: Chapter 18
Five Brothers
I stare up at Milo, Cate Laurel, Emaline Truax, and Antoinette Viegaâthe seniors from Marymountâstanding behind him. My fingers dig into the dirt behind me. âYou want to do this here?â
His grin is in his eyes, mouth set in a straight line. âIâll be quick.â
He grabs me by the front of my hoodie and hauls me off the ground, twists me around, and grips my ponytail at the scalp. I grunt at the burn.
âMilo â¦â one of the girls chides.
But he throws me into the wall of the restroom, and I stop myself before my face hits.
âSwamp slut,â he growls, flipping me back around. âHis cum still inside you?â He grabs me between the legs. âWhich one has his smell all over you?â
I breathe hard. âUm â¦â I search my brain. âI donât know. I didnât shower between the one last night and the one this morning.â
He throws me into the lime-green wall again, and I see his hand fly with only enough time to brace myself before it lands. Fire spreads across my cheek, and he squeezes a fistful of skin from my stomach so hard a cry crawls up my throat.
But before I can let it out, he throws me to the ground.
I land on my stomach, a sharp pebble digging into my palm.
âEnough!â the same voice says. I recognize it as Toni Viega now.
âShe can take a manâs hands on her,â Milo tells the girl. âHavenât you heard?â
I raise my eyes to look for the Jaegers. I see Trace. Beyond the game booths, in the crowd. I donât want any of them to see. Not here. Not in St. Carmen.
Turning over, I keep my eyes locked on Milo as I rise to my feet.
I used to hit him back. He liked that, because it made him angrier.
But he doesnât matter enough anymore. Letâs see if he can make me scream.
âShould we be gentler?â he asks me.
He comes in close, Cate and Emaline following as he grabs me by the collar again.
But Toni shoves off. âIâm out of here.â
She leaves, and I smile through the pain in my face, the skin feeling like itâs ripping.
âShould we take her somewhere?â Milo asks them.
Cate grins. âWe should.â
My chest rises and falls with quick breaths. âYeah, so you can do what men do to women to show what men they are, right?â I feel the fire in my eyes as I goad my ex. âTraceâs tongue between my legs. Ironâs hands squeezing my hips as I rocked on top of him. Armyâs mouth sucking me so hard,â I taunt. âThey have me coming when called and doing what Iâm told, and all they do when they raise a hand to me is crook their finger.â
His eyes flare.
I smile wide. âItâs just sad for me that I canât fit all five at the same time.â
In one quick movement, he has me by the hair, slaps me, then grabs my neck and shoves me to the ground.
I land hard, feeling a sharp pain shooting through my back as all the air leaves my lungs. Leaning down, he hauls me up again, and I donât have time to push him away. His hand whips across my face, the force sending my head spinning and an ache flaring up my neck. Warm blood spills from the inside of my cheek.
He drops me back to the ground, and I lie there, trying to remember what Iâm supposed to do. Instinct wants to kick in. I should run. I should yell, call for help. Fight back.
Tears fill my eyes.
But Milo backs away, telling them, âDonât stop until something breaks.â
I look over my shoulder, struggling to get my feet under me.
When I rise and turn around, Milo is gone, Cate and Emaline remaining to finish me off.
I swallow, blood going down my throat. âAre we done?â
Emaline rushes me, taking hold of my arms behind me as Cate grabs my shoulders and plants her knee in my stomach.
Bile lurches up my throat, and they throw me down again. Their feet circle me, ready for my move.
But I just laugh weakly, feeling like Iâm going to throw up at the same time. I struggle to my feet only to have another hand whip across my face. I fall to my knees, no idea who hit me that time, but I rise again.
And again and again.
I feel a drop of blood fall down my cheekboneâor maybe itâs a tear. My eyes are watering, my vision is blurry. I feel sick.
They shove me to the ground, one kicking me in the back, the other in the stomach. They back away, wait for me, and shift on their toes, ready. My arms shake under me as I try to stand up, but I cough, feeling the vomit rise.
I blow out three hard breaths, steel my muscles, and force myself up.
