Dukes of Ruin: Chapter 27
Dukes of Ruin (Dark College Bully Romance): Royals of Forsyth University Book 4
In grade school, Nick took a liking to this girl in gym class.
He spent six weeks absolutely demolishing that bitch in dodgeball.
Heâd follow her to lunch and steal her book bag, rifling through it right in front of her, like he had every right in the world. Heâd drag her through the halls by her wrists, push her down when she struggled, rough her up for not being his in the very specific way he wanted. Thatâs the thing a lot of people donât understand about Nickâthat heâs just as exacting as Sy, if not more so. The more intense he feels about something, the fussier he gets about it.
The girlâs parents caused a huge stinkâprobably because their kid kept coming home all bruised up. Later on, Iâd make him tell me about them. The marks. The purple and blue. The blood just underneath the skin. Even back then it excited me, the thought of Nickâs fingertips making impressions on a girlâs skin.
Poor girl never had a chance once Nick set his sights on her, but his parents got really aggressive about it and put him and Sy into a program for âtroubled youthâ.
Iâd been there since third grade.
Tate came a year later.
Thatâs where it all started, the four of us instantly gravitating to one another. None of them were like meâthere was nothing actually wrong with any of them on that deep, fundamental level. My brain has never been right, but theirs were fine. Sure, Sy got into a lot of fights, Tate had a problem with authority, and Nick only knew how to want someone homicidally, but none of those were the real problem. Syâs problem is that he never knew when to stop hitting. Tateâs problem was that she didnât understand why she was different yet. And Nickâs problem?
Nickâs problem was a deep, internal belief that he could bully someone into loving him back.
Christ, some things never change.
The air tastes like lightning and hurt, and Nick is the ozone. Vinnyâs on the floor, clutching her cheek, eyes wide and wet with unshed tears.
Nick is just staring at her, still as stone. âI told you what would happen,â he says, voice quiet and terrible. âYou made me do this.â More urgently, he asks, âWhy do you always make me do this?â
She presses her wrist into her noseâa pathetic attempt at cloaking a sniffle. âOur deal is off.â She tries to make her voice all hard and sharp, but it cracks halfway through.
Nick looks away, and his cracks are visible. The subtle fall of his shoulders, the flex of his jaw, the way he makes himself so unbelievably still. âIf thatâs what it takes to keep you safe.â
Vinny scrambles to her feet and charges toward the door, almost knocking me over as she shoves me out of the way. Something angry flares in Nickâs eyes, but it shutters with the sound of the bathroom door slamming shut, rattling the walls.
Nick drops to the end of the bed and begins aggressively untying his shoelaces, attention a little too focused on the task. âSheâll try to run away, so weâll have to stay with her. Sheâs not to be left alone here again.â
I fold my arms and watch him. âYouâre never going to win her like that.â
His head snaps up, face contorted with rage. âIâve already won her!â My feet take me back a step. Nickâs better than anyone else in this tower at keeping his cool, but his fists are flexing like heâs Sy all of a sudden.
âYou did,â I agree, watching him wrestle out of his shirt. âYou won her. But you never won her over.â
âFuck winning her over,â he sneers, chucking his shirt across the room. âIâve been letting her toy with me since she walked up those stairs. Iâm not her lap-boy. Iâm her Duke. I own her.â He jerks his chin toward the bathroom. âLet her win me over for once.â
My lips pull back into a bleak approximation of a smile. âIf she did that, youâd lose interest. Thatâs why you have to chase the hard pussy. You donât want a girlâyou want a project.â
âWhat I want,â he replies, fists curling, âis a little goddamn appreciation.â
I give the jam a couple taps with my knuckle before turning away. âA bird is never going to appreciate its cage.â
I cross my arms, knee bouncing as I wait. The sound of my heel tapping against the floor must piss off the old guy sitting beside me, because he shoots me a glare before moving to the other side of the waiting room.
I donât want to be here.
Taking out my phone, I shoot off a text to my father.
I donât want to be here.
He doesnât answer, but Iâm not surprised. My family has a single rule that predicates all others: no scandals. Itâs why my eldest uncle and his sons have law enforcement locked down, probably for generations. Itâs why my father owns every ritzy hotel in the state. Itâs why Iâve been shuffled around to clinic after clinic, seen by doctors who are paid to keep me calm and as normal as possible.
But fuck, I really donât want to be here.
The dread builds in the pit of my chest like a fist around my lungs, and the longer I wait, the more restless I get, drumming a beat against the arm of the chair.
