Savage Lover: Chapter 14
Savage Lover: A Dark Mafia Romance (Brutal Birthright Book 3)
Out of all the devious and criminal acts Iâve committed, taking Bella for lunch is the most repugnant.
I honestly think I would have found kidnapping a school bus full of children less distasteful.
I have to sit across the table from her in the Poke Bar, listening to every stupid thought rattling through her brain, while smiling and pretending to be interested.
I fucking hate pretending.
It doesnât help that I had to dress like Patrick Bateman in American Psycho. Button-up shirt, polished shoes . . . itâs not for Bellaâs benefit. Itâs so I donât draw the attention of the security guards once we head over to Alliance.
I let Bella think itâs her idea. I ask her a couple of questions about where her dad worksâquestions I already knew the answers toâand she says, âItâs right across the streetâdo you want to see it?â
I check my watchâ12:38. Iâve already watched Raymond head out to lunch at precisely 12:33, three days in a row. I love a banker who keeps a tight schedule. It makes him so conveniently predictable.
I have no interest in actually running into Raymond. Actually, I want him out of the way so I can poke around all the places Iâm not supposed to visit, with clueless Bella as my guide.
But instead of dear old Daddy, we bump into Camille instead.
She looks like Iâve slapped her.
I know how bad it looks, me and Bella dressed up like a fucking Ken and Barbie doll set. I want to tell her itâs not what it looks like. Which is the stupidest excuse in the world. Except for this one time, when itâs actually true.
Not that I owe her an excuse at all. Camille and I arenât dating. All we did is kiss.
But that kiss . . .
Okay, maybe it did mean something. I donât know what, but I canât deny it had an effect on me.
So Iâm not enjoying the look on Camilleâs face, like Iâve stabbed her in the heart. Even worse is her expression when she starts to figure out that thereâs something hinky about me poking around the bank.
Camille is too damn smart for her own good. Her eyes are darting around the lobby while Bella is blathering on, and I wanted to put a muzzle on Bella and simultaneously tell Camille not to fuck this up for me, because sheâs looking one part pissed, one part hurt, and a whole lot suspicious. The perfect recipe for disaster, if she wants to blow this whole thing up in my face.
Luckily, she takes the hint and leaves.
I really donât feel any better, watching her stomp out through the double glass doors. Actually, I kinda want to chase after her. I want to explainâor at least assure her that this is a business lunch and nothing more.
I can see her standing out on the sidewalk, looking lost, like she canât decide where to go next. She looks small from a distance. When sheâs standing right in front of me, eyes blazing and arms crossed in front of her chest, sheâs kind of intimidating. I forget that sheâs actually quite petite.
âWhat are you looking at?â Bella says, impatiently.
âNothing,â I reply, shaking my head.
I want to slap myself. Iâve got to get my head back in the game and soothe Bellaâs ruffled feathers. Sheâs always had a bug up her ass about Camille.
âWhat is she even doing here?â Bella snipes. âI feel like sheâs everywhere I look lately! God, itâs worse than high school! Why doesnât she just stay in her shitty little shop like she used to?â
I want to tell Bella that when you donât get a five-figure allowance from Daddy every month, you kind of have to go places and do things. But I stuff that thought down deep, plastering a smile on my face.
âSo you canât go down to the vault room yourself?â I say to Bella, pretending to check my watch. âI better get going, then. I donât think I have time to wait around for your dad . . .â
âI really wanted him to meet you,â Bella pouts.
Yeah, I bet Raymond Page would love to meet me, too. My father is one of the few movers and shakers in Chicago who doesnât keep his money here. Ironically, itâs because he thinks Raymond is too dirty. Papa always says, âDonât break the law while youâre breaking the law.â What he means by that is you should only commit one crime at a time. Otherwise you draw attention to yourself. After all, Al Capone never would have gotten caught for bootlegging if the feds couldnât prosecute him for tax evasion.
The fact that the Gallos donât do business with Page is exactly why Iâve got no problem robbing him blind. Heâs not under our protection.