I stare at them through the hair thatâs fallen in my eyes, and I feel the fire spreading across my stomach and over my face.
âFight back,â Cate demands.
I sniffle. âNah, Iâm good.â
A hand flies across my face. Emaline, I think. âFight back!â
I groan, a few tears streaming that I canât stop. The corner of my mouth stings. My knees shake.
Cate pushes me to the ground, both of them coming in, and I hold my stomach to protect myself, but then ⦠nothing comes.
Cate whips backward, grabbed by the hair, and Aracely is there, slapping Emaline to the ground.
I breathe a sigh of relief, dropping my head back to the ground, and for a moment, all the pain is gone. God, yes. I donât think Iâm going to be able to take more.
Yelps and growls go off around me, and I donât even look to know Aracely doesnât need any help. None what ⦠so ⦠ever.
Using every muscle I can muster, I roll onto my stomach and start to pry myself off the ground.
âWe could have you arrested!â Cate screams, blood dripping from her nose.
But Aracely just flashes her white teeth, gesturing to the live cam on top of the visitorâs center. âAnd youâd even be able to prove it.â
They see the camera, which wouldâve caught Aracely beating them up, but it also wouldâve caught them jumping me. Milo jumping me.
Emaline stares at the cam, frozen. âShit.â
I chuckle, wiping the blood under my nose. Theyâll get the townâs recording deleted, for sure. Theyâre connected like that. But itâs live. Not that many people will be watching, but a few will be, and at least one will be recording. They leave in a hurry, turning and disappearing back to the festival.
âThanks,â I breathe out to Aracely.
She studies me. âWhy didnât you fight back?â
I pull down my sleeve, using it to dab at my cheekbone and mouth. âIâm a Saint, Aracely. The only way to beat us is to keep getting up.â
A smile peeks out, but she covers it by rolling her eyes. It was four against one. How else did she think I was going to win?
âWhyâd you help me?â I ask her.
I would think sheâd enjoy letting me get my ass kicked.
âWell â¦â She shrugs. âI did watch for a little while.â
I snort. Iâm sure.
Iâm not mad, though.
âBut then you just kept rising back up like some kind of hero,â she goes on. âYou cunty little bitch.â
I laugh as she brushes the grass and dirt off my knees, and Iâm about to invite her back to my house for some margaritas, but I donât feel so good. Everything sways in my vision, and I faintly hear a shout. âWhat the hell?â
I look behind Aracely, seeing Trace rushing over. Army follows. I meet Aracelyâs eyes. âDonât tell them. Please. You know whatâll happen.â
This isnât about me. Miloâs baiting them, and if theyâre going to risk themselves, it wonât be for this.
âOh my God, are you okay?â Clay runs over.
Everyone crowds around, but my forehead feels like itâs on fire, and I need to get my sweatshirt off. Iâm burning up all of a sudden. âIâm fine, I just ⦠I â¦â
The world swirls around me, and I let my mouth fall open, feeling sick. Iâm going to throw up.
âKrisjen,â I hear Army say. I think he touches me.
âWho the fuck did this to you?â Dallas charges.
My knees start to give out. âI donât feel so good.â I drop. âI need to sitââ
Someoneâs arms scoop me up before I hit the ground, and I let my head fall into him as I close my eyes.
âGo get her brother and sister at the bounce house.â Maconâs voice vibrates against my ear.
âWhat?â
âNow!â he shouts at someone.
Sweat covers my forehead, my stomach roiling as I let him carry me away.
âAracely, who did this?â Liv asks as we leave.
âI didnât see.â
Thatta girl.
No more Jaegers in jail.
Ahalf hour later, Iâm sitting on the sink in Maconâs bathroom, sucking on a fruit punch Capri-Sun. He said I needed something cold in my stomach.
My legs dangle over the side as he dabs a pad with some saline solution on the corner of my lip and cleans up my nose. The guys and kids are making a ruckus downstairs, and I canât tell whoâs being louder.
âSo did you have fun?â I ask, swinging my legs as I look up at him.