âDr. Weatherby is ready to see you, Mr. Maddox.â I look over at the lady in blue. Sheâs behind a tall counter with a glass partition, nothing but a small slot open at the bottom. It always makes me want to duck my head down to make them deal with me. Are they afraid? Worried one of the clients is going to spread their crazy through the opening in the window? Terrified theyâll be infected with it?
The womanâs name is Doreen, and her smile never feels real. Itâs tight, false. I canât help but stare at her lips, how she paints them a shade between orange and red, making her smile seem even more false. Jokerish.
Staring at me expectantly, she adds, âYou can head back to her office.â
I stand and shake my arms out, cracking my back from sitting on the uncomfortable chairs. Nothing about this place is welcoming. Not the seating or the paintings of wildflowers or Doreen. But if I can get through it, it buys me a solid couple weeks of my dadâs silence.
âThanks, Doreen.â As I walk past her, I tap my marker against the flat surface of the countertop and she narrows her eyes at it. Make one little mural of a crucifix fucking a pussy on the lobby wall and everyoneâs all suspicious.
Dr. Weatherbyâs office is the third door down, and the door is standing open. Sheâs probably old enough to be my grandmother, but her shrewd eyes and ramrod posture are anything but maternal. The doctor sits in a gray chair, her back to a wall-sized window overlooking the city. I walk over to it and place my hand on the glass, peering down.
So many dangerous cliffs in Forsyth.
âRemy,â she says, standing and closing the door with a soft click. âHow are you?â
âOutstanding,â I say, turning away from the window, from the cliff, orienting myself to the room. I drop to the couch, letting my body bounce on the soft cushions. This is the only comfortable seat in the place, I bet. Probably a trap. âIâm a Duke now.â
âOh,â she says, looking at me over her glasses. She flips open her little notebook. âThatâs a big role. Congratulations.â
I press my palm to my thigh, idly tracing the capped marker over the letters on my knuckles: D-U-K-E. Ever since last night, Iâve had these⦠flickers. Vinnyâs red cheek. Her big, wet eyes sparkling like a galaxy. Sulfur and panic. She didnât even look at me when I went to her this morning, climbing the staircase to her loft. She just kept glaring out of the dingy clock face as I worked her waistband down, counting the points on the star.
âHow have things been going?â Her pen is poised over the paper, her eyes on me. âWith school starting and all the changes a new semester brings, I wouldnât be surprised to hear youâve had some trouble adjusting.â
Dr. Weatherby asks the same questions, the same way, taking the same notes on the same blue pad every time I come. She tries to see me, but when Iâm on the edge of that cliff, Iâm invisible to everyone.
Except her.
âSchool is fine. Mostly art and the business admin class my father makes me take.â Thatâs the deal. I can be an art major as long as I minor in business. âSomething to fall back on.â âI like my philosophy class.â
She hums pensively. âAnd how have you been sleeping? New home, new room.â Again, I get one of those flickers, clenching my eyes against it. âRemy? Whatâs wrong?â
âNothing.â
She dips her chin, assessing me over the turquoise frame of her glasses. âYouâre doing drugs again.â
âNo, Iâm not.â
I totally am.
She sighs, jotting in the notebook. âStimulants donât react well with your medication.â She pauses. âYou are taking your medication, arenât you? Your real medication.â
âConsistently?â I ask, flashing a winning smile.
She shakes her head. âYes, consistently.â
âI skipped my meds for a few days,â I confess, tapping the marker on my knee. âItâs fine, exceptâ¦â My eyes stray to the window, considering the drop. This building isnât as high as the tower. I can see it in the distance, the clock frozen in time. I imagine Vinny is there right now behind the clouded glass, her stare piercing through the distance.
âExcept?â she prods.
I rub my forehead. âI had a dream about the stars, and they said something.â
Dr. Weatherby uncrosses her legs, sitting straight. âWeâve discussed this already. The stars arenât important. Have you drawn anything today?â
I look at her, eyes narrowing. âThe stars are important. And donât distract me. Iâm confused, not stupid.â
âYou know why we donât talk about the stars,â she stresses, mouth pursing tightly. âYou fixate, Remy. The stars are a metaphor for your dissociation. Itâs not helpful to think of them.â
âWell, I disagree,â I say, pushing to my feet. Dr. Weatherby watches coolly as I march to the coat closet, yanking it open. âWhatâs this a metaphor for?â
Inside is a collection of items that have been collected from around her office. She puts them in here every time I visit and probably puts it all back once I leave.
Yellow coasters.
Yellow stationary.
Yellow pillows.
Among them is a painting of yellow flowers. Itâs a terrible pieceâthe kind of bland, lifeless bullshit thatâs probably churned out on a conveyor belt to be sold in bulk to healthcare facilities. And itâs not quite right. Not the right flower.
