Silent Vows (Bonds of Betrayal): Chapter 20
Silent Vows: A Dark, Mafia Romance (Bonds of Betrayal)
The private dining room at Le Saint-Martin hums with tension, the kind that makes lesser menâs hands shake. Crystal chandeliers cast strategic shadows across the massive mahogany table, their light reflecting off cut crystal glasses filled with wine worth more than most people make in a month. Every surface screams old money, old powerâfrom the hand-painted silk wallpaper to the antique Aubusson carpet beneath our feet.
I sit at the head of the table, a position earned through blood and cunning. My external calm is a mask Iâve perfected over decades, hiding the rage burning in my chest. Around me, New Yorkâs most powerful families have gatheredâtwelve dons whose combined influence could reshape the cityâs underworld. Every one of them has watched the video of Sophia. Every calculating eye weighs my worth, my control, my right to lead.
Don Vitelli sits to my immediate rightâold guard, traditional, dangerous in his rigid adherence to the old ways. His silver hair gleams under the chandelier light as he swirls his Bordeaux, the ruby liquid catching the light like blood. To my left, Alberto Marconiâyounger, hungrier, already calculating how my potential fall might benefit him. Heâs here on behalf of his father, whom Bella charmed at our wedding.
As I survey the table, Johnny Calabreseâs absence is conspicuous. He always represents the family at these meetingsâhis sadistic nature perfectly suited for our worldâs political games. But neither he nor Don Calabrese sits in their usual place. Instead, a younger man occupies the Calabrese seatâAnthony, Johnnyâs nephew, probably no older than Bella.
He has his uncleâs classic good looksâthe sharp jaw, the aristocratic noseâbut none of the cruelty that makes Johnny so dangerous. His Zegna suit still has that fresh-pressed look of someone not used to wearing one daily, his signet ring too bright and new on his finger. He keeps glancing at other dons for guidance. The Calabrese family is clearly making moves, but sending this wet-behind-the-ears boy to represent them?
âInteresting choice of representation,â I observe coolly, watching Anthony try not to squirm under my gaze. âThe Calabrese family must be ⦠distracted.â
Don Rosettiâalways eager to curry favor with stronger alliesâjumps in with a sneer. âPerhaps theyâre too busy playing with drugs and whores to attend to real business.â
Anthonyâs face flushes red as he half rises from his chair. âYouâll explain yourself, old man.â
âI donât explain anything to children playing at being made men,â Rosetti snorts, swirling his wine with deliberate casualness. âCome back when your balls have dropped.â
The temperature in the room drops ten degrees. Anthonyâs hand twitches toward his jacket as his bodyguards step forward. Around the table, other guards mirror the movement, hands disappearing beneath tailored suits. The click of multiple safeties being released echoes off the silk wallpaper.
I sit back, sipping my scotch, enjoying the spectacle. Let them posture and threatenâevery moment they spend snapping at each other is one less focused on questioning my control. Besides, thereâs something almost entertaining about watching the next generation fumble through our deadly dances.
âGentlemen.â Don Vitelliâs aged voice finally cuts through the tension as he sets down his wine with precise movement. âWhile I find this display of testosterone amusing, we have more urgent matters to discuss.â His pale eyes fix on me. âSpecifically, the video thatâs been circulating through our circles. The one showing Sophia DeLucaâs final moments.â
The entertainment Iâd been feeling at the younger menâs posturing evaporates. Around the table, the atmosphere shifts from potentially violent to deliberately calculating.
âAnd how is this the Familiesâ problem?â I ask carefully, my voice measured.
âThe problem,â Vitelli continues, running his finger along the rim of his wine glass, âisnât just the video. Itâs the pattern of deception.â
âPattern?â I keep my voice controlled, arctic. The temperature in the room seems to drop an additional ten degrees.
