Savage Hearts: Chapter 23
Savage Hearts (Queens & Monsters Book 3)
he pain is everywhere.
Itâs mostly in my stomach, but itâs also all over me, everywhere at once. Every breath is agony. The smallest movement is torture. Even the air brushing my skin makes it hurt.
It hurts so bad, I wish I were dead.
My eyes are closed and my mind is sluggish, dulled by the blunt force of the pain, but Iâm still vaguely aware of my surroundings.
I smell antiseptic.
I hear words spoken low in a foreign language.
I feel a cold pinch of metal as a needle is inserted into my arm, then a faint burning in the vein.
The sharpest edge of the pain dulls within seconds. My moan of gratitude is a reflex.
A cell phone rings.
Heavy footsteps move away.
A voice I recognize says in English, âIâm within my rights. Itâs not for you to question.â
Itâs Malek. He sounds furious.
More silence. Then he speaks in rapid-fire sentences, biting the words off his tongue.
âI took her as repayment for Mikhail. What I do from here is none of your business. This is all the explanation youâll get, Kazimir. Sheâs mine now. Donât contact me again.â
The heavy footsteps move closer. Malek speaks again, this time in Russian.
Also in Russian, the answer comes from my right.
Itâs a manâs voice. He sounds nervous. I sense there are others nearby, watching silently, just as nervous as him.
When Malek responds, I understand it, so it must be in English. But my brain is as fuzzy as a cotton ball. Whateverâs getting pumped into my arm is dragging me fast toward unconsciousness.
âDo it,â he growls. âIf she dies, so do all of you.â
The words slip-slide out of my grasp even as theyâre spoken, rising up on lazy drafts of air to echo against the ceiling until they fade away.
A wave of darkness crashes down and swallows me whole.
Like a tide, the darkness slowly recedes.
Dappled light filters through my closed eyelids. I smell him somewhere close by, that heady scent of a dense nighttime woods. My pulse surges. A steady mechanical beeping accelerates to match it. I must be hooked up to a monitor.
âLive, little bird,â Mal says, close to my ear, his voice low and urgent. âFly back to me.â
I drag my eyelids open long enough to glimpse him there, hovering over me like the angel of death, beautiful and otherworldly, his pale eyes burning bright.
I understand that he believes Iâm going to die.
He takes my cold hand and squeezes it. Hard. He commands gruffly, âLive.â
The tide of darkness rolls in to claim me once again.
Iâm lifted in strong arms. The pain is excruciating, but I canât cry out. I have no power over any part of my body, including my vocal cords. Iâm limp, my limbs dangling lifelessly like a dollâs. I donât have enough energy to even open my eyes.
Iâm also cold. Freezing cold.
Iâve been entombed inside an iceberg.
Then thereâs movement. Disorienting movement. I canât tell what direction is up or down. The arms that were carrying me have disappeared. Iâm stretched out on a comfortable surface.
I must have been placed flat but canât remember it. I also still canât open my eyes.
Something soft and heavy covers my body. A low hum of noise soothes my screaming nerves. A rocking motion lulls me into a trance. Iâm cradled in warmth and security, and though the pain in my body is intense, I feel strangely calm. Calm and detached from myself, as if Iâm floating weightlessly in the air several feet away, observing.
Maybe Iâm dead already.
I thought the afterlife would be less painful than this.
The rocking slows, then stops. I inhale a breath that smells like snow.
âGood evening, sir. May I see your passport, please?â
The voice is male, friendly, and unfamiliar.
After a pause, the friendly man speaks again. âHow long do you plan to stay in Canada, sir?â
âA few days.â
âAre you here for business or pleasure?â
âPleasure. Iâve always wanted to see Niagara Falls from the other side.â
âDo you have anything to declare?â
âNo.â
Thereâs another pause, then the friendly man wishes Mal a safe journey.
The humming noise starts up again. The rocking motion lulls me back into a trance.
I tumble back into darkness.
When I open my eyes one minute or one hundred years later, Iâm lying on my back in a strange bed.
The room is cool, bright, and quiet, a comfortable blur. Without my glasses, I canât see the details of my surroundings, but it doesnât feel like a hospital. Doesnât smell like one, either.
The air smells distinctly of campfire and pine needles. Of dense rain clouds and wet undergrowth. Of thick green moss climbing ancient tree trunks shrouded in fog at the tops.
Of the kind of wild outdoors where no people are.
It reminds me of a camping trip near Muir Woods my family took together when I was a kid. Gathering kindling for the fire, cold nights spent tucked into cozy sleeping bags, the sky overhead a glittering blanket of stars. Sloane and I whispering and giggling late into the night in our tent after our parents had fallen asleep in theirs.
Itâs one of the last good memories I have of the two of us before our mother died.
I lie still for a moment, just breathing. Trying to stitch my ragged patchwork memory back together. Only bits and pieces of things surface, brief moments of awareness between long stretches of black. Even the things I can recall are blurry and full of static.
I have no idea much time has passed.
âHello? Is anyone here?â
My voice is a frogâs croak. My mouth tastes like ashes.