He holds my face, dabbing ointment on the cut on my cheek. âYou got the shit kicked out of you, and youâre smiling?â
âIâm still breathing.â
He meets my eyes, looking unamused before returning his attention to my face.
I canât explain it. Iâm injured, but Iâm not in pain. All I can feel right now are his hands.
âYou still feel nauseous?â he asks me.
I shake my head, drinking the rest of the juice.
âWho was it?â he demands.
I drop the juice pouch in the garbage can. âJust some girls.
Aracely and I took care of it.â And then I add, âMostly Aracely.â
âKrisjen â¦â
âDid you have fun?â I press again and try to get him to look at me. âIt was pretty amazing to see you stand up to Jerome. I donât usually get to see you in action. I liked it.â
He goes still, breathing a little harder.
âIs he an old rival?â I say in a quiet voice.
He throws the bloody pads away and cracks an ice pack, activating it. âSaint versus Swamp isnât anything new.â
He places the pack along my jaw and takes my hand, planting it there to hold it in place.
âHeâll want you more now,â he says, almost whispering. âBecause he thinks youâre mine.â
My heart thuds hard.
âMaybe I shouldâve fought back,â I tell him. âAll Bay women are fighters, right?â
âMy woman wonât need a steel jaw.â He puts away the supplies. âJust a steel stomach.â
I watch him as he avoids my gaze, doing everything he can not to look at me. God, I want to know her. The woman who will belong to him.
He peels off some thin strips of tape, bandaging the cut on my cheek. Heâs pretty good at this. My parents would just pay someone to do it.
âSometimes I wonder how much of your military training youâre willing to use to keep the Bay safe,â I think out loud, listing on my fingers. âYou seem to know computers, mechanics, and youâre definitely skilled at strategy ⦠What did you do in the Marines?â
âI was a combat medic.â
I laugh, feeling the sting as he puts the final piece of tape over my cut. Of course. I shouldâve seen that coming.
âDid you ever see combat?â
He nods.
âMustâve been hard.â I start to lean into his fingertips as they brush my skin, but I stop myself. âEspecially seeing that aspect of it. But still ⦠do you miss being out in the world?â
He swallows, turning away to get another piece of tape and then coming back to me. âThe more I got a glimpse of how big the world is, the smaller I wanted mine to be,â he says. âI saw a lot, traveled ⦠And I learned that the only things that brought me joy were the things that were familiar.â
I hold my breath. Keep going.
âPeople I knew,â he continues, âmuddy roads with memories, key lime pie, the couch I first made out with a girl on â¦â
âYou still have the couch?â
âItâs in the garage.â
Thatâs awesome. I want to ask him if thatâs where he lost his virginity, too. Or if it was in a bed, and if the bed is still in the house.
I canât picture him in a bed, though. My mind wanders, and I see it in my head. In a shower. It was in a shower. He picks her up. She wraps her arms and legs around him, and he holds her close as they do it against the wall.
âWhat?â I hear him ask.
I blink, realizing the look that must be on my face. I drop my eyes.
âUm â¦â I pause, trying to find my voice. âThank you for helping me.â
I hop off the counter and head out of his bedroom, but he catches me in the hallway, taking me by the elbow.
I turn.
âLivâs room,â he instructs. âYou need rest. Mars will make sure Paisleigh gets her bath, and Iâll send her up when itâs time for bed. Mars can sleep in Ironâs.â
He heads down the stairs, and I drift toward his sisterâs bedroom door, barely noticing the ache settling in my body. He thought I was heading to Armyâs room. Iâm not sure where I was going, but yeah, I need sleep.
Closing myself away in Livâs room, I pull off my jeans and take off my bra, then slip my arms back into my T-shirt, and uncover the bed. I hope Liv is sleeping at Clayâs tonight.
My phone rings. I drop the blankets and pick up my jeans, digging out my phone. Clayâs name flashes on the caller ID.
âHey, Iâm okay,â I assure her before she can ask.