âFirst Sophiaâs death. Now your new wifeâs mother. And your daughter missing â¦â Vitelli spreads his manicured hands across the white tablecloth. His signet ring catches the lightâa reminder of his familyâs centuries of power. âIt doesnât look good, Matteo.â
âCareful, old friend.â I infuse the last two words with enough venom to make several of the younger dons shift uncomfortably in their leather chairs. Vitelli might be old guard, but heâs forgetting who made him rich enough to afford that ring.
âHeâs right though.â A minor donâSalvatore, one of Carmineâs recent acquisitionsâchimes in from further down the table. Heâs sweating slightly, despite the roomâs perfect temperature. Amateur. âThe Families need stability. If youâve lost controlâ ââ
âLost control?â My laugh makes several dons flinch, wine sloshing in their glasses. Through the floor-to-ceiling windows, the cityâs lights spread out below us like a carpet of stars, reminding me of everything Iâve built. Everything at stake. âLet me be clear about whatâs happening here. Carmine Russo orchestrated his own sister-in-lawâs murder. Heâs holding my daughter hostage. And you sit here, questioning my control?â
âBold accusations,â Carmine says smoothly. âWhereâs your proof?â
He stands near the ornate double doors, playing his part perfectly. His Brioni suit probably cost more than Salvatore makes in a yearâblood money bought with my mother-in-lawâs death. With my best friendâs murder. With my daughterâs freedom.
My phone vibrates against my chest, and something in me knows before I even look. Antonioâs message makes my blood turn to ice: They have her. Iâm sorry, Boss.
A photo followsâBella being led into the monastery at gunpoint. Even in captivity, she carries herself with that quiet dignity that first caught my attention. Chin lifted defiantly, spine straight despite the gun at her back. My beautiful, stubborn, foolish wife, walking straight into their trap. Into the same monastery where darkness takes root, where secrets Iâve spent seventeen years burying lie waiting like coiled snakes.
The rage that floods me is unlike anything Iâve felt since Sophiaâs death. It takes every ounce of control not to put a bullet through Carmineâs skull right here, consequences be damned. But control is what separates men like me from common killers.
Control is what will keep my family alive.
âNo proof?â I let my voice turn silky dangerous as I rise from my chair. Around the table, I note who tenses, who reaches subtly for weapons. Old Vitelliâs hand disappears beneath the tablecloth. Marconi shifts his weight, ready to dive for cover. Good. Let them remember why they fear me. âTell me, Carmine, howâs my wife enjoying the monastery?â
Color drains from his face so fast itâs almost satisfying. The other dons shift uncomfortably in their chairs, sensing the change in atmosphere. The game has shifted, pieces moving into their final positions.
âThatâs right.â I stalk toward my wifeâs uncle, each step measured and deliberate. The carpet muffles my footsteps, but the tension in the room amplifies every movement. âI know where youâre keeping them both. I know about the medical tests youâre running on my daughter. I know everything.â
Like a cornered animal, Carmine shows his teeth. The polished mask of the society don slips, revealing the desperation beneath. âYou know nothing,â he snarls, and I see the same madness that consumed Giuseppe starting to eat at his edges. âYou donât even understand what your father did. What you helped cover up.â
âEnlighten me.â Around the table, the other dons are frozen, watching our deadly dance. Vitelliâs hand hasnât left his weapon. Marconiâs eyes dart between us like heâs watching a tennis match. But with deadlier stakes.
âYou still donât understand what Sophia found, do you? What those records proved?â Carmineâs smile turns cruel, and for a moment I see my father in his face. The same twisted pleasure in holding power over others. âAbout that night. About why Giuseppe insisted on that marriage so quickly.â
The words land like physical blows, each one threatening to crack the control Iâve spent a lifetime perfecting. Seventeen years of secrets, of protecting Bianca from the truth, all balanced on a knifeâs edge. But I donât flinch. Canât flinch. Not with twelve of the most powerful men in our world watching for any sign of weakness.
âInteresting theory.â I muse as I continue my advance, noting how the other dons lean forward in their chairs, scenting blood in the water. The crystal chandeliers cast shifting shadows across faces that have ordered countless deaths, made and broken countless fortunes.