âBut I donât know why,â I mutter, curling my lip at the sight of it.
She clears her throat. âClose the door, Remy. Weâre in the middle of a discussion.â
âI used to like yellow just fine,â I say, gesturing to the tableau. âLetâs talk about that.â
She crosses her legs again. âSensory issues areââ
âItâs not the fucking color!â I explode, hurling my marker at the window. It clinks against the glass and tumbles to the floor. Growling in frustration, I snatch up the painting and march it over to her, slamming it on the table at her side. I jab a finger into a painted yellow flower. âTell me why looking at this makes me want to throw up. Tell me why my Duchess is always in the stars!â
She gives me an infuriatingly patient look. âRemy, these things mean nothing. Youâre abusing substances again. Have a seat and do your exercises.â
I deflate. For some reason, Iâd had this notion that Dr. Weatherby would have the answers, but I canât for the fucking life of me figure out why. These people never want to help. They just want me to be quiet and stillâsomeone posed into an expression of normality, no matter how artificial. They want me to smile like Doreen.
I go back to the couch, pulling out my phone before landing heavily on the cushions. âThe exercises never help.â Turning the phone over in my hands, I quietly confess, âSometimes when I see yellow, I think about⦠Tate.â I donât realize why I say it so quietly at firstâsoft, like a secret. Itâs as if saying her name too loud will make something bad happen. I donât remember much about two years ago. I just remember a long stretch of hospital rooms and needles, fluorescent lights and cold floors, hard beds and bland food.
Mostly, I remember Dr. Weatherby and her stern faceâa lot like she looks right now. âLetâs start over, Remy. What have you drawn for me today?â
I raise my gaze to hers slowly. Something is occurring to me. Itâs difficult when all I have to count on are vague impressions of things. Yellow is bad. The stars have taken something. Vinny is older than we know. Flowers bring decay. But thereâs a reason Iâve always been so resistant about coming to see Dr. Weatherby, and itâs because my head throbs when I think of her, like something has slithered in through my ear and bored a hole into my brain.
âYou never let me talk about Tate,â I realize. Iâve been seeing Dr. Weatherby since Tate died, and never once has she let me speak of her.
She clicks her pen. âBecause I donât think itâs healthy for you toââ
âYou donât want me to.â I look down at my phone, thumbing through my contacts until I find the one labeled âSarahâ. Holding Dr. Weatherbyâs stare, I hit the call button, raising the phone to my ear.
The doctor frowns. âWho are you calling?â
I donât respond, waiting for an answer.
Thereâs a click, and then her voice. âRemy? Well, what a treat. I just got off the phone with Simon andââ
âI need to ask you something,â I say, cutting her off. Nick and Syâs mom isnât the kind of therapist I need, but I overheard something she said the other night at dinner, and it niggles at the back of my thoughts. âItâs about my therapist.â
Dr. Weatherby arches an eyebrow. âWho are you speaking to?â
Sarah answers, âGo on.â
âShe says I shouldnât think about stars or the yellow flowers,â I say, eyes accusing. âAnd I canât talk about Tate. I canât fucking talk about anything! Thatâs weird, right? You said at dinner⦠you told Sy he shouldnât bottle it up. You said he should talk about her.â
Thereâs a moment of silence from Sarahâs end, but Dr. Weatherby fills it. âRemy, Iâm the doctor whoâs treating you. Iâm the only one who understands your condition and medical history. Your father wouldnât be happy to hear youâre not following myââ
âSheâs never let me talk about it,â I tell Sarah, speaking over the doctor. âEven when I was at Saint Maryâs, she wouldâ¦â I clutch my head, wincing at the memory.
âYouâre with the same doctor you saw at Saint Maryâs?â Sarah asks. âYour father pays her?â
âOf course, he pays her. Probably a small fortune.â Quieter, I admit, âWhen I think about Saint Maryâs, it hurts.â
Dr. Weatherbyâs eyes flash in alarm. âMr. Maddoxâ¦â
Urgently, Sarah orders, âLeave. Get up and walk out that door, you hear me? You donât have to stay if youâre uncomfortable.â
I donât need to hear anymore.
âRemington!â Dr. Weatherby calls as I follow Sarahâs orders, only stopping to pick my marker up off the floor before wrenching the door open. âRemy, Iâm calling your father!â
I run away from her words just as much as Iâm running toward home. I donât understand itânot completelyâbut I think Iâm beginning to.
The flickers arenât flickers. They arenât metaphors or manifestations or hallucinations. They arenât unhealthy fixations.
Theyâre memories.