âGood.â Itâs quiet wherever she is, so she must be home now. âIf it was Miloââ
âI can handle myself,â I tell her, but Iâm smiling. Sheâs worried. At least one Saint still loves me. âYou just worry about spending time with Ms. Jaeger.â
âSpeaking of Jaegers,â she teases. âArmy?â
Great.
I stroll to the window, looking out onto the derelict wing, a wild garden of flowers and weeds and ivy climbing and reclaiming.
âAnd who told you that, now?â
But she just replies, âPlease.â
Just then, a figure moves into my line of sight. Macon walks into the dark, abandoned skeleton of the house that his ancestors built. He moves alone, stopping in the middle of the garden, and stands there, looking down. Looking at nothing.
I can see the leather bracelet from here, the hourglass glimmering as it catches the moonlight.
When he had his arms around me today ⦠My hand was on his wrist. On the bracelet.
It felt the same as that night.
It takes a moment to work up the courage. âCould it have been Macon?â I ask her.
Sheâs quiet.
âThat night on the couch,â I explain. âCan you see it being him?â She hesitates but then states, âYou want it to be.â
Is that an observation or an accusation?
âIs there a spark?â she asks me.
I almost laugh. A spark â¦
âBright and big and warm and lodged in my chest every time Iâm alone with him,â I tell her, my voice cracking. I donât know why I want to cry. Iâm not sad.
Jesus. Iâm eighteen. Heâs thirty-one. What am I thinking? I thought Jerome was too old for me, but Macon is about the same age. And I donât think I would even care if he was older than that.
But Clay replies, âI know that feeling.â
Yeah. These damn Jaegers. It was over for her the moment she first kissed Liv.
But Macon will want someone more mature. Iâll never grow up. Iâll always want balloons on my birthday.
âYou did say it was the best you ever had,â Clay points out. âIt would make sense, I guess. Heâs the oldest, more experienced â¦â
I watch him, his beautiful body dressed in black pants and no shirt. I try to imagine him on me. Has he been on me already?
âIt couldnât have been him.â I shake my head. âMacon keeps everything pent up.â
âNo one does all the time.â
By Monday, Iâm still thinking about Clayâs words.
Macon is a man. Even though the bulk of my experience with him is intimidating and far from warm, heâs not the machine he presents himself to be. Heâs not. He can laugh. Play. Be overtaken with desire.
Sheâs right. He may resist those feelings as much as possible, but they do burst forth at some point or another. In his hand around someoneâs neck. His kiss on their temple. His thumb brushing a breast.
And around the time I get off work in the early afternoon, I let myself admit silently in my head that if it wasnât him on the couch that night, I donât want to know. Even if nothing ever happens between us again, I like the allure of thinking it mightâve been him. And that he wanted me.
I climb the stairs to Livâs room to change my clothes before running to get the kids from Bateman, but when I reach the top, I see Army and Dallas moving boxes out of the room next to Dallas and Ironâs. They pile them in the hallway, the boxes overflowing with clothes, decor, fake flowers, and old board games. Mixed into the mess are an easel, a drafting table, and a large mason jar, cloudy with paint splatter and filled with brushes.
âYou all are home early. What are you doing?â I ask, trying to see into the room. This door was always closed. I never had a reason to open it.
Army heaves another box to the top of the pile. âMacon said to clear it out.â
âWhat is this room?â I spot a window with sheer pink curtains and the foot of a twin bed. A pile of canvases lays on top of it.
âIt was Momâs art studio,â he tells me.
Dallas opens the window, and I spot Trace behind the door, tossing out an old vacuum.
Their mom painted? Thereâs no art displayed on the walls in the house.
Then I see the glassware on a shelf. I draw in a breath, holding it for a second. She was a glassmaker, too.
Macon and Armyâs fight on Thanksgiving â¦
Thatâs why they looked devasted when they broke everything on the tables.
Shit.
Army comes up to me, gently taking my face in his hands. âYou okay?â
I hesitate, turning my attention back to him. The swelling has gone down a lot, but the cut on the corner of my mouth stings. It reopened every time I tried to eat today. But I nod. âIâm okay.â
He smiles. âShould we send Aracely and her crew after them again?â
âOh, she made her point,â I say. âDonât worry.â
He holds my eyes. âIâve missed you at night.â
I place my hand on his as he holds my cheek. I donât know what to say. Heâs the one I should want. Out of all of them, heâs the one whoâs ready for forever.