âMedical records can be altered. DNA tests can be manipulated. The only question is what exactly you think youâll prove about my daughter.â
âYou understand nothing,â Carmine snarls, backing up until he hits the hand-painted wallpaper. Sweat beads on his forehead despite the roomâs perfect temperature. âAbout Sophia. About theââ He shuts up abruptly, realizing heâs said too much.
I press harder, using his slip to my advantage. âWhy wait ten years to use Sophiaâs death against me? Why do you need both Bianca and Bella under your control?â Each question drives him further into the corner, both literally and figuratively. âYou can run all the tests you want. Youâll never find what youâre looking for.â
The other dons lean forward, the scrape of their chairs against hardwood almost deafening in the tense silence. This is what they came forâthe truth behind the power plays, the real stakes in our deadly game.
âYouâre still protecting him,â Carmineâs voice comes out wet, desperate. His fingers inch toward his jacket. âEven now, youâre protecting Giuseppeâs legacy of lies. About Sophia. About who Bianca reallyâ ââ
âBianca,â Don Vitelli breathes from his seat, his aged voice cutting through the tension. âSheâs not your daughter at all, is she, Matteo? Sheâs Carmineâs. With Sophia.â
The accusation hangs in the air for one heartbeat, two. I can almost taste the anticipation as the other dons hold their breath, waiting for my reaction. So many theories over the years, each one wrong but dangerous in their own way. Each one threatening everything Iâve built to protect her.
Carmine moves suddenly, reaching for his gun with the desperation of a man who knows heâs already dead. But Iâm faster. Iâve always been faster.
The first shot echoes through the dining room, the sound magnified by the elegant acoustics. Carmine stumbles back, red blooming across his suit like a macabre rose. His blood stains the hand-painted wallpaperâsome designer in Milanâs masterpiece ruined forever.
Good.
âThat was for my wifeâs mother,â I say coldly, watching the life drain from his face. Another shotâthis one higher. âThat was for Giovanni.â The final shot, center mass. âAnd that was for involving my daughter in your games.â
He slides down the wall, leaving a crimson trail in his wake. His last words come out as a wet chuckle, blood staining his teeth: âYou think this ends with me? Giuseppeâs secrets will come out. Ask Matteo ⦠ask him why his father insisted on that marriage. Why Sophia had to die â¦â
Then heâs gone, taking his secrets with him. Or so he thinks.
I turn to face the shocked dons, noting who looks afraid and who looks calculating. Power abhors a vacuum, and Carmineâs death will create ripples. But thatâs a problem for another day.
âAny other questions about my control?â
Silence greets me. One by one, they shake their heads. Even Vitelli keeps his mouth shut about Biancaâs parentage. Smart man.
âGood.â I straighten my cuffs, already moving toward the door. Carmineâs blood has splattered my sleeveâItalian wool ruined, but worth it. âThen this meeting is adjourned. I have a family to rescue.â
Vitelliâs voice stops me at the threshold: âThe girlâBianca. If sheâs not yours â¦â
âSheâs mine in every way that matters.â I donât turn around, but my words carry enough threat to make the crystal vibrate. âAnyone who suggests otherwise wonât live to repeat the mistake.â
My phone buzzes again as I reach my car. Another photo from the monasteryâBella being led into the east wing where theyâre keeping Bianca. But something about her posture catches my eye. I zoom in, and a slight smile curves my lips despite everything.
My brilliant wife has managed to slip a note into view of the camera. In her elegant hand, two words: Third floor.
Sheâs giving me exactly what I need to find them. Even in captivity, sheâs thinking three moves ahead.
My dangerous, beautiful wife, turning her capture into an advantage.
âHold on, piccola,â I murmur, calling in my strike team as I drive. The Montreal skyline spreads out before me, lights twinkling like fallen stars. Somewhere in those lights, a monastery holds my family. Holds secrets that could destroy everything.
Theyâve forgotten the first rule of our world: never threaten a manâs family unless youâre prepared for war.
And Iâve been fighting wars since before they were born.