Heavy footsteps draw closer, stopping beside me. I know itâs him even before he speaks. Iâd know his step and his scent anywhere. That dark presence, as powerful as gravity.
âYouâre awake.â
Surprise softens the naturally rough timbre of his voice. Surprise and something else.
Relief?
Disappointment, more likely.
I moisten my lips, swallow, cough. When my stomach muscles contract, it feels like someone rammed a white-hot poker straight through my gut. I cry out in agony.
He murmurs something in Russian, soothing nonsensical words, then supports my head with one hand and presses a glass to my lips.
Water. Ice cold and clear. Itâs the most delicious thing Iâve ever tasted.
I drink deeply until thereâs nothing left. He takes the glass away and runs his thumb along my bottom lip, catching a dribble.
I whisper, âWhere am I? What happened? Is Kieran okay?â
The mattress dips with his weight. He leans over me, setting his hand beside my pillow, bringing his face into focus. He gazes down into my eyes and answers my questions as succinctly as I asked them.
âYouâre at my home. You were shot by your bodyguard. The blond one. I donât know if the other oneâs alive. Iâll find out if you want me to.â
âYes, please.â
He nods. We stare at each other in silence. Somewhere outside, a crow caws three times.
It seems like a bad omen, like the flock of geese murdered by the plane as we descended into Boston.
âIâ¦I donât remember being shot.â
He nods again, but doesnât respond to that.
âWill I be okay?â
âYou lost a kidney. And your spleen. And a lot of blood.â
âIs that a yes or a no?â
âItâs a maybe. How do you feel?â
I think about it, searching for the perfect word to describe the sensation of extreme weakness, overwhelming exhaustion, and throbbing, bone-deep pain.
âShitty.â
He gazes at me in unsmiling, laser-focused silence, then says suddenly, âSoup?â
I blink in confusion, not knowing if I heard him correctly because my brain is cottage cheese. âExcuse me?â
âDo you think you can eat something?â
Now I get it. âWhat kind of soup is it?â
He frowns. âThe kind I made. Do you want it or not?â
Weâre talking about soup. This is crazy. Focus, Riley. Find out whatâs going on. I close my eyes and exhale slowly. âWhy am I here?â
He pauses. Then his voice comes very low. âBecause I want you to be.â
Iâm afraid to open my eyes, but I do it anyway. He stares down at me with a million unspoken things burning in his gaze, all of them frightening.
I try to make my voice strong. âHow long will I be here?â
âAs long as it takes.â
I donât have the nerve to ask him what that means or the energy to handle whatever the answer might be. I just bite my lip and nod, as if any of this makes any sense whatsoever.
He rises and leaves.
I hear sounds from another room. Pots clatter on a stove. A door opens and closes. Water runs into a sink.
Then heâs back, sitting on the edge of the bed again, a plain white ceramic bowl cradled in his hands. He sets the bowl on the small wood table beside the bed.
âIâm going to lift you. It will hurt.â
Before I can protest that Iâm hurting enough already, he drags me up by my armpits to a sitting position.
He wasnât exaggerating: it hurts. It hurts like a bitch. A thousand knives stab into my stomach and slash it apart. The pain leaves me breathless and gasping.
Steadying me with one hand, he props the pillow against the headboard with the other. Then he helps me lie back against it, shushing me gently when I groan.
He sits next to me again, picks up the bowl, ladles the spoon into it, then holds the spoon to my lips. He waits patiently until Iâve controlled my ragged breathing and open my mouth, then he slides the spoon between my lips.
The soup is hot, creamy, and delicious. I swallow greedily, licking my lips.
He grunts in satisfaction and feeds me another spoonful.
It isnât until Iâm halfway through the bowl that I speak again. âHow long have I been here?â
âSince last night. You spent six days in the hospital before that.â
Iâve been unconscious for a week? Impossible.
He sees my shock and says, âYou were in a trauma unit until you were stable enough to be moved.â
âTrauma unit,â I repeat, struggling to find the memory.
Thereâs nothing. Itâs a dead end. A blank wall.
âA place we use, off the books. You had surgery. Youâve been given analgesics, antibiotics, and hydration through IV. Blood transfusions, too.â He pauses. âYou shouldnât be alive.â
My voice faint, I say, âI told you I was stubborn.â
âYes. You did.â
He gazes at me with such searing intent, I grow self-conscious.
The self-consciousness vanishes when my fried brain synapses decide to start firing again, and I remember something Spider told me when we were fleeing from Malek at the bookstore.
âHeâs the right hand of the Moscow Bratva king.â
The important part being âMoscow.â
My heartbeat surges into a thundering gallop. My voice turns hoarse. âWhen you said Iâm at your homeâ¦where are we, exactly?â
Holding my gaze, he says a word.
Itâs not in English.
My instincts suggest itâs the name of a town, but it canât be what Iâm thinking. I refuse to believe itâs true.
I whisper, âWhere have you taken me? Where is this place?â
He remains silent. His eyes are full of darkness. Such deep, impenetrable darkness, itâs like looking into an abyss.
âYou already know where you are. And this is where youâll be staying.â
Then he stands and leaves the room, closing the door behind him.