âWell . . .â Bella says hesitantly. âI can still take you down! We just canât go inside without Daddy.â
âAre you sure?â I say.
âYeah, of course!â she replies, trying to sound more confident than she looks.
She takes me over to the private elevator, guarded by a scowling gorilla in a suit.
âHey, Michael,â Bella says to him. âI want to show my friend the vault room.â
âIs he in the appointment book?â Michael grunts.
âNo,â Bella giggles. âIâm never in the appointment book.â
âI better call up to Mr. Page,â Michael says, stubby fingers reaching for his walkie-talkie.
âOkay,â Bella says carelessly. âHeâs in a lunch meeting right now.â
Michael hesitates.
âItâs fine,â Bella says, in a passive-aggressive tone. âHeâll be less mad if you interrupt him than if you donât help me.â
Michaelâs fingers drop away from the walkie-talkie.
âOkay,â he says. âYou can go down. Donât touch anything, though.â
âOf course not.â Bella smiles sweetly.
Michael hits the elevator button and lets us inside. The doors close, and we drop down to the underground vault.
As we descend, I say to Bella, âI bet your dad knows everybody important in Chicago.â
Bella flushes with pleasure. âHe knows everybody,â she agrees. âEvery time he takes me to a party, he knows everybodyâs names, and they all know him. The mayor, all the CEOs, even celebrities . . .â
While Bellaâs talking, Iâm noting the control panel in the elevator, and the location of every camera and sensor.
When we enter the vault room, I walk slowly and deliberately, counting my steps. The stupid cuff links Iâm wearing arenât just so I can look like a finance douche. Every time I adjust the one on my right wrist, Iâm taking a picture. I can angle the cuff link in any direction to snap shots of the elevator, the vault room, and the vault door itself.
There are no decorations down here. No handy niches or vases I could use as a hiding place. I have a secondary camera I want to stash in situ, but I can only see one good place for it: over by the fire extinguisher. I wander over in that direction, asking Bella, âSo whatâs in the vault? Gold bars or something?â
âAll kinds of stuff,â Bella says. âActually . . .â she sidles over to me, lowering her voice. âI heard my dad talking on the phone. He said he had this big diamond from some Russian guy . . . but I guess he died? And nobodyâs come back since then. He thinks the rest of them donât know about it.â
My heart skips a beat. Itâs hard to keep my expression neutral, like this means nothing to me.
The Griffins killed Kolya Kristoff this winter. He was the head of the Bratva. And he was a flashy fucker. I could see him stashing some rock in here, without telling the rest of his men.
Poor Raymond must be horribly tempted . . . knowing that thereâs no record of the giant stone in his possession, but terrified to sell it, in case the Russians find out . . .
Maybe I should solve his dilemma by relieving him of the diamond.
While Iâm talking to Bella, I reach behind me, out of view of the security cameras, and stick my own little camera under the nozzle of the fire extinguisher.
The only problem with this tiny device is that I have to place the receiver above ground, within a hundred meters of the vault.
âSo your dad built this bank recently?â I ask Bella.
âThree years agoâif thatâs recent,â she giggles.
âDid they build the vault at the same time?â
âI guess so.â She giggles again. âIt was definitely here when I visited. You want to look at anything else?â
âNah.â I grin. âI get the idea.â
As we head back up, I say to Bella, âYou seemed to know Michael pretty well.â
âHeâs always guarding the elevator,â Bella says. âHeâs a bit of a stick, but heâs nice enough.â
Meaning, he lets her do what she wants in the end.
The doors open, and I hold out my hand to Michael.
âThanks for letting us take a tour,â I say, shaking his meaty paw.
Meanwhile, I stick my receiver right on top of his walkie-talkie. Itâs black metal, about the size of a screw. Unless he looks closely at his antennae, he wonât notice it at all.
It will silently beam the images from the hidden camera right out of this building, all the way to my laptop at home.
âCome back soon,â Michael says politely.
I intend to.