shortly.â
âWhat are you going to do?â
âLooks like the guys who installed the new furnace for Rocco may have fucked up. Thereâs a serious gas leak.â
âWhen did it happen?â
âIn about twenty minutes.â He pulls the gas mask over his face and heads inside the mansion.
The last time I drove was a year ago when I borrowed the car from Melania to take my mom to see a doctor, so I need to concentrate on the controls. Creeping up to the gate, I decide to stop just at the bend in the road, which allows me to see both the estate entrance and the mansionâs front doors. When I turn around to look through the rear window, Alessandro is nowhere to be seen. The bottle with the rag that he had in his hand is left on the driveway where the SUV had been.
I spend the next twenty minutes switching my gaze between the clock on the dash and the back window, waiting for Alessandro to come out. My patience is running thin and Iâm considering going back to look for him when the front door opens and Alessandro steps out.
He casually strolls to the middle of the driveway, then stops and removes his face mask. My phone starts to ring. I answer the call while keeping my eyes on Alessandro, who is holding his phone to his ear.
âCover your ears, Ravi baby,â his voice comes through the line.
âOkay,â I whisper and watch as he puts away his phone and bends to collect the Molotov cocktail off the ground.
My heart begins to gallop as he turns to face the house and takes something out of his pants pocket. Iâm too far away to see what it was, but the tendril of flame that seems to spark from his hand lets me know that itâs his Zippo lighter. He brings the bottle over the flame, lights the rag, and launches it at one of the house windows on the ground floor, breaking the glass.
Alessandro is already running toward the car when a thunderous boom reverberates through the air. As if Iâm watching a scene from a Hollywood film, my eyes are glued to his huge form emerging from a cloud of smoke, while the flames at his back are rising toward the night sky, casting an orange glow on everything within the vicinity.
I yank on the door handle and get out of the car, wanting nothing more than to make sure heâs okay, but I donât get a chance because the instant Alessandro reaches me, he pulls me into his arms and slams his mouth to mine.
âWould it be weird if I ask you to marry me the same night you became a widow?â he mumbles into my mouth.
âI donât know. Would it?â I laugh.
âWho cares? Weâre officially dead anyway.â He leans away and fixes me with his gaze. âWill you marry me, Ravi baby?â
I take his lower lip between my teeth and bite it. âYes.â