: Chapter 29
The Do-Over (The Miles High Club Book 4)
Time goes by so quickly . . . except when your heart is bleeding out.
Then every moment, every breath, every painful hour feels like an eternity.
Itâs been three weeks since Christopher dropped me at the airport.
Three weeks since my world fell apart.
And I would love to tell you that Iâm healed and on my way back to being right, but I canât.
For there is no more sunshine.
My body lives here in the US; my heart lives in London . . . with him.
I think about him all the time, to the point that itâs unhealthy.
I worry if heâs taking care of himself, if heâs eaten, and if heâs working too hard . . . which I already know he is.
And I know I have to snap myself out of this, but how do you turn off your heart?
Is there a switch? Tell me, because I need to find it.
I drive the tractor as I look out over the green paddocks. Itâs dawn. The sun is peeping over the horizon as it rises for a new day.
And even though I know I belong here, every day is black to me. Darkness that comes from within.
The worst part about it is that the whole experience has changed me. Iâm not even happy here at home on the farm now. Itâs like everything I thought I wanted has shifted off center. All that I thought I was is wrong.
Nothing is making sense.
And I know I donât want to build a life in London . . . but I canât stand the thought of being here either. Maybe I should go somewhere new, start fresh, but where would I go?
Anywhere without him is a tragedy.
I know that there is no way around this. It is what it is.
Heâs a city boy; Iâm a country girl.
The reason why we canât be together still stands. Nothing has changed.
My heart is still firmly broken.
CHRISTOPHER
The scalding-hot water runs over my head. If I stand under here long enough, the water will eventually run clean.
I need to wash this heartbreak off.
My hand is on the tiles as I lean against the wall, and Iâve hit an all-time low.
Itâs 3:00 a.m., and a new darkness has rolled in.
Regret.
And with it has come a deeper level of understanding of who I am.
Who Iâm not.
I rest my forehead up against the tiles. My mind wanders to my sweet Hayden.
Where is she now?
Eventually I drag myself out of the shower and wrap a towel around my waist. I make my way downstairs and go through my Spotify list until I get to the song I need to hear.
Iâve had it on repeat lately. For just a moment . . . it makes me feel better, as if it brings me closer to the memory of being happy.
Closer to her.
It begins to play, and I drop to the couch to listen. This is Haydenâs anthem. It was 100 percent written about her.
And to the haunting words of âHalo,â by Beyoncé . . . I wallow in self-pity.
âSo . . . what Iâm saying hereââI point to the whiteboardââis that the projection is way off.â
Ten sets of eyes watch from around the board table.
My phone vibrates on the table, and I glance at the name. Is it her?
Tristan.
I ignore it.
I keep presenting. âSo over on this spreadsheetââ I hold the remote to the screen and flick through to where I need to be.
My phone vibrates on the table, and once again, I glance at the name. Is this her?
Elliot.
Fuck off. Why are they all calling me this morning? Iâm busy here.
I keep talking, and five minutes later my phone vibrates again.
Jameson.
Huh?
For fuckâs sake, leave me alone, fuckers. Iâm in the middle of something very important.
âIf you go to recent yearsâ trendsââ I point to a graph, and thereâs a knock at the door.
âCome in.â
Elouise comes in. âChristopher, Jameson is on line two. He said itâs urgent.â
I frown.
âHe said to take it in your office.â
âHmm.â I look around at the table. âMy apologies. I have to take this. Letâs have a ten-minute tea break.â
âSure,â they all reply.
I walk out and storm down the hall. Fucking hell . . . I do not have time for this shit.
âYes,â I answer.
âPage four, Ferrara News,â Jamesonâs voice growls.
âWhat?â
I open up the newspaper on my computer and drop into my seat.
A half-page photograph comes up.
Christopher Miles Breaks Miss Ordinaryâs Heart for a Supermodel.
Thereâs a huge photo of Hayden in the park. Iâm sitting beside her on the park bench. Sheâs crying, and I look like Iâm angry. Then beside it is a photo of me and Amira Conrad, a model who is dating one of my friends. I ran into her at the bar in a restaurant at lunch the other day. The photo is of me with my arm around her, snapped at precisely the moment I kissed her hello. Iâm smiling at her, and sheâs smiling back at me. We look totally in love.
My blood boils.
âAre you fucking kidding me?â I whisper angrily.
âAny news from Hayden?â Jameson asks.
âNope.â
âThis really doesnât look good.â
âYou think?â I explode. âGoodbye.â I hang up and scroll through my phone. My finger hovers over Haydenâs name . . . she might not even see the paper . . . and then . . . my heart sinks.
It doesnât matter even if she does.
Weâre over.
She doesnât want me . . . or my life.
One day I will have to move on, and so will she. My heart twists at the thought of some country bumpkin being able to give her the life that I couldnât . . . as much as I wish I could have.
I imagine her living on a large farm with heaps of wild and carefree kids and being happy, and I smile sadly. I want that for her. I want her to have everything she ever wanted. She deserves to be happy.
I put my phone back down.