When she shows up at midnight, as if Iâve summoned her with nothing but the power of thought, Iâm in the middle of crushing up a pill. It annoys me at first, my attention being snatched away from the important things, and I whip the door open with an irritated grind of my teeth.
Sheâs clutching the kitten to her chest, brows pulled into an agitated frown. âIâm sleeping here tonight.â
I take a furtive glance over her shoulder, spotting Nick as he disappears into his own room. Reaching out, I touch her shoulder, urging her over the threshold. âI need you to come with me. I just need you toâin just a minute. Wait here. Right hereâ¦â I point to where sheâs standing and then return to my drafting table, cutting the pill powder into a tidy line. Dipping down, I snort it in one clean pull. Bitter. I shudder as it trickles into the back of my throat. Itâs faster this way, though. More potent.
Iâm so close to rememberingâ¦
âRemyâ¦â When I turn to Vinny, sheâs looking between me and the bed, body rigid. âWhat are you doing?â
I follow her gaze to the bedâor, more accurately, the paper covering it. Itâs not goodâthe flowers. Theyâre drawn messily, the yellow not quite right, but if I squint, itâs almost enough to bring back a flicker. âYou need to come with me,â I tell her, hurdling forward to pry the kitten from her grasp. At the panicked glint in her eyes, I rush out, âHeâs not a part of this; heâll be okay. Sometimes I watch him chase the moon and I think heâll probably outlive me.â I set him down on my workbench, ducking down to get a good look into his eyes. âThe Archduke has a big soul.â Turning to her, I add, âYou donât give him enough credit.â
âShit.â Vinnyâs face falls. âYouâre having another episode, arenât you?â
âNo.â I gesture, coaxing her out of the room. âItâll only take a second.â
But the moment we move toward the door leading up to the belfry, she wrenches out of my grip. âAbsolutely not!â She shakes her head, edging back, and thereâs an explosion of alarm in her eyes thatâs bright enough to make its own flicker in my mind. âWeâre not going up there again. Not afterââ
My hand shoots out, snatching her upper arm. âThis isnât like before.â When she struggles against my hold, I impatiently whisper, âDonât you trust me?!â
She barks a disbelieving laugh. âNo! Not even a little bit. Not even with my kitten. Not even with yourself!â She turns on her heel. âIâm waking Sy up beforeââ
I open the door and grab her from behind, clamping my palm over her mouth as I drag her up the stairs.
She fights against me, but Iâm too tall, too big, my arms like steel around her torso. âShh,â I tell her, and I might be bigger, but Vinny has a lot of fight in her. She thrashes and beats my forearm with her fists, feet kicking at the walls as I heave her higher and higher. Getting her up to the first room, the one with all the clock mechanics and the filing machine, is more work than Iâm expecting. By the time I finally push through the door and slam it closed behind us, Iâm actually a little out of breath.
She jerks her neck, freeing her mouth.
And then she clamps her teeth down on the soft tissue of my hand.
âMotherfuck!â I push her away, clenching my hand. Her wide, frightened eyes dart past me, back to the door, and it happens again. The flicker. âVinny, would you listen? Iâm not trying to hurt you!â
She backs away. âYouâre having an episode, and youâre all hopped up on that shit Cash gave you. Youâre not thinking straight!â
I follow her deeper into the room, palms up. âIâm not crazy. The stars are real. I just need to see the way they touch youââ I pause.
Okay, thatâs not sounding less crazy.
Something flashes in her eyes and she yanks her hoodie up, hooking her thumb in the waist of her shorts. âYou can just count the points, remember? Seven. You know itâs seven.â
âI donât need to,â I insist, eyeing the ladder up to the belfry. âYouâre here, I get that. I know this isnât a dream. When I say the stars are real, Iâm not talking about a thought or a fucking delusion.â I look her in the eyes, making sure she understands that Iâm here. Iâm lucid. âItâs a memory. Itâs something my dad paid the doctors to make me forget, but Iâm remembering now.â
If anything, she just looks even more discomfited. âThatâs paranoia, Remy. Youâre having some kind of reaction to the drugs. If you just let me wake Syââ
âNo!â The thought of him knowing about the stars makes me clutch at my hair, tugging hard at the roots. âVinny, I need someone to listenâreally listenâjust for fucking once!â I hate the way she looks at me, all lost and pitying, as if she knows my mind is a salad of yellow and stars and red. âI wonât jump. I just have to see you up there. I canât⦠I canât tell you why, because I donât know yet, and I know it sounds crazy, but itâs important. Itâs everything.â
âRemy,â she breathes, staring back at me. âI donât know how to help you.â
âYou can help me like this,â I insist, holding out my hand. Iâll make her if I have to, and I can tell from the dismay in her eyes that she knows it. But it has to mean something that Iâm giving her the chance to do it on her ownâthat Iâm not Nicky. Right?