I take a deep breath, looking around at all the things cluttering the hallway. âThereâs some cool stuff here.â I peek into boxes. âWhat does he want with the room?â
âHopefully itâs for Dex.â Army pulls away, back to taking boxes Dallas and Trace hand him. âSo I can have some privacy again.â
And he smiles at me like we both know why he wants his room to himself.
âWhy didnât you just tell him you needed it a year ago when he was born?â
âI did.â
I start to shake my head, but then I stop. It would be just like Macon to punish Army for having a kid, but if it was their motherâs studio, Macon mightâve had other reasons for keeping the room off-limits.
I start to back away. âI need to get the kids from the nanny.â
Bateman has been paid up, but I donât want to be late like my mom.
But Trace calls out, âTheyâre already here.â
âWhat?â
âMars is making dinner,â Army tells me, âand Paisleigh is doing her homework in the garage.â
âBateman just gave the kids to you?â I blurt out.
âWeâre persuasive,â Dallas mumbles.
Yeah, right. I should probably call the poor guy and make sure he hasnât called the police to report the kids being kidnapped.
I head downstairs, but then halt as Armyâs words finally hit me. Mars is making dinner?
I peek into the kitchen, seeing my twelve-year-old brother rolling balls of ground beef between his hands as a pot steams on the stove. I get weepy. Aw. Spaghetti and meatballs. I taught him to make that.
All I say is âHeyâ as I walk to the door to the garage. Twelve-year-olds are tricky. If I hover, try to help, or gush about how much I love him, heâll stop and never cook again.
âHey,â he says back.
I walk into the garage, seeing Paisleigh sitting on a stool at the worktable. Her legs dangle as she swings her feet in her pink Chucks. âHey.â I smooth her ponytail as I look to see what sheâs working on. âGood day?â
She nods. âTrace got us from home. Mars went in the truck with the others, but I got to go on Traceâs motorcycle!â
I freeze, thankful sheâs busy coloring instead of seeing my snarl. âIâll be talking to him about that.â
I look around. The garage door is up, the hood of a car that looks like itâs from the eighties is propped open with tools discarded nearby. âWhy are you in here by yourself?â I ask her.
She changes out her crayon for an orange one. âThe mean one was here, but he left.â
The mean one. Macon?
âHe was mean to you?â
âNo. He gave me ice cream.â She starts coloring the title of her Rosa Parks Day worksheet. âBut he was mean to the people who came over.â
I peer outside, but I donât see any unfamiliar cars or trucks. âWhat did they say to him?â I ask her.
âI dunno. He left with them.â
âIn a car?â
âNo.â She points diagonally, in the direction of the firehouse. âOver there.â
I walk around her. âStay here.â
I should stay out of it. If Macon wanted help, he wouldâve asked for it. His brothers are home.
It wouldnât have been Milo, would it? Or Jerome Watson?
Walking across the street, I try the door of the firehouse, but itâs locked, and I donât see any lights on inside. Itâs just a volunteer station. No staff. Iâm sure all the Jaegers are on call when needed.
âAh!â some cries in the distance.
I dart my head around the corner of the building, seeing the forest of trees and the long planks of wet wood creating a path over the shallow water and moss. There are houses through itâwhere Aracely livesâbut Iâve never been in there.
The insects buzz, filling my ears as I start along the narrow, low bridge toward the cries. The cypresses and oaks rise high, casting the swamp in a perpetual twilight, and I keep my eyes open for alligators.
Despite all of the creatures designed to kill you in here, I move slower than I probably should. Why did I never come in here before? Itâs green and dark, and it smells like nothing does on my side of the tracks. Like a library with no roof.
I step off the bridge, onto the moss-covered ground that only gets mossy when the land hasnât been covered in water long enough for something to grow. The little floods will come, though.
