Dance of Deception: Chapter 15
Dance of Deception: A Dark Forced Marriage Mafia Romance
The final notes of Tchaikovskyâs pas de trois echo through the empty theater as I hit my end position.
Brooklyn mirrors the movement on the other side of Vaughn, our chests still heaving with exertion.
I take a deep breath and let the moment settle, before exhaling and relaxing, bent forward, spent.
The past couple of weeks since it came out that I was marrying Carmine Barone have been a whirlwind.
At the theater, the news swept through the company like wildfire. At first, I couldnât set foot in the dressing room without hearing whispersâsome curious, some tinged with a bit of jealously, or worse, scorn and judgement.
Some people were just outright confused. Milena had to shut down at least three ridiculous theories, ranging from she must be pregnant to she must have blackmailed him into it.
Which, technically, isnât entirely false.
But it was Bianca who really put a stop to it. Not with any loud declarations or dramatic speeches. Just a few well-placed looks, a couple of quietly spoken words, and suddenly, the rumor mill, mercifully, died a swift death.
Of course, deflecting rumors hasnât been the only hazard that comes with getting engaged to Carmine. Milena caught sight of the bite mark he left on my inner thigh when we were changing at the end of the afternoonâand, of course, had a fucking field day with it.
Iâd barely tugged my tights off when she zeroed in on it like a shark scenting blood.
âOh my fucking God,â she gasped, grinning. âDonât tell me that is a bite mark.â
Iâd whipped around to glare at her, but it was too late. She was already cackling, calling Evelina over, demanding a full forensic analysis.
But now, with just two days to go before Iâm bound forever to that madman, itâs clear everyone around me understands that the time for joking is over.
âWell,â Vaughn mutters next to me on stage, still catching his breath. âThat was sufficiently brutal.â
Brooklyn groans, rolling her shoulders. âSeriously. I need ice. Maybe a priest.â
âSpeaking of priestâ¦â Vaughn grins and turns to me. âWhatâs the countdown again?â
Brooklyn sighs, shooting Vaughn a look. âTwo days. Seriously, how hard is it to remember that? Stop asking her.â
I flash her a grateful grin.
Vaughn rolls his eyes. âIt might have helped if yours truly had gotten a fucking wedding invite,â he grunts, rolling his muscled shoulders and stretching his veined forearms.
I sigh. âOkay, a, I had nothing to do with the guest list, believe me. And b, itâs a small wedding.â
Vaughn snorts, arching a sarcasm-laden brow. âHow small?â
Shit.
I wince as I raise my eyes to his. âUm, two hundred guests?â
Vaughn and Brooklyn laugh loudly, shaking their heads.
âJust two hundred of your closest personal friends,â Vaughn snickers. âDude, I donât even know two hundred people.â
Brooklyn snorts loudly. âIf we include people your dick knows, are we getting closer?â
Vaughn feigns mock indignation.
âI feel like Iâm being slut-shamed.â
âWell, thatâs because youâre kinda a slut,â Brooklyn grins.
Vaughn rolls his eyes and flips her off before turning back to me. âLet me at least see it.â
I frown. âSee what?â
He grins salaciously. âThe fucking bite mark I heard The Godfather gave you on your pussy.â
My jaw drops.
âOkay, first of all, no,â I snap testily. âAnd secondly, he did not bite me on myâ¦myâ¦â I swallow. âThatâs just not true.â
âMilena said that psycho bit your fucking pussyâ ââ
âIt was my thigh! Jesus!!â I shriek, before realizing what Iâve done.
Goddammit.
Vaughnâs grin gets even wider. âSo, how is it, fucking mafia royalty?â
My face throbs as I turn away, sliding to the floor to stretch my calves.
âI have no idea.â
âSeriously?â Vaughn walks over and plants himself directly back in my line of sight.
âSeriously,â I mutter.
âHold up. Youâve been engaged to Mr. Broody Psycho-hot Mafia for weeks now, and you havenât fucked him?â
When I just shrug, Vaughn groans.
âBanging a mafia prince or princess is totally on my sexual bucket list. You get it served up on a platter and you say âpassâ.â He sighs and turns to Brooklyn. âThe fucking unmitigated gall.â
I snort, shaking my head as the three of us move to exit the stage. Just as Iâm about to step into the wings, my name is called from the shadows of the fourth row.
âLyra.â
I freeze.
Madame Kuzminaâs voice is, as always, calm but commandingâthe kind of tone thatâs never really a request.
Brooklyn and Vaughn pause, glancing at me.
Kuzmina barely misses a beat. âYou two can go,â she says simply.
Vaughn lifts a brow, but Brooklyn nudges him, pushing him toward the dressing rooms.
Crap. Madame Kuzmina isnât someone who just summons people without reason.
She moves down the aisle a few rows, still barely lit by the stage lights. She raises one of her hands and beckons.
âCome.â
I nod, quickly stepping to the edge of the stage and clambering down before making my way to her.