Her shoulders slump. And then she lets out this long sigh that straightens her spine. âYou have to stay away from the ledge.â
âYes!â I burst, wiggling my fingers. âI wonât fuck around, I promise.â
A hardness comes over her features. âAnd no fast moves or Iâll go get Sy and Iâll tell him everything.â Her eyes narrow. âAll of it, Remy.â
If Sy knew about what happened beforeâabout me almost jumpingâabout me almost ending up like Tateâ¦
Itâd fucking destroy him.
âDeal.â I nod encouragingly and she finally reaches out, slipping her hand into mine. I lead her to the ladder, but I donât make her climb ahead of me. The hatch is too heavy for her, anyway. I brace my feet on the rungs and wrench it open, the rusty metal squealing in protest.
Up in the belfry, the air is crisp with the late September air, the coy tease of autumn looming in the clear night sky. The equinox is tomorrow nightâtwelve and twelve. Everything aligned. Harvest, death, rebirth. Fading yellow, orange and red.
When she slowly climbs out, I grab her hand, lifting her carefully around the enormous bell. She dusts a hand off on her thigh, but I donât let the other one go, pulling her toward the glow of the city. The light pollution from the other corners of Forsyth drives me to the back side of the towerâthe one that faces west. From here, someone could almost pretend the other kingdoms donât exist.
Thatâs where I drag Vinny, ignoring her protestsâthe spark of dread in her eyesâas I position her where I want her, right against the backdrop of night.
Overhead, a blanket of stars dots the sky.
âHere,â I breathe, watching her glance nervously over her shoulder.
âW-what now?â she stammers, hands fisted in the pocket of her hoodie.
Now, I close my eyes and think of stars. Smoke. Black glass. Blonde hair. Red.
Yellow.
Thereâs something soft in the memory that I canât quite put my finger on. Itâs a sadness, or maybe a regret. I know that it hurts. I know that it fucking kills me. I know that I want to turn away from it, because thatâs what Iâve been told to doânot to think of this place, this sadness, this horror, this pain.
I make myself face it, sinking into the tender places, forcing myself through the soreness of them.
And then I open my eyes.
A gust of air catches Vinnyâs hair, whipping it around her head in cold tendrils of pale blue. Behind her, the stars are beckoning, their distant light freckling the space around her. She never opens her mouth, but I hear her scream. Iâve seen that mouth, those lips gaping in terror. Iâve seen the gentle curve of her cheek as it hollows. Iâve seen the emptiness of oblivion in her watery eyes. I have, I realize, seen her skin beneath this sky, a yellow flower tucked behind an ear.
And Iâve seen her fall.
It doesnât slam into me like the wrecking ball Iâd feared. The memory skulks toward me like a hidden thing thatâs stepping shyly from the shadows. It doesnât hurt me to know it. Thereâs no catastrophe here.
Thereâs only Vinny, looking at me curiously. âWhat?â she asks, fidgeting nervously.
I wonder how I must be looking at her, because when I step forward, it makes her flinch. âItâs not you,â I assure, cradling her face in my hands as I find what Iâm looking for. Her eyes. Her cheeks. Her red lips. I rest my forehead against hers, so relieved that it brings a ghost of a smile. âIt was never you.â
The kiss is feather light, my mouth grazing hers so gently that her small tremor is enough to threaten it. I realize now why Vinny was never quite right. The dreams. The stampede in my chest that first night, in the Hideawayâs basement. The way looking at her sometimes makes my temple throb with an urgency that galls me, as if Iâve forgotten to do something.
The memory unfurls like petals that are waking from a long slumber, and itâs not complete. The flickers still dance in and out, and I might not understand what Iâm seeing, but I know who Iâm seeing, and thatâsâ¦
The wrecking ball arrives on the crest of the kiss, slamming into me. I freeze, because the stars might have been sad, but the yellowâ¦
âNo.â I stumble back, eyes wide. A sea of swaying yellow stretches out in my mind, and itâs full of quiet, dead things. This is the source of the hurt. This is the flicker that carves a groan from my chest. This is the entropy and casual destruction Iâve been fearing all this time. âShe was in the flowers,â I realize.
Vinny watches me, forehead creasing. âWho was⦠what?â But I canât explain it to her. I canât even explain it to myself. Somehow, I just know.
âRemy, wait!â Her panicked voice chases me back to the hatch, and then down the ladder.
I donât know what it means.
But I know where to go.