I approach a small collection of houses, seeing stilts underneath them to keep them dry during heavy rains. The sound of dishes crashing comes from the purple one.
There are also two white houses, a green one, and a yellow one, but I start up the steps of the one with all the noise.
I stop short of knocking on the door, though. Itâs a Bay house. Bay business.
âMacon, please!â a woman screams. âPlease, donât!â
What the hell? I pry open the screen door.
I peek inside, placing one foot over the threshold, and spots cover my vision as I adjust to the low light.
A woman Iâve seen around but havenât talked to yet stands in the middle of the living room sobbing, her eyes staring in the direction of the hallway to the loft, at something I canât see. A baby, less than a year old, cries in the swing, and to my right sits the kitchen. Aracely and Summer move around, one searching the cabinets, and the other doing the dishes.
I meet Aracelyâs eyes. âJust leave,â she tells me. âWe donât need help.â
âMacon!â the woman screams, but for some reason she doesnât go down the hall toward him. âHe canât help it! Please!â
Her cries make my stomach curdle. What the hell is going on? Summer slams the cabinets closed. âThereâs nothing here.â Aracely reaches down and picks up another little boy hidden behind the counter, maybe three years old.
âHe told you to buy food!â Aracely scolds the woman.
A thud and a muffled cry carry from somewhere in the back of the house, and the woman looks terrified. What is Macon doing?
I reach into the apron at my waist, taking out the baggie of cut-up grapes I prepared for Paisleigh for after school. I donât want Aracely to think Iâm inserting myself, so I just set it on the counter in case she wants it.
âPlease,â the woman whimpers.
Someone chokes out a cough over and over again in one of the back rooms.
âYou know him!â she yells. âHe just needs help.â
I glance at Aracely, concern etching her brow, but something else, too.
Worry.
I flex my jaw, she shakes her head at me, and I shoot off, rushing down the hallway. Theyâre afraid to stand up to him. I donât live here.
I glance in bedrooms as I pass, finally finding Macon in the bathroom. I stop, watching as he holds a man under the shower, and I can feel the ice-cold spray thatâs filling the small space.
The man sputters and coughs as the water covers his face, letting in little air.
I pause, recognizing him. Itâs the same guy Macon had locked in the container in the woods behind the house. A bottle of Wild Turkey lies in the sink, only a couple of swallows left.
Heâs drinking again. Instead of using his money to take care of his family. I understood that much from what they said in the living room.
The guy coughs and vomits, spilling all over himself. Maconâs knuckles are white as he holds him under the water.
I murmur, âMacon â¦â
Heâs not helping him. Heâs punishing him.
But Macon just bellows, âAracely! Get the kids out of here!â
âPlease, man,â the guy spits out.
âMacon, heâs hurting!â I hear his wife cry.
But Macon doesnât stop. I donât even think he knows Iâm here.
Ripping the man from the shower, he drags him out of the bathroom, and I jump out of the way just in time as he shoves him down the hallway, back to the living room. The man lands on the floor, his wife falling to his side and trying to hold him.
Aracely stuffs diapers into a bag, getting ready to remove the kids from the house.
I grab Maconâs arm. âStop!â I whisper to him.
He turns his head, looking right at me, but his eyes are bright with anger.
âYou canât just tell addicts to quit,â I tell him quietly. âHe could be a danger to himself and his kids just as much if heâs not using. That shit is a symptom.â
âItâs the disease,â he bites out, hauling the man back up off the floor.
His wifeâs guttural sob makes me wince.
âNot always!â I bark, my voice louder now. âItâs how people cope with real fucking problems that arenât just going to go away with tough love! You canât do it like this!â
âSo what do you think he needs?â he fires back. âMedicine? Therapy? Rehab?â
I donât even have to think about it to know that none of those are options for people in the Bay. These men donât talk about their problems, and rehab takes people away from their jobs when they canât afford to miss a paycheck.
My eyes flit over to Aracely, catching her shaking her head at me.
âDonât,â she mouths.
âI want to die,â the man says, shaking.
âDo you?â Macon replies, but it sounds more like a challenge. His eyes gleam, and I stop breathing for a second.