Madame Kuzmina has a way of coming off as ancient, like sheâs a witch whoâs mastered time spells or something. But in reality, sheâs not actually that old. Gun to my head, Iâd have to say mid-to-late thirties.
Sheâs perpetually dressed in dark shawls, adding to her vibe of a Roma fortune teller, or a witch. But up close, sheâs got an elegant edge. Her features are sharp, but thereâs a shrewd beauty to her, with dark eyes that seem to be constantly assessing.
âM-madame?â I ask with a nervous smile.
She just nods her chin. âFollow me.â
She turns and walks away. I swallow uncomfortably, wiping my damp palms on my leotard, and follow.
Iâve never been in Madame Kuzminaâs private study in the three years Iâve been dancing with the Zakharova. I donât know if anyone in the company has.
The room is dark, old-world elegant, the air thick with the scent of aged paper and faded perfume. Behind her desk, a bank of windows overlooks the upper orchestra seats and the stage below.
Posters of legendary ballet productions line the walls, alongside framed black-and-white photos of dancers frozen in action.
A piano sits in the corner, its black lacquered surface gleaming in the dim light. Shelves upon shelves of vinyl records fill the space, meticulously categorized.
Madame Kuzmina gestures toward a chair.
âPlease, sit,â she purrs in her slightly Russian accent.
I do so, back ramrod straight, hands clasped in my lap.
Thereâs a pause.
I finally break the silence. âWhy did you wish to talk to me, Madame?â
Kuzmina arches a brow fiercely.
âI didnât.â
I blink. âWhat?â
She turns, moving toward the door, then opens it, and I jump to my feet when a man I know walks in.
âThank you, Magda,â Kir Nikolayev murmurs, his deep, smooth voice laced with authority.
Madame Kuzmina nods quietly to him before turning to let her eyes sweep over me impassively. Then she closes the door behind her, leaving us alone.
For a moment, the room is silent. Kir stands by the door in a dark gray suit, his piercing eyes appraising me. Then, with a nod, he moves across the room, sweeping past me to sit in Madame Kuzminaâs chair across the desk from me. He settles back, clearly waiting for me to sit as well. When I do, he clears his throat.
âItâs been some time, hasnât it, Lyra?â
Kirâs voice is smooth, like a blade dragging along silk. I grip the arms of the chair, my pulse skipping painfully in my neck.
Weâve seen each other at Zakharova events. But itâs been years since we spoke alone like this. But I remember exactly where I was the last time we did.
It was a hotel room in the Bronx, the air stale from my motherâs cigarettes. The walls too thin, the cheap comforter scratchy on my arms as I sat on the edge of the bed, feeling as hollow as the house weâd left behind.
The house that was now marked off with crime scene tape.
I was fourteen and had just had the foundations of my reality destroyed, my faith in men shattered, my belief in family, love, and truth all broken thanks to my fateful exploration of the far end of our basement that my father had always told me to stay away from.
Kir had walked into the hotel room like he owned the placeâcalm, controlledâbut hadnât looked at me with cruelty.
Heâd looked at me like I was a problem to be solved.
âYour father has been excommunicated from my organization, Lyra,â Kir had said, his voice tight. âDo you know what that means?â
Iâd shaken my head.
âIt means heâs not protected by us anymore, not after what he did. Which means you are free to tell the police everything you know to put him in a deep hole, which is where he belongs.â
Iâd hesitated.
Kir had leaned in slightly, his presence heavy and suffocating.
âYou and your mother will not face any kind of reprisal for aiding in the case against your father.â
So, I talked.
I testified.
And Arkadi went to prison.
Now, years later, Kir is studying me like Iâm still that girl sitting on the edge of a hotel bed, waiting to see what happens next.
âForgive the dramatics of meeting you this way,â Kir finally says, turning slightly, his hands steepled against the dark suit pulled across his firm chest. âYouâll understand in a moment why I didnât want our conversation overheard.â
I lick my lips, swallowing. âWhat do you want?â
Kirâs lips tilt into something that isnât quite a smile as he shifts, leaning closer, and I swear, the actual air in the room tightens.
Kir is, objectively, gorgeous. The kind of good-looking that sucks all the air out of the room. Itâs not in the way Carmine is attractiveâsharp, savage, and untamed.
Kir is refined, carrying himself with quiet, utterly devastating confidence. Heâs older, radiates power, and always seems dangerously in control.
âI wanted to speak to you,â he says lightly, tapping his fingers on the desk in front of him, âbecause Iâve been thinking about your fatherâs enemiesâof which, youâll be Iâm sure completely unsurprised to hear, he had plenty.â
The blood in my veins chills.
Kir leans forward, resting his elbows on his knees. âYet theyâve left you and your mother alone up till now. Do you know why?â
I shake my head.
âBecause you had nothing to offer them.â His tone is neutral, detached. âYou and your mother were barely scraping by. Therefore, no reason for them to care.â
His gaze narrows.