My gaze goes to the window and London buzzing way down below. Sheâs a million depressing miles away.
Buzz sounds my intercom.
âYes.â
âAre you coming back?â Elouise asks.
Shit . . . the meeting.
âOn my way.â
I sit at my desk and stare out the window. People are talking, coming and going, and things are happening, but my mind is a million miles away.
On her.
Always on her.
Six weeks is a long time. Too long.
Itâs not getting better; itâs getting worse. Thereâs a noose tightening around my neck that I canât shake. The only time Iâm happy is when Iâm talking to Eddie, but I havenât been able to reach him for a week now, and Iâm getting worried. Why is his phone going straight to voice mail?
I glance at my watch. I might call the hostel to see when heâs working next. Iâll call Howard, the manager.
I google the number and dial as I begin to pace back and forth. âHello, Barcelona Backpackers.â
âHello, can I speak to Howard, please?â
âJust a minute.â I hear the line go through to an extension.
âHello, Howard speaking.â
âHoward,â I reply, âitâs Christo.â
âHey.â He laughs. âHow are you, man?â
âGood, good. How are you?â
âSame shit, different day. All fine here.â
âListen, sorry to bother you. Iâm trying to get ahold of Eddie, but his phone isnât even ringing.â
âOh yeah . . . it got stolen.â
âOh.â My heart sinks. I know how upset heâd be. âI wondered what happened. Iâve been calling and texting him, but no reply.â
âNo point texting,â he replies casually.
âWhat do you mean?â
âWell . . . he canât read.â
âWhat?â I frown.
âHe canât read or write. You know that.â
âThatâs ridiculous,â I snap. âOf course he can.â
âChristo . . . you know heâs homeless, right?â
âWhat?â I whisper. âAre you serious?â
âYeah,â he replies casually. âNo shit. Heâs an orphan.â
I begin to hear my heartbeat in my ears.
âHis parents are both . . . dead?â I gasp.
âHis father took off before he was born, and his mother died in a car accident when he was eight, or something. No surviving grandparents or aunts or uncles. He was in the foster care system for a while but got put with assholes and ended up running away.â
I drop to the chair at the desk, shocked to a horrified silence.
âBut where does he sleep?â I whisper through a lump in my throat.
âIn a deserted house around the corner from the hostel.â
I stand. âWhere is it?â
âItâs almost directly behind the hostel. Itâs boarded up. You canât miss it.â
I stay on the line, shocked to silence.
Dear god.
âDonât tell him I called, okay?â I ask.
âYeah, okay.â
âWhen is he working next?â
âTomorrow night.â
âThanks.â I hang up and stare at the wall in horror.
What the fuck?
Barcelona
The Uber pulls to the curb. âJust let me out here,â I tell the driver.
Iâve never gotten on a plane so quickly. I donât know what Iâm doing here, but I had to come.
I have to see him.
I walk around the corner and see the old deserted house.
Iâm brimming with emotion; how can such a beautiful kid have such a horrible life and never tell me a word about it? I thought we were best friends.
I donât understand.
I see a flicker of movement, and I duck in to hide behind a bush. I watch as Eddie walks out of the house and up the street as if he doesnât have a care in the world. So brave and stoic.
Poor fucking kid.
I wait until he disappears around the corner, and I make my way up to the deserted house. Itâs dilapidated and barely standing. Two stories with a staircase running up the outside. The front doors and windows are boarded up, so I walk around the back and see an old broken door.
KEEP OUT
DANGEROUS CHEMICALS.
I tentatively push the door open, and it lets out a deep, loud creak. I peer in.
Darkness.
âHello . . . ,â I call.
Silence.
âIs anyone there?â
Silence.
I turn on the flashlight on my phone and push the door back and walk in. The floors are broken, and itâs dark and musty. Holes are punched through the walls, and graffiti covers everything.
My stomach twists.
I shine the flashlight around. Where does he sleep?
I need to see.
I search all the rooms. Itâs worse than I thought.
Much worse.
My vision blurs, and I wipe my eyes so that I can see. I get to a room in the back, and I peer in, and my heart breaks.
A lone mattress is on the floor with a sleeping bag.
I walk over and look around. All the postcards I sent to him are carefully pinned to the wall like trophies. A laminated photo of Hayden strategically pinned in the center.
âEddie,â I whisper through tears. âMy poor, poor Eddie.â
I imagine him sleeping here in the musty dark.
All alone.
Nobody to care for him and make him feel safe.
I screw up my face. The reality of his situation is so raw and real.
Devastatingly sad.
I unpin the photo of Hayden; sheâs smiling and looks so happy and carefree; my heart constricts, and I sob out loud.
He misses her too.
âWhoâs there?â Eddieâs voice barks.
I try to pull myself together and wipe my eyes. âItâs me,â I call.
âWho?â
âChristo.â
He pushes open the door, and his face falls, and I canât help it: my face screws up in tears.
âDonât . . . ,â he spits. âWhat are you doing here?â
âI came back for you.â
He frowns.
âAnd I promise you on my life,â I whisper through tears, âyouâll never be alone again.â