In one fell swoop, he throws the man over his shoulder and takes him out the front door, the wife screaming behind him.
âGoddammit, Krisjen!â Aracely growls. âStop him!â
My mouth drops open, and I stand there, paralyzed as Macon descends the steps and keeps walking. Why? What is he going to do?
The woman runs after Macon and her husband, and Summer grabs the baby, Aracely taking the toddler.
I shoot off, running after Macon.
He crosses the bridge pathway, and I run alongside, my shoes soaked in mud and water. âWhat are you doing?â I yell as he hauls the man back to the center of the Bay. âWhere are you going?â
âHe said he wanted to die,â Macon says all too calmly. âHis family is better off.â
âNo!â his wife begs. âYou care about him. I know you do. He needs you. Please. Youâve always been there for him. Donât do this.â
I follow in horror as Macon walks onto the main road. The Jaeger house stands tall across the street, and I spot Paisleigh still doing her homework in the garage. She doesnât seem to see us.
Macon takes the man into the small junkyard behind Marietteâs, and a lump lodges in my throat as I watch him throw the guy into a car, lock the door, and grab the control from Santos standing nearby.
I shake my head, my heart racing a mile a minute. Screams fill the air as Macon presses the button and the compressor starts up, coming down on top of the car, slowly flattening it.
Men filter in, watching, but not a single person races to help him.
âMacon!â the guy cries from inside the car.
His wife only sobs quietly now.
I come to Maconâs side. âStop,â I order him.
âHeâs a drain on my time and Bay resources.â
âYou canât kill him.â
He doesnât reply, simply watching the crusher come down. The windows blow out, and I jump. Fuck this. I start after the guy. I have to get him out of the car.
But Macon yanks me back into him. I fight, but he holds me tightly, forcing me to watch.
I donât know what I was going to do to help the guy, but no one else is moving.
âYour pretty little ass wants to go to bed with us,â Macon growls in my ear, âbut you donât want to wake up with us. This is the Bay.â He shakes me. âFun, isnât it?â
The hammers close, flattening the car more and more, the earsplitting screech of metal all we can hear over the manâs screams. I shake, nearly in tears as the guy disappears to the floor of the car, forced down.
âPeople say they want to die all the time, Krisjen,â Macon says. âMost donât.â
His arm around my waist tightens.
âTheyâre just tired of fighting to live. Theyâre tired of problems.
Tired of nothing ever changing â¦â He pauses, his voice softening as his chest rises against my back. âTired of money. People. Themselves. So tired of themselves and being in their own heads.â
I shake my head as the car gets smashed.
âRight now heâs remembering the color of the wrapping paper at his fifth birthday,â Macon tells me. âHow good a cheeseburger tastes. How he wanted to have a store of his own someday, learn how to surf, and see some redwoods. The time he laughed so hard while watching a movie with his mom one night, how it felt to wake up to the smell of good food cooking, and how it felt to kiss a beautiful girl for the first time.â His voice drifts off as if the memories are his, too. âAnd that one time the night air smelled like flowers, the top was down, and his song came on. The wind was a perfect temperature â¦â
A tear spills down my face. Itâs like he sees it. As if heâs remembering it himself.
His voice is a whisper. âRight now heâs remembering everything heâs forgotten.â
He releases me and the compressor stops, the man still crying out from inside the car.
While I exhale in relief, the men move over and rip off the door, pulling him out by his feet.
He falls onto the ground, wet with sweat and red from the panic, but otherwise uninjured.
They donât help him up, though.
Macon walks over, peels him up off the ground, and I know heâs about to hit him. Or threaten him.
But thatâs not what happens.
He hugs him.
I see him whisper something in the manâs ear as the guy cries and his wife climbs to her feet. Then he wraps his arms around Macon again, sobbing.
âDonât ever do that again,â Aracely suddenly says at my side.
But I donât care. âHeâs a hypocrite,â I bite out. âHe drinks.â
âYeah.â She turns to face me. âBecause he cares more about their lives than he ever did his own.â