âBut now youâre marrying Carmine Barone.â
He lets that sink in.
âArkadi made a lot of enemies,â Kir continues. âIn life, and in death.â
I flinch. Kir notices.
He shifts again, his voice dropping lower. âI heard about Popov.â Kir shakes his head. âIf you needed money, you should have come to me.â
I swallow hard. âI donâtâ ââ
âYouâre marrying him for it,â Kir says evenly. âCarmine, I mean.â
I shake my head too quickly. âItâsâitâs not like that.â
Kir doesnât look convinced.
âCan I assume your new fiancé is the reason Popov no longer has a pulse?â He arches his brow. âOr hands, for that matter?â
I freeze, eyes bulging.
Kir leans back, studying me again. âThat, however, is not why I wanted to sit down with you today.â He frowns, tapping the desk again with one hand as he strokes his chiseled jawline with the other thoughtfully. âI donât want to alarm you,â he murmurs, âbut I heard a rumor.â
A rumor.
My fingers tighten in my lap. âWhat kind of rumor?â
Kirâs expression doesnât change, but his ice-blue, predatory eyes hold mine in place.
âThe kind thatâs designed to scare you.â
He sighs, rubbing his jaw. âI can assume you know who Marcus Chen is?â
My stomach turns. Of course I do.
Marcus Chen is the conspiracy theorist-slash-snake-oil-salesman who run The Truth Report podcast and blog. Heâs basically the epicenter of all of the especially ridiculous, horrifying theories about my fatherâs crimes and my connection to them.
The motherfucker whoâs leaked my phone number and my address to his rabid, lunatic fans multiple times. The one who sends grieving people like Chris Hodgkins my way with twisted lies roaring in their heads about my connection to their dead loved ones.
Kir watches my reaction carefully.
âHeâs publishing a new article later tonight,â he says smoothly. âAnd itâsâ¦not pretty.â
I swallow hard. âWhat does it say?â
Kir exhales slowly. âThat your father isnât dead. That his body was never recovered. That the prison autopsy was fabricated.â He holds up a hand as I open my mouth. âItâs all bullshit. But bullshit spreads fast.â
I sway slightly. The room tilts.
Kir sits back, crossing one leg over the other. âI could, of course, pay him a visit. Make him rethink his career choices.â His tone is dry and laced with something sharp. âBut that would only make him double down. If I go after him, heâll publish the story with twice the effort.â
I drag my tongue over my lips, trying to swallow past the sudden dryness in my throat. âSo why are you telling me this?â
Kir studies me. âBecause I wanted to reassure you before you heard it from someone else.â
The air feels too thick.
He adjusts his suit jacket. âI wanted you to know that I am handling it. And that you have nothing to fear.â
Something sharp twists inside of me. Darkness from the past claws up from the shadows, strangling me for a moment. But I force a tight smile, swallowing the unease curling through me. âThank you for telling me.â
Kir inclines his head. âOne last thing.â
I blink. âWhat?â
His piercing gaze hardens, voice dropping. âAre you being forced into this wedding?â
The words hit like a gunshot.
Kir leans forward slightly, his hands steepled in front of him. âIf youâre feeling pressuredâwhether for money, or for any other reason that makes you feel as if you donât have a choiceââ He clears his throat, resting his hands on the edge of the desk, his gaze steel-cutting into me.
âNow is the time to say something. And I am the one to say it to.â
The room goes still.
âIâm your way out, Lyra. Iâm your lifeline, if you need it. But you have to tell me right the fuck now.â
He leans in. âDo you need me to stop your wedding to Carmine Barone. Yes or no?â
The fact that I hesitate at all tells me I should probably be committed.
The fact that I donât immediately scream âYES, SAVE ME, KIR!â and leap across the desk into his arms is proof that Iâm unwell, unfit to take care of myself.
I could lie and say the reason I donât say yes is that Iâm scared of Carmine.
But the truth?
I donât say yes because I might already be too tangled up in his darkness to break free.
I meet Kirâs gaze, forcing a smile. âThank you,â I say quietly. âBut Iâm okay.â
Kirâs expression doesnât change. He watches me, his gaze a little too sharp, a little too knowing.
Then he nods. âVery well.â
He stands, adjusting his suit jacket. âI wish you a very happy and fulfilling marriage,â he adds dryly.
He stops beside me as I rise. His brow furrows slightly. âAgain, my intention wasnât to scare you. Just to inform you.â
I swallow. âThanks.â
Kir nods, his expression unreadable.
âYour father is not walking around like some vengeful ghost, Lyra.â
He places a firm, powerful hand on my tense shoulder.
âGhosts arenât real.â
I manage to keep my composure.
But the second heâs gone, the words I canât shake from my head slither through my skull like a death sentence.
Youâll pay dearly for putting me away, moya dorogaya dochâ.
Ghosts arenât real.
But what happens if they are?